A Memory of Light - Chapter 37 - Part 2

In this section, the heroes suffer setbacks and losses.

Deep in the Blasted Lands, on the approach to Shayol Ghul, Faile discovers the village supplying the Shadow’s armies.

Perrin awakens to find hours have passed and he is still weak from his ordeal. The rationing of healing for even heroes of his stature indicates how poorly the battle is going. Perrin insists Faile is alive even though her caravan vanished in a bubble of evil. As well he might, for the Wheel weaves as the Wheel wills, and the Horn must be at the Last Battle. Since nothing guarantees she is still the one carrying it, the scene still plays nicely as a point of faith, as opposed to counting on divine providence.

Androl and Pevara flirt as they make plans to find Taim. They sit on a hillside looking down on fields where nothing grows, surrounded by dead trees. Androl feels that mirth and love have a place even in the face of such desolation, perhaps it is even the best place to have them so they can build something up.

Rhuarc stalks the valley of Thakan’dar, killing Trollocs and red veils until Hessalam finds him. He looked up and someone beautiful stepped through the storm to inspect him. She had wonderful eyes, though the two were offset from one another. He’d never before realized how horribly balanced everyone else’s eyes were. Thinking of it nauseated him. And all other women had too much hair on their heads. This creature, with thinning hair, was far more marvelous.

The first thoughts are portrayed neutrally as though they could be Rhuarc’s or a narrator’s. The second sentence shows a slight resistance, as Rhuarc is still able to describe the offset eyes in a neutral, slightly pejorative manner. By the third sentence, Rhuarc is well and truly her creature, comparing her to all other women, with not even a thought of his wives, even to dismiss them. His memory of them is completely overwhelmed by his immediate need to please Hessalam. Rhuarc’s conversion jabs the reader with the speed and totality of his change of allegiance, undercutting the positive emotions displayed in the earlier sections with Perrin, Androl and Pevara.

Mirroring this example of good things turning suddenly bad, Rand weaves a world where all is well, and finds it overtaken by the Dark One very quickly. THESE PEOPLE ARE MINE NOW. I WILL TAKE THEM. The Dark One goads Rand with uncharacteristic explanations to point out the flaws in his creation, and attacks Rand when he wavers slightly. IT IS NOT ENOUGH, AND WILL NEVER BE ENOUGH. YOUR DREAM IS FLAWED. YOUR DREAM IS A LIE. I AM THE ONLY HONESTY YOUR WORLD HAS EVER KNOWN.

Whatever hope came from Rand’s triumphant dismissal of the Dark One’s reality is now seriously undermined. It is good that this pivotal confrontation not end too easily or quickly, and with the Dark One taking the upper hand, things once gain look bleak for Rand. At least readers expect a second round of battle. It is another stroke of genius to have this confrontation rely on character and imagination instead of ability with the One Power. Outside of the Pattern, weaving reality into being, Rand is more powerful than he ever was as a mere channeler.

Silviana offers to take Egwene’s bond so that she doesn’t suffer from his death during the Last Battle. Egwene defends keeping the bond, a link of love and trust that she fought hard to create. She believes the importance of her role will be enough to see her through his loss, but she nonetheless hurries to try rescue him.

Birgitte describes Gaidal in a way that makes her loss poignant, and relates directly to what happens when a loved one or warder is lost. Discussion of the deep personal nature of the loss adds a lot of emotional intensity to the story.  Readers have seen several supporting characters killed or destroyed, and forcing the reader to contemplate what those losses mean to the main characters heightens the tension over which of them may perish. The reader is being primed to feel the losses as deeply and personally as the characters will.

Galad receives orders and Mat’s medallion. He is to kill as many channelers as possible. Bryne arrives searching out Gawyn.

Mat is excited about playing in the highest stakes game ever. Having previously stated that both Mat and Demandred are master generals and master gamblers, the effect is reinforced with their mutual admiration for each other’s talents. This saves the author much trouble in actually conceiving of brilliant battlefield tactics, as the impression of skill can be conveyed far more convincingly than the skill itself.

Logain is given permission to seek out Taim. Mat looks for a good reason to fake a rift between himself and Tuon. He is not convinced Tuon’s safety is a good enough reason to pick a fight, yet his luck intervenes and a band of Gray Men and Sharan channelers makes Tuon’s point admirably. Having given away his medallion, the stakes are suddenly higher for Mat.

Min saves Tuon with the help of Siuan who dies in the effort. Siuan’s almost last words under pressure reveal her character, one reminiscent of the people of Manetheren: “Whatever you think you did, the viewing has not been accomplished yet, It’s still there.”

Siuan stood frozen for a moment. “Cauthon is in danger.”

“But—“

“I don’t care, girl!” Nearby, the ground trembled with the force of the One Power. The damane were fighting back. “If Cauthon falls, this battle is lost! I don’t care if we both die from this. We must help. Move!”

Egwene tries desperately to reach Gawyn in time.

Demandred considers how to defeat Mat, and opts to drag things out, so as to avoid committing himself to a potential trap and to maintain full control of the battle and his eventual confrontation with Rand. Demandred’s girlfriend Shendla is devious, capable, powerful, but not enough to change his heart. “I would cast it all away,” he said, looking into her eyes. “Everything for a chance at Lews Therin.” Demandred considers whether he could change, given the new feelings budding with him. This is the third Forsaken given an option of redemption in this book. Surely, readers think, the author wouldn’t show three such situations unless at least one of them will take it? The very fact that three options were presented implies that an option will be chosen, creating an expectation for the author to fulfill or surprise readers with. Precious insight into the twisted mind of this opponent creates interest and excitement. Will Demandred get his wish to confront Rand? Will he find out Rand isn’t coming and crush Mat? Many tantalizing possibilities are made available with a short jaunt into Demandred’s thoughts.

The M’Hael is admonished by Demandred and is assigned a specific task of confronting the Aes Sedai.

The Dark One shows Rand the fighting. I WILL WIN EVENTUALLY, ADVERSARY. WATCH THEM SCREAM. WATCH THEM DIE.

THE DEAD ARE MINE.

 “Lies,” Rand said.

NO. I WILL SHOW YOU.

Juilin fights and keeps on fighting. His uncertainty about what to do other than keep resisting mirrors Rand’s predicament.

Androl and Pevara in disguise are able to learn Taim’s whereabouts from Demandred. This scene would have lacked some credibility without having seen Demandred just before, so that readers are already familiar with his whereabouts and state of mind. Demandred’s ability to detect Gawyn wreathed in shadows doesn’t extend to an inverted Mask of Mirrors. Demandred is too preoccupied to notice if whipping Androl’s cheek breaks reveals the disguise. Androl points out that even Trollocs battle in shifts, a reality shown earlier with Lan, yet unexpected here as the battle rages. If Mat’s armies are doing the same, it hasn’t been shown because it would detract from the perception that every last person is needed. It is more difficult to portray dire need when a third of your army is sleeping and another third is in reserve. The fact that the Trollocs can afford to do this demonstrates how badly the good guys are outnumbered.

Galad has a number of plans which he signals to his men by holding up a number of fingers. Memorizing a handful of plans may not be too difficult, but do men remember them under the pressure of battle? It seems risky given that they would have had under an hour to develop the plans.    

Galad finds Gawyn as he dies and learns Rand is his brother. Gawyn’s extraordinary survival so far is explained by his Warder bond, another fantastic invention that gives the author a lot of leeway to make events play out as needed. Galad is motivated by his brother’s loss, and maybe by his newfound brother’s existence, to seek out and destroy Demandred. He is a better swordsman than Gawyn was, and has a medallion to negate Demandred’s channeling, and he’s taken down several channelers easily, and his desire for vengeance seems so right that his victory feels fairly certain.

Egwene feels the crippling loss of her Warder. A short amount of text is dedicated to this, for the good reason that every character in sequence is building up emotions of worry, frustration, fatigue, and loss. Each character’s point of view not only describes their own situation, but builds up to or builds on the points of view presented before and after. The rhythm of the Last Battle and Rand’s conflict play off each other emotionally more than they do temporally. Egwene’s realization of her naiveté plays very well with Rand’s imminent next round against the Dark One.

Writing lessons:

Set or maintain the emotions you want from one point of view to the next, using them as parts of a whole, not only to advance plot.

A Memory of Light - Chapter 37 - Part 1

In this section, the Last Battle begins!

Lan offers the first point of view in this epic nearly 200 page chapter, the significance of which won’t be understood until the chapter ends. New Spring made Lan the central character of the series by starting with his point of view as the first window onto this world. With Rand as the central character through the main body of the series, it has long been assumed the Last Battle was all about him facing the Dark One. It is not at all obvious to readers that the Last Battle applies to Lan as well.

Elayne fights Draghkar and gets healed by a damane. Then Mat explains his strategy to her, by telling her he can’t tell her the plan. Uno escapes the destruction of the Dragons by Demandred. Logain prioritizes Rand’s orders over anyone else’s: Find the Seals. Gawyn is losing steam, but feels better when he puts the bloodknife rings back on. Tam and Galad fight Trollocs. Egwene splits up Siuan and Bryne, sending one to watch the command tent, the other to fetch Gawyn.

Tacticians’ comments, such as Bryne’s and Galad’s, explain to readers what the troop movements mean in terms of the overall strategy. By darting from one person to the next, the author allows the battle to progress at a steady pace, telling the reader more from the varied points of view than any one character could know. Similarly, interest is heightened when more than one character wonders what is happening on the heights, driving the reader’s interest as well.

Pevara and Androl take advantage of their unique bonds to use one as bait while the other kills anyone tempted to strike. Their telepathy provides a unique advantage for this tactic, allowing the quickest possible reaction time. They are hit by lightning, lose control, and merge in a new way where they are fully bonded. Now they have fewer limits or rules on their use of the power, as each is able to channel while within a circle, and is able to use the other’s Talents.

This new channeling ability appears to come out of nowhere, yet it closely mirrors other developments earlier in the series where character development drives plot. Pevara has just finished overcoming her last Red Ajah prejudices against Androl, seeing him as a potential husband or lover. This change of character, and her acknowledgement and acceptance of it, are what leads to the new link between them later on that same page. These two are complete opposites, yet in finding common ground in their admiration and respect and growing love for each other, they have smashed down any barriers that restrained them from working together more fully than any two people ever have.

 Mat orders Galad to stay at the ruins. He learns that Demandred has a spy in his tent. He gives a bit of insight to Elayne, and now must prepare to manipulate Tuon.

At the ruins, Galad realizes Mat does know what he is doing. New orders confuse him as he gathers 12 men and goes to the ford to meet with Elayne.

The Dark One scours Rand with his power, but Rand’s self-assurance allows him to resist. Rand seems to abandon his plan to destroy the Dark One, or even defeat him, since he can just barely hold on to his identity. As always, it is self-knowledge that empowers Rand against his adversaries.

“That is all you have?” Rand growled.

I WILL WIN.

“You made me strong,” Rand said, voice ragged. “Each time you or your minions tried to destroy me, your failure was like the blacksmith’s hammer beating against metal. This attempt…” Rand took a deep breath. “This attempt of yours is nothing. I will not break.”

YOU MISTAKE. THIS IS NOT AN ATTEMPT TO DESTROY YOU. THIS IS PREPARATION.

“For what?”

TO SHOW YOU TRUTH.

The Dark One’s overbearing smugness, his blunt assurances that all is over, his condescending gloating over knowledge that he has gives readers the terrible feeling that he is in fact going to win. There is no doubt, no gambit, no challenge, the Dark One’s victory is inevitable, his power absolute.  Villains don’t get any more confident than this.

AND SO I WIN.

I WIN. AGAIN.

THE FIGHT IS OVER.

“IT HAS NOT YET BEGUN!” Rand screamed.

Use of the weaving metaphor established early in the series works to great effect, and is a natural fit. When the Dark One weaves reality to create Dark Emond’s Field, readers understand the stakes are higher than ever imagined, that everything they know can be remade. Dark Emond’s Field is designed to goad Rand into emotional instinctive action, putting himself in danger. Rand shatters the false reality, and promises to show the Dark One what is going to happen, giving readers hope and optimism, just in time for Gawyn to enter the fray.

Riding the emotional high off of Rand’s challenge to the Dark One, readers have every expectation that Gawyn will at least wound or disable Demandred, evening the odds. Gawyn faces Demandred armed with powerful magic and skill and still loses handily. Demandred is unnaturally skilled at sword fighting, and uses a burst of strength to drive his sword through Gawyn’s armor, while his eyes were closed. Hope turns to horror, because no matter how a reader feels about Gawyn, it is insinuated that Demandred can’t be stopped by anyone less than a powerful channeler who can also swordfight. In other words, Rand. And since he isn’t bound to show up any time soon, the other heroes are in a real spot of trouble.

Writing Lessons:

To lessen info-dumping, spread insight you are giving the reader across several different characters’ perspectives.

A Memory of Light - Chapters 25-28

In this section, Egwene makes uneasy alliance with her personal Dark One.

Egwene has good reason to detest the Seanchan, having endured a short time in their clutches as a damane. She is tolerant of their help when she first hears of their arrival, but the matter of who leads who must be decided. So, she and Fortuona must meet face to face for the sake of expediency, despite the risk to their status being seen doing so.

She wore a glittering dress whose train extended a ridiculous distance behind her, carried by eight da’covale, those servants in their horribly immodest clothing. The use of the adjectives ‘ridiculous’ and ‘horribly’ not only describe the physical appearance of Fortuona’s garments and entourage, but also Egwene’s judgment of it. This sort of deep and personal attribution of adjectives is one way the author succeeds in crafting the third-person limited point of view.

In her confrontation with Fortuona, Egwene takes up the familiar theme of freedom to choose. Many of the evils in this world limit people’s freedom, and Egwene’s cause is one that Rand recently supported, and will again in his imminent confrontation with the Dark One.

Both Fortuona and Egwene can be excused for spontaneous bouts of uncharacteristic blurting out what they are really thinking when their minds should be keenly focused on the politics of this encounter.  Their minds may be sharp as diamond-studded bear traps, but all preparation and logic go out the window once a ta’veren is part of the conversation. If Mat weren’t present, readers might frown over the women’s lack of formality and veering off topic. I suppose Egwene’s eagerness to publicly beat Fortuona account for some of her behaviour.

Elsewhere, the generals are caught making mistakes, and Bashere is arrested as a result. Lan has verified his suspicions about Agelmar as well. Perrin would like to investigate this matter more, but he has been battling Slayer and protecting Rand.

In his battle Perrin sees an image of snakelike men battling as well. Are the forces of evil also attacking the Aelfinn? Or are the Aelfinn and Eelfinn secretly participating in the battle at Thakan’dar, staving off the threat to their own existence?

The dreamspike serves a major plot related purpose, keeping Rand safe from outside interference, though it may later slow his escape. The wolves add to Rand’s defense, summoning Perrin whenever Slayer approaches.

Perrin’s encounter with Slayer ends in victory as the other man is driven off before he can harm Rand. Perrin and Gaul also fight several red-veiled Aiel, defeating the last by changing them into idiots. I wonder whether the turning process somehow weakens their willpower, thus affecting how easily they are altered in Tel’aran’rhiod, or perhaps it is simply lack of training as Perrin surmises. Lanfear even shows up to aid Perrin yet again, and despite misgivings, it is difficult not to wonder if this most Forsaken of them all might be swayed back to the Light.

Moridin has no such second chances in his future: “Now? Now you beg me to return to the Light? I have been promised oblivion. Finally, nothing, a destruction of my entire being. An end. You will not steal that from me, Lews Therin! By my grave, you will not!” Moridin came forward swinging.

Shaidar Haran’s demise is anticlimactic, yet not without interest. The giant Myrddraal’s husk lies on the ground before an infinite Blackness, whose touch may spell the end of Rand. Moridin will try to bleed one last time to weaken him enough for the Dark One to prevail, perhaps even to defeat Rand himself. The stakes, emotion, and uneven odds all contribute to the intensity of Rand’s slow progress to the Bore. The slow pace of Rand’s battle, explained by the time differential, also keeps the tension high. The book is half over, and he’s just facing his opponent now. How much can be left? What will happen? So, so good.  

A raken hit by a fireball crashes atop a messenger in Byrne’s camp. With no one else to carry a plea for help, Min offers her aid. Necessity is a very believable reason for improbable coincidences to take place. In this case, it provides the desired motivation for Min and Bryne, and is quicker and more elegant than any other convoluted attempt to place her with the Seanchan could be. Added to Fortuona, Min and Mat now offer another convenient pair of viewpoints to show events from a more Seanchan perspective.

The use of an Ogier song of mourning makes the reader’s mood more downcast, especially in contrast to how the Ogier’s manic battle rage had provided an uplifting source of hope in an earlier chapter. Loial’s sections are short, and used to punctuate the plot with the desired emotion each time he shows up.

Writing Lessons: Use adjectives to simultaneously describe physical and symbolic elements, as well as reveal character.  

Use necessity as a means to make improbable scenarios more believable.

A Memory of Light - Chapters 5-6

In this section, Long-anticipated and hoped-for happy things happen.

With the Last Battle slated to bring mankind to the brink of extinction, the author knows that some upbeat moments are needed to balance out these dire events, or the reader may grow weary. There are several reminders that this is the last quiet time the heroes expect to have, such as Rand’s shower with Aviendha. In the morning, she asks him for a future favour and he agrees to hear it when the time comes.

Rand reveals more of his peaceful weaves as he erects a pavilion with the Power while grass flourishes beneath his feet. Despite that he can wield great destructive power, in these scenes Rand shows off the value of utilitarian weaves which impress as much or more than any aggressive weave might. As much as the assembled people might wish for weaves that can save them, Rand inspires more hope simply by making grass grow.

News from Caemlyn is handled perfunctorily. Egwene and Elayne cannot afford to let it affect their decision-making, yet the summary discussion of the city’s demise gives a feeling that the author needs to simply drive the plot forward, explain the strategy quickly, and not belabour the point. This feeling will arise often throughout the book, but given the length of the conflict, it may be just as well to have events recited rather than seen, even if it goes against one of the cardinal rules of show, don’t tell.

The Sea Folk make what might as well be their final appearance, without even one of them named. The Sea Folk played an important role in earlier books, if irritating to many readers, being one of the first groups which the heroes had to accept rather than overcome or bring under their wings. This proved to be a key theme of the series, that of acceptance of others, despite vast gulfs between the cultures that separate them. The Seanchan would later drive that point home even more forcefully, remaining a final obstacle to the Dragon’s Peace when the meeting at Merrilor concludes.

Entire chapters of past books were dedicated to preparations for meetings such as this one, so things feel rushed when six pages after showing up on the field, the meeting begins. Illian and Tear are used as proxies for all the rest, yet the threat of Nations coming to blows feels minimal. Egwene correctly sees that no one will move until the true conflict between Amyrlin and Dragon is resolved.

Rand himself had suspicions of Demandred masquerading as Roedran, given his late decision to show up, and wonders where he is hiding, a blunt reminder that the secretive Forsaken may play a major role in the Last Battle.

Rand makes his three demands, setting off frantic discussions amongst the world’s leaders. Despite his attempts to eradicate war, flaws are shown which undermine his objectives and make his treaty untenable. The old friendship between Rand and Egwene ought to stave off a stalemate, yet even their trust of each other has been damaged. “I’ve known the White Tower’s guidance, Egwene. In a box, beaten each day.”

Consensus is as far away as it has ever been, Rand’s plan seems destined to fail, Egwene has resorted to hurling insults at him as when they were young, the Dragon’s peace offends the pride of every nation, and Rand can’t even get his closest allies to agree.

Into this, pulling Rand back from the edge of the precipice, comes Moiraine.

She has a knack, as she says, for showing up at the right place just in time. Years of traveling the world in search of Rand have allowed her to forge lasting bonds with Borderlander rulers. Her cousin is betrothed to Darlin, and she is aunt to the leader of the Children of the Light. She brought the current Amyrlin Egwene to Tar Valon, bonded the uncrowned king of Malkier, and was in line to a throne herself. Moiraine is as well connected as anyone in this story could be, and she alone can bring order where this group dissents.

Quoting the Prophecies of the Dragon, the Karaethon cycle, Moiraine directs gentle barbs at each of the attendees, reminding them what will happen, not what must happen. She presents the prophecies as a done deal, beyond negotiation or appeal, they are simply fact.

Once she has quelled the group, and they are willing to listen again, she steps to the sidelines as others begin serious discussion of flaws and possible solutions. Rand must get the Seanchan to sign, or it is all void. Possibility of disputes is solved when Aviendha insists on including the Aiel, who are assigned the role of protectors of the peace.

Rand’s other conditions are then addressed. He easily agrees to let someone else command the forces of the Light, so long as there is agreement. When Egwene’s name is put forth, talk returns to breaking the seals, and Moiraine easily sways Rand’s position, so long as she signs. With her major complaint addressed, Egwene concedes, leading a flurry of other nations to do the same.

Of all those who should follow the Amyrlin’s lead, longtime friend and lower-ranking Aes Sedai Elayne should be amongst the first, yet she holds out until the very end, petulant as ever. Though it annoys her many detractors, Elayne behaves as one trained by Merrilin and Morgase, exacting the greatest price for her aid, perhaps making subtle use of her rumoured love with Rand to position herself above all other rulers.

The emotional high note comes as a result of them all setting aside their differences to work together. Unified, Rand sets them a first task, one they eagerly accept. Lan’s army fights alone, in a war that cannot be won, an extension of his own personal war. They haven’t been seen since marching into Tarwin’s Gap at the end of the last book. Having attached themselves to Lan, they now face the same fate he always foresaw for himself. Within the hour, they will be overrun and killed, and Lan leads a final charge, hoping to deny the Trolloc hordes until his last breath. Unlike the fall of Malkier, when nations and Aes Sedai failed to come to Malkier’s aid for selfish or political reasons, this time those reasons have been set aside in favour of a more important need, to stand together. Lan’s charge gave the world another chance to do things right, and they do so in force. Even Lan can’t help himself: He didn’t just smile, he laughed… “Malkier lives on this day!”

I had previously identified that Nynaeve plays the role of Rand’s conscience, which begs the question of what Moiraine’s role is. Moiraine represents Rand’s sense of duty. It is a duty to protect his fellow townsfolk that leads him to set off into the world, following Moiraine. It is Moiraine who continually tried to push Rand towards what he must do, just as she does to the participants at this meeting, though much more gently.  Rand rejects Moiraine and his duty when he sets off into the Aiel Waste. Moiraine is being dutiful when she destroys Lanfear, doing what Rand cannot bring himself to do. And now at last, it is no coincidence that her reappearance immediately leads to fulfillment of the duty to Lan, her former warder, providing uplifting closure to the woeful tale of Malkier.

Writing Lessons:

For an event to be uplifting, it must have personal meaning to the characters and readers.

A Memory of Light - Chapters 1-4

In this section, Rand returns as a point of view character while dire events transpire at the Black Tower.

The familiar opening shows a world failing, withering, dying, awaiting the end. Rand’s appearance disrupts that imagery with happiness: Laughter broke the air.

While Moridin’s forces feel assured of victory, Rand is more hesitant, concocting a plan he isn’t sure can work, revealing that he wishes to kill the Dark One himself. The key element of the plan involves breaking the seals on the Dark One’s prison, which drives a wedge between him and Egwene. Egwene has a clue left by a Dreamer, a well known and oft studied clue: Wait upon the Light.

Rand pays attention to Roedran, inciting the reader to do the same, yet it seems unlikely or undesirable to the reader that such a minor character can suddenly play a meaningful role. It turns out that this is a feint; Roedran is being mildly played up to attract attention while keeping the reader guessing about Demandred’s whereabouts a little while longer.

Rand correctly surmises the Shadow wants to prevent the heroes from unifying, and the bold attack on Caemlyn threatens to do just that. More importantly to the story, Caemlyn is the central city, the gleaming jewel on the hill, the heart of the civilization that emerged after Hawkwing’s death. Its fall symbolizes the last cutting of ties to the old, the end of all that was good. It symbolizes that all the people of the world have left is each other now, even though most of their nations and cities still stand.

Talmanes’ overly heroic death is averted by Nynaeve’s healing.  This doesn’t sit well, as it indicates an unwillingness to let even a secondary character die, and cheapens the stakes. On a reread, it may instead have been intended to deliberately mislead, so that when well-established heroes die later, it will be even more shocking. If an author goes to such great lengths to keep this character alive, a payoff is expected. Does Talmanes have a critical role to play which no one else can do? Is there some clue in the way he embraced death which he can teach a main hero? Or is this just one of many death and resurrection parallels throughout the story?

Perrin and Elayne urge Rand and Egwene to talk, not argue, when they meet on the morrow.

At the Black Tower, Androl commits to a course of action, abducting and questioning one of Taim’s men. While the characters at Merrilor debate what to do and talk about events at a distance, it is Androl’s sections which provide the excitement. No matter that Androl is a new character and Pevara is a Red Sister, and that readers generally identify with Rand and Egwene closely, having followed their adventures for thirteen books. All it takes is a lack of action on their part to thrust Androl’s plotline to the forefront. It helps that readers are mildly unsure whether Androl’s events take place precisely on the eve of the meeting at Merrilor, and that they expect Taim’s men to play some role in disrupting those proceedings. Readers expect that the Black Tower storyline will play directly into events surrounding Rand. The fact that this turns out to be false doesn’t lessen the excitement immediately felt as Androl’s plan comes apart and he and his followers are overwhelmed as they rescue Logain. Logain’s own role and foretold destiny also help lift this plotline above the main storyline.

Aviendha comes to Rand, and for the last time he makes a halfhearted attempt to try spare a woman any pain. As always, the woman points out that she is truly an equal, and must therefore be allowed to choose on her own what pain and risks she will accept. Rand finally accepts this, and immediately reaps the rewards.

The dreamshard scene reminds readers that Moridin and Rand are linked somehow. The possibility that many of their early interactions took place in a dreamshard is raised, and offers an explanation for many small mysteries from the early books.

However brief the Moridin-Rand scene is, it contains emotive power in the cool verbal parrying between them. In just four pages it covers Lanfear’s relationship with Lews Therin, Moridin’s self-loathing, Rand’s desire to protect his loved ones, dreamshard physics, discussions on fate and destiny, Rand’s ultimate plan revealed to his enemies, and a surprise ability that sends Moridin scurrying. Any interaction between the principal hero and antagonist is bound to excite the reader, and this short section hits with everything it can. Hammering at the raw nerves of either character and addressing their worst fears is wonderfully effective here.

On the back of the hope raised by Rand’s small victory over Moridin, everything runs smoothly for Androl up until the last second, when hope is dashed. This too is a great example of stringing disparate sections together based on the mood the author wants to convey. Rand’s victory leads to Androl’s early success which reinforces expectation of Androl’s ongoing success, right up to the last second.

Writing Lessons:

Readers will perceive importance with the things the author treats with importance.

A Memory of Light - Prologue

Sorry for the lengthy wait, life struck and added to the time I needed to digest A Memory of Light.

In this section, new point of view characters foil readers’ expectations.

Oddly, Bayrd the Andoran soldier is introduced as a new character. It’s odd because there are already a multitude of other characters in which readers are already emotionally invested. Why introduce him at all? In this case, Bayrd’s story ties up a few loose ends, telling what happened to one of Elayne’s enemies and showing that across the world, ordinary men recognize the signs of Tarmon Gai’don and decide to join with whatever army they can find so they can march against the Dark One. Bayrd and his companions stand in for all the other people which the author can’t afford to show. It’s still meager benefit against the risk of displeasing the reader, but the other possible reasons for including are misleading. Weapons failing? Rejecting immoral authority figures? The act of creating as a ward against the Dark One? The lack of other good explanations for this section gives each of these possible other explanations added weight, whether it is intended or not.

Talmanes appears between every other scene in the prologue, leading a desperate defense of Caemlyn. The alternating structure of the prologue increases the sense of urgency over what a straightforward telling would have done. This structure is highly atypical of most Wheel of Time books, which would normally avoid interruptions in the midst of an action sequence, except to show other players within that same action sequence. It is however common in other fantasy stories, serving to delay resolution and increase the reader’s curiosity and emotional involvement. The difficulty here is that Talmanes is a secondary character, and spends a great deal of time searching for cannons, two things which reduce a reader’s engagement. The author wisely first portrayed Talmanes’ actions in saving the citizens of Caemlyn, forging an emotional bond with Talmanes before sending him off to save the new weapons, which so far offer more hope than proof of effectiveness.

Isam offers a peek inside his grim upbringing in the Town, a way station in the shadow of Shayol Ghul itself. The initial description represents Isam’s life: “The building would have been called an inn elsewhere, though Isam had never seen anyone inside except for the dull-eyed women who tended the few drab rooms and prepared tasteless meals. Visits here were never for comfort. He sat on a hard stool at a pine table so worn with age, it had likely grayed long before Isam’s birth. He refrained from touching the surface overly much, lest he come away with more splinters than an Aiel had spears.” Women, food, and simple furniture all fail to live up to the most meager of expectations. What isn’t bland is likely to hurt him. It’s all symbolic of life under the Dark One, and the reader can’t help but feel a twinge of pity for Isam, or hope that there is something of him to be salvaged. These feelings come from the way Isam stands in contrast to his surroundings. Longtime readers know Isam is nasty, but as presented here he becomes rather sympathetic in comparison to the red-veiled Aiel called Samma N’Sei, or the Forsaken who use and discard him. Coming so soon after Lanfear’s appeal for help at the end of the last book, there is reason to wonder whether Isam, or Luc, has any interest in ending his service to the Shadow. Once again, such an assumption will prove to be misleading.

Clues reveal these Samma N’Sei are Aiel men who can channel, but have been captured and turned to serve the Shadow. This secret army of channelers made a surprise appearance at the end of Towers of Midnight, stacking the odds against the heroes, who don’t yet know they exist. Having successfully avoided revealing the existence of these evil channelers throughout the entire series, readers expect a big payoff when they enter the fray. Readers may dread the outcome for their heroes, they may resent their sudden appearance, but they will expect big things from the Samma N’Sei.

Leilwin approaches Nynaeve to offer help, but finds her past mistakes impede her chances of having her offer accepted.

Aviendha returns from Rhuidean, and realizes this is the last possible night for her to be with Rand.

Androl and Pevara act out the same tale that recurs throughout the series; that of deciding whether to trust someone who is very different from yourself. A quick exchange of background stories aims to make the reader care about these men but it is Androl’s drive which creates the greatest interest. The overwhelming sense of danger built up over the last several books outweighs all other considerations though, and now a countdown element is added as Androl’s group suspects their time is dwindling. Allies turn to Taim’s side overnight. Androl is weak, his Talent useless. Yet more than Bayrd or Talmanes, readers want to see him rise up and succeed. Connecting Androl’s personal desires to the Black Tower’s fate, which is already foremost in readers’ minds, allows them to care deeply about him despite his sudden appearance at the end of the series.  

Moghedien learns that Taim has joined the ranks of the Chosen. Her perspective also allows readers to learn about Sindhol, Dreamshards, Demandred’s whereabouts, Graendal’s fate, and other tempting morsels of Moridin’s plan. Disappointingly, Taim and Demandred appear together, at the same time, seeming to drive the final nail in the magnificent theory that Demandred is Taim. But if Kari al’Thor can be a dreamshard fabrication, why not one of these two? HA! I’ll never yield!

Moridin’s last command is chilling, setting the stage for the Last Battle: “The last days are upon us. In these hours, you will earn your final rewards. If you have grudges, put them behind you. If you have plots, bring them to completion. Make your final plays, for this… this is the end.”

Those words rev me up every time I read them! AAAAAAAAA!!!!

Writing Lessons:

Make a character appear sympathetic by showing them in contrast to something worse.

Towers of Midnight - Chapters 10-14

In this section, the past catches up to the heroes.

Perrin learns the taint has been cleansed from saidin. He could have learned this at any time over the last few weeks, but he learns it now, because it reflects his current situation. Cleansing the taint is a metaphor for wiping the slate clean, casting off past sins. It is relevant because Perrin’s sin of killing other men is coming back to haunt him.

Neald is making circles with Wise Ones, and he is the first to explain that he can use saidar to strengthen his weaves of saidin. He feels more complete, as he feels saidar, and can increase the Power and size of his weaves. The sensations are reflected back to the women, who have disparate feelings about what they sense.

Perrin opts to keep Grady away from the Black Tower for rational and practical reasons, but it reminds readers that the Black Tower hasn’t been seen in a long time, since Pevara arrived and an ominous revelation had just taken place.

Galad decides to fight Perrin now so he won’t have to face him at the Last Battle, mirroring Rand’s decision to break the seals.

Elayne’s council expresses vastly different advice regarding her political prisoners. Birgitte is all practicality and hardness, while Dyelin thinks this is the moment when releasing the captives will earn Elayne the most credit. Birgitte is emotion, Dyelin is reason. Elayne decides this is an opportune time to claim Cairhien.

Mat’s letter to Elayne, with its spelling mistakes, is funny. It once again feels out of place with what has come before due to modern touches like the postscripts, but succeeds because it defies expectations. Mat never writes, foiling one expectation and providing a surprise. Postscripts don’t belong in this world, so Mat uses three of them. Mat is a trickster and it is always correct to write him defying expectations. Thom is laffing so hard at me that I want to be done.

Min gives only readers the only insight into Rand’s head since he descended from Dragonmount. Rand’s earlier behaviour with Egwene and Almen Bunt revealed a changed man, but it is Min’s insight that gives part of the reason.

Alanna vanished, leaving no clue where she is going. The likeliest explanation involves no abduction, simply a decision to leave and accomplish something. Rand could have contacted her and set her a task, weaving a Gateway that she could use without others detecting it. The change in Rand’s behaviour is the only impetus she likely received to make her do anything at all.

Cadsuane declares that Alanna, and by extension everyone, is a tool. This is an odd statement for her to make publicly, but is nonetheless consistent with her focus on Rand. Rand asks her to find someone who is missing in the Caralain Grass, someone who has been abducted by well-meaning allies in the White Tower. Assuming she succeeds, Cadsuane can then act as a bridge, or mediator between Rand and Egwene.  

Rand has insight into the Last Battle, how it will be fought, what he needs, and what must be done. He is decisive, apologetic, self-assured.  He knows secrets and has new abilities, such as his ability to pick Darkfriends out of a line-up. Somehow he picked up the fact that Mattin Stepaneos is being held in the White Tower, though that could have been learned through a ta’veren effect when he was in Tar Valon. Rand makes amends with the Aiel, Cadsuane, Nynaeve, Tam, everyone he let down previously. If he realized on Dragonmount that every one wants a second chance, he is getting every second chance possible.

“I’m not a weapon. I never have been,” he says. Cadsuane says that “Of all people, you cannot afford to let the pressure of life drive you.” Rand has understood some of what Cadsuane had to teach, but it is unclear whether this is the entirety of it, since the Asha’man haven’t yet learned their part.

Finally, Rand is forgiven by his father, and reclaims his role as a son. At the same time, Tam’s acceptance allows Rand to be a man, an equal, to his father. Nynaeve said that he needed to grow up, but feared the man he became. That judgment has been reversed.

Egwene meets with the Wise Ones, seeking their help with Rand. The two sides are polarizing quickly, setting up the final confrontation long awaited, when the heroes must confront, then accept those who differ from them in fundamental ways.

Egwene sees a strange reflection in Tel’aran’rhiod, a window that doesn’t exist in the real world. Verin’s words are repeated, and her newfound credibility combined with the fact that this is being repeated for the reader’s benefit strikingly points to its importance:  There is a third constant besides the Creator and the Dark One. There is a world that lies within each of these others, inside all of them at the same time. Or perhaps surrounding them Writers in the Age of Legends called it Tel’aran’rhiod.

Egwene tricks Nynaeve by appealing for advice from her past as a Wisdom, then reversing their roles in the next example she presents. It’s startlingly effective and convincing as a technique to make an inflexible character bend. Nynaeve could hold out for months otherwise.

Writing Lessons:

Repetition infers importance. Use repetition to lead or mislead readers.

The Gathering Storm - Summary

The Gathering Storm is the most intense book of The Wheel of Time so far, profiling the meteoric rise of Egwene and the chronicle of Rand’s disastrous shunning of emotion and love. As one rises, the other falls. Both live through memorable scenes of triumph even as they follow opposing trajectories.

Rand is subjected to the most personal and traumatic of tortures. He overcomes them by turning his back on the Light and his friends, coming to see everyone as a thing to be used to advance his quest, failing to see them as people at all. In this distant emotional state, he has the power to do anything, but lacks the imperative to do anything at all. He follows the prophecies as though it were a script, playing his part with no care for how he interacts with the other players.

Egwene’s subtle resistance to Elaida’s physical and personal humiliation of her wins allies of ever-increasing rank. Novices, Aes Sedai, and Sitters all come to respect her, culminating in Verin entrusting her with her life’s work. The support she has built allows her to take on power during a Seanchan raid in which she singlehandedly hands the raiders a defeat. Egwene has demonstrated she embodies the best traits of all Ajahs, and reunites the factions of the White Tower under her rule.  

These two heroes stand at counterpoint to each other, Egwene demonstrating how to gain followers, and Rand demonstrating how to lose them. Egwene unites feuding factions while Rand can’t reach simple temporary agreement with the Seanchan nipping at him. Many dueling forces stand between Rand and victory: the Seanchan against the mainland nations, the male channelers against female channelers, Lews Therin against his own soul, Moridin’s nihilistic philosophy against the hopes espoused by Cadsuane and Nynaeve. All of these opposing forces must be reconciled, demanding sacrifice in the form of discomfort, concession, and acceptance.

Since the book is co-authored by Brandon Sanderson, the question of who wrote individual scenes in The Gathering Storm is inevitable. In the early part of the book, the difference in writing style from Robert Jordan’s earlier work is jarring, yet before long, the story takes hold of the reader, and the fate of Rand, Egwene, Verin, and other favourite characters overrides any apparent dissonance. By the time Rand finds himself in Semirhage’s clutches, the pace of the story carries the reader forward.

If Brandon has committed any sin in his handling of the story, it is one he could never overcome: he is not Robert Jordan.

Robert Jordan was facing his own mortality as he wrote this book, and must have found himself uncomfortably in the shoes of several of his characters. In the legend of Manetheren, in Seanchan imperial culture, in the Malkieri vows, in the historical truth shown in the glass columns of Rhuidean, there have been trans-generational commitments; tasks so vast, so important, that each generation must pick up the duty from their forefathers, and carry the burden onward. Best summarized in this passage from The Shadow Rising:

“I mean to save something here, and that something is you.”

“As you say,” he said reluctantly. “We will care for what you have given into our charge until you want them again.”

“Of course. The things we gave you.” She smiled at him and loosened her grip, smoothing his hair once more before folding her hands.

Like Verin in this book, Robert Jordan entrusted his work to loved ones who understood and could finish what he set out to accomplish. The words of the story and the order they appear in are merely things, unimportant compared to the messages they contain, the resolution of the characters’ quests, or the battle against the Shadow which permeates the story. Fighting the Shadow is more than one man can do alone. Rand tried that in this very story, and failed. Working together, the keepers of Robert Jordan’s legacy forged ahead with the story as he wished, knowing the criticisms that would be leveled, cognizant of the difficulties in living up to the level of his work, understanding that hesitation might cost the opportunity to ever complete it.

“So many decisions you must make, for one so young.” She yawned, then grimaced as a pain stabbed her.

Egwene rose, walking to Verin’s side. “Thank you, Verin. Thank you for choosing me to carry this burden.”

My thanks also.

Writing Lessons:

You are a writer. Never quit, never give up.

The Gathering Storm - Chapters 40-42

In this intense section, Egwene saves the White Tower, while Rand doesn’t save Arad Doman

Two more intense scenes take place. Egwene’s defense of the White Tower is action-packed, but more importantly is filled with intense emotion. It is the emotions felt by Egwene, Adelorna, and the reader which give the scene such intensity.  Similarly, but almost a polar opposite, Rand’s scene is filled with a very different intense emotion, one which comes from a complete lack of action and Rand’s cold frustration about it.

Through 70 pages set in and near the White Tower, Egwene rises from the despairing depths described in her cell, to regain her place as a Novice. Novice quarters seem opulent compared to where she was, and might have constituted a victory, but her meteoric rise continues. She leads a group of Novices, which lets her channel more of the One Power, which lets her acquire a sa’angreal, which lets her save Aes Sedai, even the head of the Green Ajah, which leads to her standing at the forefront of the Tower’s defense.

Her quick ascendance is not simply a matter of having it handed to her. She was released from her cell because Elaida decided Egwene was the wrong recipient of her ire. Elaida acknowledged that Egwene was undeserving of her imprisonment. Verin’s diary was given out of respect for what Egwene had accomplished so far. The Novices turned to her because no one else looked out for them, and Egwene did, giving them courage, direction, and entrusting them with secret knowledge. Each step upward is a logical outcome of Egwene’s behaviour, not her abilities, making her victory one of character, not plot. Every sufferance she has endured pays its dividends now, and they accumulate rapidly, until she is wielding more power than anyone in the Tower ever has.

Once Egwene is backed by a circle, the Seanchan cannot shield her since the a’dam prevents them from forming circles strong enough. Each and every damane literally needs someone looking over their shoulder to control their behaviour. This mechanism is a blatant metaphor for the ability of a group of people standing united overcoming difficult obstacles, and the inability of strictly controlled people to stand against a united group. Robert Jordan first knew what messages he intended to convey in his story, and then developed the mechanics of using the One Power to directly represent them. It’s a clever and powerful way to make sure your story doesn’t go off track with some unintended metaphor or message.

Throughout the Battle, Egwene must overcome her dire fear of being retaken by sul’dam and made to serve. The progression of emotions Egwene feels is impressed on the reader with language which uses strong emotion bearing words. Her initial fear and panic is replaced by hope, then certitude, then righteous fury:

And she couldn’t channel enough Power to light a candle, let alone fight back.

Soldiers and sul’dam. With those leashes. Egwene shuddered, wrapping her arms around herself. The cool, seamless metal. The nausea, the degradation, the panic, despair, and – shamefully – guilt at not serving her mistress to the best of her abilities. She remembered the haunted look of an Aes Sedai as she was broken. Most of all, she remembered her own terror. The terror of realizing that she would be just like the others, eventually. Just another slave, happy to serve.

She wouldn’t let them leash her again. She had to run! She had to hide, flee, escape… No! She pushed herself upright. No, she would not flee. She was Amyrlin.

“Come,” she said, striding forward, holding to her tiny bit of the Power like a drowning woman clinging to a rescue rope.

She smiled at the thrill of it. She could feel Nicola, sense her fear, her emotions bubbling over. Egwene had been part of enough circles to know how to separate herself from Nicola, but Egwene remembered the first time, how she had felt swept into something far larger than herself.

She held it reverently for a moment, then reached and pulled the One Power through it. An awesome, almost overpowering, torrent of power flooded through her.

The White Tower would not fall while she was Amyrlin! Not without a fight to rival the Last Battle itself.

Adelorna is head of the Green Ajah, and to represent that only Egwene can save the Tower, the logical person to show in a state of unreadiness is Adelorna. Had more space been available, the author might have shown a progression of more and more powerful Aes Sedai being collared, or fleeing, ending with Adelorna.

She teetered on the exposed ledge, looking out upon a sky filled with terrible monsters and lines of fire. She stumbled back with a cry, turning away from the hole.

Adelorna screamed in denial, pushing at the shield. The third woman calmly knelt and snapped a silver collar on Adelorna’s neck.

Adelorna turned hesitantly. A woman in white stood atop the rubble a short distance away, a massive halo of power surrounding her, her arm outstretched toward toward the fleeing soldiers, her eyes intense. The woman stood like vengeance itself, the power of saidar like a storm around her.

“What if they’re carrying captives?” Adelorna asked, watching one of the beasts fall amid Egwene’s flames. “Then those captives are better dead,” Egwene said, turning to her. “Trust me, I know this.”

Those eyes were so calm, so in control.

“If I left, it wouldn’t have been fleeing you, Adelorna, it would have been abandoning you. I am the Amyrlin Seat. My place is here.”

Saerin leads the Tower’s defense, poorly in her estimation. As a figure of authority, she too has to be shown falling second to Egwene in order to complete her ascension to the pinnacle of power. Her calm demeanor is eventually shaken by understanding that Egwene is beating back the Seanchan.

“I told them we were organizing a formal command center here. Most seemed to think that was a good idea, though many were too tired, too shocked or too dazed to respond with much else besides a nod.”

“A pity,” Saerin said. “They like to call themselves the Battle Ajah, after all. Well that leaves me to organize the fighting.”

What she didn’t mention was how embarrassed she was. The Aes Sedai had spent centuries guiding kings and influencing wars, but now – with their sanctuary assaulted – they had proven woefully inadequate in defending it.

“This is a disaster!” an angry voice shouted.

“The novices’ quarters?” Saerin said. That seemed even more ridiculous. “How in the world…” She trailed off, eyes widening slightly. “Egwene.”

At last we see Egwene in full vengeful radiance, having laid claim to her position through strength of character, overcoming her fears, and sheer force of will.

Each faceless Seanchan that Egwene struck down seemed to be Renna in her mind’s eye.

The attack below was breaking off, the entire raid focusing on Egwene.

Egwene was part of the fires that burned in the Tower, bloodying the sky with their flames, painting the air with their smoke. She almost seemed not a being of flesh, but one of pure Power, sending judgment to those who had dared bring war on the Tower itself. Blasts of lightning stormed from the sky, the clouds churning above. Fire sprouted from her hands.

Siuan leads Egwene’s rescue, fulfilling Min’s Viewing. She and Bryne both wrongfully assume that some inconsistency exists because Bryne could not have fulfilled the Viewing unless he had come along, but it is obvious that death would have awaited him at some imminent later moment without Siuan in the revel camp to protect him.

Completing Egwene’s ascension, her rival Elaida is captured, vacating the Amyrlin Seat and leaving only Egwene standing. Elaida’s bullying and stern rule have irked readers and characters alike since the earliest parts of the series. It may be as Egwene later declares that no one deserves collaring by the Seanchan, but Elaida certainly comes closest. Readers can’t help but feel that events have worked out for the best with her unhappy captivity and a new name that sounds suspiciously like Suffer.

Ironically, for things to work out for the best in the long run, Elaida will have to be inspired by Egwene to keep Traveling out of the Seanchan’s hands. She just may have the requisite stubbornness, and could redeem herself by following in Egwene’s footsteps.

Rand’s cold detachment is made evident with words that have no emotional weight to them, even in situations where the circumstances are heavily emotional. This is epitomized with “It is not my problem, Rand thought, not looking at the people. I did everything I could.” His mood and the futility of his efforts are mirrored by the spoilage of food, as every last grain in Arad Doman is fouled. “What Arad Doman needs, nobody can give.”

Futility is also prominent in Lews Therin’s concern that the names of women in Graendal’s fortress will never be known, and the list of women killed by him and Rand will remain incomplete. His concern is so trivial, so preposterous, but Rand can’t see that his own intentions for Arad Doman and the world were equally far-fetched.

Writing Lessons:

Use emotion to create intensity.

The Gathering Storm - Chapters 21-23

In this section, one of the most intense scenes in the series unfolds.

This blog had its 10,000th visitor last week while I was facing writer’s block over this extra-lengthy post. Thanks for reading! Don't be shy, contact me if you have feedback, questions, or suggestions.

First, on a much less intense note, Perrin and Faile have a minor squabble as they try to reintegrate their lives together in the aftermath of her abduction and possible dalliances on the side for both of them. What intensity exists is quickly dissipated as Faile overlooks the odd, sorrowful gaze in his eyes, tells Perrin she does not believe the rumours about him and Berelain, and bluntly admits in her own thoughts that she did not sleep with Rolan. She explains that she is jealous, in one of those moments where the author lays bare the truth about how men and women act with each other.

I am bothered by the blunt treatment of this revelation. Throughout the series, I’ve shown how Robert Jordan consistently made almost every character, background, action, and description fit a theme and represent more than just the action on the surface. Masema was unbridled adherence to a code of behaviour, and Faile killed him in secret. Does that really mean nothing more than tying up a loose end? Galina, even as a Black Ajah, was truth, and she made a jumble of dirty timbers trap Faile. Did that mean nothing more than the betrayal it was? If Faile considered sleeping with Rolan for the possibility of escape, is it not possible that Perrin could do the same to tie Berelain to him and use her to free Faile? For those events to be devoid of deeper meaning  would signify that Robert Jordan had gone against the behaviour he exhibited over ten earlier novels, suddenly deciding that it was no longer appropriate to create layers of meaning so he could rush towards the end. That possibility rings far less true than Faile’s declaration that she did not sleep with Rolan. Sanderson’s writing style does not easily allow for unreliable narrators, given that he typically reveals emotions as facts, and not through the prism of that character’s world-view.

So, I’m left with the uncomfortable possibilities that either the text means exactly what it does on the surface, or that Sanderson deliberately or erroneously overlooked the cheating that took place off the page. I fully recognize that I am in the throes of one of those theory-making episodes spurred by having emotionally committed to a position in earlier posts, in fact, blogging in this format without complete knowledge of what is coming lends itself to this type of mania. Once you are committed to a point of view, even blunt evidence refuting it tends to be dismissed for the simple reason that it inconveniently contradicts what you know in your heart to be true. This sort of thing happened regularly at Theoryland, and really opened my eyes to how people think and why they think that way. But the disparity remains, and in my mind can only be resolved in favour of Jordan’s original intent. It is unfortunate that a blunt statement is given when it seems to me Jordan went out of his way to pointedly never show Perrin or Faile directly addressing what happened, choosing instead to focus on what other characters think happened. It strongly undermines the efforts put into several books covering their trials, unless you adhere to the point of view that Faile is lying even to herself.

Faile and her followers gather to remember the kindness of Rolan and the Brotherless. Her explanations and feelings fit perfectly with the stated facts. She keeps Rolan's turquoise stone, for remembrance, not regret. The Saldaean proverb is equally fitting for what the women remember as it would be had Faile actually slept with Rolan. The past was a field of embers and ash, the remnants of the fire that was the present. Faile's story arc is complete, she has proved what she will do to save Perrin, including keeping secret the facts about Rolan's death that would undermine Perrin's faith in himself. It's worth noting that Rolan's fate is similar to Rand's, dying to save the one he loves, willingly accepting his own destruction.

Just to reiterate one more time, I find the topic of unreliable narrators never revealing whether certain events ever took place fascinating, especially given the intense quote-based scrutiny fans apply to the text.

In any case, Faile’s character arc is complete, and there is nothing left to add except the obvious moment in the Last Battle when Perrin must choose between her and his duty to Rand. Jordan frequently used the technique of setting up several examples of growing significance before getting to the final version. Perrin made tough choices to save Faile in the Two Rivers, upon returning to Cairhien, and again when freeing her from the Shaido. The same scenario will crop up again in the Last Battle, and Min’s Viewing tells us something bad will happen to Rand if Perrin isn’t there. Perrin will not be there, and the bad thing will happen to Rand, because Perrin has consistently chosen Faile over all else. Don’t be sidetracked by Sanderson’s text stating that Perrin thinks only the Last Battle matters.

Semirhage’s collaring of Rand is the most intense version yet of Rand being held prisoner by fate. Ishamael ranted about this repeatedly in the early books, and Rand denied being trapped by the Wheel. Rand was captured by Aes Sedai and beaten, yet broke free. Rand was locked away in darkness in Far Madding, and was freed. And now, Rand is finally, utterly trapped. The Black collar and bracelets are the latest, and most potent, representation of the eternal theme of will vs. fate. As one in a series of such events, the build-up to this moment is part of the fabric of the series, beyond the particular words used in this book building up to this scene.

When Rand frees himself, he does so by using the True Power, the Dark One’s own abilities, accessed through a surprising link between himself and Moridin. The True Power allows reality to be reformed according to the user’s will, typically by replicating alternate versions of weaves the user already knows. Unconstrained by any force, Rand is able to do whatever he wants, unlimited by anything so far as he can tell. This is the power of freedom, and free will.

Cadsuane represents the Light, and Semirhage represents living completely outside the Light. When the confrontation is done, Rand has decided to live outside the Light, relying solely on his newfound power. Let's take a closer look at the symbolism and how it is subtly presented.

Semirhage sat alone in the small room. They had taken away her chair and given her no lantern or candle. She is literally cut off from the Light. What light she desires is man-made: glow-bulbs.

Semirhage considers resisting Cadsuane in the same manner Egwene resists her captors. Unlike Egwene who sees each punishment as an opportunity to show resistance, Semirhage has no victory to claim from each punishment. She can embrace pain easily, it is torture of the spirit she is unprepared for since her focus is entirely on the physical, not the spiritual. 

Shaidar Haran lists her failures, not least of which is the loss of the entire Seanchan Empire as pawns.   Rand was not to be killed, but is that by the Dark One's order, or out of concern for the link with Moridin? Even Moridin wasn't fully aware of their link until Rand lost his hand, so keeping him alive must have been part of the Dark One's plan.

Semirhage's cold detachment established her usual behaviour, so when she is anxious upon hearing Shaidar Haran's voice, and she holds her breath opening the door to her cell, tension is immediately created. Returning to her prior state of mind as she learns her captors are dead, she has an ally, and the black bracelets and collar are in her hands, the tension increases even as it shifts targets, for readers must recognize the immediate danger to Rand.

A time-honoured technique in horror is to tell the reader what awful event is about to take place, and then to delay showing it for as long as possible. As soon as Rand's name begins the next section, readers expect the confrontation, but the author delays it by showing Rand engaged in mundane affairs in Saldaea. It is more effective that Rand's affairs are ordinary, simply giving orders to his generals, rather than being riveting or action-oriented. The reader could understand if Rand is surprised because he is distracted by important affairs, but the feeling of being blind-sided is more palpable when he is going through, what are for him, everyday motions.

Rand reflects that the most dangerous enemies are those who you thought you could trust, while Lews Therin rails that none of the Asha'man can be trusted, they will turn on him. This sets up his frame of mind for embracing the True Power later and also for blaming Cadsuane. Rand thought he could trust the Pattern, and the Light to guide him, and has been sorely disappointed so far.

Rand reflects on invasions, both the physical ones in Saldaea and Arad Doman, as well as the metaphysical presence of Moridin in his dreams. Semirhage waits to conduct a personal invasion into Rand's quarters, and the reader can't help feeling that Rand will now be blind-sided as he ponders the very thing he is about to face.

Rand focuses on the one person he does trust, wondering if he can trust her far enough to do as she says and not become hard. The reader can’t tell if this scene takes place before, during or after Semirhage’s escape, so far all they know Min has already become a pawn of Semirhage’s. The uncertainty created by keeping that detail from the reader heightens the tension further.

There is no coincidence in the timing or nature of the argument between Rand and Min. Rand worries that Cadsuane is trying to manipulate him through her, and mistrusts her motives. On the verge of turning on Min because of her possible association with Cadsuane, Rand is in fact contemplating turning his back on the Light itself. And then Semirhage collars him. Language relating to constraint and feeling trapped is used frequently in horror scenes, telling readers that the outcome is terrible, yet dragging them inexorably towards that outcome. This scene plays out bit by bit with visceral and literal horrific constraints placed on Rand and Min.

The collar itself forces obedience to the will of the woman wearing the bracelet, in this case Semirhage. Rand is forced to act according to her logic, a logic that places no value in the emotion of love. He is forced to destroy Min, for she serves no purpose in a world with no love. Even though Rand is able to free himself of Semirhage’s constraints, he has still embraced her way of thinking, shutting down his emotions, closing himself off from love and the Light.

When Rand uses the True Power, Lews Therin’s rantings about it replace tension with dread. How can it be worse to use the True Power than to murder his own loved ones?

Rand banishes Cadsuane, saying he never wants to see her face again, completing his metaphorical rejection of the Light. Following a logic focused on the outcome, not the means, Rand teaches balefire, insisting on its use.

Writing Lessons:

Guide the reader’s emotions as you building towards a climax by using the right language, establishing similar scenes to frame context, and pushing your characters beyond their limits.