A Memory of Light - Chapters 44-49

In this section, Rand defeats the Dark One.

Perrin awakens after the battle is done. He argues with Chiad about why she won’t bend the rules for gai’shain, given that it is the Last Battle. “What good is honor if the Dark One wins the Last Battle?” Perrin snapped, pulling up his trousers. “It is everything,” Chiad said softly. “It is worth death, it is worth risking the world itself. If we have no honor, better that we lose.”

Perrin’s surrogate father Master Luhhan comes to check on Perrin’s health, and formally acknowledges that Perrin has grown into a man, one he is quite proud of.  Upon learning of Fain’s role in the murder of Perrin’s family, Luhhan says “What? Are you certain?” Questioning the truth of Perrin’s statement is odd on the heels of everything else Luhhan said. The author could easily have substituted other incredulous statements such as “The Peddler? How did you learn this?” or “Fain? How could he?” Either of these would have supported Luhhan’s faith in Perrin and allowed further discussion of the Whitecloaks, or even segued into Fain’s nature, which would surely have been useful since Fain’s appearance is imminent.

Masuri offers to Heal Perrin, but she must first confess and receive Perrin’s absolution for her actions with the Prophet. This again presents Perrin as a fully grown man of power and moral character, standing in judgment of high-ranking figures. His character arc is now complete.  

Thom protects the entrance to Shayol Ghul, sitting in for the author since they have the same concerns about how to describe the events unfolding around them. These pages offer a peek directly into the author’s mind as he wrote this final chapter of the Wheel of Time. ‘Epic’, ‘momentous’, ‘climactic’, ‘perilous’ and ‘terrifying’ aren’t right, but he eventually settles on ‘exquisite’. That’s a wonderful word to describe completing this epic.

Mat gets a Gateway opened to bring him near Shayol Ghul. Bringing Olver is part of the tugging he feels, but there is more, some greater role he must play.

Shaisam is a new name for Padan Fain, which means Destroyer of the Shadow. Shaisam is a creature vaster and far more powerful than before, living in every tendril of mist. And no wonder, for Rand’s intent to destroy the Shadow is greater than ever before. Shaisam kills friend and foe indiscriminately, for only one thing matters to him. As much as killing Rand and the Dark One balance each other as goals, he can accomplish both by rooting himself deep in Rand’s breast, in a host which can destroy one enemy and be destroyed in the process. Even now as the end approaches, there is a vagueness to Shaisam’s motivations, since the author has never, even now, come right out and explained them directly. This deliberate sidestepping of a key fact that provides context has been used throughout the series, and has provided the most fertile ground for fan theorizing, for both good and ill.

Gaul and the wolves defend the entrance to the Pit of Doom against Slayer in Tel’aran’rhiod. Perrin arrives, then Slayer monologues to fill in plot and character gaps. Seeing the look in his friend’s eyes,  Gaul senses it’s time to skedaddle.

Mat flies a to’raken into the valley of Thakan’dar, and senses Fain in the mist below. He crashes, and Olver blows the Horn. The clouds above form the ancient sign of the Aes Sedai, reflecting that Rand stands even with the Dark One at the moment.

Rand re-enters the Pattern, and swipes Callandor at Moridin. He tells Moridin that he doesn’t matter any more. Moridin responds by flinging a knife at Alanna.

Nynaeve’s herbs gave Alanna enough awareness to release the bond. This is a symbol of Rand being free of what Alanna represents. Since she bonded him forcefully, it simply means Rand is free of influence, and is free to choose his path. His ploy foiled, Moridin stabs his own hand causing Rand pain through the bond they share, and Rand drops Callandor, losing access to the torrents of the One Power it provides.

Perrin and Slayer battle, flipping between worlds. Perrin recently became a full-fledged adult in Luhhan’s eyes, and is therefore more confident and more sure of his identity than ever before. He has the confidence to truly unleash his fury on Slayer, and also has superior control over Tel’aran’rhiod. The killing blow sends Perrin spinning through Mirror Worlds. Unlike his past experience with the Portal Stones, when he saw variations of himself, in this instance all versions of Perrin act the same, and achieve the same victory as a result. All possibilities collapsed into one, the one where Perrin knows exactly who he is. Perrin brings survivors of the battle to the cave entrance to defend against the Darkhounds. Even as they face certain death, hope springs about them in the form of growing plants. The Horn summons wolf Heroes as well as human to fill out their ranks, and the odds are no longer so grim.

Mat approaches Perrin, who is concerned about Faile. Mat lies and offers Perrin hope, for what else could he say? As he reveals Fain’s presence, Mat is stabbed through the chest by Fain’s tendril. Mat’s death is so sudden in comparison to Egwene’s, and the manner of it so final based on all prior evidence, that readers are likely to be shocked out of the complacency that has been building since the Shadow was routed at Merrilor.

Aviendha holds off Graendal’s shield. She takes a chance, unraveling her Gateway despite that the effects are unpredictable, and may not help her at all. Graendal casts her Compulsion just as the Gateway explodes. Aviendha actually made a mistake in her haste, picking the wrong thread, which is a poor turn of phrase since she would have to botch the unweaving deliberately in order to have a chance of achieving the effect she is looking for. The threat of Compulsion is terrifying, and enthralls the reader with the horrible story possibilities that may come about if it succeeds.

Fain comes across Mat, who is not dead after all. Mat grabs Fain by the throat and stabs him with the dagger. Fain and Mordeth die, and not coincidentally, this embodiment of the all-consuming desire to achieve the end goal at any cost meets its demise just before Rand makes his decision on how to defeat the Dark One for good. Mat’s explanation that if you catch a disease you cannot catch it a second time is an awkward introduction of modern medical knowledge into the story in an attempt to have the reader accept this unforeseen immunity. Perhaps Mat is merely paraphrasing what the Amyrlin told him after he was healed of the dagger’s influence, or what Nynaeve has told him at some point, but the wording used suggests a strong level of in-world familiarity with disease that just hasn’t been featured before. Taking out the word ‘disease’ and having Mat speak in terms of his own immunity rather than a general statement about illnesses would have been more believable.

Perrin abandoned Mat on a gut feeling from the look Mat gave him. ‘Look’ may not have been the best word, given that Mat only has one eye, but the meaning is understood. Interestingly, Perrin had no angst about leaving Mat whereas he has wrung his hands over many of his friends and followers throughout the series. It is partly his newfound maturity, partly that he is more concerned with Rand here and now than he can allow himself to be for anyone else, even Faile. Perrin finds Gaul and returns him to Merrilor to rest. Then, acting against his desire to seek out Faile, he returns to guard Rand’s back yet again.

Moridin picks up Callandor and attempts to channel with it, falling into Rand’s trap. Moiraine and Nynaeve, duty and conscience, take control of Moridin, then link with Rand. Rand is shielded from any taint by combining the powers and using Moridin’s link to touch the True Power. The three powers are combined and wielded against the Dark One, turning the Dark One’s own power on himself. Rand holds him fast in a gauntlet of Power. In terms of Rand’s identity, he is turning doubt and negativity against his own doubt and negativity, looking at them with scorn and dismissal.

The following sections together show how Rand’s final victory and assertion of his identity affect the world. Rand’s past, present and future all figure, as well as his chronicler, and his successor.

Elayne surveys the carnage. The nearby plateau collapses, like the foundation of Rand’s old identity.  The bond lets her sense Rand’s strength, control and domination. She sees a beam of light far to the north, marking the end.

Thom sees the light up close. If Thom still represents the author, then he is in awe of the ending.

Min sees a brilliant lance of light, clearing the clouds. The wounded shield their eyes from the bright future Rand is making.

Aviendha sees the light and senses Rand winning, and it revives her. Graendal has been self-compelled by the unraveling gateway and begs to serve Aviendha. Since Aviendha represents the past, this is an indication that reverence for tradition and memory of this light and what it means are part of what the future holds.

Logain lost his prize in the collapse of the Heights, but saved the refugees, and they accept and welcome him, aspire to have their children join him. The Asha’man are no longer cursed for Lews Therin’s sins, but are seen as talented for Rand’s redemption of those sins. The light reminds Logain of his duty. He breaks the seals, another symbol of the old making way for the new.

Perrin sees the light in Tel’aran’rhiod, and observes the World of Dreams disintegrating and collapsing. Dragonmount is being drawn towards Shayol Ghul, all points coalescing into one, and then this realm of possibility will be gone. This was an unexpected development, which pertains to Rand’s transformation.

Perrin encounters Lanfear in the cavern. Her words still carry a sense of wonder that leads us to think she’s on the good side. “It is the end. Something amazing just happened. This might be the most important moment for humankind since we opened the Bore.” Perrin is compelled by Lanfear to help her kill Nynaeve and Moiraine, yet he resists. Lanfear has been working towards her true objective all along, at whatever cost. This is a trait shared by all of the Forsaken, the Mordeth-like motivation to do anything at all to achieve their heart’s desire.  Focusing on Faile, a far more powerful motivation than any dislike of Moiraine, Perrin’s will is stronger than Lanfear’s mere Compulsion weave. In Tel’aran’rhiod, this means he is able to reassert his identity and change himself back to the way he should be. He kills Lanfear, yet still loves her, she who represents the thirst for glory and power. Perrin may still want those things in some fashion, but not at the expense of the one he loves most.

The Dark One is freed yet cannot escape as Rand has him clutched tightly. He sees the Dark One as pitiful, tiny, insignificant, and above all, a liar. Rand pulls the Dark One into the Pattern, where he can be killed. But before he can kill him, Rand remembers that the vision he created with no Dark One was no better. Realizing his error, he thrusts the Dark One back outside of the Pattern and reforges the prison using braided saidar and saidin in a pure form and the True Power to keep the Dark One’s touch at bay by shielding the Bore.

He understood, finally, that the Dark One was not the enemy. It never had been. Rand’s own heart was the only enemy that could harm him, for as all the heroes have learned, ultimately, whatever befalls them is by their own choice.

Moiraine pulls Nynaeve out of the cavern. Looking back, she sees silhouettes of Rand and Moridin, Light and Shadow, vanish in the all consuming light. The last thing she sees, the last words which end the book, is the Bore being closed, a metaphor for Rand locking away in his heart the Dark One and the dark desires and ambitions he promotes, never to torment him again.

Writing Lessons:

End your story on a high note, right after the critical moment. 

A Memory of Light - Chapters 25-28

In this section, Egwene makes uneasy alliance with her personal Dark One.

Egwene has good reason to detest the Seanchan, having endured a short time in their clutches as a damane. She is tolerant of their help when she first hears of their arrival, but the matter of who leads who must be decided. So, she and Fortuona must meet face to face for the sake of expediency, despite the risk to their status being seen doing so.

She wore a glittering dress whose train extended a ridiculous distance behind her, carried by eight da’covale, those servants in their horribly immodest clothing. The use of the adjectives ‘ridiculous’ and ‘horribly’ not only describe the physical appearance of Fortuona’s garments and entourage, but also Egwene’s judgment of it. This sort of deep and personal attribution of adjectives is one way the author succeeds in crafting the third-person limited point of view.

In her confrontation with Fortuona, Egwene takes up the familiar theme of freedom to choose. Many of the evils in this world limit people’s freedom, and Egwene’s cause is one that Rand recently supported, and will again in his imminent confrontation with the Dark One.

Both Fortuona and Egwene can be excused for spontaneous bouts of uncharacteristic blurting out what they are really thinking when their minds should be keenly focused on the politics of this encounter.  Their minds may be sharp as diamond-studded bear traps, but all preparation and logic go out the window once a ta’veren is part of the conversation. If Mat weren’t present, readers might frown over the women’s lack of formality and veering off topic. I suppose Egwene’s eagerness to publicly beat Fortuona account for some of her behaviour.

Elsewhere, the generals are caught making mistakes, and Bashere is arrested as a result. Lan has verified his suspicions about Agelmar as well. Perrin would like to investigate this matter more, but he has been battling Slayer and protecting Rand.

In his battle Perrin sees an image of snakelike men battling as well. Are the forces of evil also attacking the Aelfinn? Or are the Aelfinn and Eelfinn secretly participating in the battle at Thakan’dar, staving off the threat to their own existence?

The dreamspike serves a major plot related purpose, keeping Rand safe from outside interference, though it may later slow his escape. The wolves add to Rand’s defense, summoning Perrin whenever Slayer approaches.

Perrin’s encounter with Slayer ends in victory as the other man is driven off before he can harm Rand. Perrin and Gaul also fight several red-veiled Aiel, defeating the last by changing them into idiots. I wonder whether the turning process somehow weakens their willpower, thus affecting how easily they are altered in Tel’aran’rhiod, or perhaps it is simply lack of training as Perrin surmises. Lanfear even shows up to aid Perrin yet again, and despite misgivings, it is difficult not to wonder if this most Forsaken of them all might be swayed back to the Light.

Moridin has no such second chances in his future: “Now? Now you beg me to return to the Light? I have been promised oblivion. Finally, nothing, a destruction of my entire being. An end. You will not steal that from me, Lews Therin! By my grave, you will not!” Moridin came forward swinging.

Shaidar Haran’s demise is anticlimactic, yet not without interest. The giant Myrddraal’s husk lies on the ground before an infinite Blackness, whose touch may spell the end of Rand. Moridin will try to bleed one last time to weaken him enough for the Dark One to prevail, perhaps even to defeat Rand himself. The stakes, emotion, and uneven odds all contribute to the intensity of Rand’s slow progress to the Bore. The slow pace of Rand’s battle, explained by the time differential, also keeps the tension high. The book is half over, and he’s just facing his opponent now. How much can be left? What will happen? So, so good.  

A raken hit by a fireball crashes atop a messenger in Byrne’s camp. With no one else to carry a plea for help, Min offers her aid. Necessity is a very believable reason for improbable coincidences to take place. In this case, it provides the desired motivation for Min and Bryne, and is quicker and more elegant than any other convoluted attempt to place her with the Seanchan could be. Added to Fortuona, Min and Mat now offer another convenient pair of viewpoints to show events from a more Seanchan perspective.

The use of an Ogier song of mourning makes the reader’s mood more downcast, especially in contrast to how the Ogier’s manic battle rage had provided an uplifting source of hope in an earlier chapter. Loial’s sections are short, and used to punctuate the plot with the desired emotion each time he shows up.

Writing Lessons: Use adjectives to simultaneously describe physical and symbolic elements, as well as reveal character.  

Use necessity as a means to make improbable scenarios more believable.

A Memory of Light - Chapters 1-4

In this section, Rand returns as a point of view character while dire events transpire at the Black Tower.

The familiar opening shows a world failing, withering, dying, awaiting the end. Rand’s appearance disrupts that imagery with happiness: Laughter broke the air.

While Moridin’s forces feel assured of victory, Rand is more hesitant, concocting a plan he isn’t sure can work, revealing that he wishes to kill the Dark One himself. The key element of the plan involves breaking the seals on the Dark One’s prison, which drives a wedge between him and Egwene. Egwene has a clue left by a Dreamer, a well known and oft studied clue: Wait upon the Light.

Rand pays attention to Roedran, inciting the reader to do the same, yet it seems unlikely or undesirable to the reader that such a minor character can suddenly play a meaningful role. It turns out that this is a feint; Roedran is being mildly played up to attract attention while keeping the reader guessing about Demandred’s whereabouts a little while longer.

Rand correctly surmises the Shadow wants to prevent the heroes from unifying, and the bold attack on Caemlyn threatens to do just that. More importantly to the story, Caemlyn is the central city, the gleaming jewel on the hill, the heart of the civilization that emerged after Hawkwing’s death. Its fall symbolizes the last cutting of ties to the old, the end of all that was good. It symbolizes that all the people of the world have left is each other now, even though most of their nations and cities still stand.

Talmanes’ overly heroic death is averted by Nynaeve’s healing.  This doesn’t sit well, as it indicates an unwillingness to let even a secondary character die, and cheapens the stakes. On a reread, it may instead have been intended to deliberately mislead, so that when well-established heroes die later, it will be even more shocking. If an author goes to such great lengths to keep this character alive, a payoff is expected. Does Talmanes have a critical role to play which no one else can do? Is there some clue in the way he embraced death which he can teach a main hero? Or is this just one of many death and resurrection parallels throughout the story?

Perrin and Elayne urge Rand and Egwene to talk, not argue, when they meet on the morrow.

At the Black Tower, Androl commits to a course of action, abducting and questioning one of Taim’s men. While the characters at Merrilor debate what to do and talk about events at a distance, it is Androl’s sections which provide the excitement. No matter that Androl is a new character and Pevara is a Red Sister, and that readers generally identify with Rand and Egwene closely, having followed their adventures for thirteen books. All it takes is a lack of action on their part to thrust Androl’s plotline to the forefront. It helps that readers are mildly unsure whether Androl’s events take place precisely on the eve of the meeting at Merrilor, and that they expect Taim’s men to play some role in disrupting those proceedings. Readers expect that the Black Tower storyline will play directly into events surrounding Rand. The fact that this turns out to be false doesn’t lessen the excitement immediately felt as Androl’s plan comes apart and he and his followers are overwhelmed as they rescue Logain. Logain’s own role and foretold destiny also help lift this plotline above the main storyline.

Aviendha comes to Rand, and for the last time he makes a halfhearted attempt to try spare a woman any pain. As always, the woman points out that she is truly an equal, and must therefore be allowed to choose on her own what pain and risks she will accept. Rand finally accepts this, and immediately reaps the rewards.

The dreamshard scene reminds readers that Moridin and Rand are linked somehow. The possibility that many of their early interactions took place in a dreamshard is raised, and offers an explanation for many small mysteries from the early books.

However brief the Moridin-Rand scene is, it contains emotive power in the cool verbal parrying between them. In just four pages it covers Lanfear’s relationship with Lews Therin, Moridin’s self-loathing, Rand’s desire to protect his loved ones, dreamshard physics, discussions on fate and destiny, Rand’s ultimate plan revealed to his enemies, and a surprise ability that sends Moridin scurrying. Any interaction between the principal hero and antagonist is bound to excite the reader, and this short section hits with everything it can. Hammering at the raw nerves of either character and addressing their worst fears is wonderfully effective here.

On the back of the hope raised by Rand’s small victory over Moridin, everything runs smoothly for Androl up until the last second, when hope is dashed. This too is a great example of stringing disparate sections together based on the mood the author wants to convey. Rand’s victory leads to Androl’s early success which reinforces expectation of Androl’s ongoing success, right up to the last second.

Writing Lessons:

Readers will perceive importance with the things the author treats with importance.

A Memory of Light - Prologue

Sorry for the lengthy wait, life struck and added to the time I needed to digest A Memory of Light.

In this section, new point of view characters foil readers’ expectations.

Oddly, Bayrd the Andoran soldier is introduced as a new character. It’s odd because there are already a multitude of other characters in which readers are already emotionally invested. Why introduce him at all? In this case, Bayrd’s story ties up a few loose ends, telling what happened to one of Elayne’s enemies and showing that across the world, ordinary men recognize the signs of Tarmon Gai’don and decide to join with whatever army they can find so they can march against the Dark One. Bayrd and his companions stand in for all the other people which the author can’t afford to show. It’s still meager benefit against the risk of displeasing the reader, but the other possible reasons for including are misleading. Weapons failing? Rejecting immoral authority figures? The act of creating as a ward against the Dark One? The lack of other good explanations for this section gives each of these possible other explanations added weight, whether it is intended or not.

Talmanes appears between every other scene in the prologue, leading a desperate defense of Caemlyn. The alternating structure of the prologue increases the sense of urgency over what a straightforward telling would have done. This structure is highly atypical of most Wheel of Time books, which would normally avoid interruptions in the midst of an action sequence, except to show other players within that same action sequence. It is however common in other fantasy stories, serving to delay resolution and increase the reader’s curiosity and emotional involvement. The difficulty here is that Talmanes is a secondary character, and spends a great deal of time searching for cannons, two things which reduce a reader’s engagement. The author wisely first portrayed Talmanes’ actions in saving the citizens of Caemlyn, forging an emotional bond with Talmanes before sending him off to save the new weapons, which so far offer more hope than proof of effectiveness.

Isam offers a peek inside his grim upbringing in the Town, a way station in the shadow of Shayol Ghul itself. The initial description represents Isam’s life: “The building would have been called an inn elsewhere, though Isam had never seen anyone inside except for the dull-eyed women who tended the few drab rooms and prepared tasteless meals. Visits here were never for comfort. He sat on a hard stool at a pine table so worn with age, it had likely grayed long before Isam’s birth. He refrained from touching the surface overly much, lest he come away with more splinters than an Aiel had spears.” Women, food, and simple furniture all fail to live up to the most meager of expectations. What isn’t bland is likely to hurt him. It’s all symbolic of life under the Dark One, and the reader can’t help but feel a twinge of pity for Isam, or hope that there is something of him to be salvaged. These feelings come from the way Isam stands in contrast to his surroundings. Longtime readers know Isam is nasty, but as presented here he becomes rather sympathetic in comparison to the red-veiled Aiel called Samma N’Sei, or the Forsaken who use and discard him. Coming so soon after Lanfear’s appeal for help at the end of the last book, there is reason to wonder whether Isam, or Luc, has any interest in ending his service to the Shadow. Once again, such an assumption will prove to be misleading.

Clues reveal these Samma N’Sei are Aiel men who can channel, but have been captured and turned to serve the Shadow. This secret army of channelers made a surprise appearance at the end of Towers of Midnight, stacking the odds against the heroes, who don’t yet know they exist. Having successfully avoided revealing the existence of these evil channelers throughout the entire series, readers expect a big payoff when they enter the fray. Readers may dread the outcome for their heroes, they may resent their sudden appearance, but they will expect big things from the Samma N’Sei.

Leilwin approaches Nynaeve to offer help, but finds her past mistakes impede her chances of having her offer accepted.

Aviendha returns from Rhuidean, and realizes this is the last possible night for her to be with Rand.

Androl and Pevara act out the same tale that recurs throughout the series; that of deciding whether to trust someone who is very different from yourself. A quick exchange of background stories aims to make the reader care about these men but it is Androl’s drive which creates the greatest interest. The overwhelming sense of danger built up over the last several books outweighs all other considerations though, and now a countdown element is added as Androl’s group suspects their time is dwindling. Allies turn to Taim’s side overnight. Androl is weak, his Talent useless. Yet more than Bayrd or Talmanes, readers want to see him rise up and succeed. Connecting Androl’s personal desires to the Black Tower’s fate, which is already foremost in readers’ minds, allows them to care deeply about him despite his sudden appearance at the end of the series.  

Moghedien learns that Taim has joined the ranks of the Chosen. Her perspective also allows readers to learn about Sindhol, Dreamshards, Demandred’s whereabouts, Graendal’s fate, and other tempting morsels of Moridin’s plan. Disappointingly, Taim and Demandred appear together, at the same time, seeming to drive the final nail in the magnificent theory that Demandred is Taim. But if Kari al’Thor can be a dreamshard fabrication, why not one of these two? HA! I’ll never yield!

Moridin’s last command is chilling, setting the stage for the Last Battle: “The last days are upon us. In these hours, you will earn your final rewards. If you have grudges, put them behind you. If you have plots, bring them to completion. Make your final plays, for this… this is the end.”

Those words rev me up every time I read them! AAAAAAAAA!!!!

Writing Lessons:

Make a character appear sympathetic by showing them in contrast to something worse.

Towers of Midnight - Chapters 3-5

In this section, the penultimate confrontation is set up

Rand visits the White Tower, and sets a date for the beginning of the Last Battle. Establishing a firm time and date for an important action to be carried out has some benefits and drawbacks. It solidifies readers’ expectations more forcefully than simply laying out the order of future events. The obvious way to introduce tension is to throw off the date with some external pressure. In this case, Egwene’s reservations act as that pressure. By cementing her opposition to breaking the seals, there is an expectation that her opposition is the main pressure, and other possible ways of derailing the meeting between her and Rand in a month will not take place. Possible examples could have been Rand failing to show up, or the seals going missing, or some distraction such as the Black Tower throwing the schedule off. By making clear Egwene’s opposition to Rand’s plan, readers are more likely to believe that the plan will be carried out exactly as described. There’s some evidence this technique was successful based on the focus on the meeting at Merrilor in the numerous theories bounced around Theoryland in the last year.

From here on, Rand’s perspectives stop showing up, and we only see other characters’ perspective of Rand, which effectively keeps the details of his plan mysterious.  

Egwene’s dreams are prophetic, and the one touching on the book’s title, Towers of Midnight, is obviously describing the Forsaken. Thirteen towers stand, several crumble, one begins to fall, then rises higher than the others, the Nae’blis. In the end, six stand, representing Demandred, Graendal, Moridin, Cyndane, Moghedien, and Mesaana.

The Pattern is being reworked even further, with entire villages now being cut from their location and pasted elsewhere. Is this symbolic of Rand’s personalities and past lives being integrated into one? It will certainly pose some difficulties for battle and travel later, when existing maps are no longer useful and there is no certainty about the path forward.

Perrin and Galad continue to share chapters, and a link between the plotlines is established when Byar tells Galad about Perrin’s past actions involving the Children of the Light. Byar’s biased view of Perrin acts as an effective dread inducing element, which the reader hopes will be overcome by Galad’s unswerving desire to do the right thing. Galad is a mirror image to Mordeth, each uncaring of the cost to others when they take actions to prevent their own moral discomfort.

Perrin agrees to learn how to navigate the wolf dream properly. His motivations are nebulous, resting on his discomfort with Faile since her rescue, his need to learn the tools at his disposal, his avoidance of the darker sides of his personality. These fuzzy rationales are easily overlooked by readers because of relief that they will finally learn more about this interesting ability. Let’s just get on with the wolfing already!

Egwene has become too powerful, and has a position where none question her authority, so she has a new weakness introduced in the form of her love for Gawyn. Actions she takes to pursue romance can undermine her authority, and actions to maintain her authority could cost her a romantic relationship. Take away Gawyn, and Egwene becomes a purely political entity. Using Gawyn to keep Egwene rooted in normal relationships is a good concept, particularly as it centers on them feeling out how to interact with each other given the imbalance in their rank.

Graendal reads the Dark Prophecies, and is amazed, as are readers. There is an entire book of Foretellings which only the villains have access to. Moridin also has a collection of ter’angreal which he has disregards for the most part since he has the True Power as a crutch. I could never help imagining a storyline in A Memory of Light where the heroes raid Moridin’s base. A direct confrontation between a handful of heroes and a handful of Forsaken is very appealing.

A ter’angreal, the dreamspike, is introduced. Graendal is given one, and another is already in use. Out of all the items Moridin has collected, and Graendal’s elation at being loaned this one, readers ought to be salivating at the prospect of finding out what it does. The advertised confrontation between Perrin and Graendal appears dire, since she has the element of surprise and he cannot muster enough channelers to confront her directly. Good thing she is so cautious.

Writing Lessons:

Make an event more anticipated by creating expectations of the consequences to that event.

The Gathering Storm - Summary

The Gathering Storm is the most intense book of The Wheel of Time so far, profiling the meteoric rise of Egwene and the chronicle of Rand’s disastrous shunning of emotion and love. As one rises, the other falls. Both live through memorable scenes of triumph even as they follow opposing trajectories.

Rand is subjected to the most personal and traumatic of tortures. He overcomes them by turning his back on the Light and his friends, coming to see everyone as a thing to be used to advance his quest, failing to see them as people at all. In this distant emotional state, he has the power to do anything, but lacks the imperative to do anything at all. He follows the prophecies as though it were a script, playing his part with no care for how he interacts with the other players.

Egwene’s subtle resistance to Elaida’s physical and personal humiliation of her wins allies of ever-increasing rank. Novices, Aes Sedai, and Sitters all come to respect her, culminating in Verin entrusting her with her life’s work. The support she has built allows her to take on power during a Seanchan raid in which she singlehandedly hands the raiders a defeat. Egwene has demonstrated she embodies the best traits of all Ajahs, and reunites the factions of the White Tower under her rule.  

These two heroes stand at counterpoint to each other, Egwene demonstrating how to gain followers, and Rand demonstrating how to lose them. Egwene unites feuding factions while Rand can’t reach simple temporary agreement with the Seanchan nipping at him. Many dueling forces stand between Rand and victory: the Seanchan against the mainland nations, the male channelers against female channelers, Lews Therin against his own soul, Moridin’s nihilistic philosophy against the hopes espoused by Cadsuane and Nynaeve. All of these opposing forces must be reconciled, demanding sacrifice in the form of discomfort, concession, and acceptance.

Since the book is co-authored by Brandon Sanderson, the question of who wrote individual scenes in The Gathering Storm is inevitable. In the early part of the book, the difference in writing style from Robert Jordan’s earlier work is jarring, yet before long, the story takes hold of the reader, and the fate of Rand, Egwene, Verin, and other favourite characters overrides any apparent dissonance. By the time Rand finds himself in Semirhage’s clutches, the pace of the story carries the reader forward.

If Brandon has committed any sin in his handling of the story, it is one he could never overcome: he is not Robert Jordan.

Robert Jordan was facing his own mortality as he wrote this book, and must have found himself uncomfortably in the shoes of several of his characters. In the legend of Manetheren, in Seanchan imperial culture, in the Malkieri vows, in the historical truth shown in the glass columns of Rhuidean, there have been trans-generational commitments; tasks so vast, so important, that each generation must pick up the duty from their forefathers, and carry the burden onward. Best summarized in this passage from The Shadow Rising:

“I mean to save something here, and that something is you.”

“As you say,” he said reluctantly. “We will care for what you have given into our charge until you want them again.”

“Of course. The things we gave you.” She smiled at him and loosened her grip, smoothing his hair once more before folding her hands.

Like Verin in this book, Robert Jordan entrusted his work to loved ones who understood and could finish what he set out to accomplish. The words of the story and the order they appear in are merely things, unimportant compared to the messages they contain, the resolution of the characters’ quests, or the battle against the Shadow which permeates the story. Fighting the Shadow is more than one man can do alone. Rand tried that in this very story, and failed. Working together, the keepers of Robert Jordan’s legacy forged ahead with the story as he wished, knowing the criticisms that would be leveled, cognizant of the difficulties in living up to the level of his work, understanding that hesitation might cost the opportunity to ever complete it.

“So many decisions you must make, for one so young.” She yawned, then grimaced as a pain stabbed her.

Egwene rose, walking to Verin’s side. “Thank you, Verin. Thank you for choosing me to carry this burden.”

My thanks also.

Writing Lessons:

You are a writer. Never quit, never give up.

The Gathering Storm - Chapters 13-16

In this section, the heroes square off against the villains.

Gawyn is offered a chance to become a Warder. First a mock combat with a pair of Warders establishes that Gawyn is a far better swordsman than them. He has the power to turn the battle in his favour, but has yet to fully commit to a cause he is comfortable supporting. Such a cause is the rescue of Egwene, the love of his life. Had the offer to be a Warder not been there, his choice would have been even more obvious, but dangling that possibility before him makes his choice one of character and not circumstance. Readers need to see that he has more than one promising road ahead of him, or his choice will have less meaning.

Gawyn’s troubled conscience bothers him, but that effect is undermined when, in the same paragraph, you find the two following things he is wishing for, one far more strongly than the other. Even had they been separated by several pages, the strength of the second desire is out of place compared to the angst he is feeling. Gawyn clenched and unclenched his fist, stalking across the village center, wishing he could extend the peace and stillness of sword fighting to the rest of his life. The air was pungent with the scent of cows and dung from the barns; he would be glad to get back to a proper city. Dorlan’s size and remoteness might make it a good place to hide, but Gawyn strongly wished that Elaida had chosen a less odorous place to house the Younglings.

Cadsuane and Sorilea observe Semirhage’s pride and her contempt for lesser women. Cadsuane once again notes that Semirhage’s character is uncomfortably like her own. She is facing some dark version of herself. Similarly, in Tel’aran’rhiod, Moridin observes that he and Rand are somehow bonded, though he himself doesn’t understand how. Rand is meeting with the Seanchan, a culture with twisted views of channeling and rank. Egwene faces her antagonist, an Amyrlin who in many ways is her opposite. Each of the heroes is facing some twisted reflection of themselves, and that may be a clue as to the nature of the Last Battle.

Rand and Moridin’s discussion, as with their earliest interactions, is fraught with hidden meaning. Moridin still believes everything he says, and he reveals some possible clues about their inevitable final confrontation. “Why do you always whine that way? Just a dream. Do you not know that some dreams are more truthful than the waking world?” He has said this before, and it does fit in nicely with the theory that Shayol Ghul is itself in Tel’aran’rhiod, and the Dark One is somehow manipulating reality using the properties of that realm.

Rand questions whether Moridin’s own logic destroyed him: “That is why his victory is assured. I think it will be this Age, but if not then in another. When you are victorious, it only leads to another battle. When he is victorious, all things will end. Can you not see that there is no hope for you?” Moridin has surrendered to the inevitable, yet Rand never has, nor have his inspirations, such as in the tale of the people of Manetheren, or the Aiel, or several other heroes in the story.

Rand reveals his plan to slay the Dark One. Moridin replies “I doubt you can understand the magnitude of the stupidity in your statement.” He is not simply saying the Dark One is immortal, but touching on a truth that Rand has yet to discover. One possibility is that just as we have seen the heroes face antagonists who are evil or opposite to their morals, the Dark One himself is a force that cannot be destroyed, because he exists in the hearts of all men. Rand could hardly destroy part of himself and remain who he is. None of the characters could.   

Moridin reveals the manner in which the Dark One reincarnates his Forsaken. Left unrevealed is whether his powers go any further, whether he can resurrect anyone. The only limitation Moridin offers is balefire, which Rand latches onto, never realizing that using balefire serves the Dark One by weakening the Pattern. I was very pleased about this discussion, because Robert Jordan never answered the question I asked him about why Rand never thought any further on the stranger in Shadar Logoth. We’re left with questions about the limitations on the Dark One’s power, and whether the dead people we’ve seen brought back to life in The Eye of the World were fabrications or the real thing. Does the Dark One’s promises to bring Ilyena back refer to a Tel’aran’rhiod replica of her?  

For the fifth book in a row, Min’s research is pointed out to the reader, and she finally tells Rand he has to break the Seals, and he agrees. The idea that someone can just pick up some old books and find the answer to the greatest question is far-fetched, and the technique used to overcome disbelief is to show Min not only reading, but reading for a long time, studying, comparing texts, and becoming an expert. Five books earlier, she would have had little credibility, but now her answer is more easily accepted, especially when reinforced with a second learned opinion, that of Lews Therin himself.

After impressing several Sitters with her keen mind, and pointing out that surrendering would not Heal the White Tower, Egwene is set to labor instead of lessons. She turns down a chance to escape, recognizing that only from within can she demonstrate her refusal to surrender. Immediately after, she must serve Elaida at dinner with several Sitters, one from each Ajah, each of whom Elaida belittles. Inevitably, a confrontation with Elaida ensues, and Egwene pulls out the dirt she has on Elaida regarding an Oath of obedience, goading her into threatening Egwene so that she can point out Elaida’s bullying tactics. Elaida obliges, beating Egwene with weaves of air, which she is able to withstand thanks to the last ten days of continuous beatings from the Mistress of Novices. Egwene is sent to rot in a cell until she can be publicly beaten before all Aes Sedai, a strategy that is bound to fail by the evidence before Elaida, but once emotion takes over, logical thought is lost on her.

Elsewhere, I noticed some consistent use of weasel words in straightforward text, such as: seems, probably, maybe, may, could, looks like, etc. I had an idea that this was an artifact of Brandon Sanderson’s writing, possibly reflecting timidity at stating facts authoritatively, given that it is not his original story. I’m out of space for this post, so I’ll look for confirmation in later sections.

Writing Lessons:

Present two or more equally good choices, to force the characters to make choices based on their values, rather than the plot.

The Gathering Storm - Prologue to Chapter 1

In this section, conventional bonds and rules are broken while Rand makes a rule he vows not to break.

A borderlander farmer and his neighbors realize the Last Battle is upon them. They drop their lives, abandoning homes to set off to make a stand with their fellow men.

A sul’dam returns to deliver a message which will require her to break the taboos of her society.

A Seanchan banner-general learns that Trollocs are no myth, violently shattering her longstanding beliefs.

Graendal travels to Moridin’s fortress, where farmers try to plant crops that resist the Blight. Moridin lets her learn the other Forsaken’s plans, and unexpectedly, Semirhage is hung out to dry. Rand is to be unharmed, except in his heart, where she is to bring him anguish.

Ituralde surprises a much larger Seanchan army.

Masema the prophet is killed by Faile, who does what her husband cannot, killing the man who represents strict adherence to rules and the Light.

Most of these short sections show the bonds holding men being broken, in fact or metaphorically. The last one shows Faile killing the personification of rules that bind. The breaking of bonds, the end of custom, the shattering of ties between men. If this prologue matches the ones from past books, then we should see a lot more of this theme, and we will, especially as pertains to Rand.

Masema and Aram were each killed by Faile or Perrin, and each represented truth and strict adherence to convention and rules. This fits in with the discussion of their necessary dalliances in the previous book.

Demandred claims his rule is secure and he gathers for war. With talk of the role he should have been playing, keeping an eye on Rand the way Osan’gar was, his affinity for using proxies, the claim that his rule is secure, and the emphasis on channelers in the Last Battle, a reader should once again be hard pressed not to conclude that the least possible involvement Demandred could have with Mazrim Taim is telling him what to do, which is to gather an army of male channelers.

Rand surveys the countryside of Arad Doman, noting a pattern breakdown causing the wind to blow the wrong way, against itself. It is not the trees, but Rand’s banners which are blowing the wrong way though, a subtle clue that it is he who is at odds with the Pattern, that something is more wrong with him than reality, despite the many signs of it failing around him. The way his eyesight is blurred is a symbol for the difficulty he has in seeing things the way a normal man should. His sight and his view are both distorted. Setting the line that cannot be crossed, he says to himself: ‘ “You will question her, but you will not hurt her!”Not a woman. I will keep to this one shred of light inside of me. I’ve caused the deaths and sorrows of too many women already.’ No sooner stated, this rule is destined to be broken, as indicated by the themes in the prologue.

Moridin had ordered Semirhage to capture Rand, presumably to break him before the Last Battle. He must have two plans, one for if he is captured, one for if he remains free. The orders to Graendal to break his heart only become necessary because Semirhage failed. In either situation, the goal is to break Rand’s spirit.

A few bits of vocabulary and phrasing stood out as peculiar. I think they are more likely artifacts of Sanderson’s wording than Jordan choosing new words, because in past books his odd vocabulary included obscure words like widdershins, not contemporary words. Jordan was very good at avoiding contemporary words. Here are the examples I found:

Like the funnel cloud of a twister.

This ain’t no southerner wetfarm.

Rand’s peculiar apology to Merise: ‘Yes, yes Merise. I’m not trying to command you.’

Wouldn’t it just be ‘one of the High Blood’? Like the hair crest of a member of the High Blood.

They were well inside the Seanchan defensive perimeter.

Lews Therin’s rambles have no pronoun. Should have killed him. Should have killed them all. An oversight? Meant to make Lews Therin sound madder? There has usually been a distinct I, You, or We when Lews Therin speaks, signifying the distinct personality. Is this meant to show him growing indistinct from Rand?

Writing Lessons:

Using contemporary words, or older words, or futuristic words all have an effect on how the reader perceives the world you’ve created.

Knife of Dreams - Chapters 31-34

In this section, Elayne turns a sour experience into crushing victory!

A professional purse snatcher does what no one else has been able to so far, following Mellar to the Lady Shiaine’s home. Giddy at the prospect of capturing a circle of Darkfriends, two Black Ajah, and giving the boot to Mellar, Elayne hastily assembles the Aes Sedai and Warders to raid the manor before they disperse. Mellar’s treachery is strongly downplayed; his arrest is but a footnote.

Elayne cleverly gets the two Aes Sedai she is unsure of in linked pairs, so they cannot channel to disrupt her plan. The raid goes perfectly, until the unforeseen arrival of four other Black Ajah, seemingly still bent on capturing Elayne as Moghedien ordered so long ago. Shiaine is grateful for the rescue, but is quickly put in her place; these women have their own agenda which has nothing to do with Moridin’s or Shiaine’s. This is not the first time that one evil plot has been undone by another concurrent evil plot, where the villains do not share information or objectives.

Careane is unveiled as Black Ajah, and is stabbed by Vandene. Careane’s treachery is strongly downplayed; her death is also but a footnote, since the immediate menace is the six Black Ajah who will have no trouble killing the remaining Warders and carrying Elayne off. Fortunately, none of them know Traveling. Maintaining control over who can Travel is important for several plotlines, and devising ways to keep it secret from the general population of channelers and Mat’s group, while simultaneously allowing other heroes to make liberal use of it must have required intricate planning on the author’s part. Be careful of the tools you give your heroes, because they may make life too easy for them.

Birgitte responds correctly to Elayne’s capture and the death of the Warders. She goes for the only help capable of stopping channelers: other channelers. Birgitte appeals to the Sea Folk’s sense of self-interest, and the Black Ajah are captured and Elayne freed. In minutes, they had destroyed several hundred soldiers, providing yet another example of the escalation of the battles and their outcomes. Obviously, the Last Battle will involve large numbers of channelers, and the value of soldiers will be much less than in traditional warfare.

Birgitte had been forced to give away a number of soldiers to Dyelin to defend the city gates, which made a big difference in the city’s defense, but little difference in Elayne’s rescue which depended on the One Power. With the city under attack from one of Elayne’s rivals for the throne, she Travels into position and catches them between the city walls and her army. It is enough to win, yet the thin margin of victory could have gone the other way several times.

Elsewhere, Karede divines Mat’s plan, and moves to intercept him, setting up another tense conflict where small chance-driven events may make the difference between victory and defeat.

Robert Jordan has a particular way with his sentence structure, often crafting lengthy sentences filled with descriptions, information, the character’s personal views, symbolism, and inference. Since I’m nearing the end of the books he wrote himself, it’s long past time to study these more closely.

Just  two of the mirrored stand-lamps were lit, six flames filling the sitting room with a dim light and the scent of lilies – so much of the lamp oil had gone bad that it was always perfumed, now – but a crackling fire on the hearth was beginning to take away some of the early hour’s coolness.

In this sentence, the room’s temperature, odour, and lighting are described, establishing a mood. There are links to other ideas and plotlines: the Dark One’s touch, Elayne working at early hours of the morning, insufficient supplies to meet needs. Elayne’s situation is symbolized, she can hardly shed light on the solution to her problems, but another source will give her what she needs. So many things conveyed with just one sentence.

Gliding to one of the carved sideboards, she wrinkled her nose at the silver pitcher holding goat’s milk and poured herself a cup of dark wine before taking a chair across from Elayne.

In this sentence, the first part might have been dropped but leave the entire meaning intact. Instead of breaking the sentence into smaller parts, Jordan links them together as a complete sequence of related events. He does it again with the next sentence:

Deni made a move as if to try dragging her out, but Elayne shook her head.

In this case, an action is begun, another is contemplated, and then both are negated. Three actions in one short sentence.

The gag, a dirty piece of rag with a vile, oily taste, tied so tightly that it dug into the corners of her mouth, had been meant to keep her from shouting for help at the gates.

This is not simply a description of her gag, but has added links to explain her captor’s attitude (tightness of gag), and the reason why she has a gag in her mouth, which will lead to an explanation of Elayne’s own strategy.

At last, however, even the most diehard began shedding weapons and armor, and if not every voice cried for quarter, the roar was still thunderous.

Here, large scale events are summarized with a quick series of events. The words ‘at last’ convey Elayne’s hopes as well as the finality of the situation. Using words like ‘roar’, ‘thunderous’, and ‘every’ conveys the large scale of their surrender. Describing the actions of many through the actions of few, either by making them representative, or extraordinary, allows the entire scene to be condensed.

Writing Lessons:

Give longer descriptive passages more weight and interest by linking the ideas and actions within them.

Knife of Dreams - Chapters 17-19

In this section, Rand and Elayne lose control of something.

Birgitte confirms that Elayne didn’t get lost; it was the Palace that changed. Since she can’t do anything about the danger or problems that come with locales changing suddenly, instead, she stoically goes on with the things she can do something about. The mutable geography is not necessarily the same as bubbles of evil, which have a more sinister and violent effect, but they are just as random.

Young Perival correctly deduces that a third of the High Seats of Andor are keeping their distance because of the nearby Borderlander army. Elayne’s earlier meeting with the Borderlanders in Winter’s Heart is still bearing fruit, yet it also gives the impression that not much has changed since then. That will come to an abrupt end with Arymilla’s apparent bribery of the mercenary companies guarding Caemlyn. Arymilla expects to have the city within a week. As with the Perrin storyline, establishing a firm countdown to disaster ramps up the tension and dispels any sense of drudgery or lack of progress. One way or the other, with Arymilla’s scheme unfolding, the plotline will be resolved.

A discussion of House Mantear, the House that Rand is descended from, added to Elayne’s unswerving confidence her babies will be born safely, linked a few ideas in my mind. Elaida’s Foretelling was that the Royal Line of Andor is the key to winning the Last Battle. She thinks it means Elayne, but readers know it probably means Rand, and there is a slight possibility it means Morgase, or Luc, or some other secondary character. However, I’m surely not the first to see that Rand and Elayne’s children are descended from the two most recent Royal Families of Andor. Could all of Moridin’s schemes be aimed at Rand’s children, to prod him in ways he couldn’t be prodded before? Could Rand’s children or his attitude towards them be the key to winning the Last Battle? To fit the themes in the story so far, the Last Battle will have to be about Rand affirming his identity for once and for all. In what ways could his children factor into that? Will they represent the humanity he is trying to save, or will they represent a sacrifice on his part?

Reanne’s death and the discovery of a doll that should have been taken by a fleeing Kinswoman rule out Merilille as the Black Ajah. Sadly, it means Elayne can add a number of probable murders to the bill, since it implies that most of the vanished Kinswomen were killed, and did not run away.

Loial interviews Rand for his book, and is told almost nothing really useful, something Theorylanders are familiar with from RAFO-filled author interviews. The boys from Manetheren have rubbed off on Loial, for he is ready to address the Stump with his views that the Ogier should stand against the Dark One rather than flee to another Dimension using their Book of Translation. Loial acquiesces to his Mother’s demand for a wedding, which takes place minutes after her arrival, the only hasty thing Ogier ever do. For all of his fear that his life would be dominated by a wife, she asks him what he would do, and then supports him in that decision.

I once asked Robert Jordan why Rand had never thought again about the mysterious stranger who saved his life in Shadar Logoth. At last, Rand does so now, recognizing his face as the one that has been appearing in his head shortly after he thinks of Mat and Perrin. It’s likely this was the point of the story in which this information was bound to appear, and not the direct result of a fan’s question. Rand also concludes that the stranger used the Forsaken’s so-called True Power. He stops short of realizing that the stranger may be a reincarnated Forsaken, failing to recognize that the Lord of the Grave is more than a name, it describes one of his abilities. The ability to parse out information slowly is often difficult, as authors are eager to show off the wonderful world they have created. The trick is in supplying just enough new information to keep the reader happy without going beyond the minimum that the reader needs. The Wheel of Time’s length, multiple plotlines, numerous characters and publication schedule have demonstrated that it is possible to dole out clues very slowly, over two decades, and still maintain an air of mystery and wonder with each revelation.

Rand’s madness isn’t getting worse, but he is at the point where he and Lews Therin seem evenly balanced, as represented by Lews Therin’s several comments that he doesn’t understand why he has voice in his head. Establishing how even they are, mirror images of each other,  is key to the surprise when Lews Therin grasps the One Power from Rand during a monumental Trolloc attack. Lews Therin wails that he can’t move his hands, as though it is his body and Rand has grasped physical control of the body from him. A Trolloc attack, even in numbers of hundreds of thousands, is no longer enough to threaten the heroes. Unless a monkey wrench is thrown into the works. As has often been the case, this obstacle is not a physical one but one of identity. Who is Rand? Is he really Lews Therin? Rand’s immediate need is to strike some agreement with the madman in his head or he will die. When the metaphysical argument has physical consequences that can put Rand and his allies in harm’s way, the stakes are raised far more effectively than if the attack had simply been overwhelming numbers of Shadowspawn.

 Writing Lessons:

Time pressure not only increases tension, but can dispel any concerns that the plot isn’t moving.

Crossroads of Twilight - Chapters 15-17

In this section, Elayne’s rivals conspire and Egwene keeps the war effort alive

Elayne’s rivals Arymilla, Naean, and Elenia travel from camp to camp every night as they lay siege to Caemlyn. Despite having been knocked out of the contest, Elenia still sees a way in which she can emerge from this impasse as the Queen of Andor. While her drive and perseverance are admirable, her selfish reasons for seeking to become Queen are a stark contrast to Elayne’s rightful claim and interest in the well-being of the people of Andor. Despite the fact that Elayne hasn’t taken a very active hand in events so far, it is obvious that no hand at all is better than a hand like Elenia’s or Arymilla’s. Arymilla sees the Queen’s coffers as a means to upgrade her lifestyle even further while Elenia seeks the love and approval of the unwashed masses all the while thinking of them as foolish peasants. Her ego and intolerance instantly make her unlikeable, and make Elayne a more attractive choice despite whatever faults of her own she may have.

One of Elenia’s men, perhaps even her husband Jarid, has been meeting with the ringleader of the Caemlyn Darkfriends, the Lady Shiaine. Shiaine has two Black Ajah under her thumb, as per Moridin’s express wishes. She has her agent Mellar in a position of influence in the Royal Palace. She has a secret plan which Moridin has assigned her, and it remains unclear whether Elayne is meant to live or die, and if she is to die then to learn when that is to take place. It takes considerable effort to establish Hanlon’s position, keep a low profile for weeks, and wait until all Moridin’s conditions have been met. Does Moridin know something about Caemlyn’s role in the Last Battle? Does he suspect Elayne is pregnant with Rand’s children? Or does he know it for fact? How is what he is planning for Elayne any more effective than what Semirhage will later do to Rand? The only plausible answer is that the Last Battle is the battle for Rand’s soul and identity, and Moridin thinks Elayne offers a means of prodding Rand in some way. It’s incredibly vague and convoluted, and only rationalized by the fact that Rand has twice showed up where his girlfriends were in danger, in Falme and Tear.  

Darkfriends inherent mistrust and self-preservation instincts always seem on the verge of undermining their plans. Only fear of the Forsaken keeps everyone in line, knowing that their punishment will be severe, even if served years after their betrayal or failure. Hanlon wonders whether his would-be assassin had been sent by Shiaine. Falion arranges to be bruised so Shiaine won’t learn she and Hanlon are trading secrets. The level of suspicion is so high it’s a wonder they can get anything accomplished. When one of the heroes starts veering down a path of mistrust, it’s easy to see the negative context and its implications.

In the rebels’ camp, Egwene pines for her home, the White Tower. As with several other characters, she thinks of her goal in absolute terms: Whatever was required to keep the rebellion alive and pull Elaida down, she would do. Whatever was required. The author frequently uses repetition of a key phrase to emphasize the character’s level of commitment. Egwene’s goal requires she pretend at negotiations with Elaida, so that the rebels will see they haven’t come all this way for nothing. In some instances, when a character is aiming at one goal while secretly targeting some other goal, that detail is kept secret from the reader to allow for a surprise revelation later on. In this case it’s important that the reader understand exactly what Egwene is hoping to achieve, because the politics among the Hall of the Rebel Tower are convoluted enough. If the reader didn’t know Delana was Black Ajah, that Halima was a Forsaken, that Sheriam was most likely Black Ajah, and that Siuan and Leane were in her pocket, and a handful of other details, then none of the conspiratorial meetings between Sitters or other Aes Sedai would make as much sense. These waters are muddy enough that there is good reason to provide clarity to the relationships between the major and even minor players.

Egwene does keep one new surprise, which is her plan to blockade Tar Valon from receiving supplies. The reader can guess it involves cuendillar given the context in which it is stated that this secret exists.

The other secret which is not plainly revealed involves the Young Sitters. Having our attention brought back to this again implies the author has something worthwhile tucked up his sleeve. We’ll see soon enough.

A new peril facing the heroes is the revelation that foodstuffs are rotting, obviously an effect of the Dark One’s touch. Interesting that he first targeted the weather which caused a drought and affected crops, and is now attacking food. He went straight for the supply lines while his minions floundered after Rand. No one amongst the Heroes has even considered how to locate or affect the Shadow’s supply lines.

Writing Lessons:

Complex plans are unbelievable and fallible. Find the simplest way for a character to attain their goal and overcome obstacles.

The Wheel of Time - Act 2 - Books 4-9

Treating The Wheel of Time as one long novel, the Books from The Shadow Rising to Winter’s Heart make up Act 2. This is the middle of the story, where we expect to find conflict and a growing problem that the heroes can’t solve, leading into the conclusion of the story in which victory is achieved.

The Shadow Rising picks up with Rand having accepted that he is mankind’s saviour. He sets out determined to act out his role, only if he can do it without guidance or prodding. He rejects help from Moiraine, preferring to set out where his parentage leads: to the Aiel waste. With the help of Lanfear, he gains leadership over the Aiel and captures a Forsaken to teach him. Lanfear later strikes out at Rand in jealousy, and he loses his mentors.

Rand becomes a leader, and builds an army of soldiers and male channelers. He learns that followers have more say over the leader than the other way around. His arrogance leads him to make a mistake that gets him kidnapped. His treatment hardens him, and he grows ever more protective of his emotions. He resolves to firmly impose his will over both enemies and followers. For a time he appears to succeed, leaving dead Forsaken and wrecked armies wherever he goes. Eventually, the people he constrains wiggle free or fight back, reinforcing his attitude. Rand is well on his way to becoming a tyrant.

At this late juncture new potential mentors appear, Cadsuane and Sorilea, who see that a saviour who imposes his will is not much better than the Dark One. Their challenge is to save Rand from himself, before it is too late. At the last, Rand stumbles into a trap of his own making, yet recovers enough to gain Cadsuane’s help. He cleanses the taint, metaphorically erasing his past mistakes, but the question remains what path will he follow?

The villain Ishamael has returned in a new body, naming himself Moridin. He reveals his plan to be not to try control Rand yet. A board game serves as a metaphor for controlling Rand. It can be as dangerous to hold Rand as to let your opponent hold him. Moridin has cast doubt in Rand’s mind, now he plans to sit back while the heroes fulfill those doubts and set Rand’s path towards the Shadow. The only hitch so far is Rand’s cleansing of saidin, a danger so great to the Dark One that all the Forsaken were commanded to stop it even if Rand is killed in the doing.

The cleansing of the taint is the single most important event to happen in the world, opening up the possibility of men and women working together to defeat the Dark One, and acting as the opening blow of the Last Battle. As a pivotal moment, it makes a logical place to end Act 2.

Robert Jordan deftly creates obstacles of character, making the heroes’ choices directly responsible for how events play out. Nowhere is this clearer than with the battle for Rand’s identity, where his most personal defining choices dictate the fate of the world.

Supporting characters have been propelled into positions of leadership throughout Act 2. Elayne, Egwene, Mat and Perrin have assumed the responsibilities of leadership without going through the difficulties that Rand has created for himself. Notably absent is Nynaeve, who acts as Rand’s protector and conscience, disposing of threats to him, and she therefore has no leadership duties to assume.

All of the characters have had romantic interests identified and the majority have cemented them. Where stories frequently are resolved by acquiring the romantic interest, the fact that this story has tied most of them up this early may signify that the most important role of the relationship is to make men and women work together, like saidar and saidin. Resolving the romance at the end of the story would be counterproductive in achieving this goal.

The World of Dreams, Tel’aran’rhiod, is a place where identity and force of will shape reality. The early part of Act 2 had a heavy focus on this realm which was conspicuously absent in later books. This is distraction on the author’s part, diverting the reader’s attention from the possibilities of its powers until their eventual use in the final act.

Several of the books made use of a magical item or spell in the climax of a plotline, such as the Bowl of the Winds, balefire, a’dam, or the Choedan Kal, but these are far less obvious quests than in the earlier books of the series.

The broadened cast of characters and more frequent use of minor characters’ viewpoints greatly expand the world. Readers understand that the whole world is at stake, because they are exposed to the entire world and its myriad cultures. This wider tapestry has the side effect of bogging down the story a bit; most often when the readers can’t see how a scene affects the characters they have been following for so long.

The story carries the best pacing and enjoyment when readers are treated to several chapters in a row featuring the same locale before jumping to a different one.

Continuing the theme of American fantasy, the books of Act 2 reflect a far less certain time, reminiscent of the Vietnam era and its outcome, and the internal conflict it created.  Rand and America have stepped forward to claim the privileges of adulthood, and then made an apparent bungle of things with hardened arrogance and ego, the type of errors in judgment such as any young man might make. These events are part of the modern American mythology, along with the self-questioning that comes with it. These books are about the search not only for what outcomes are right, but what actions are right to reach them.