A Memory of Light - Epilogue

In this final section, glimmers of the future are shown and loose threads are tied up.

Rand’s quest ended on exactly the last page of the story, and the epilogue has a scant sixteen pages to wrap up many loose ends, which it does quite successfully.

Rand is blind and burdened with weight. After escaping the Pit of Doom, Rand realizes an unfamiliar woman is kneeling next to him, guiding him on what to do. The major clue to her identity comes in the following paragraph with the juxtaposition of two ideas in successive sentences: He blinked, his vision fuzzy. Was that Aiel clothing? An old woman with gray hair? Her form retreated, and Rand reached toward her, not wanting to be alone. Wanting to explain himself. Rand not wanting to be alone refers to his attaining adulthood, which firms up the link with his mother, Shaiel. She is offering him final words of encouragement as he enters the world alone, and he is expressing his final regrets about leaving the dependence of childhood behind. It is reasonable that the last to let go of a child who grows into a man is his mother, and since there has been much ado over Rand’s father figures, it is appropriate for his mother to have her brief time on the page as well.

Shaiel’s death was only ever confirmed by Tam, and that came in a fever-dream. If she somehow survived Rand’s birth, it seems implausible that a woman of her renown could have returned to Aiel society without being recognized. She might have intentionally lived alone in the wilderness for two decades, if so motivated by Gitara’s original Foretelling. More likely is that she is a Hero of the Horn, which explains her appearance in Aiel garb and her apparent knowledge about what Rand should do. It does not however explain her appearance at Aviendha’s side when she was tested at Rhuidean, if she is the same woman, as seems likely.

Rand ambiguously reveals what he asked the Aelfinn. Rand had asked the Aelfinn how to win the Last Battle and survive, and the answer had been “The north and the east must be as one. The south and west must be as one. The two must be as one. To live you must die.” Given that this is the moment where Rand is dying, his newfound understanding of how to live and die could be what he is explaining to the Aiel woman, but the link is tenuous. His second question on how to cleanse the taint from saidin has been resolved. Was Rand’s third question to ask what his fate was and receive the answer ‘to choose’?

 “I see the answer now,” he whispered. “I asked the Aelfinn the wrong question. To choose is our fate. If you have no choice, then you aren’t a man at all. You’re a puppet…” 

The concept of free will has been present since the beginning of the series, and the revelation of Rand’s third answer from the Aelfinn at this late point in the story infuses the concept with even more importance. While the Wheel forces Rand to come to a certain place at a certain time, it cannot force him to do anything; it can present him with choices, but can’t compel him to choose one path over another. Even when the choice is to die or take another action, it remains a choice.

In the same Mat paragraph, the pleasantness of the sun is contrasted with the stinking blackness of Fain’s body. Mat wins every gamble he takes, yet even he won’t touch the cursed Shadar Logoth dagger. As the most reckless character, Mat is associated with the most instinctual behaviour, and he clearly rejects the path set out by Fain. Believing that the end justifies the means is the gamble that can’t be won; there is no way to preserve yourself when you start down that line of reasoning. The final phrase’s use of mess carries psychologically symbolic meaning: Behind, the dagger, ruby and all, melted away into the mess that had been Padan Fain. Again, this idea that absolutism is bad has been incorporated into the series from a very early point, and is reinforced by its placement here at the end of the story.

Perrin surveys the losses and celebration of victory in the camp, still worrying about his duty to protect Rand. He sees Rand dying in the tent, with the two best healers unable to prevent him dying. Perrin stands equal with Nynaeve: “Dogs obey that command, Nynaeve,” Perrin said, “not wolves.” He consoles her over Egwene’s death. Moridin is also in the tent, dying. Lan also sees Perrin as an equal. No one has seen Faile.

Loial’s walk through the camp, like Perrin’s, allows a couple of small plots to be resolved, including succession to a throne, naming surviving Aes Sedai, and planting straightforward clues to something odd: None of Rand’s loves seems to care that Rand is dying. Amusingly, Loial frets over the correct way to record dates after the Last Battle, an indication that with the Last Battle done, concerns are swiftly turning back to the everyday and mundane.

Mat is renowned amongst the Sharans, but when he calls the fireworks display the best in the history of “my land or yours”, he reveals that he does not see himself as one of his wife’s people. For Mat, being off the hook seems to imply he is free to leave. Tuon’s threat makes it clear that Mat can choose to do whatever he wants, but there will be consequences if he angers his wife. It is a ridiculous and funny predicament to leave him in at the close of the story.

Perrin faces the insurmountable task of finding Faile’s body amongst the hundreds of thousands of dead. Exhausted, he falls into sleep.

Moghedien has survived the Last Battle and no one knows that she lives. She too is free to act as she chooses with the Dark One imprisoned again, and she begins by strangling a worker and assuming her appearance. She thinks she can rule the world within a few years. Her own subterfuge works against her as a sul’dam captures her and deduces from her skulking that Moghedien will not be missed after she is dragged back to serve the Seanchan. Her poor selfish choices dictated her fate.

Nynaeve announces Rand’s death. She tries to corner Aviendha and bully her into revealing why she doesn’t seem upset, but Aviendha deflects her question. Aviendha, always representing Rand’s past, has been wounded and will never fight again, another metaphor of his having grown into adulthood. The fate of the Aiel, and of a couple of kings is revealed in passing.

When Perrin was last in Tel’aran’rhiod, Dragonmount was drawing near Shayol Ghul as the world shrank and large portions of it were destroyed and pulled up into the sky. That damage has seemingly been repaired with Rand’s victory. Perrin travels easily across the countryside as a wolf, lamenting his loss, struggling to understand why he has lost Faile when he did everything his duty compelled him to do. A clue draws him to Faile, whose wounds are healed in moments with Perrin’s creative use of the Wolf Dream to bring her back to the camp quickly. Their reunion is immensely rewarding despite its brevity, and also shows that Perrin’s decision to follow duty was well made.  Perhaps brevity is what makes this scene work; after having tormented the reader with doubt that Faile survived, once she is healed what further point is there in saying anything beyond ‘they lived happily ever after’?

Birgitte asks Elayne a blunt question in the same vein as that which Nynaeve posed to Aviendha, and gets a noncommittal response. She tweaks Elayne’s nose by telling her Olver and the Horn have been sent away, which Elayne recognizes was the best outcome for all. With a mature outlook, she agrees that there is little need to keep a powerful instrument of war such as the Horn as a deterrent. Birgitte is being reborn, and it turns out her interpretation of Gaidal as a young child somewhere out there was correct. Birgitte too gets her reward of being with the one she loves.

Tam notes signs of life in Shayol Ghul, a place that was once feared above all others. He reflects on what all humanity has been given by his son, how all men stand equal: In the evening, even with his light, it was hard to tell Aiel from Aes Sedai, Two Rivers man from Tairen king. All were shapes in the night, saluting the body of the Dragon Reborn. Tam stands next to Moiraine and Thom, pride and reverence in his heart.

Min stands with her two friends watching Rand’s body burn. Her Viewing fulfilled, they discuss the future and she nods agreement to the idea that they will make sure that the world believes Rand is gone. Leading toward the final revelation, she senses her bond pulsing stronger each moment.

Rand awakens alone, rested, healthy, and whole. The mirror shows Moridin's face, with a single saa held motionless in his eye, representing that Rand will always be able to see things with a bit of the Shadow's nihilistic or selfish point of view. But that dark viewpoint is held motionless; Rand will know it, but it will not drive him or affect him, he is in control. In effect, he now has a mature outlook on life, no longer carefree or innocent, one which acknowledges a wider array of possibilities, both good and bad.

Alivia has left him clothing and money, and a horse as means of transportation. He has Laman's sword. Shayol Ghul is blooming and full of life. From a distance he watches as his old body - Moridin's body now - is cremated. He leaves as the onlookers watch his funeral pyre. All but one whom he acknowledges with a nod of his head before heeling the horse away.

From that, Cadsuane deduces that inexplicably, Rand is in Moridin's body. She thinks she may be able to use this information in some unexplained fashion, but then is ambushed by four Sitters. They have decided that Cadsuane will be the new Amyrlin. This is quite appropriate, as Cadsuane has closely represented the Light itself, and now the Light is being forced to take up the responsibility of caring for humanity, the logical outcome of Rand choosing Light over Shadow. It is also the logical outcome of filling the void left by Rand’s death, for he would have been the obvious choice to lead the world under the Light. There will be no further abdication of leadership by the Light, no further manipulation of Rand, for Cadsuane and the Light have a more direct role to play in shepherding humanity.

Rand sees the world with a hint of Shadow, but has acknowledged the Light, and no one has impeded his departure. He has everything he needs, and is now completely free, with no restrictions over him from any person or agent.

Representing this ultimate freedom, he lights his pipe by thought alone, a matter of willing it to be so, just as if he were in Tel'aran'rhiod. The choice of a pipe in this symbolic act is appropriate, since smoking is often portrayed as a deliberate act of defiance and freedom in today's world. He inspected it for a moment in the darkness, then thought of the pipe being lit. And it was. This scene potently completes Rand's evolution from an uncertain youth into a grown man who can now literally do anything he puts his mind to.

While Rand embodies this new Power, and may be unique in using it, the story in its entirety implies that with the right driving forces and moral bearings to guide someone, they too can manipulate reality and get what they want. For physical explanation, the most logical is that some characteristics of Tel’aran’rhiod now exist in the waking world, and Rand is the first, perhaps only one, to have unlocked the secret of using them. Or perhaps Rand unlocked the secret for everyone, and the ultimate choice of what each person will do with it comprises their own eventual personal Last Battle.

Rand wonders which of his three lovers will follow, and which he might pick. As his past, present, and future, he is completely unable to pick one over the others; they are all a part of him. He can't leave his past behind (Aviendha), he can't simply live for the moment (Elayne) and he can't only dream about the future (Min).

With his newfound freedom, Rand is pleased to have the leisure to explore and experience the world as he sees fit. Funnily, he sees the royal trappings of powerful rulers he has seen as just one thing out of many to experience, not as the end point that many of the Forsaken sought. The final wind that rises showcases the duality that pervades Rand’s mental state and so much of the story: The wind rose high and free, to soar in an open sky with no clouds. It passed over a broken landscape scattered with corpses not yet buried. A landscape covered, at the same time, with celebrations. It tickled the branches of trees that had finally begun to put forth buds. The wind blew southward, through knotted forests, over shimmering plains and towards lands unexplored.

Writing Lessons:

Keep the story alive in your reader’s mind by inciting them to imagine what happens next.

A Memory of Light - Chapters 25-28

In this section, Egwene makes uneasy alliance with her personal Dark One.

Egwene has good reason to detest the Seanchan, having endured a short time in their clutches as a damane. She is tolerant of their help when she first hears of their arrival, but the matter of who leads who must be decided. So, she and Fortuona must meet face to face for the sake of expediency, despite the risk to their status being seen doing so.

She wore a glittering dress whose train extended a ridiculous distance behind her, carried by eight da’covale, those servants in their horribly immodest clothing. The use of the adjectives ‘ridiculous’ and ‘horribly’ not only describe the physical appearance of Fortuona’s garments and entourage, but also Egwene’s judgment of it. This sort of deep and personal attribution of adjectives is one way the author succeeds in crafting the third-person limited point of view.

In her confrontation with Fortuona, Egwene takes up the familiar theme of freedom to choose. Many of the evils in this world limit people’s freedom, and Egwene’s cause is one that Rand recently supported, and will again in his imminent confrontation with the Dark One.

Both Fortuona and Egwene can be excused for spontaneous bouts of uncharacteristic blurting out what they are really thinking when their minds should be keenly focused on the politics of this encounter.  Their minds may be sharp as diamond-studded bear traps, but all preparation and logic go out the window once a ta’veren is part of the conversation. If Mat weren’t present, readers might frown over the women’s lack of formality and veering off topic. I suppose Egwene’s eagerness to publicly beat Fortuona account for some of her behaviour.

Elsewhere, the generals are caught making mistakes, and Bashere is arrested as a result. Lan has verified his suspicions about Agelmar as well. Perrin would like to investigate this matter more, but he has been battling Slayer and protecting Rand.

In his battle Perrin sees an image of snakelike men battling as well. Are the forces of evil also attacking the Aelfinn? Or are the Aelfinn and Eelfinn secretly participating in the battle at Thakan’dar, staving off the threat to their own existence?

The dreamspike serves a major plot related purpose, keeping Rand safe from outside interference, though it may later slow his escape. The wolves add to Rand’s defense, summoning Perrin whenever Slayer approaches.

Perrin’s encounter with Slayer ends in victory as the other man is driven off before he can harm Rand. Perrin and Gaul also fight several red-veiled Aiel, defeating the last by changing them into idiots. I wonder whether the turning process somehow weakens their willpower, thus affecting how easily they are altered in Tel’aran’rhiod, or perhaps it is simply lack of training as Perrin surmises. Lanfear even shows up to aid Perrin yet again, and despite misgivings, it is difficult not to wonder if this most Forsaken of them all might be swayed back to the Light.

Moridin has no such second chances in his future: “Now? Now you beg me to return to the Light? I have been promised oblivion. Finally, nothing, a destruction of my entire being. An end. You will not steal that from me, Lews Therin! By my grave, you will not!” Moridin came forward swinging.

Shaidar Haran’s demise is anticlimactic, yet not without interest. The giant Myrddraal’s husk lies on the ground before an infinite Blackness, whose touch may spell the end of Rand. Moridin will try to bleed one last time to weaken him enough for the Dark One to prevail, perhaps even to defeat Rand himself. The stakes, emotion, and uneven odds all contribute to the intensity of Rand’s slow progress to the Bore. The slow pace of Rand’s battle, explained by the time differential, also keeps the tension high. The book is half over, and he’s just facing his opponent now. How much can be left? What will happen? So, so good.  

A raken hit by a fireball crashes atop a messenger in Byrne’s camp. With no one else to carry a plea for help, Min offers her aid. Necessity is a very believable reason for improbable coincidences to take place. In this case, it provides the desired motivation for Min and Bryne, and is quicker and more elegant than any other convoluted attempt to place her with the Seanchan could be. Added to Fortuona, Min and Mat now offer another convenient pair of viewpoints to show events from a more Seanchan perspective.

The use of an Ogier song of mourning makes the reader’s mood more downcast, especially in contrast to how the Ogier’s manic battle rage had provided an uplifting source of hope in an earlier chapter. Loial’s sections are short, and used to punctuate the plot with the desired emotion each time he shows up.

Writing Lessons: Use adjectives to simultaneously describe physical and symbolic elements, as well as reveal character.  

Use necessity as a means to make improbable scenarios more believable.

The Gathering Storm - Chapters 21-23

In this section, one of the most intense scenes in the series unfolds.

This blog had its 10,000th visitor last week while I was facing writer’s block over this extra-lengthy post. Thanks for reading! Don't be shy, contact me if you have feedback, questions, or suggestions.

First, on a much less intense note, Perrin and Faile have a minor squabble as they try to reintegrate their lives together in the aftermath of her abduction and possible dalliances on the side for both of them. What intensity exists is quickly dissipated as Faile overlooks the odd, sorrowful gaze in his eyes, tells Perrin she does not believe the rumours about him and Berelain, and bluntly admits in her own thoughts that she did not sleep with Rolan. She explains that she is jealous, in one of those moments where the author lays bare the truth about how men and women act with each other.

I am bothered by the blunt treatment of this revelation. Throughout the series, I’ve shown how Robert Jordan consistently made almost every character, background, action, and description fit a theme and represent more than just the action on the surface. Masema was unbridled adherence to a code of behaviour, and Faile killed him in secret. Does that really mean nothing more than tying up a loose end? Galina, even as a Black Ajah, was truth, and she made a jumble of dirty timbers trap Faile. Did that mean nothing more than the betrayal it was? If Faile considered sleeping with Rolan for the possibility of escape, is it not possible that Perrin could do the same to tie Berelain to him and use her to free Faile? For those events to be devoid of deeper meaning  would signify that Robert Jordan had gone against the behaviour he exhibited over ten earlier novels, suddenly deciding that it was no longer appropriate to create layers of meaning so he could rush towards the end. That possibility rings far less true than Faile’s declaration that she did not sleep with Rolan. Sanderson’s writing style does not easily allow for unreliable narrators, given that he typically reveals emotions as facts, and not through the prism of that character’s world-view.

So, I’m left with the uncomfortable possibilities that either the text means exactly what it does on the surface, or that Sanderson deliberately or erroneously overlooked the cheating that took place off the page. I fully recognize that I am in the throes of one of those theory-making episodes spurred by having emotionally committed to a position in earlier posts, in fact, blogging in this format without complete knowledge of what is coming lends itself to this type of mania. Once you are committed to a point of view, even blunt evidence refuting it tends to be dismissed for the simple reason that it inconveniently contradicts what you know in your heart to be true. This sort of thing happened regularly at Theoryland, and really opened my eyes to how people think and why they think that way. But the disparity remains, and in my mind can only be resolved in favour of Jordan’s original intent. It is unfortunate that a blunt statement is given when it seems to me Jordan went out of his way to pointedly never show Perrin or Faile directly addressing what happened, choosing instead to focus on what other characters think happened. It strongly undermines the efforts put into several books covering their trials, unless you adhere to the point of view that Faile is lying even to herself.

Faile and her followers gather to remember the kindness of Rolan and the Brotherless. Her explanations and feelings fit perfectly with the stated facts. She keeps Rolan's turquoise stone, for remembrance, not regret. The Saldaean proverb is equally fitting for what the women remember as it would be had Faile actually slept with Rolan. The past was a field of embers and ash, the remnants of the fire that was the present. Faile's story arc is complete, she has proved what she will do to save Perrin, including keeping secret the facts about Rolan's death that would undermine Perrin's faith in himself. It's worth noting that Rolan's fate is similar to Rand's, dying to save the one he loves, willingly accepting his own destruction.

Just to reiterate one more time, I find the topic of unreliable narrators never revealing whether certain events ever took place fascinating, especially given the intense quote-based scrutiny fans apply to the text.

In any case, Faile’s character arc is complete, and there is nothing left to add except the obvious moment in the Last Battle when Perrin must choose between her and his duty to Rand. Jordan frequently used the technique of setting up several examples of growing significance before getting to the final version. Perrin made tough choices to save Faile in the Two Rivers, upon returning to Cairhien, and again when freeing her from the Shaido. The same scenario will crop up again in the Last Battle, and Min’s Viewing tells us something bad will happen to Rand if Perrin isn’t there. Perrin will not be there, and the bad thing will happen to Rand, because Perrin has consistently chosen Faile over all else. Don’t be sidetracked by Sanderson’s text stating that Perrin thinks only the Last Battle matters.

Semirhage’s collaring of Rand is the most intense version yet of Rand being held prisoner by fate. Ishamael ranted about this repeatedly in the early books, and Rand denied being trapped by the Wheel. Rand was captured by Aes Sedai and beaten, yet broke free. Rand was locked away in darkness in Far Madding, and was freed. And now, Rand is finally, utterly trapped. The Black collar and bracelets are the latest, and most potent, representation of the eternal theme of will vs. fate. As one in a series of such events, the build-up to this moment is part of the fabric of the series, beyond the particular words used in this book building up to this scene.

When Rand frees himself, he does so by using the True Power, the Dark One’s own abilities, accessed through a surprising link between himself and Moridin. The True Power allows reality to be reformed according to the user’s will, typically by replicating alternate versions of weaves the user already knows. Unconstrained by any force, Rand is able to do whatever he wants, unlimited by anything so far as he can tell. This is the power of freedom, and free will.

Cadsuane represents the Light, and Semirhage represents living completely outside the Light. When the confrontation is done, Rand has decided to live outside the Light, relying solely on his newfound power. Let's take a closer look at the symbolism and how it is subtly presented.

Semirhage sat alone in the small room. They had taken away her chair and given her no lantern or candle. She is literally cut off from the Light. What light she desires is man-made: glow-bulbs.

Semirhage considers resisting Cadsuane in the same manner Egwene resists her captors. Unlike Egwene who sees each punishment as an opportunity to show resistance, Semirhage has no victory to claim from each punishment. She can embrace pain easily, it is torture of the spirit she is unprepared for since her focus is entirely on the physical, not the spiritual. 

Shaidar Haran lists her failures, not least of which is the loss of the entire Seanchan Empire as pawns.   Rand was not to be killed, but is that by the Dark One's order, or out of concern for the link with Moridin? Even Moridin wasn't fully aware of their link until Rand lost his hand, so keeping him alive must have been part of the Dark One's plan.

Semirhage's cold detachment established her usual behaviour, so when she is anxious upon hearing Shaidar Haran's voice, and she holds her breath opening the door to her cell, tension is immediately created. Returning to her prior state of mind as she learns her captors are dead, she has an ally, and the black bracelets and collar are in her hands, the tension increases even as it shifts targets, for readers must recognize the immediate danger to Rand.

A time-honoured technique in horror is to tell the reader what awful event is about to take place, and then to delay showing it for as long as possible. As soon as Rand's name begins the next section, readers expect the confrontation, but the author delays it by showing Rand engaged in mundane affairs in Saldaea. It is more effective that Rand's affairs are ordinary, simply giving orders to his generals, rather than being riveting or action-oriented. The reader could understand if Rand is surprised because he is distracted by important affairs, but the feeling of being blind-sided is more palpable when he is going through, what are for him, everyday motions.

Rand reflects that the most dangerous enemies are those who you thought you could trust, while Lews Therin rails that none of the Asha'man can be trusted, they will turn on him. This sets up his frame of mind for embracing the True Power later and also for blaming Cadsuane. Rand thought he could trust the Pattern, and the Light to guide him, and has been sorely disappointed so far.

Rand reflects on invasions, both the physical ones in Saldaea and Arad Doman, as well as the metaphysical presence of Moridin in his dreams. Semirhage waits to conduct a personal invasion into Rand's quarters, and the reader can't help feeling that Rand will now be blind-sided as he ponders the very thing he is about to face.

Rand focuses on the one person he does trust, wondering if he can trust her far enough to do as she says and not become hard. The reader can’t tell if this scene takes place before, during or after Semirhage’s escape, so far all they know Min has already become a pawn of Semirhage’s. The uncertainty created by keeping that detail from the reader heightens the tension further.

There is no coincidence in the timing or nature of the argument between Rand and Min. Rand worries that Cadsuane is trying to manipulate him through her, and mistrusts her motives. On the verge of turning on Min because of her possible association with Cadsuane, Rand is in fact contemplating turning his back on the Light itself. And then Semirhage collars him. Language relating to constraint and feeling trapped is used frequently in horror scenes, telling readers that the outcome is terrible, yet dragging them inexorably towards that outcome. This scene plays out bit by bit with visceral and literal horrific constraints placed on Rand and Min.

The collar itself forces obedience to the will of the woman wearing the bracelet, in this case Semirhage. Rand is forced to act according to her logic, a logic that places no value in the emotion of love. He is forced to destroy Min, for she serves no purpose in a world with no love. Even though Rand is able to free himself of Semirhage’s constraints, he has still embraced her way of thinking, shutting down his emotions, closing himself off from love and the Light.

When Rand uses the True Power, Lews Therin’s rantings about it replace tension with dread. How can it be worse to use the True Power than to murder his own loved ones?

Rand banishes Cadsuane, saying he never wants to see her face again, completing his metaphorical rejection of the Light. Following a logic focused on the outcome, not the means, Rand teaches balefire, insisting on its use.

Writing Lessons:

Guide the reader’s emotions as you building towards a climax by using the right language, establishing similar scenes to frame context, and pushing your characters beyond their limits.

A Crown of Swords - Chapters 4-8

In this section, the heroes are back in command, for now

Colavaere has her lands and titles stripped from her as punishment for usurping the throne of Cairhien. She exemplifies the follower who gets ahead of herself, betraying her Lord for power.

Perrin has his own betrayal to deal with, as he reconciles with Faile over Berelain’s unwanted attentions and his slip of the tongue in the throne room. Unlike previous books where the theme was about rifts between men and women which would have dragged out any reconciliation, or where the theme was about deceit and trickery which is when the unnecessary argument between the two began, this time the theme is about the trust in people closest to you. Perrin comments on Faile’s disregard for her own safety and intent to do things her own way, as a wife should. Faile comments on her fears that the Aes Sedai had somehow turned Perrin. Sometimes certain events seem to have been set aside waiting for the book with the correct theme to come along before dealing with it. Other times the plot just rolls along and the author presents the plot elements in a way that fit the theme of that book, without delaying or forcing the plot’s progress.

Colavaere’s removal allows the author to draw attention to Rand’s scheme to invest Elayne in the thrones of Cairhien and Andor. Handing these nations to Elayne whole is important to Rand, and is a symbol of how he hopes to preserve the world itself through the struggles of the Last Battle. To pull this off, Rand must put faith in his trusted followers, who are few enough that he can name them. Rand repeatedly distinguishes between the followers he can trust, and those he can’t.

When the Wise Ones send word ahead to Melaine in Andor about Rand’s kidnapping and rescue, she shares it with Bael, Dorindha, and Davram and Deira Bashere. Rand has to quash his anger at the freedom his followers allow themselves. This group is split in two over the Aes Sedai captives. Rand is left to puzzle over how other Aes Sedai will be treated when he encounters them.

The Aes Sedai in question are led by Egwene, who must snatch what authority she can from the three competing factions among the rebels. She can barely control her official advisor, and she completely loses control of her captive Forsaken. Symbolizing how little control she has, in the first sentence even her folding chair can’t be trusted to stay erected. The discussion veers into spies in the camp, both for Elaida, sent to Elaida, and the most feared covert spies of all: the Black Ajah.

This is one of the first instances where the author has shown the same scene twice. This version is not exactly a flashback, but more of a fleshed out version of the short page-long scene from Lord of Chaos. Why do it this way?

In Lord of Chaos, Moghedien’s escape is meant to be a punchline and a disruptive plot element. It didn’t have to be long or detailed, it just needed to shock the reader into realizing that the villains have not been set back at all and are advancing their own goals. In this wordier section, the groundwork is being laid for Egwene’s storyline. But establishing the status quo among the rebels doesn’t require showing the same scene over again, or even continuing from that moment; it could even have been a meeting with Sheriam a week or a month later. What the scene does offer is establishing when the events happen to Egwene, in relation to when Rand’s events take place. This is of some interest to the reader, but not quite necessary, and could again have been handled with a ‘one week ago Moghedien escaped’ sort of line. The scene offers an immediate reason for Egwene to reason out which Forsaken yet live, noting that Ishamael was dead , ‘or so it seemed’, and also to wonder about the Aes Sedai look of agelessness, which will become relevant in the later Ebou Dar scenes.

Writing Lessons:

Have a good reason to show a scene twice, or from two different perspectives.

The Fires of Heaven - Chapters 53-56

In this section, Nynaeve comes to Rand’s aid.

Coming off the emotional peak of the book, Rand barely has time to register Moiraine’s loss before Lan is gone too. With characteristic machismo, Lan makes a final statement about duty and life and not trusting love, which Rand takes seriously. Lan has inflicted his last damage on Rand. Although none of the women they love have inflicted any pain on them, Lanfear’s jealous display which cost Moiraine her life has had the effect of both men swearing off women for good.  

Moiraine’s letter states that all paths led to the docks, yet she herself is the one who directs Rand there. This is not a case of her creating her own future, since all paths led there. Rather, she is trying to control how events will play out at the docks by establishing who will be there, and where the wagons will be placed. Throughout the book, there were many reminders about how Moiraine fussed to place the ter’angreal just so in the wagons, though the rationale given by those who observed her turned out to have been wrong.

The Wise Ones tell Rand he is a fool about this and many other things. Many readers took this as a sign Moiraine yet lived. With Lan’s bond broken, she was stilled at the least. As I read it now, it is more of an accusatory statement, referring to how Rand’s stupid man-behaviour is the reason she is dead, and so many other things are going wrong, such as the Maidens’ sudden disappearance. Having lost Moiraine and understanding the price will be paid one way or another, Rand decides to accept the Maidens right to choose how they will serve him, and to die in the doing if it so happens.

Rahvin has somehow smuggled a few thousand Trollocs into the inner city and palace, as a defense against an attack by Rand or the other Forsaken. Lightning strikes down Mat, Aviendha and Asmodean. That is a significant surprise, yet having just lost Moiraine, how else can you raise the stakes for the climax of the book? Killing not one but three important characters is disorienting, and after all the talk about the mistake of seeking personal retribution, Rand stupidly sets out after Rahvin.

Mystifyingly, the story moves away from life or death action to Nynaeve teaching Siuan in Tel’aran’rhiod.  The only way to pull this off without irritating the reader is if the change is vital to the story, engaging, or short, but preferably all three. There are two pages of scene-setting and explaining or refreshing the rules of Tel’aran’rhiod before Siuan and Nynaeve begin pulling each other’s hair and kicking and rolling in the dirt, which is funny. Nynaeve has hit a low point in respectable behaviour. By page 4, Moghedien has been sighted, and the action is back on. Had a lesser threat than a Forsaken been the reason to shift to Nynaeve, reader reaction would be unenthused. If you leave off one major enemy, you should be moving to something equally as menacing.

Moghedien easily bests Nynaeve. Birgitte arrives in time to distract her giving Nynaeve the chance to try whatever she can think of. And that is the key to battling in Tel’aran’rhiod, you can do anything you think of.  Nynaeve crafts an a’dam and captures Moghedien in a heartbeat. Rand has just finished acknowledging that the women around him can make decisions about their own fate, and risk death or worse as they see fit, and then Nynaeve does exactly that. Both character arcs are wrapped up together. Rand cannot win without Nynaeve’s timely aid, and she can’t come to his aid unless she rediscovers her own desire to take the risks that he would rather she avoid.

For the first time, Rand has trouble remembering his identity, as Lews Therin’s memories are now a distinct voice.

The rules for the a’dam in Tel’aran’rhiod need some explaining. When sleeping, only Spirit can be channeled in the waking world, allowing a ter’angreal to be kept working. Once in Tel’aran’rhiod, any of the powers can be used, as in the waking world. Entering Tel’aran’rhiod in the flesh is a sensible move for one who is not experienced with it, especially if you don’t like leaving your sleeping body behind for your opponent to find unprotected. Someone in the flesh can draw significantly more of the One Power than someone who is merely sleeping, according to Moghedien. I suppose it means the amount is limited by the fact that you are sleeping, and it is not that in the flesh you can draw more of the One Power than you could waking. Based on Birgitte’s earlier transformation into a child, an opponent can change the reality of what you are. If you are sleeping, it will only be true when you visit Tel’aran’rhiod; if you are there in the flesh, it will be true forever, in which lies the danger. Rahvin tries this on Rand twice, once to unmake him, once to turn him into an animal. It seems this was Rahvin’s big plan, perhaps because he feared Rand would be as strong as or stronger than him. What affects you in Tel’aran’rhiod affects you in the real world, whether wounds, death, or Forkroot.

What happens as the balefire undoes actions? Memories remain, but actions were not carried out.

Rand never saw Rahvin make a portal to Tel’aran’rhiod. Rand believes he saw the residues, but no such portal ever existed. Rand simply chased a figment of his imagination through Tel’aran’rhiod. Rand believed Rahvin made a bubble of water and piranhas, but Rahvin wasn’t there so he did no such thing. However, Rand believed he did, and in Tel’aran’rhiod, that is enough to have created it himself, so the injuries remained even after Rahvin was balefired. Every attack Rahvin carried out was actually carried out by Rand on himself, since Rand’s belief it was happening was enough to make it actually happen. Had Rahvin had time to blast Nynaeve, she would have remained injured because she would have believed a blast of flame was coming down on her, which would have the effect of creating it even if Rahvin hadn’t.

Mat, Aviendha, and Asmodean, and other Aiel and Trollocs killed by Rahvin’s lightning all fell to the ground believing themselves dead. If the lightning flung them, they weren’t actually flung anywhere. Others walked past them, or over them, also certain that they were dead. At the moment of Rahvin’s death, they suddenly wake and hurriedly get up, realizing that there is a battle going on around them. They hold out until Rand arrives.

The key thing to remember is that balefire may not always undo actions in Tel’aran’rhiod, since the imagining of them keeps them real. Balefire damage to objects in Tel’aran’rhiod seems to be permanent. We didn’t see whether Rahvin’s balefire damage caused by his weaving the One Power was reversed. I think it would be. If Rahvin balefired a walnut with a thin stream of balefire, then Rand balefired Rahvin with a larger stream, undoing his original weaving of balefire, the walnut should be restored.

The mystery of who killed Asmodean was the holy grail of theorizing. Hindsight is 20/20, but on a reread, it does seem intuitively obvious that it was someone from this book, and only two Forsaken are unaccounted for.

Writing Lessons:

Give your multiple storylines plot, emotional, and thematic reasons to cross each other.

The Fires of Heaven - Chapters 43-46

In this section, Rand and Mat go through the biggest battle since Hawkwing’s time, from beginning to end.

The section continues the alternating points of view, from Rand to Mat and back to Rand again. Although Egwene is involved in the battle, the intent was to keep the focus tight on the battle leaders, not the soldiers, which is the role Egwene plays in the battle. As the battle progresses, we get to see the different emotional phases of a battle leader displayed by one or the other of the heroes or their followers:

Rand: Grim preparedness and resolve. Everyone finds their place, including Rand.

Mat: Resignation. Eagerness

Rand: Changing circumstances as battle develops. Difficulty. See the battle as a personal one.

Mat: Surprising circumstances. Take a big gamble.

Rand: Confusion. Exhaustion.

Mat. Celebration. Relief. Recovery. Desire to claim glory.

Rand: Recriminations. Blame. Learn the outcome. Distribution of rewards and spoils. Taking stock of cost. Learn that the battle is larger than you, you are only human.

This was the first major battle fully described not with such a focus on the scale of the battle. Tarwin’s Gap lasted a page or two; the large scale battle in Falme was over in a few pages; The Stone of Tear was taken in a chapter; Perrin’s skirmishes in the Two Rivers ended with a ten-page battle. For the biggest battle since Hawkwing’s time, the author felt that a proportional amount of time should be spent building up to and describing this battle.

 While Rand contrives to meet Couladin in battle, Mat is eventually the one who faces him, and makes it a personal battle even though he never sought it out. Lan points out that he is not the Dragon Reborn, the world does not rest on his shoulders, so he can act with machismo and go into battle and take risks. How can Rand acknowledge that yet still feel he has the respect of men with so much bravado? He is caught in a mental trap of his own making. Elaida, even Moiraine would keep him as far from danger as possible, while Rand is sure the Aiel and Lan will only follow if he puts himself in danger.

Mat’s battle with Couladin is described in a brief one-paragraph flashback. The first time I read it, I felt cheated. Why would this pivotal and exciting battle not be shown? The answer is that it is not pivotal. The outcome of the battle did not turn on Couladin living or dying. The point was to show the scope, drama, and emotion of a large-scale battle. Couladin symbolized nothing of that. His head hanging from a pole does symbolize some sort of futility, the unimportance of one man in such a large conflict, which is more in line with the author’s intent.

The Maidens want the freedom to die in the way they choose. Rand still gets all soft-hearted about women, and maintains his sexism that women should be protected from danger. He cannot even order a woman to her death. It is as realistic a weakness as is possible, and as dangerous to him as can be, since some of the people trying to kill him are women. Mat shares this affliction and he’d prefer to face hordes of Shaido than one disgruntled Melindhra. At least he can fight back against another man.

As Rand changes customs, and breaks bonds, and ‘brings change to everything’, it seems he is giving freedom to everyone. Initially discomfiting, once people give up their former ways of life, they can grow accustomed to new ones, such as when the Aiel join their societies but leave their clans. I’ve pointed out that in several ‘bad’ cultures (Darkfriends, Whitecloaks, Aridhol, and Seanchan), strict adherence to rank or ideals reduces freedom to nothing. The Dragon represents freedom to choose. Ishamael’s philosophical bent reinforced the idea that choice of who to serve is an important theme. In order for people to choose freely in the Last Battle, Rand first has to destroy whatever constrains their choices now.

Mat says something with far greater meaning than his current situation. ‘Each step had seemed so small, so necessary.’ Keeping in mind the constraints characters both good and evil are under, this line covers so many situations. For example, it describes a Darkfriend’s mentality. No one becomes pure evil overnight, it is a process of tiny steps that seem insignificant, but accumulate until there is no way back, and you are trapped, just as Mat is trapped in his new role as general.

A simple sentence explains how Mat acquired a peculiar item, and explains some character traits of him and another: ‘Kin Tovere liked the dice’. Such an elegant explanation for Mat suddenly whipping a spyglass out of his pouch.

Mat feels the dice rolling on his head again, indicating a battle coming, or a gamble to be taken, for he is waiting to see which pips are showing, and whether he will win. This removes a lot of earlier interest in the question of whether his dicing with the Dark One had a more sinister explanation than that revealed in The Dragon Reborn. The dice in his head are merely symbolic of an impending battle or luck-related choice.

If Rand was so exhausted from his use of the Power in battle, did Sammael exhaust himself as well with his strike in the log tower? He had to be within range of Rand’s strikes, right? Similarly, Egwene and Aviendha are very powerful channelers compared to the other Aes Sedai. Moiraine used an angreal against Trolloc hordes but quickly exhausted herself. How useful are channelers likely to be in a battle anyway if they are so weak?  

Writing Lessons:

Is the scene you are building up to the right one? Does it need to be built up to at all? Will it work best as detailed action, or a quick summary?