Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

Friday, 4 January 2013

Towers of Midnight - Chapters 46-50

In this section, a glimpse of the future is given.
Faile participates in negotiations with Perrin and Elayne over the fate of the Two Rivers. Elayne cannot enforce her writ, so she avoids being a tyrant or a fool and creates bonds to tie the fledgling nation of the Two Rivers to Andor. Elayne soon does the same with the Cairhienin, binding their fates together with an exchange of lands and nobles.
Fortuona questions Elaida, and the Seanchan gain Traveling. Ominously, she decides to use this tool to subjugate the remaining Aes Sedai in an attempt to get Rand to serve her as prophesied.
Mat explains his quest to Perrin.
Aviendha goes through the glass columns in Rhuidean, in another fan-favourite scene. I’ll contrast this scene with the similar scene in Chapters 24-25 of The Shadow Rising, when Rand originally went through the glass columns to learn the history of the Aiel.
The glass columns scene in The Shadow Rising sets expectations for Aviendha’s visit. It isn’t possible to surprise readers with the mystery of Rhuidean, or the Tree of Life, or the visions because they are already all well known. The fog has lifted from Rhuidean, and there are no more mysteries. The author wisely decides to skip over what is known and expected, instead leaving Aviendha questioning “is that all there is?” Rhuidean is mundane now, just like the decisions which led the Aiel to pick up spears and fight.
Restoring a bit of mystery, Aviendha wonders about whether the columns have more capabilities that only what use they have been put to in Rhuidean. The mundane is made extraordinary again, and the weighty purpose of the columns is hinted at, but kept shrouded.
Aviendha’s first vision builds on prior knowledge of how she experiences the lives of the people seen in the columns.  Unlike with Rand’s earlier visit, there is no crafting of links between Malidra and Aviendha, no emphasis on how these two are really one. This first vision contains several links to the present and the familiar, referring to the Waste, Aiel, and a railroad which brings the steamwagons to mind. The mystery is about why Aiel are living like scavengers and why is Aviendha seeing life through the eyes of a random Aiel girl? The revelation is not only the details in the vision, but the fact that this vision exists at all. A need is established immediately, but it is mundane, a quest for food, instead of the character oriented need of Mandein in Rand’s visions. There is no firm historical link between Aviendha and Malidra yet, largely because Malidra has no character or identity, she is simply a scavenger looking for food.
As with Rand’s visions, each subsequent vision establishes more detail, eventually revealing that the visions are linked along Aviendha’s, and Rand’s future bloodline, containing links to each other, and to the current day. Whereas Rand’s visions began as known to be his personal and cultural history, of which he was then learning the details, Aviendha’s reverse this by showing the details and then establishing that this is her personal and cultural legacy.
Rand’s visions used parental relationships to convey the passing down of cultural responsibility from one generation to the next, giving great weight to the losses suffered by each of the lives he lived, and great importance to the sacrifices. Aviendha’s visions are bereft of such attachment to identity of the next generation, as shown with the casual indifference to the loss of children. In each of Aviendha’s visions, the women try to maintain the culture of the Aiel, at the cost of the people, overlooking that sacrifices are made for family, not only for the sake of sacrificing itself.
The lives of the women take on personal importance to Aviendha. Each of their failures is hers, and Rand’s. While so much of the history of this world has built towards the day when Rand faced the Dark One, until recently there was little attention to what happens after the Last Battle. Rand is not the end point of the cross-generational burden, he is a link in a chain which extends as far into the future as into the past.
Once again, the reverse chronological order the visions are presented in is effective in drawing the reader in, and the revelation puts the emphasis back on Rand and Aviendha to correct mistakes.
How can Aviendha find a new identity for the Aiel and overcome the Seanchan menace, or even craft an alliance with them that outlasts the Last Battle? One possibility is the Aiel clan chiefs and Wise Ones singing the lost Tinker Song, since they all learned it in the glass columns. The song is an act of creation, and can overcome the blight afflicting the crops of the world. Such a life offers an honourable and productive alternative to clan warfare. The Aiel once sealed a promise with a sapling of the Tree of Life, and they could do so again with the Seanchan, even offering them Avendesora itself. What good could come of Seanchan nobles walking through the glass columns, seeing the mistakes and errors of their ancestors? With this insight, the Seanchan and Aiel should be able to avoid some of the decisions Aviendha saw in the glass columns.
Writing Lessons:
Withholding context while establishing links to other parts of the story creates effective mystery.

Wednesday, 19 September 2012

Crossroads of Twilight - Summary

Crossroads of Twilight is widely regarded as the least favorite book in the Wheel of Time because “NOTHING HAPPENS!” There are several reasons for this view.
It is the only book where the situation at the end is little different from the end of the previous book. Perrin is still seeking to free his wife. Elayne is still trying to gain the throne of Andor. Rand is still resting from his efforts. Egwene’s army is still mired outside Tar Valon. Mat is still traveling with the circus folk and wooing Tuon. Black Ajah hunters are still hunting the Black Ajah.
Typically, when the story is divided across several locales, the author has come back to the locale three times, with some progress being made each time that set of characters is revisited. Over half of the locales are shown only once in this book and even those shown twice don’t substantially change anything plotwise. These short scenes limit what the author can do to progress the plots.
So pacing is affected by the limited time devoted to each locale, and a lack of events to change the status quo. Something must happen though, right?
The book is very strong thematically, as each character has time for introspection and faces a very difficult or momentous choice. The choice is first framed with respect to the cleansing of saidin, which is the most important event to take place in the series so far. The author wanted the cleansing to have an epic scope, which required every character to take note of it, no matter where they were in the world. Often books will have a brief epilogue, revealing some of the reaction to the climatic events of the final chapters. Crossroads of Twilight is such an epilogue, 681 pages long. Cramming in everyone’s reaction bogs down the story and forces it to take place over a short period of time, about a week, which again limits how far events can progress.
The other ta’veren ignore the cleansing, concentrating on the task at hand. Elayne and Aviendha see it as something wonderful. Cadsuane disbelieves it, while other Aes Sedai mistrust it, thinking it the work of the Forsaken, which propels them in surprising directions.
Perrin’s inner turmoil is the most vivid, as he ignores the cleansing to save Faile at any cost, and taking a step too far, then realizes that not limiting what he is willing to do would destroy any chance of his reunion with Faile being a happy one. Other characters must also choose between what they want most and what they are willing to do to achieve it. Each variation brings to mind Shadar Logoth, and the price its citizens paid for their choice. Shadar Logoth is gone now, the last reminder of the price to be paid if you are willing to pay any price.
Crossroads of Twilight was published in 2003, the first book in the series to be written and published after the September 11th attacks. Of all the characters, Perrin’s amputation of an Aiel prisoner is the most symbolic of the public discussion surrounding the appropriate response to the attacks. Perrin’s followers all insist he do what must be done, but he realizes taking the actions they want would destroy who he is. Yet he struggles to find what other courses of action he can take. He throws away his axe, choosing the hammer instead; he chooses forging, not cutting. In contrast, Mat’s choice to kill Renna to save his followers is declared justice and a righteous punishment for traitors. Rand and Egwene decide to try to find common ground with opponents, in order to fight a greater menace. As with plot elements in earlier books, modern American Mythology is blended into the story, with these plot elements applying to both the Vietnam experience and current events. In addressing these themes, a quieter, more introspective story was in order, yet another reason for the markedly slower pace of this book. I feel that wanting to give the story the right balance in this regard may have been a reason for the longer time it took to write.
Much of the trademark metaphorical language that the author uses to make descriptions mean something more is missing or more subtle. This is a deliberate way of fuzzing the reader’s understanding. Few things are blunt and direct, most descriptions, events, or revelations are vague, incomplete or unclear, which fits in tightly with the overall theme of the book.

Writing Lessons:

Make the voice you tell the story in match the theme.

Make something happen by the end!

Wednesday, 5 September 2012

Crossroads of Twilight - Chapters 15-17

In this section, Elayne’s rivals conspire and Egwene keeps the war effort alive
Elayne’s rivals Arymilla, Naean, and Elenia travel from camp to camp every night as they lay siege to Caemlyn. Despite having been knocked out of the contest, Elenia still sees a way in which she can emerge from this impasse as the Queen of Andor. While her drive and perseverance are admirable, her selfish reasons for seeking to become Queen are a stark contrast to Elayne’s rightful claim and interest in the well-being of the people of Andor. Despite the fact that Elayne hasn’t taken a very active hand in events so far, it is obvious that no hand at all is better than a hand like Elenia’s or Arymilla’s. Arymilla sees the Queen’s coffers as a means to upgrade her lifestyle even further while Elenia seeks the love and approval of the unwashed masses all the while thinking of them as foolish peasants. Her ego and intolerance instantly make her unlikeable, and make Elayne a more attractive choice despite whatever faults of her own she may have.
One of Elenia’s men, perhaps even her husband Jarid, has been meeting with the ringleader of the Caemlyn Darkfriends, the Lady Shiaine. Shiaine has two Black Ajah under her thumb, as per Moridin’s express wishes. She has her agent Mellar in a position of influence in the Royal Palace. She has a secret plan which Moridin has assigned her, and it remains unclear whether Elayne is meant to live or die, and if she is to die then to learn when that is to take place. It takes considerable effort to establish Hanlon’s position, keep a low profile for weeks, and wait until all Moridin’s conditions have been met. Does Moridin know something about Caemlyn’s role in the Last Battle? Does he suspect Elayne is pregnant with Rand’s children? Or does he know it for fact? How is what he is planning for Elayne any more effective than what Semirhage will later do to Rand? The only plausible answer is that the Last Battle is the battle for Rand’s soul and identity, and Moridin thinks Elayne offers a means of prodding Rand in some way. It’s incredibly vague and convoluted, and only rationalized by the fact that Rand has twice showed up where his girlfriends were in danger, in Falme and Tear.  
Darkfriends inherent mistrust and self-preservation instincts always seem on the verge of undermining their plans. Only fear of the Forsaken keeps everyone in line, knowing that their punishment will be severe, even if served years after their betrayal or failure. Hanlon wonders whether his would-be assassin had been sent by Shiaine. Falion arranges to be bruised so Shiaine won’t learn she and Hanlon are trading secrets. The level of suspicion is so high it’s a wonder they can get anything accomplished. When one of the heroes starts veering down a path of mistrust, it’s easy to see the negative context and its implications.
In the rebels’ camp, Egwene pines for her home, the White Tower. As with several other characters, she thinks of her goal in absolute terms: Whatever was required to keep the rebellion alive and pull Elaida down, she would do. Whatever was required. The author frequently uses repetition of a key phrase to emphasize the character’s level of commitment. Egwene’s goal requires she pretend at negotiations with Elaida, so that the rebels will see they haven’t come all this way for nothing. In some instances, when a character is aiming at one goal while secretly targeting some other goal, that detail is kept secret from the reader to allow for a surprise revelation later on. In this case it’s important that the reader understand exactly what Egwene is hoping to achieve, because the politics among the Hall of the Rebel Tower are convoluted enough. If the reader didn’t know Delana was Black Ajah, that Halima was a Forsaken, that Sheriam was most likely Black Ajah, and that Siuan and Leane were in her pocket, and a handful of other details, then none of the conspiratorial meetings between Sitters or other Aes Sedai would make as much sense. These waters are muddy enough that there is good reason to provide clarity to the relationships between the major and even minor players.
Egwene does keep one new surprise, which is her plan to blockade Tar Valon from receiving supplies. The reader can guess it involves cuendillar given the context in which it is stated that this secret exists.
The other secret which is not plainly revealed involves the Young Sitters. Having our attention brought back to this again implies the author has something worthwhile tucked up his sleeve. We’ll see soon enough.
A new peril facing the heroes is the revelation that foodstuffs are rotting, obviously an effect of the Dark One’s touch. Interesting that he first targeted the weather which caused a drought and affected crops, and is now attacking food. He went straight for the supply lines while his minions floundered after Rand. No one amongst the Heroes has even considered how to locate or affect the Shadow’s supply lines.
Writing Lessons:
Complex plans are unbelievable and fallible. Find the simplest way for a character to attain their goal and overcome obstacles.

Thursday, 12 July 2012

The Path of Daggers - Chapters 23-24


In this section Rand and the Seanchan engage in warfare.

Robert Jordan gained a strong reputation for capturing the mood of battles. We’ll now dissect the first large scale battle since The Fires of Heaven.

Rand’s strategy has been shown, and with the advantage of surprise and Traveling, he should be unstoppable. The body count is very high, Bashere will compare it to the Blood Snows, the battle near Tar Valon during which Rand was born. Most of Rand’s followers are in some form of shock at the devastation. Rand’s losses have been limited. Unless they face damane, the Asha’man tear every opponent apart meeting little resistance.

Rand encounters a problem with prisoners. He can’t afford to guard prisoners so he leaves them behind, except for damane and sul’dam, who he keeps in order to weaken the Seanchan. Rand’s unfailing memory of every woman who has died as a result of his actions gets more unbelievable every time he adds a name, there are simply too many. That is one of the points being made: trying to take responsibility for every person you meet is an impossibility.

So far, Rand is winning.

More Seanchan with names and personalities are met. Furyk Karede has been appointed to lead the Seanchan towards Rand. He notices that raken returning from the front lines are anxious. He dispatches a man under his command for actions that have squandered lives. Furyk will luckily live through this battle thanks to his wise decision to retreat. What else could he do with no sul’dam to fight back against the lightnings?

Rand is still winning.

An Asha’man tells Rand about saidin’s strange behaviour, which he dismisses. Rand proves particularly reluctant to take advice or information that has not been solicited. He is not someone you would want to have to serve. Rand continues to lose few men in battle. A group of Seanchan slip past Weiramon and manage to hit Rand directly. Yet the nobles he has been so reluctant to trust come to his aid, charging the Seanchan to protect Rand, coming to his side to treat his wound. Morr is surprised to receive thanks, given that Rand has done such a good job of expecting obedience without question or reward. The Darkfriends in his party plant the idea of continuing the march against the retreating Seanchan, all the way to Ebou Dar. His staunchest supporters, the ones he trusts the most, advise ending the campaign. Lews Therin sagely says “I would not mind having you in my head, if you were not so clearly mad.”

Rand is winning, but we sense he’s about to make a mistake.

A third Seanchan, the short-lived Kennar Miraj, continues to humanize the enemy. Suroth pays him a visit with information she has gleaned from the network of Darkfriends around Rand. This is a fine opportunity to quickly tie off some loose ends by showing the current fate of Alwhin and Liandrin without wasting much page space on it. In mid-battle, the author wants to keep the focus on the battle. These Seanchan perspectives also are a great place to lay groundwork for future Seanchan-related plots such as the Crystal Throne. We are left with the conviction that the Seanchan are quite proficient in war, and also obedient to the point of a death which can be easily avoided. The damane are about to be reintroduced to the fighting, though they may still be ill. The author creates sympathy for the enemy by showing how they are not being given what they need to succeed, and by continually reminding us that the bulk of the forces Rand is killing so far are from Tarabon, who are technically his own people.

This is the Seanchan counter thrust.

Rand directs five columns to attack an assembled force of Seanchan. When the lengthy list of nobles is given for each of the five columns, it serves to place the actors for the next few scenes, as well as to humanize Rand’s forces. Lews Therin makes the same observation about saidin’s behaviour, and now Rand is willing to pay a little attention. Only a little, because he rejects Dashiva’s concerns and carries on with the attack. Yet he can’t help noticing little changes among the Asha’man.

The reader should be worried that the Seanchan counterthrust will succeed.

Miraj has planned for how to meet Rand in battle. But the question of how the sul’dam will do is still up in the air.

Now the reader suspects the battle could go either way.

Bertome Saighan overhears the Darkfriends plotting and disagreeing. They are two of the closest to Rand. The words they use are as confusing as the battle itself. Either their words are being misinterpreted, as other nobles were earlier when Rand fell during an attack, or it is strongly implied that Gedwyn will try kill Rand.

The rapid shifts from character to character represent the confusion and back-and forth nature of the battle. We can’t tell who is winning.

Varek is a Seanchan underling forced to take command and order a retreat. The damane had a difficult time controlling their weaves, and accidentally killed some of their own soldiers.

Bashere has taken heavy losses, and his Asha’man are tired and having trouble using saidin. Extreme caution is keeping Bashere alive. Bashere is alarmed about what would happen if Asha’man began deserting and walking the world.

The battle is still a draw, unknowable except for continued losses.

Adley has also slipped and killed some of his own men. Rand has taken him out of battle, concerned he might have begun turning irreversibly mad. When Bashere appears and tells Rand about orders he sent, we remember how Furyk killed an underling who did the same. Rand seems poised to copy that action in a fury. Bashere is able to direct his ire at the Seanchan, and Rand decides to prove how devoted he is to repelling the Seanchan invasion. Bashere points out the folly, and how good the Seanchan generals are. Rand’s ego prompts him to unveil Callandor.

As with Adley and the damane, Rand cannot control the torrents of lightning he unleashes. Bashere physically topples Rand and wrests Callandor from his grip. The damage is done, Rand has done as much damage to his own forces as the week of fighting has.

Rand has lost.

Yulan orders the final Seanchan retreat, given that Miraj has been killed by Rand’s final outburst.

The Seanchan have lost.

The entire battle has been a metaphor for the futility of war. Both sides retreat, the border hasn’t moved, neither Rand nor the Seanchan have given anything up. Rand can’t win because participating means he loses. The Tinkers may not have been in this book, but their saying that violence harms the axe as well as the tree it chops is apt here. Even as he routed the Seanchan, it was Rand’s own actions that caused the deaths of his men. Humanizing both the nobles and the Seanchan allows the reader to feel their loss. Meanwhile Rand is emotionless as a stone, unmoved by the tragedy of the wasted lives. The end result is that he and the Asha’man are even closer to going mad, as much from the horror of the battle as from the Dark One’s taint.



Writing Lessons:

Give your battles ebb and flow, and meaning beyond the immediate result.

Tuesday, 10 July 2012

The Path of Daggers - Chapters 16-19


In this section, Egwene blindsides the Sitters to take control of the rebels

Egwene’s entire battle with the Hall is resolved through a familiar trick, the last-minute introduction of a rule that the opponents must follow. This turns up frequently in stories, usually with the heroes making a plan just before the final confrontation, but the reader is not told what the plan is until the very moment the trap is revealed, the secret allies name themselves, and they achieve victory. Sometimes the revelation is logical and satisfying, other times it comes out of nowhere and leaves the reader flat. Let’s analyze how well it is pulled off here.

The plan is to get the Hall to vote in favour of declaring war, which will hand a great deal of power to Egwene personally. She will rule by edict, and the Hall will not be able to stymie any of the edicts she puts forward. The Hall must then be sufficiently motivated to declare war, but must not be aware of the implications of that vote. Egwene also has time against her, because the opportunity to declare war can be usurped by one of the Sitters if she does not act quickly enough.

Egwene must:

1 Learn the Law of War

2 Keep the Sitters from learning her plan or the Law of War

3 Call a question of war before time runs out

4 Convince the Sitters to vote in favour of war

Of these, only the second is given to the reader initially, and that only partially, as we see Egwene undertaking actions to accomplish the fourth. An army in the rebels’ path is the catalyst Egwene has been waiting for.

Half of Egwene’s loyal Aes Sedai travel north to meet with the army blocking their way, though we are not told why, while the others spend the morning reminding the rebels of something, and we are again not told what. This creates a sense of anticipation but also frustration, since we have no context for any of the actions taking place.

We also have no context for why Egwene is suddenly reversing her constant insistence they keep moving, except that it relates to her plan. In the camp, Morvrin corners Takima, who is the only Aes Sedai who knows the Law of War, but the relevance is completely lost since there is no context for the confrontation yet. Aran’gar has killed Egwene’s maids, but that has no bearing on the current plot, other than a long-term goal of trying to keep Sheriam and her maid close to Egwene to learn the plan.

Egwene’s anticipation of victory is palpable, yet she feigns meekness for what she hopes is the last time. This is the only part of the plot which depends on her behaviour or character, since with a clear plan laid out she could do the rest in her sleep. This is a weakness of the plot, because it all depends on predetermined rules and events. We get to see events unfold, but it’s not surprising to Egwene, and the potential threat of failure is diminished in our eyes. Romanda and Lelaine’s sparring suggests the time for Egwene’s plan to come to fruition is very soon, before either of them succeeds in undermining the other and taking over the Hall. Added to the list of successful and awful Amyrlins, the one thing the reader does understand are the stakes.

Another sub plot is introduced when Siuan notices too many of the Sitters are too young. The answer only matters in the long-term, but is better introduced now so this sub plot can be delved into immediately in a future book.

The threat of timeliness is introduced when both Lelaine and Romanda learn of the meeting with the army, and deliver ultimatums to Egwene. Egwene clings to her meekness, and the non-specific language used is designed to convince even the reader that she is almost chastened. Then the first surprise is revealed at the last possible moment of the chapter: “Siuan, they couldn’t have handed me the Hall better if I had told them what to do.” This sentence flips the meaning of the entire chapter on its head. All of the negative emotions felt by character and reader are not signs of imminent failure, but of success. At this moment, the reader does not know what is going on specifically, only that it is going the way Egwene wants.

The rebels march towards the Murandians and Andorans, with the showdown looming over them. A possible threat is revealed in the form of Talmanes, leader of a third army who continues to trail the rebels. Once again, we think Egwene is enduring unfair treatment from her hosts on the ice, until we are reminded that her loyal Aes Sedai rushed out here to meet with them before Egwene showed up. When they refuse passage, they are doing Egwene’s bidding, and the whole meeting is a show put on to prod the Hall. The army barring their progress is a secret ally, whose function is to openly doubt the rebels, whether they know it or not.

Once Egwene meets with the nobles and Talmanes, we realize she is unconcerned with their actions, all her attention is on the Hall and keeping them from wresting control from her. As soon as they return to the rebel camp, a meeting of the Hall is called. Siuan and Egwene go over the plan one more time, but we continue to be kept in the dark.

Finally, the moment comes. Egwene hastily calls her question about war before anyone else can speak, and the battle is almost won. Takima has the power to speak up just as Talmanes and the nobles did, but keeps silent. We still don’t know how she can undo Egwene’s power grab, until it is made clear it is her knowledge of the Law of War that matters, a Law we had never heard of up until now. A few short impassioned speeches later, consensus is reached. And with that, Egwene can reveal the power they have just invested her with. The reader is likely pleased that Egwene has pulled a fast one on the Hall, but is less impressed with learning about a Law that must be followed just before it comes into play.

Robert Jordan decided to write this scene as a mystery, keeping the method secret, but revealing the motive, the players, and elements of the plan as it became necessary. Had he discussed the Law of War in any detail earlier, that suspense would have lost, and he would have had to play up some other aspect to keep the reader’s interest. The resolution would have been obvious to the reader and would not sustain their interest. Can you think of another way these chapters could have been handled that maintained the reader’s interest? As a consequence of the mechanism Egwene uses to take power, Jordan was forced to use the least worst of several bad options to try interest the reader, resulting in a narrowly believable resolution with only mild suspense. It is not a strong way to carry the reader through the middle section of the book, but ending with Egwene firmly in charge mitigates the dissatisfaction.

Writing lessons:

Contrived solutions to the character’s problems can lose the reader’s interest. As much as you try to avoid telegraphing the surprises to the reader, also be aware of giving them too little and making them disbelieve the solution you present.

Sunday, 15 April 2012

The Fires of Heaven - Chapters 43-46

In this section, Rand and Mat go through the biggest battle since Hawkwing’s time, from beginning to end.
The section continues the alternating points of view, from Rand to Mat and back to Rand again. Although Egwene is involved in the battle, the intent was to keep the focus tight on the battle leaders, not the soldiers, which is the role Egwene plays in the battle. As the battle progresses, we get to see the different emotional phases of a battle leader displayed by one or the other of the heroes or their followers:
Rand: Grim preparedness and resolve. Everyone finds their place, including Rand.
Mat: Resignation. Eagerness
Rand: Changing circumstances as battle develops. Difficulty. See the battle as a personal one.
Mat: Surprising circumstances. Take a big gamble.
Rand: Confusion. Exhaustion.
Mat. Celebration. Relief. Recovery. Desire to claim glory.
Rand: Recriminations. Blame. Learn the outcome. Distribution of rewards and spoils. Taking stock of cost. Learn that the battle is larger than you, you are only human.
This was the first major battle fully described not with such a focus on the scale of the battle. Tarwin’s Gap lasted a page or two; the large scale battle in Falme was over in a few pages; The Stone of Tear was taken in a chapter; Perrin’s skirmishes in the Two Rivers ended with a ten-page battle. For the biggest battle since Hawkwing’s time, the author felt that a proportional amount of time should be spent building up to and describing this battle.
 While Rand contrives to meet Couladin in battle, Mat is eventually the one who faces him, and makes it a personal battle even though he never sought it out. Lan points out that he is not the Dragon Reborn, the world does not rest on his shoulders, so he can act with machismo and go into battle and take risks. How can Rand acknowledge that yet still feel he has the respect of men with so much bravado? He is caught in a mental trap of his own making. Elaida, even Moiraine would keep him as far from danger as possible, while Rand is sure the Aiel and Lan will only follow if he puts himself in danger.
Mat’s battle with Couladin is described in a brief one-paragraph flashback. The first time I read it, I felt cheated. Why would this pivotal and exciting battle not be shown? The answer is that it is not pivotal. The outcome of the battle did not turn on Couladin living or dying. The point was to show the scope, drama, and emotion of a large-scale battle. Couladin symbolized nothing of that. His head hanging from a pole does symbolize some sort of futility, the unimportance of one man in such a large conflict, which is more in line with the author’s intent.
The Maidens want the freedom to die in the way they choose. Rand still gets all soft-hearted about women, and maintains his sexism that women should be protected from danger. He cannot even order a woman to her death. It is as realistic a weakness as is possible, and as dangerous to him as can be, since some of the people trying to kill him are women. Mat shares this affliction and he’d prefer to face hordes of Shaido than one disgruntled Melindhra. At least he can fight back against another man.
As Rand changes customs, and breaks bonds, and ‘brings change to everything’, it seems he is giving freedom to everyone. Initially discomfiting, once people give up their former ways of life, they can grow accustomed to new ones, such as when the Aiel join their societies but leave their clans. I’ve pointed out that in several ‘bad’ cultures (Darkfriends, Whitecloaks, Aridhol, and Seanchan), strict adherence to rank or ideals reduces freedom to nothing. The Dragon represents freedom to choose. Ishamael’s philosophical bent reinforced the idea that choice of who to serve is an important theme. In order for people to choose freely in the Last Battle, Rand first has to destroy whatever constrains their choices now.
Mat says something with far greater meaning than his current situation. ‘Each step had seemed so small, so necessary.’ Keeping in mind the constraints characters both good and evil are under, this line covers so many situations. For example, it describes a Darkfriend’s mentality. No one becomes pure evil overnight, it is a process of tiny steps that seem insignificant, but accumulate until there is no way back, and you are trapped, just as Mat is trapped in his new role as general.
A simple sentence explains how Mat acquired a peculiar item, and explains some character traits of him and another: ‘Kin Tovere liked the dice’. Such an elegant explanation for Mat suddenly whipping a spyglass out of his pouch.
Mat feels the dice rolling on his head again, indicating a battle coming, or a gamble to be taken, for he is waiting to see which pips are showing, and whether he will win. This removes a lot of earlier interest in the question of whether his dicing with the Dark One had a more sinister explanation than that revealed in The Dragon Reborn. The dice in his head are merely symbolic of an impending battle or luck-related choice.
If Rand was so exhausted from his use of the Power in battle, did Sammael exhaust himself as well with his strike in the log tower? He had to be within range of Rand’s strikes, right? Similarly, Egwene and Aviendha are very powerful channelers compared to the other Aes Sedai. Moiraine used an angreal against Trolloc hordes but quickly exhausted herself. How useful are channelers likely to be in a battle anyway if they are so weak?  
Writing Lessons:
Is the scene you are building up to the right one? Does it need to be built up to at all? Will it work best as detailed action, or a quick summary?