The Gathering Storm - Chapters 10-12

In this section, the heroes’ pride gets in the way.

Ituralde can’t end his unwinnable war against the Seanchan. The best outcome he can hope for now is that future generations will remember his attempt to oust the invaders. Just as he orders his men to dig in and prepare for a final confrontation with an even greater Seanchan force, Rand arrives to offer him a way out. Hope that his country may yet prevail causes Ituralde to follow Rand’s orders, sending him and his army to the Borderlands.

I note the size of the Domani and Seanchan forces are far greater than in any previous battles, even Dumai’s Wells. The short offhanded treatment of this epic battle compared to the momentous buildup to earlier smaller battles reinforces that the Last Battle’s size and scope will be far beyond what has been seen to date.

Rand is beginning to talk about his overall strategy for the Last Battle. Other heroes have been slowly priming for their part as well, and if they aren’t exactly preparing for it, they at least acknowledge it is coming soon, and are shifting their attention towards it.

Aviendha quenches a fire started by a man who spontaneously combusted, as a Pattern breakdown or a small bubble of evil. I am beginning to thin of the bubbles of evil as a misdirection ploy by the author. First, ta’veren events are explained as improbable vents being realized. Shortly after, random events began to happen that are completely improbable, and they are attributed to the Dark One by a knowledgeable character: Moiraine. Then, the Pattern itself begins to break down, causing more localized and impossible events to take place. These are distinct from bubbles of evil only because they don’t unleash some nightmarish power on spectators, these are neutral events at best. The common thread is that they are all random. It seems to me that these random events may serve a purpose if they are leading up to the discovery that they can be made non-random, and that it is possible for individuals to create or prevent them from occurring. Such a discovery would strongly resemble how such events are dealt with in Tel’aran’rhiod, and would fit in snugly with several themes, such as taking control and responsibility for events, and not blaming them on others, and that every man creates his own destiny. It ties in with my theory that the Bore is in Tel’aran’rhiod, and how force of will and identity can overcome the greatest evils. If this speculation is untrue, then ta’veren, bubbles of evil, and pattern skews are simply the random events they are portrayed as, shrewd inventions to help an author move the story along and make the occasional point. So far, the author placed every story element with purpose, and in this case I sense there was intent to misdirect readers by making these appear to be random, so that the final point of the story could be made to greater effect.

Aviendha suffers from both personal and cultural pride, which prevents her from asking for guidance, or from receiving it if she asks. Misdirection is used here as well, as Aviendha’s sound judgment in Wise One matters is displayed repeatedly, while she mistakenly believes she has run afoul of some unknown and very serious taboo. All previous Aiel behaviour shave been strongly linked to ji’e’toh and shame, so when Aviendha proclaims early on that she has violated some unknown rule, the reader immediately finds this plausible, even if they do suspect it has more to do with that other Aiel trait which is often displayed: their sense of humour.

When Aviendha puts out the fire, she has a brief pause as she slowly comprehends why the wetlanders are looking for buckets. To portray the behaviour of an outsider or alien, it is effective to have them misunderstand or overlook a fact which is self-evident to the reader. The cultural norm of using a bucket of water to put out a fire is foreign to Aviendha, highlighting her own foreignness.

As a nearly opposite example, use of the terms ‘flow’ and ‘pressure’ is appropriate in descriptive text, or technical discussion, but seem strange coming from a Wise One’s mouth. Brandon Sanderson has a firm technical grasp of many scientific concepts which he puts to effective use in his writing, but the characters do not necessarily share that understanding. Of all characters that should have the least understanding of fluid flow, the Aiel rank highest, due to their lack of any substantial amount of fluid to study or observe.

In the White Tower, Meidani wants help, but is prevented from asking by an oath of obedience rather than her pride. Egwene realizes something is amiss, and becomes the willing partner to help Meidani find a loophole.

Egwene meets the Black Ajah Hunters, and brings them to her side after a fierce debate. Egwene is pleased with the progress she is making, and both she and the reader assume this is a good thing, yet she is steadily undermining the White Tower as she tries to build it back up. She at least is beginning to recognize that the good of the Tower should be placed ahead of her crusade, and would back down if the Tower could be firmly united and strong again. That isn’t possible with Elaida as Amyrlin. Egwene’s quest to tear down the Tower to rebuild it has similarities to Rand’s debate over whether to break the Seals to seal the Dark One’s prison again.

Traveling is becoming widespread knowledge. Control over who could weave Gateways has been important to control certain plot elements, and has some similarities to how Tel’aran’rhiod access has been slowly spreading. As per the suggestion above, the lessons and concerns surrounding the spreading knowledge of Traveling would be similar to those I’d expect if the ultimate solution and lesson of the story is giving mankind the ability to alter their own reality, as though they were in Tel’aran’rhiod.

Writing Lessons:

Show outsiders misunderstanding or overlooking things that regular characters take for granted.

Misdirect readers by showing things or observations that they will take for granted.

A Crown of Swords - Chapters 12-13

In this section, Egwene wrangles some allies to her side, while Aviendha provides an obvious suggestion about a potential ally to her friends.

Egwene’s part in the book concludes with her discovering that Myrelle has a dark nasty secret. She received Lan’s bond without his permission. The true fault is Moiraine’s, but Myrelle is complicit. It’s a big enough faux pas that Egwene can force her to swear fealty.

Swearing to obey is portrayed as a bad thing when Aes Sedai swear to Rand, but as a good thing when these Aes Sedai do it for Egwene. The result is a feeling of uncertainty in both cases. While we’re happy Egwene is surmounting her difficulties, the fact that the Aes Sedai are constrained to obey absolutely puts a new spin on the obedience of followers theme.

Lan offers advice on the new followers: don’t let them argue again. This from a man who was compelled and had his bond passed off to Myrelle. Maybe he wanted to get back at them a little.

Off-page, the rest of Sheriam’s group will also swear fealty to Egwene. Having set the stage for their downfall, there is no purpose to showing more of the same here. Many authors would be tempted to show the big boss being taken down, but the victory was already won against Myrelle. Instead, the author lets Egwene and the readers imagine Sheriam’s downfall, showing a blissful Egwene feeling in control, at last. Yet while she basks in these good feelings, a Forsaken is standing over her, in a position of intimacy and trust, and possibly undetected influence. Using Sheriam in this way serves to set up the coming conflict, and is a very worthwhile trade off for not getting to show her downfall on-page.

Aviendha’s point of view is as alien as anyone’s but a Seanchan’s. A good portion of text is spent contrasting her understanding of the world with what we are familiar with.

Aviendha hits on the solution to finding the Bowl of the Winds. Use Mat’s ta’veren ability. This is another example contrasting similar situations. While Egwene could not get allies to support her, Nynaeve and Elayne have been purposely keeping their ally at arm’s length.

Elayne learns about bargaining the hard way. The Sea Folk have very strict rules about who leads or commands, while the pair of Aes Sedai are woefully unprepared. They quickly find that they are not equals with the Sea Folk as their meagre advantages are quickly stripped away. The overlapping conversations ending the chapter convey the sense of overwhelming chaos the women have thrown themselves into.

Here is an example of how a sentence can convey meaning about the situation while establishing facts about the society. Remarkably, the nouns make no difference to understanding the relative value attributed to them.

Do I see a Wavemistress and her Windfinder, or two deckgirls at their first shipmeet?

Do I see a Wise One and her Apprentice, or two Maidens at their first swap meet?

Do I see a physt and her yshesn, or two ujdnds at their first jsjdyf?

It is the words OR and FIRST that provide the contrast between experience and starting out. OR establishes the comparison, while FIRST supplies value to BOTH sides of the comparison. The comparison is supplemented by using nouns which include other value-laden words such as GIRL vs. MISTRESS.

Writing Lessons:

When introducing alien cultures, use words that establish familiar relationships with the unfamiliar terms.

The Dragon Reborn - Prologue to Chapter 4

In this introductory section, the story is no longer about Rand, but Perrin!

The prologue, as in the previous novel, provides some quick background essentials: how male channelers go mad, why no one wants the Dragon to be Reborn, the Three Oaths that Aes Sedai vow, and frames the battle against the Dark One. The prologue also ties off some loose threads from the last book: Fain fled to Amadicia, the Seanchan were repelled, and the Darkfriend Jaichim Carridin remains well placed, ready to use his station to advance the Dark One’s plans. With all that out of the way, there is even room to squeeze in the plots for this book: Carridin’s orders have suddenly changed from using Rand to killing Rand. The Whitecloaks mean to leave Rand alone, for now, but under Fain’s influence, they may investigate this Darkfriend-filled Two Rivers district. All the bases have been covered in this short passage.

The most important new element out of those was the sudden desire to kill Rand. This is out of character for Ba’alzamon and Lanfear, but we already knew that the Forsaken work against each other as much as with, so perhaps a new Forsaken is involved. Remembering that Ba’alzamon represented doubt, and Lanfear desire, let’s watch for similar characteristics that could be attributed to a new villain.

Immediately, the feel of this novel is different than the previous two. The initial mystery introduced is not ‘who is the black rider?’ or ‘what does the Amyrlin want?’, it is ‘when will we move on from this valley?’. This is not as keenly intriguing as in the previous novels. It is the first appearance of an infamous style that Robert Jordan used abundantly in later books, it is dragging out the revelation of simple details. Why is it used here?

Firstly, this entire first section is told from Perrin’s point of view, the longest sequence to date devoted to a single character’s point of view other than Rand, indicating his importance to the story. As part of making Perrin’s point of view unique, the text is an expression of Perrin’s attitude towards life, move slowly, carefully, and thoughtfully. Perrin himself can’t get right to the point, so chapters from his point of view will show more consideration of details, and feel more drawn out than chapters told from other characters’ point of view. If this wasn’t as obvious in earlier Perrin chapters in the other books, it is probably because there were but one or two chapters at a time, and enough new material was being introduced to overrun this effect. Part of the problem here is that there is no new significant information being presented. Knowing reader perceptions of much later books, I’ll keep an eye on whether this slowness shows up more frequently in Perrin’s point of view than elsewhere.

Another way to show Perrin’s different way of seeing the world is the number of blacksmith references. Descriptions of faces or objects are as comparisons to his experiences at Master Luhhan’s forge. Oddly, Rand never made so many shepherd and tabac references. Perhaps Rand is simply more imaginative and eager for the future, such that his frame of reference extends beyond what he did as a young man. Nynaeve’s cultural references were consistent with her experience, and were used frequently, Egwene’s much less so. Every character, even Perrin, felt like a man or woman of action in earlier books, but now he stands out as slow-moving by association with the idea being expressed in these chapters. Chapter 1 is even called ‘Waiting’.

The famous Wind that rose in the Mountains of Mist does more than describe the setting, the language describing it sets up the mood of ‘Waiting’ before any character is even introduced. Here is some sample language:  Down long valleys, hanging in the air, soon spring up, forgotten, snow that never melted, clouds clung to the mountaintops, snow and white billows seemed one, it held awhile, clung, not yet quickened. A variety of subjects have been described, none of them human, but altogether the reader is primed to think of being stuck in place and impatience to move.

Other characters are reintroduced, with their motivations. Loial who wants to write a book on ta’veren. Min who is reluctantly in love with Rand. Uno who bloody well fights goat-kissing Trollocs. Masema who is overeager to serve Rand. Several plotlines relating to Perrin are begun or touched on here: his association with Tuatha’an, his Wolfbrother abilities, dreams. As the central character, Rand scarcely appears. There is little point, his concerns are the same as Perrin’s to a large extent, and no one has the answers to his most pressing dilemma, how to control the One Power. Switching to Perrin’s Point of View instead of Rand’s has no downsides. Staying out of Moiraine’s point of view, but reminding readers of her inviolable objectives, keeps them suspicious of her.

In the dreams, Perrin gains more insight into the Forsaken than anyone else has. His Wolfbrother dreaming ability lets him enter the World of Dreams despite any protective effects from Moiraine’s presence. First Ba’alzamon, then Lanfear each pays him a visit and tries to get him to drink from their cup. They are still intent on using the Two Rivers boys, and have passed up easy opportunities to kill Perrin here. Interestingly, Perrin tries to assert his identity in a realm where force of will creates reality. Lanfear is eager to help Perrin, and brings him or lets him follow to the chaotic paths of the World of Dreams, where he sees Ba’alzamon meet with Be’lal in puffy sleeves and another Forsaken. They argue and vanish in a fireball. One of them is sending the Soulless after Rand. One of them is behind the Myrddraal that visited Carridin. One of them is not playing Ba’alzamon’s way, and is trying to kill Rand. And they just sent the Twisted Ones at the camp! Waiting is over.

Writing Lessons:

Changing point of view also allows you to change the voice, style, and pacing of your writing. It’s a new person with a whole new world view.