Towers of Midnight - Chapters 10-14

In this section, the past catches up to the heroes.

Perrin learns the taint has been cleansed from saidin. He could have learned this at any time over the last few weeks, but he learns it now, because it reflects his current situation. Cleansing the taint is a metaphor for wiping the slate clean, casting off past sins. It is relevant because Perrin’s sin of killing other men is coming back to haunt him.

Neald is making circles with Wise Ones, and he is the first to explain that he can use saidar to strengthen his weaves of saidin. He feels more complete, as he feels saidar, and can increase the Power and size of his weaves. The sensations are reflected back to the women, who have disparate feelings about what they sense.

Perrin opts to keep Grady away from the Black Tower for rational and practical reasons, but it reminds readers that the Black Tower hasn’t been seen in a long time, since Pevara arrived and an ominous revelation had just taken place.

Galad decides to fight Perrin now so he won’t have to face him at the Last Battle, mirroring Rand’s decision to break the seals.

Elayne’s council expresses vastly different advice regarding her political prisoners. Birgitte is all practicality and hardness, while Dyelin thinks this is the moment when releasing the captives will earn Elayne the most credit. Birgitte is emotion, Dyelin is reason. Elayne decides this is an opportune time to claim Cairhien.

Mat’s letter to Elayne, with its spelling mistakes, is funny. It once again feels out of place with what has come before due to modern touches like the postscripts, but succeeds because it defies expectations. Mat never writes, foiling one expectation and providing a surprise. Postscripts don’t belong in this world, so Mat uses three of them. Mat is a trickster and it is always correct to write him defying expectations. Thom is laffing so hard at me that I want to be done.

Min gives only readers the only insight into Rand’s head since he descended from Dragonmount. Rand’s earlier behaviour with Egwene and Almen Bunt revealed a changed man, but it is Min’s insight that gives part of the reason.

Alanna vanished, leaving no clue where she is going. The likeliest explanation involves no abduction, simply a decision to leave and accomplish something. Rand could have contacted her and set her a task, weaving a Gateway that she could use without others detecting it. The change in Rand’s behaviour is the only impetus she likely received to make her do anything at all.

Cadsuane declares that Alanna, and by extension everyone, is a tool. This is an odd statement for her to make publicly, but is nonetheless consistent with her focus on Rand. Rand asks her to find someone who is missing in the Caralain Grass, someone who has been abducted by well-meaning allies in the White Tower. Assuming she succeeds, Cadsuane can then act as a bridge, or mediator between Rand and Egwene.  

Rand has insight into the Last Battle, how it will be fought, what he needs, and what must be done. He is decisive, apologetic, self-assured.  He knows secrets and has new abilities, such as his ability to pick Darkfriends out of a line-up. Somehow he picked up the fact that Mattin Stepaneos is being held in the White Tower, though that could have been learned through a ta’veren effect when he was in Tar Valon. Rand makes amends with the Aiel, Cadsuane, Nynaeve, Tam, everyone he let down previously. If he realized on Dragonmount that every one wants a second chance, he is getting every second chance possible.

“I’m not a weapon. I never have been,” he says. Cadsuane says that “Of all people, you cannot afford to let the pressure of life drive you.” Rand has understood some of what Cadsuane had to teach, but it is unclear whether this is the entirety of it, since the Asha’man haven’t yet learned their part.

Finally, Rand is forgiven by his father, and reclaims his role as a son. At the same time, Tam’s acceptance allows Rand to be a man, an equal, to his father. Nynaeve said that he needed to grow up, but feared the man he became. That judgment has been reversed.

Egwene meets with the Wise Ones, seeking their help with Rand. The two sides are polarizing quickly, setting up the final confrontation long awaited, when the heroes must confront, then accept those who differ from them in fundamental ways.

Egwene sees a strange reflection in Tel’aran’rhiod, a window that doesn’t exist in the real world. Verin’s words are repeated, and her newfound credibility combined with the fact that this is being repeated for the reader’s benefit strikingly points to its importance:  There is a third constant besides the Creator and the Dark One. There is a world that lies within each of these others, inside all of them at the same time. Or perhaps surrounding them Writers in the Age of Legends called it Tel’aran’rhiod.

Egwene tricks Nynaeve by appealing for advice from her past as a Wisdom, then reversing their roles in the next example she presents. It’s startlingly effective and convincing as a technique to make an inflexible character bend. Nynaeve could hold out for months otherwise.

Writing Lessons:

Repetition infers importance. Use repetition to lead or mislead readers.

The Gathering Storm - Chapters 34-36

In this section, Tuon resists and rejects Rand.

The first time I read The Gathering Storm, I found several of Mat’s humourous sections over the top and out of character. This time, they provided the heartiest laughs. Rand’s chapters are too grim to allow humour, so a brief Mat interlude allows a quick respite from the grimness, before launching back into it. All Rand all the time would be a grind to read, but Mat’s sections give the book a tempo such that it feels like two beats down, one beat up, two beats down, one beat up, until Rand hits rock bottom. Here’s a quick look at what makes the humour in each of these sentences effective.

Next he knew, the daisies on the sides of the road would be ganging up to try and eat him. Exaggeration to the point of ridiculousness.

Mat’s overly detailed aliases for the raid on the town of Trustair have several more examples of exaggeration, this time by adding detail upon detail, any one of which would be acceptable, but when combined sound preposterous.

Mat’s seat: Bloody thing must have been designed by insane, cross-eyed Trollocs and built from the bones of the damned. A combination of exaggeration and uncommon details.

You’re Aes Sedai. I figured you… you know, saidared it. Inappropriate use of a word is funny, this one manages to take Aes Sedai down a notch as well through its lack of respect, and ridicule of prominent figures is usually accepted as funny. 

Is Verin lying to Mat? She goes to some length to present a fantastic story of coincidence and fate, yet as it is begun, the following line puts it all in question:  That smile on the corner of her lips? That was the smile of a jackleg who didn’t care that you were on to her con. Now that you understood, you could both enjoy the game, and perhaps together you could dupe someone else. She then establishes the context for her incredible tale: Mat is ta’veren. Mat shrugs it off but their argument ought to make everyone else more convinced it’s true. If it isn’t a true tale, then it must have been to convince Mat that the thing that Verin has for him, a letter with instructions, is so important that he can’t afford to ignore it as he typically might. It would also require that Verin’s ability to find Mat be explained when none of the Forsaken or Darkfriends have been able to. If it isn’t a true tale, then why not have Mat admit to himself that he’s just playing along?  Or is all that captured in his concluding remark as he accepts her letter and her terms: “Why was Verin being so cryptic?”

Thanks to the Mat interlude, readers are a little less pessimistic about Rand’s mood when he meets the Seanchan. That doesn’t last long though, as he is soon trying to use the True Power to bend Tuon’s will and give him the treaty he wants. The fact that Tuon can resist shows her strength of character, but it also shows a weakness to the True Power. If the True Power could force someone to change her mind, they have to be accepting of that change, much as Shemerin was with her demotion. Tuon truly does not want to give in, and despite Rand using the True Power on her, she is able to resist. The True Power cannot make you do anything, control over that comes from within. This fits thematically with many of the other truths of this world, such as Rand’s many encounters with Moridin, the sudden twisting of his ta’veren powers to the nasty side, the way Tel’aran’rhiod works with force of will, and maybe even with the worst of the Dark One’s powers: the ability to turn people to the Shadow using Myrddraal and channelers. It is possible that resisting turning can cause the effort to fail, at which point a captive is killed.  It could be that it is fear of death that gets captives to surrender, and allow the conversion to the Dark. Tuon’s resistance is a mixed blessing, for readers want peace so Rand can focus on the Dark One, yet it is apparent that Rand’s victory in this matter by using the True Power would have a bad outcome. With all those weighty matters grabbing the reader’s attention, it is easy to overlook the seemingly insignificant detail that Rand was simply unable to bend her will using the True Power, which will be a key to victory in A Memory of Light.

The cultural chasms between the Seanchan and the rest of the world are vast, and Tuon says that these lands had forgotten their oaths. Oaths to do what? Await the Return? Obey? It feels like we are missing some element of what the purpose of the Return was, only glimpses of which are revealed by Tuon’s mention of the Essanik Cycle. This set of prophecies is widely believed to be a corrupted version twisted in meaning by Ishamael, but it is also possible that it is nothing of the sort, and that it simply tells how the Seanchan will command the Dragon to fight the Last Battle, and that the oaths are akin to those of the Borderlands or Manetheren, to pledge to fight the Shadow.

Writing Lessons:

Create funny sentences using exaggeration or a series of uncommon details.

The Gathering Storm - Chapters 17-20

In this section, new difficulties present themselves to the characters.

The way in which Brandon Sanderson jumps from character to character makes it harder to identify themes in the fifty-page portions I post about. Where in earlier books there was time to delve deep into a character’s psyche, in this format there is hardly time to start thinking in the same way the character does before the perspective changes to a new character. This format is a good fit for Sanderson’s sketchy descriptive style, where he is able to use minimal description to give the illusion of a fully-imagined location. Longer descriptions would hinder this jumping about, and would also have delayed publication in all likelihood. I can see ways in which several Cadsuane or Perrin viewpoints could have been combined into a longer single chapter or two to retain the format of earlier books. Sanderson may also have divided the chapters into these short bursts to better follow the chronological order of events, although the fact that Tuon is only now agreeing to meet Rand when her agreement was revealed to the Aiel several chapters earlier undermines that possibility.

Cadsuane breaks Semirhage by damaging her pride, and humiliating her. Semirhage will still never talk, but Cadsuane has at least proved who is the greater of the two. Recalling that in past books Cadsuane represented the Light itself, how can her interactions with Semirhage be viewed? On the surface, Semirhage represents pain, but her personality is sheer pride. She knows everything worth knowing, and whatever else Cadsuane may know is dismissed by Semirhage. She is cold and without feeling, the only emotions she expresses are calculated to raise her standing and diminish others. While Cadsuane knows that “a statue with no feelings could not face the Dark One”, she is faced with just such a personality in Semirhage. She has a staunch reliance on her intimate knowledge of the human body, seeing it only for its parts and treating the human spirit as worthless, something only to be destroyed.  Semirhage may dismiss the Light, or believe is has no bearing on her, yet Cadsuane’s simple punishment strikes at the core of her certainty very effectively.

Perrin can’t move refugees away quickly enough, and they cling to his protection, refusing to leave even if Gateways are provided. This is the second Perrin section in which he hardly spares a thought for Faile, concentrating on his unwanted leadership and his duty to Rand even though he has just complete a multi-volume single-minded quest to free Faile. While Perrin alludes to single-mindedness as his problem, and thinks he has a need to strike balance between these competing forces in his life, the switch to his current mindset is startling. The story demands that Perrin return to the Wolf Dream, and the rationale offered involves a character-driven plot that it is claimed has been set aside for some time. Perrin quite deliberately used his followers desire to follow him to serve his selfish purpose of freeing Faile, so it’s true that he doesn’t want to be their leader, and ignored that aspect of his personality in order to regain Faile. He used the wolves similarly, but now he resolves to treat both groups as they deserve, which has nothing to do with his broken relationship with Faile. The fact that he has dwelt this long on what still stands between them, when he has forgiven her any betrayal, implies that the fault still lies with him.

Since it’s unclear where Robert Jordan’s guidance ends and Brandon Sanderson’s ideas begin, I will accept general plot lines as being Jordan’s influence, but with Sanderson’s words telling them. This means that Perrin’s angst was planned by Jordan, and must have some deep-seated reason for existing. I still see this as confirmation of an event that Perrin doesn’t want to confirm, regarding his night with Berelain.

Grady explains the problem with moving so many refugees in engineering-lingo, placing a mathematical word problem in the text. It gets the point across, but does anyone in this fantasy world really calculate things with ‘per second’? A better suited measure would have been knowing how many men can march past a certain point in an hour, which has a practical application in the military forces of this world, and phrased the measurement as “Balwer and I figure we can move about seven thousand men through the gateway in an hour,” leaving Perrin to do the sums for his hundred thousand refugees.

Siuan learns Elaida can travel and figures out the implications for the army very quickly. With Sharina’s help, Siuan learns that Lelaine is trying to foment discord, and is angling to take over the rebels in Egwene’s absence. Again, this section could have been juxtaposed with Siuan’s earlier section, and presumably her later ones, to keep the format of earlier books.

Tuon hears of Trollocs in Altara, forgives Beslan for a rebellion, and prepares a raid on Tar Valon, before finally agreeing to meet Rand. After some reflection, it seems that Perrin, Mat and Tuon are in the same timeframe, while Rand’s sections may be several days ahead. It is certainly confusing and jumping from character to character with several days gap between each time we see them only adds to the confusion. The advantage of the format in earlier books is that readers had to perform these mental gymnastics once much less frequently. The disadvantage is when too many events are crammed into a single day, straining believability, yet it works quite effectively in this throne room scene, which compels characters to save their important business for this particular day.

Mat is in love, and is bound for Hinderstap. His section starts with rampant humour, which is startlingly out of place given the intensity and pacing of earlier chapters. Yet any humour has to be here, because in a few short chapters, the intensity will not allow for any humour but gallows humour.  

Writing Lessons:

Short viewpoints, writing style, description, pacing, and clarity all affect each other. Use them coherently so they support each other, and do not undermine each other.

Crossroads of Twilight - Chapters 27-28

In this section, Perrin makes a fateful choice and Mat courts Tuon

The sifting of grains in So Habor represents Perrin’s introspection. No matter how much effort is put into removing the weevils, there are always some that just can’t be winnowed out. Yet, the constant effort eventually makes the food cleaner. Berelain gives Perrin words to consider: “You cannot save everyone, Sometimes you must choose.” Perrin thinks that So Habor’s troubles are insignificant next to Faile’s life. Annoura says people are just threads to be woven in the pattern, and any protest about their choice in the matter makes no difference. There is still no indication why the Aes Sedai met with Masema in secret, except for a cryptic comment that they don’t always get to choose how they serve, which is another reference to having no choice.

With all those thoughts hanging over Perrin’s head, he learns that five Shaido have been captured, and that anyone not involved in their torture is lamenting that they would have been better at torturing the prisoners than any of the others. Arganda, Masema and Aram have them now, with the Wise Ones’ blessing while Sulin is bitter she wasn’t given a crack at them.

The Gheladanin camp is calm and orderly, the men eating and doing chores do so in a manner calm and orderly, just doing the tasks that need doing, and Perrin finds the prisoners being tortured while they are ringed by his followers, who observe in a manner calm and orderly, just doing a task that needs doing. Once again, two examples precede the main situation.

Perrin ends the torture immediately and instinctively by kicking the coals off of a bound Shaido. Masema, Arganda, and Aram appeal to Perrin in three different ways. Masema uses contempt, Arganda uses anger, and Aram whines and pleads. They all want to hurt the Shaido, eagerly. Of the women present, only Berelain expresses slight distaste at what has been taking place. The Ghealdanin mutter about Sulin and Edarra, a sign that their hatred is not limited to Shaido, but extends to all Aiel, despite the alliance under Perrin.

The expectations of the gathered crowd and his urgent desire to find Faile are too much to resist, and Perrin chops the prisoner’s hand off. The axe was light as a feather. Death is lighter than a feather. The similarity to an oft-repeated Borderlands expression is deliberate. The blood sprayed on him further symbolizes death. Perrin’s action risks being the death of the Perrin we know.

Mutilating the prisoner provokes no reaction, asking the Aes Sedai to heal him gets a rebuke that this wound cannot be undone, but it is the threat to consign the Aiel to a life of begging that shocks the assembled crowd to the core, leaving even Masema flabbergasted. Perrin is ready to consign men to a life with no hope and no escape.

Perrin throws his axe away, worried that he might come to like using it the way he just did. He is certain Faile would no longer love him if that happened. Faile is his goal, and so he is able to recognize his error and correct his path. After the prisoners give their answers, he keeps them prisoner, but does them no further harm.

When the food arrives, carefully winnowed, it brings a new hope. Tallanvor has found potential Seanchan allies for Perrin. Perrin is no longer willing to let Faile be an excuse for any action he takes, but he is willing to consider any action that gains Faile back, including making alliance with a distasteful enemy. He is now the third major character to begin talks with an enemy, seeking a truce.

Mat’s section opens with the humourous contrast of the hyperbole in the name of the circus and Mat’s poor opinion of it: “traveling with Valan Luca’s Grand Traveling Show and Magnificent Display of Marvels and Wonders was every bit as bad as Mat’s darkest thoughts had made it.”

Mat’s strategy to move slowly is enough to drive him mad, but while the efforts to find him have fanned out ahead of him, the circus hardly merits any scrutiny at all. The Aes Sedai just can’t sit still though, cloaking themselves as they walk about in public, drawing their sul’dam guardians behind them. The sul’dam recognize Mat’s authority, while the Aes Sedai do not. It comes down to who has the gold, an unapologetic and pragmatic ranking system you would never see any of the other main characters follow, concerned as they are with ranking systems using force, or honor, or strength in the Power.

Noal is first to suggest killing one of the inconvenient women, leading towards the next chapter’s conclusion.

Rumours of Suroth’s alliance to a king reach Mat’s ears, but it is unclear whether this is a reference to Perrin’s overture, Rand’s envoys, or someone else entirely.

Mat decides to begin courting Tuon, and his initial strategy is to look acceptable by staying near less acceptable people, such as the traitorous Egeanin. It is unsuccessful, resulting in Egeanin being renamed by Tuon. Leilwin, as she is now known, puts such stock in Tuon that her word acts as law, and she changes her identity to conform to Tuon’s desires. Mat changes to a hard-to-get strategy, pretending to court Tuon’s maid instead. Tuon is delighted that Mat can be so tricky and maintain the pretense to her face. He learns that saying the marriage vow three times, as he did, completes a Seanchan marriage. She has complete control over the outcome, all Mat can do is court her as best he can.

All of Mat’s abilities, memories, and magic items are of no avail; only his charm and other personality traits can win her over. Fortunately, Seanchan aristocracy favours scoundrelous behaviour.

Writing Lessons:

Deliberate and repeated use of an expression in one context will maintain that context when you use the same expression elsewhere.

Winter's Heart - Chapters 29-32

In this section, Mat escapes with a wife in tow, and Rand promises to accept an advisor.

Mat and his allies lack insight that other characters already have, notably that sul’dam are women who can learn how to channel. Watching him experiment with the a’dam is necessary to maintain belief in his ingenuity and allows a chance to prove earlier information or add detail to it with concrete examples. Once he’s done experimenting however, the author throws a lifeline, providing sul’dam, a High Blood, and everything else Mat needs. Giving these things to Mat too early would have reduced the credibility of the situation.

A potential rift between the uneasy allies will appear if Mat’s side learns about Egeanin turning the male a’dam over to Suroth.

Mat makes some changes to his plan, but this is revealed only at the last second. First, the author builds up concern about the things that can go wrong. Mat analyzes it, and concludes his plan has as few flaws as can be expected. Because of this analysis and Mat’s dread, the reader is primed to think something will go wrong. Mat reminds everyone of their tasks, and of the cost of making a mistake or exposing them. He makes plans for what to do if something goes awry. It all seems to be going well. The first sign of trouble comes when Mat worries about Teslyn cracking. Night falls, and riders approach. Egeanin has adapted the plan to keep the warders and others close by her rather than lose them in the rain. Mat initially expresses anger, but lets it drop because, surprise, surprise, he has made changes to the plan as well! After all that worry, Mat himself turns out to be the source of the threat he was worried about! With a tense set-up like that, this down-to-the-last-word surprise revelation adds humour and excitement: After all, lying on that bed in Tylin’s apartments, he had decided to risk a change or two himself.

Mat reluctantly kidnaps Tuon after learning that she is the Daughter of the Nine Moons he is foretold to marry. She is physically opposite to everything he likes in a woman, and so culturally different from him they could be called opposites, yet he must marry her. This is similar to Rand’s situation, in which he has an ideal path in mind, but destiny requires him to embrace something strange and alien to him.

Far Madding symbolizes a life without the True Source, without the Light. Lews Therin rails against the city, calling it madness to live in such a place. In this place both physically and spiritually, Rand casually intends to murder his opponents. His feelings are non-existent; he might as well be a stone for all Min can feel through the bond. He is losing touch with his humanity, the very thing Cadsuane seeks to prevent.

Cadsuane represents the Light. She has strict rules that must be adhered to, like Commandments, or she will not offer help. She is never wrong, she is demanding, but those who travel with her are happy, enlightened and empowered.

Rand has the idea that he has to be harder than his opponents. He knows his opponents will exploit weakness, so he has cut ties with friends and family, excising feeling sand emotion from his life. Rand is despondent as he walks the cold, rainy streets of Far Madding. Then he bumps into Verin, fresh from the previous evening’s heart-to-heart with Cadsuane.

Verin tells him that Cadsuane did not send her; she is out riding with Nynaeve. Verin brings news that his war on the Seanchan has been for naught. They have refortified their positions and are marching into Illian as though he never drove them back. Verin dismisses battles as irrelevant in the long run, recognizing there are stronger forces that shape history. Realizing his efforts have been wasted, Rand asks whether Cadsuane might help him.

Verin says he can apologize, stop being a fool, and she should listen to him. Rand asks Verin to carry his apology and promise to Cadsuane. He is leaving Far Madding, having realized that the world won’t wait for him to do dawdle while important things await him, such as cleansing saidin.  Rand’s allies agree that Cadsuane can give him what he wants, and even have sacrificed to make their meeting possible.

Nynaeve takes pride in Cadsuane’s fallibility since she didn’t know everything about her ter’angreal. Rand starts to have doubts, uncomfortable knowing Cadsuane will be able to channel when they meet. Then a letter is delivered. Padan Fain’s letter presents a path away from Cadsuane. He represents war against the Shadow, with no moral questions bogging him down. He has pledged to destroy Rand, and the choice presented in the letter will destroy him if he takes it. Cadsuane still represents the Light, morality trumping all other considerations, uniquely powerful in a city where no one else can sense the True Source.

Hours of daylight remained before he had to meet Cadsuane. One last chance to act outside of her rules. A possibility of deferring the actions he must take in favour of the ones he wants to take.

Writing Lessons:

 A choice to be made is a powerful means of establishing identity, creating tension and excitement, and clarifying the theme.

Winter's Heart - Chapters 17-19

In this section, Mat fatefully encounters a number of women and decides he must attempt a daring rescue. Again.

Mat meets almost every important woman of the next few months of his life in these chapters: Aludra, Setalle, Tylin, Egeanin, Tuon, Anath, Suroth, Teslyn, Joline, Edesina.

The Mat chapters have a very distinctive voice, so let’s take a look at how Robert Jordan creates that voice so that the reader can tell these sections are from Mat’s point of view.

The words he uses to describe Mat’s actions always have a tone of carelessness or haste or suddenness about them. The foxhead medallion is stuffed into his coat pocket, so he can snatch it out of need be; flinging open the doors; the plan had just occurred to him; he sank into one of the bamboo carved chairs; ignoring the protests of his leg, Mat moved faster than he thought he ever had in his life; he went straight to Tylin’s apartments; he walked to the first and opened the door long enough to peek in; he unconsciously began humming. Mat’s section contained no fights, no action, just walking and meetings with various people, yet it has an intensity that comes from the words that describe Mat’s actions, as well as his description of other people’s actions. Mat’s life is filled with spontaneity, impulsiveness, and unpredictability, even if it involves him doing nothing more than walking across the room.

Mat is fairly obsessed with the opposite sex in comparison to the other men in the story. Other male characters certainly enjoy the sight and company of the women around them, but in Mat point of view chapters, physical observations of the opposite sex are moved to the front: the statue of Queen Nariene has three possible explanations for its pose, one of which involves a bared breast; “Mud?” he said to a pretty, smiling maid spreading her skirts in a curtsy; (Tylin) pale green lace trimmed the oval opening in her gown that half exposed her full breasts;  (Suroth) a pretty enough woman despite her hair being shaved to that long crest; (Anath) imperiously beautiful, she put Tylin and Suroth both in the shade; (servants) the yellow-haired man in his indecent garment was not the only one either. A slim but nicely rounded red-haired woman wearing the same sheer robe was kneeling beside a table; (Selucia) a short woman with half her golden head shaved and a bosom that might outmatch Riselle’s. The author does not hold Mat back from expressing his interests, and that gives Mat a unique voice in the story.

To a lesser extent, Mat’s other interests in horses, gambling, wealth acquisition, and battle (or battle avoidance) crop up regularly. Anything that doesn’t fit those interests is quickly dismissed. This narrow focus allows the author to drop obvious hints to the reader while Mat cheerily skims over these details. Playing into this behaviour allows many humourous situations to be created.

Even without that, a great deal of humour comes from Mat’s exaggerated view of even mundane situations. Mat is prone to exaggerate more than anyone else, making his point of view distinctive: what good it would do if she still swallowed the whole faradiddle; her muscular husband was a fishing –boat captain with more dueling scars than Mat wanted to think about; Light, did the whole city know?; he kept shooting frowns at his workmen as though suspecting they would lie down and go to sleep if he did not maintain a close watch on them. A dead man could not have slept in that heat; the day after he first kissed the Illuminator, the grandmotherly maids disappeared from her chambers, replaced by women white-haired and wizened; No one could be friends with Suroth; With dozens of Seanchan just the other side of a door guarded by a cook with a spoon; her ageless face still looked as if she ate briars three meals a day.

Any one of the elements described above could lend a strong voice to a character, but when you combine several of them the effect is multiplied, and the voice becomes unique and memorable.

Writing Lessons:

Create a distinctive voice for your characters by playing up some aspects of their behaviour and playing down others, in content, word choice, and tone.

Winter's Heart - Chapters 11-12

In this section, Rand and his girlfriends embrace their three-pronged romantic relationship.

An important element of the series is how Rand and three women come to share their affections. Rand is reluctant to accept the love of any woman at all, having gone out of his way to avoid endangering them with his presence. He rightfully knows that his enemies see his love as a weakness to be exploited, and thus avoids feeling any love or warmth towards anyone. Elayne, Aviendha and Min all have to find a way to get Rand to accept and return their love, but also to avoid feeling jealousy towards each other.

Romance is difficult enough to portray, so trying to show a three woman to one man romance requires either establishing the situation and motivations convincingly or using some other tricks to prevent the reader’s disbelief. In this case, Jordan once again opts for humour, using Nynaeve’s distraught reaction to acknowledge the ridiculousness of the situation. The emotional reaction to the humour overrides the immediate logical reaction that the four-way romantic situation is highly unlikely.

But even Nynaeve’s funny reaction isn’t funny enough to simply be thrown into the discussion and distract the reader; the humour is built up prior to that by having Nynaeve in a number of other uncomfortable situations, of which learning about Rand’s live life is the last straw. First she must endure an hour of teaching the Sea Folk, badgering from Alivia and the Kin, and a misunderstanding with Talaan, all of which build up the expectation that events are getting out of Nynaeve’s comfort zone. Subtle phrases set up the distraught reaction later: Having a husband meant that she did not have to share a bed with another woman, or two, and it gained her a sitting room.

An emotional reaction will always trump a logical one, but some readers will have a negative emotional reaction to some topics no matter what tricks or convincing prose are used to try create a different emotional reaction. Sex, love, death and morally difficult topics will always be difficult for some readers, so if your story is going to include such an element, the best you may be able to do is sway readers in the middle into accepting the story element.

When the characters recognize the ridiculous nature of the situation, the reader is complicit, and instead of feeling like they’ve been left out of the story, they feel included. They know their concerns are being addressed, and they will read on to see what happens next.

The women’s willingness to share Rand is an acceptance that Rand does not belong to any of them alone. In this respect he represents the Light itself. When the three women bond him, they feel his love returned. The chapters in Caemlyn opened with a couple of descriptions of the taint, its foulness tainting Rand, Lews Therin’s mad cackling representing his uncertainty about his feelings but it ends with descriptions of warm feelings. The women’s acceptance of Rand’s shared affections, and his acceptance of their affection changes the negative feelings depicted at the beginning of this section into positive feelings.  

Rand’s excitement over the bonding with all three women is presented in metaphor: He spun around, wine sloshing out of his cup, more pouring from his pitcher before he could bring it upright. With a muttered oath, he hastily stepped out of the spreading wetness on the carpet and put the pitcher back on the tray. A large damp spot decorated the front of his rough coat, and droplets of dark wine that he tried to brush away with his free hand. Very satisfactory.

Nynaeve’s training of the windfinders makes excellent use of imagery to describe how she strikes and counters attacks. Were they using swords instead of weaves, the descriptions of parrying and deft manoeuvring of weaves would be just as apt. Piggybacking on existing imagery or concepts that the reader is familiar with makes it easier to explain abstract concepts.

Writing Lessons:

To suspend the reader’s disbelief, build up towards the emotional reaction you want the reader to have when they reach the hard-to-believe element.

Winter's Heart - Prologue

In this section, multiple plots are laid out clearly, and reader’s expectations are set.

Perhaps recognizing the previous book’s weak ending, the author immediately sets up several storylines with expectations to be met before the book ends.

In the White Tower, the Black Ajah Hunters get Talene to re-swear the Three Oaths. Talene is a tool that can be used now, but the Hunters decide to proceed with caution, bringing in the ten rebel ferrets to swear obedience first. That will bring their number to sixteen. Seaine also has her first doubts about what task Elaida actually assigned her. We expect this quest to net a second Black sister soon.

Elayne’s section reveals a little about Egwene, which is all we’ll see of the Amyrlin in this book. A simple primer about Elayne’s major competitors for the throne means we should see some of them interfering before the book is over. A number of reasonable contrivances explain why Elayne won’t be receiving any outside help. No allies are available, and in any case would unintentionally cost Elayne the throne because they are foreigners. The Sea Folk remain stuck in Caemlyn by their own mistrust that Elayne will break the Bargain. This character-driven obstacle is more powerful than a physical one could be. Renaile will not leave until she gets what was agreed to, which will keep her at Elayne’s side for a long time.

The confrontation between Taim and Elayne ends with him acquiescing to her requests to visit the Black Tower under supervision. When she later carries out her first visit and Toveine sees her, we then expect some interaction between the two.

After Taim, a Wise One enters, the third uninvited interruption in the last twenty minutes. Dyelin provides a comment which is likely echoing the reader’s thoughts, and is therefore meant to restore the plausibility of the scene: “Blood and ashes!” Dyelin muttered. “ Is the whole world just going to walk in here?” She uses exaggeration to make the current situation seem normal in comparison. Humour is another tactic which causes the reader to overlook the obvious by pointing out the abnormal situation. A reader who knows that the author has recognized their complaint will be satisfied and move on with the story feeling the problem has been resolved.

The first-sister ceremony provides a glimpse of a healthy relationship by Aiel standards. It amounts to knowledge, faith, and forgiveness of the first-sister. Elayne has already shown this behaviour is the basis for her romance with Rand, so now this example will allow Aviendha to learn how to love him as well, and maybe they will teach and remind Rand how to behave.

Toveine is crafty, and seems to have a secret plan to pull down Elaida, even as she agrees to publicly give leadership of the Black Tower prisoners to another sister. Readers expect this plan to bear some fruit by the end of the book. Logain’s unwanted presence at the Black Tower and the faction he is heading create interest in seeing matters advance or get resolved. The Asha’man voice concerns that Rand doesn’t care about them, that Taim is giving preferred treatment to certain Asha’man, and that Taim’s cronies have turned bad. The implication is that Taim is creating a private army and Logain will be the main obstacle he has to overcome.

Rand has decided he can’t wait to move forward with his plan to make his Asha’man into reliable tools again. As soon as he can lure his would-be assassins to him and dispatch them, he plans to cleanse saidin. This sets the reader’s expectations. There had better be an attempt to cleanse saidin before the book is done! He even describes how it will go down: everyone within a thousand miles will feel him channeling, and come to put an end to it, so he needs to whittle down the number of detractors he will face before he starts cleansing. That and get over the sickness that has begun to affect him whenever he channels.

Each of these points of view has created expectations that readers will want resolved.

Writing Lessons:

Set expectations purposefully, or your readers will set them for you.

Use humour and exaggeration and acknowledgement to have readers overlook the contrived scenarios you devise.

The Path of Daggers - Chapters 20-22

In this section, Elayne and Rand lead multinational groups and prepare for confrontations

Elayne spends an interlude chapter discovering that none of the women traveling with her will behave as expected. The Sea Folk finally declare their end of the bargain complete and begin drilling Merilille for all she can teach. The Kin see this as well as a Black Ajah being treated like a prisoner and begin to conclude that Aes Sedai are not that far above them after all. The people of Andor are not providing the expected support for the Daughter-Heir and Elayne realizes she has her work cut out for her.  When they run into money problems, Aviendha casually pulls out a handful of gemstones, which would seem contrived if she didn’t also subtly remind us how she acquired them from the scabbard she tried to give Rand.  By deflecting attention to their romantic relationship instead of Aviendha’s wealth, the sudden appearance of the jewels is amusing and interesting instead of unbelievable.

Elayne receives a warning to stay away from the rebels while Egwene deflects unwanted questions about how the bowl was used and the poor bargain made with the Sea Folk. This problem provides all the impetus needed to allow Elayne to focus on gaining the throne in the next few books, as well as keeping Nynaeve with other groups instead of amongst the rebels where she was of little value and of insufficient rank to be part of the action among the rebels.

As the battle against the Seanchan ramps up, I remember an earlier post where I discussed the reasons why using the Bowl of the Winds was included in this book, instead of chronologically in A Crown of Swords. It is obvious that in order to build up towards this battle, it is necessary to build up the opponent. By having a dire battle against the Seanchan to open the book, a lot of emotion and interest has been generated which benefits this battle immensely.

A key element of the battle is that Rand is leading men he cares nothing for, and there are some he actually hopes might meet their end. They are no more than tools for him to use. Nobles are too conspiratorial, Asha’man too dangerous, to be anything else. Rand knows the Shadow’s spies watch him closely, another reason to mistrust everyone close to him. A great deal of time is spent introducing the nobility, to humanize them before Rand begins making them pay his butcher’s bill. His logic to risk those who love him the least is darkly sound from his twisted point of view, but dangerous to his long-term goals.

The mood intensifies. We are eager to see the battle, eager to see Rand score a victory against his Seanchan opponents, and cognizant that even if things go poorly Rand is still not losing anyone but those who might have undermined him or betrayed him. To underscore that point, the man he pardoned a few hundred pages ago attempts to assassinate Rand. He not only provides justification for Rand’s actions, his actions imply that he is an agent Moridin was referring to, and the natural assumption a reader will make is that the assassination attempt has failed, that plot is over.

Lews Therin has several witty comments on Rand’s internal monologue, continuing to demonstrate that the voice in his head is more reliable than the people around him. Rand continually worries about when madness will take him or the Asha’man, and how he will be able to know. Rand’s predicament is neatly bundled in a contradictory sentence: “Mistrust of Gedwyn and Rochaid was simple sense, but was he coming down with what Nynaeve called the dreads? A kind of madness, a crippling suspicion of everyone and everything?”

Rand marches into battle, and we switch to a Seanchan point of view. This is an effort to humanize the enemy. Up until now the Seanchan we have met are either deliriously fervent in their loyalty, or are outright Darkfriends, with the exception of Egeanin. We don’t have a strong reaction to Bakuun, Nerith, or Tiras, other than awareness of their competence, which means Rand’s visions of an easy victory may be wrong. The illness affecting the damane adds uncertainty to the upcoming conflict. This should work to Rand’s advantage, but his lack of knowledge about it may also induce him to make mistakes.

Writing lessons:

Use strong personal reasons for your characters to choose where they are going, who they are going with and why they are doing it.   

Humanizing and dehumanizing people affects how readers view events and characters.

A Crown of Swords - Chapters 37-39

In this section, myriad plotlines in Ebou Dar are resolved in a grand confrontation involving almost everyone.

Mat’s relationship with Queen Tylin becomes known to everyone, which leaves them either amused or offended. Mat’s discomfort allows the scene to play out humourously, with Mat getting more and more embarrassed with every snicker.

A great deal of effort is made to convince the reader that there is no conceivable problem in the Rahad that the women cannot handle. With over half a dozen channelers, many of them wearing Wise One belts that will scare would-be robbers into hiding, Mat’s soldiers are there for show, and to keep a promise made to Mat. After a few reminders, the reader may even begin to wonder why even have the chapter, if all that it involves is Mat getting more and more bored. It is all a set up.

The Black Ajah attack, and once Nynaeve is unshielded, it appears that there is still no point to the soldiers, who do nothing but get flung about by the channelers. However, Mat’s medallion spares him being tossed around, and he is therefore able to go to Elayne’s aid, and the only one who could provide any help against other channelers such as Moghedien, who can be assumed to be the opponent upstairs. Nynaeve’s plea moves Mat, because it is out of character for her, representing her recent inner growth, not poor writing.

Mat faces yet another mystery character: the gholam. It loves killing, and it is soon described as moving quicker than a Myrddraal in order to quickly impress its high skill level on the reader.  It bests Mat in combat even though we know Mat is almost the best there is at combat. Everything the Gholam can do is out of the ordinary. This is the help that Sammael promised Carridin. Luckily Mat discovers the creature’s weakness and is able to save Elayne, but the Darkfriends escape with some of the ter’angreal, which will provide some explanation for Sammael’s ability to whip several ter’angreal out of thin air before the book’s conclusion. Still no indication why Sammael would have used the gholam to kill Herid Fel. By no means a philosopher, Sammael should have had no interest in either keeping Fel’s guidance from reaching Rand’s ears. Instead the likeliest objective was the same as the one he was trying for in Ebou Dar: pick at Rand’s allies in any way possible that will slow down the army coming towards Illian or divert his attention elsewhere.

Mat is the third person to make a bargain with the Sea Folk. This scene would not have worked without the other two precedents establishing the reader’s expectation that budging the Sea Folk will cost the heroes something.  Mat’s unexpected approach is both funny and effective. Nynaeve reluctantly admires his feat while Elayne is impressed with his ability. Whatever mistrust they had for Mat and his ways at the beginning of the book has been resolved, he has their acceptance. He achieved this without specifically setting out to do so, yet it is the means that allowed him to accomplish his goals.

The Seanchan invade Ebou Dar, cutting off Mat’s escape while he searches for Olver. Once he can no longer leave the city, the dice in his head stop. He is now where the Pattern needs him to be. And also under a pile of rubble.

Writing Lessons:

Set the reader’s expectations by describing scenarios they will find plausible, the surprise them by having a different scenario play out.

A Crown of Swords - Chapters 21-24

In this section, working together, the heroes get closer to what they seek

Working together is how you get things done, but it can make for boring stories. Stories demand some form of conflict between characters. When characters finally recognize their divergent needs, but also find the common ground that will propel them forward, it makes for rewarding reading.

Mat is a rogue that no decent woman can tolerate. Elayne and Nynaeve are two decent women who can’t tolerate Mat’s behaviour. Mat needs to escort Elayne to Caemlyn safely and is willing to help the women do whatever they must so they can get on the road northwards. Elayne and Nynaeve need to find the Bowl of the Winds, but want to do it on their own, and have evaded Mat’s help so far. They have made no progress, and don’t foresee making progress locating the Bowl of the Winds any time soon.  Since neither of them can give up their goal, the only way for both to succeed is to cooperate. Mat has already made concessions in traveling to Ebou Dar on their mission, the action comes when Elayne and Nynaeve must bend their stiff necks to ask for the help they have dismissed.

It is more entertaining, and rewarding, when progress is made by the character because of their personality than when it comes from finding a random clue, or object that allows that progress. Elayne and Nynaeve both have to admit past errors, accept responsibility, and deal with consequences of their past actions before they can get any further in their search. Their reluctance to do so allows for some remarkably funny interactions. The process of doing so engages and pleases the reader from a variety of angles: The women are growing and learning, Nynaeve is edging closer to being able to surrendering control, Elayne is atoning for her pride and learning to accept Aviendha and her ways into her close relationship with Rand, Mat is gaining control of his situation, though he is really just trading control with the two women for loss of control with his men and Tylin. The entire process of sending Brigitte to speak with Mat, his demands, the drinking, the apologies and the restraint as they face each other down, the agreement, and the price to be paid by all participants, is quite simply one of the funniest and rewarding scenes in the story so far.

The cooperation is symbolized by the revelation of secrets, such as Birgitte’s origin and the One Power disguises, and the beginning of a new mystery regarding Setalle Anan and the Kin.

The mystery comes out of nowhere, having only faintly been touched on in an earlier scene with the Black Ajah. No sooner do the women step out of Mat’s room than they are swept up by his ta’veren thread-pulling, represented by Setalle Anan who takes them to some women who can help.

Setalle and the Kin have many strange and interesting characteristics, mostly related to knowledge they should not have come by easily. A large part of the mystery revolves around age of channelers, which has been a topic briefly discussed a number of times in this book. The number of channelers in the Kin is of interest, as is Berowin’s specially honed ability to shield anyone, acquired after long years of practice that even an Aes Sedai doesn’t get. Setalle appears to know an Aes Sedai from seventy years ago, one who looks remarkably like a woman in the Kin. The Kin’s questions are particularly focused on things that novices would know. And upsetting everything else about rank, strength in the Power has little to do with rank amongst the Kin. There are enough clues in there to for readers to stew over and probably get close to guessing the correct answer. But the intent isn’t to let the reader stew for long.

The Black Ajah make an attempt to kidnap Elayne and Nynaeve, similar to what happened to them in Tanchico. It isn’t said straight out that the Black Ajah were behind it, and there could have been several others with motive, but it is the fact that it comes right after the Kin learn of the murder of one of their number that cements it. The Kinswoman was murdered by the Black Ajah in an earlier chapter, so once the reader is reminded of that by discovery of the murder, the murderers should be at the forefront of the reader’s mind when the attempted kidnapping takes place. Juxtaposing elements in this way is overtly used often in film and comics, and it has turned up in a subtle fashion many times in Robert Jordan’s writing.

Writing Lessons:

Juxtapose sections of text that contain the same plot element or character to either subtly point to it, or to blatantly segue from one to the other.

A Crown of Swords - Chapters 14-17

In this section, all the players are introduced in Ebou Dar

Throughout the Ebou Dar sections, there are a number of players: Mat, Elayne, Nynaeve, Thom, Juilin, Olver, Nalesean, Vanin, Aviendha, Merilille, Sareitha, Careane, Adeleas, Vandene, Joline, Teslyn, Tylin, Beslan, Setalle, Jaichim, Shiaine, Old Cully, Sammael, Falion, Ispan, Nesta, Malin, Dorile and a gholam. These players move about interacting with each other to bring the search for the Bowl of the Winds to its conclusion.

We’ve already seen that Elayne, Nynaeve and Aviendha have begun preparing for the day they find the Bowl of the Winds by entering into a bargain with Sea Folk. In stories you will often see parallel tasks being carried out by different people, but less often will you see characters multi-tasking the different steps needed and preparing for future events ahead of time. In this case it allows later events to take place rapidly. The Sea Folk can simply be summoned and show up when needed.

The first piece to fall into place is the suggestion that Mat can be used to help find the Bowl of the Winds. Being ta’veren, he has already established the needed relationships with Setalle that will lead to its hiding place. We are re-introduced to Mat doing all the things that Nynaeve can’t stand: gambling, ogling, drinking, swearing. Mat’s behaviour and Nyaneve’s low tolerance for it are presented as the major obstacle. This is a switch from the physical obstacle of searching the Rahad which has proven insurmountable so far. By shifting the obstacle to one of character traits, the reader will be more involved in their interactions, and have a more rewarding reading experience.

Mat’s involvement draws the villains in. Mat recognizes Shiaine, who visits Jaichim, who in turn recognizes Mat from the secret orders placed in his mind by Ishamael. Jaichim feels a need to kill Mat, but the mere suggestion is dismissed by Sammael who can’t afford to let Rand get wind what he is up to. Sammael gives explicit orders not to touch Mat unless it turns out Mat is there looking for Sammael or acting against him in some way. Jaichim now has contradicting orders from two Forsaken, and the fact that one of them is dead does not make Jaichim any safer from the consequences of not carrying out his orders to kill Rand and his allies. No one survives disobedience, but Jaichim skirts as close as he can, ignoring Sammael’s orders to find the cache and setting Shiaine to kidnap Mat. Jaichim serves many masters, but none more important than himself.

Sammael sends a helper to get rid of any Aes Sedai impeding the search: the gholam who tore Herid Fel apart. Meanwhile, a pair of Black Ajah working on Moghedien’s orders to find the cache come close to a clue by interrogating a Wise Woman. Despite the fact that Moghedien is probably dead, they dare not stop what they are doing.

 The stage is now set for all of these players in the main plotline to race towards the same objective, coming closer and closer to an eventual confrontation.

Mat needs to tell the women about his discovery. In the Tarasin Palace he bumps into every Aes Sedai except the ones he is looking for. Mat’s nature is to be contrary. He will do an aboutface on an action that was important to put Nynaeve in her place a moment ago in order to put off someone else now. He acts purely in the moment, on impulse and instinct, changing his opinions entirely on the whim of the moment. Mat’s opinions are made clear in a sentence where the substitution of a noun provides humour, feeling and tension: The two groups stared at one another as if trying to see who could out-Aes Sedai who. Mat next meets Tylin and Beslan, who will be willing to help in any way they can, now that Mat is a close friend of the family. Once again the ta’veren provides what is needed before it is known what is needed. Beslan acts much like Mat, living for the moment, yet Mat immediately sees himself as the reasonable one, as always in order to try avoid doing anything against his will.

 Teslyn is sharp and prepared, either hearing Mat was in the palace and seeking him out to place a note in his pocket, or carrying one around for the eventual moment she would meet him. By telling Joline she acts like a child, she manipulates Joline into resisting Elaida’s orders. She is as contrary as Mat. The secondary plot of trying to capture Elayne and Nynaeve is established. A second group is also trying to nab the women. The Black Ajah are ready to put aside their search and try for Moghedien’s hated enemies instead, also shifting from a physical obstacle to one based on character and relationships.

Now the remaining players will be drawn towards those participating in the main plotline.

The attempts on Mat begin, and the first cluster of Darkfriends falls. Mat is unobservant about their purpose, but when a second group led by Old Cully falls, he puts two and two together, in a fashion.

The first of several mystery characters shows up. An old man with memory gaps observes the comings and goings of the Black Ajah. It is not obvious that he is under Compulsion and is spying for Graendal. He also doesn’t show up again, so readers are left to wonder why he appears at all. It does set a precedent for the later mystery characters who show up spying on Sammael and helping Rand, so their appearance will not feel as contrived.

Writing Lessons:

Obstacles related to character and personality are more interesting than physical obstacles.

Lord of Chaos - Summary

100^th post! I am averaging two posts every three days. Slower than hoped, but satisfactory.

Other books in the series have dabbled in humour, while Lord of Chaos makes it a central theme, with a focus on who gets the last laugh, usually through trickery. In a pair of sequences bookending the novel, the principal villain Demandred has never been known to smile, but finally tells a story that has the Dark One himself laughing.  

Between those bookends, a multitude of other characters scheme and plot to get the upper hand. There are layers of subterfuge, beginning with Rand’s use of the world’s largest army to distract Sammael from the true attack. This is one of two major plots in the book, but this one remains unresolved, as though it was a distraction itself, a piece of patter meant to lure the reader one way so the punch line of the second plot line can surprise them to the fullest.

The second major plotline is the competition between the two Aes Sedai embassies to see who will recruit Rand to their cause. The setup implies he will choose one or the other, but the resolution is something else entirely, where both end up serving Rand instead.

Both of these plots, and myriad smaller ones, involve deceit and trickery, but are not presented as a question of the trickery surprising the reader. Often the trickery is exposed, but determining who benefits is the question, given that there are several reversals of fortune. The ultimate example is that in the end Rand’s victory has been the goal the Dark One sought, against all logic.

The injustice done to Rand is such that his victory provides immense satisfaction, so much so that the reader hardly notices that other plotlines involving other heroic characters or the battle with Sammael have been left unresolved. Since the following book, A Crown of Swords, ties these up, the two novels might be viewed as halves of a whole.  

Writing Lessons:

Reader satisfaction comes from emotional reaction, not from the resolution of the plot itself.

Lord of Chaos - Chapters 53-55

In this section, the Heroes take desperate actions to free Rand

There are a series of reversals in the concluding chapters of this book: The Tower Aes Sedai turn the tables on Rand. The Shaido turn the tables on the Aes Sedai. And finally Rand’s allies turn the tables on them both. A constant theme has been the idea of chaotic, surprising events, often revealed in the form of humour or jokes. A second theme particular to this book is misunderstanding due to lack of context. Even when the reader knows what is going on, the characters don’t. The overarching way this is presented is through the Dark One’s orders to Demandred. Only the first part of the order is known, and the manner in which Demandred accomplishes his mission remains a mystery at the conclusion. This is a joke that only they two get, and the punchline is yet to be understood by Rand and his allies.

There were two very important cues that led to the inception of the theory that Mazrim Taim is Demandred. The first is a physical and behavioural resemblance: neither of the two ever smiles or finds anything funny. The second is related to timing: Demandred’s success immediately follows Taim’s moment of glory during Rand’s rescue. Together, these provoke a powerful reaction in the reader. However, the theme is deception and tricks. Any resemblance between the two characters may seem like the trick they are pulling is hiding Demandred in plain sight, but even that itself could be the deception intentionally played on the reader. In light of the theme, I have to recant my advocacy of the theory that Taim is Demandred. This book is filled with so many punchlines, I now feel quite certain this one is at the reader’s expense. The book was published just as internet chat groups took off, and on the heels of sudden intense fan interest in Asmodean’s murder, and I am now left with the sense that in reaction to this strange new phenomenon, the author placed a very deliberate red herring. A big fat joke to end the book, as befits the theme.

(Despite this, “RJ is wrong... Taim is Demandred!”, remains a hilarious statement befitting the madness that is Theoryland. If there’s one thing I’ve learned about emotional attachment to a position, it is that it withstands all reason and evidence, as true in life as it is on Theoryland. The author of that other reread blog on Tor.com took the statement (or one just like it) at face value, so bonus points to me for successfully yanking her chain: She fell for it!)

That still doesn’t answer what Demandred succeeded so well at that the Dark One’s laughter filled his head. Getting Rand to trust Taim? Unlikely since Rand never sets foot anywhere near him again. Getting Rand to mistrust Aes Sedai? He was already there. Getting the Aes Sedai to bend the knee? Maybe. The Lord of Chaos is akin to the King of Fools, a figurehead that everyone must obey, no matter how ridiculous the orders. Obedience is one of the characteristics of the evil societies in the series. There have been consistent thematic elements which have the Heroes representing free will, and the Dark One representing obedience. Forcing Rand to take on the role of the one who receives obedience from others is an attempt to crush him under the burdens of leadership and to give him an emotional stake in controlling the actions of others.

What was Demandred’s involvement in this success? If he wasn’t Taim, was he controlling Taim? Someone is. If Demandred used balefire up until now, readers didn’t see it. The Asha’man could unleash balefire at some later point, and have proven to be a force that Rand can’t control or even risk approaching. They have no equivalent in the world, unless it is the damane who could be equally battle-trained. Even if Taim isn’t Demandred, setting up Rand’s own force of male channelers to betray his purposes at some later point still fits best with the theme and with later events. This is likely what the Dark One was so pleased about.

Lews Therin’s progress from mad rants, to running from Rand’s calls to leave him alone, to reacting to what Rand sees and says, to finally carrying on a discussion with Rand is masterfully handled. Each step leads inexorably to the next one. The moment when they agree to work together is when Rand embraces the madness, agreeing to cooperate with a mad voice in his head, which again fits with the theme. Lews Therin agreeing in turn to work with whoever Rand is, assuming Rand is real, is a brilliant twist that makes the reader see Lews Therin as an equal of sorts, since he has all the same questions as Rand. Having the voice in his head or listening to it doesn’t make Rand that crazy. Trusting the voice can’t help but induce spine tingles. That is crazy.

The epilogue is a stream of almost one-liner surprise twists, the most effective of which are the gholam and Moghedien’s release. Out of nowhere, the Gholam kills a minor character. The only possible conclusion the reader can reach is that Herid Fel had something to say that the Forsaken didn’t want Rand to hear. The Gholam belongs to Sammael, so this murder is also an added pressure to take Rand’s attention from Illian and focus him to the north, where Sammael has also been prodding the Shaido. Moghedien’s disappearance is instantly exciting because her captivity has paralleled Rand’s experience in the chest, and we just saw Rand’s cold fury as he dealt with his captors.

For once, Perrin showed no hesitation or shame about his wolf abilities. He simply acted. In the context of this book, such concerns would have been misplaced since it would be difficult to present this in a way that shows deception, trickery, or chaos. Instead, it’s just handled straightforwardly, which also helps keep the tense pace of the final confrontation.

Writing Lessons:

A lack of context risks confusing the reader. Be certain that the payoff is worth the risk.

Lord of Chaos - Chapters 44-48

In this section, a catalytic event heralds impending disaster.

Demira, an Aes Sedai with the rebel embassy in Caemlyn, is ambushed by a handful of Aiel in the alleyways of the city. The sudden violence inflicted on her in the last paragraph contrasts sharply with the two pages she spent idly wondering about her library books, and with the nearly two hundred pages of non-violent storytelling that preceded it. It is enough of a shock to leave a queasy feeling in the reader’s mind, an unsettling sense that things have taken a sudden and unexpected turn for the worse.  

In short order, the ramifications are felt. Verin has taken over the rebel embassy by virtue of her rank among Aes Sedai and Merana’s new deference to her. Demira has concocted a plan to let Rand know their displeasure. And the reader knows that the rebels have just blown their chance to get on the same side as Rand.

Obviously Rand didn’t send the Aiel, so who was it? Demira noticed the Aiel following her, which implies they weren’t real Aiel. The cadin’sor might not match the city as well, but Demira is not particularly observant. They used the term ‘witches’, implying they are Whitecloaks. And Padan Fain has been sitting around Caemlyn looking for some new way to prick Rand. While the Forsaken may have as much to gain as Fain, the mode of attack and the people carrying it out match his followers.

Mat does his best to tweak the Aes Sedai’s noses in Salidar by hanging a banner which is actually their ancient symbol. He dances with almost every important character among the rebels: Halima is the most beautiful woman he had ever seen in his life, yet Mat remembers seeing Lanfear. When Halima realizes her attempt to lay hands on Mat Cauthon has been foiled, she quickly backs off; the ter’angreal keeps the Forsaken from doing anything to him. Siuan rejects him, Leane kisses him, Myrelle offers to bond him. He plays into Egwene’s hands with the orders he leaves for the Band, and honors her publicly when no other Aes Sedai will. When the Gateway is too short, Mat has to tell his men to dismount right after telling them to mount.

Adeleas and Vandene channel against Mat continually to test the limits of his ter’angreal. Elayne tries to assert her Queenliness over her subject. Nynaeve can’t stand being near him. And Mat’s sourness shows in his judgmental and funny commentary on everything around him. Notice how the humourous sentences are structured to keep the punchline for the end.

… a cloudy liquid the lanky woman insisted was made from plums, but which tasted as if it would remove rust.

… a scruffy two stories of white-plastered bricks in a scruffy village of white-plastered bricks and flies called So Tehar.

… a woman with hips that looked as though a man’s fingers might break from giving them a pinch.

In Ebou Dar, men walked small around women, and forced a smile at what they would kill another man for. Elayne would love it. So would Nynaeve.

Mat feels the dice in his head again, and selecting an inn at random makes them stop. His own description is that he feels this sensation when his luck is running strong in the gambling. It was always there when there was a battle in the offing. And it seemed to come where there was a vital decision to make, the sort where the wrong choice might get his throat cut.

Elayne and Nynaeve act towards Queen Tylin in the way that Mat does with everyone. They speak truthfully and plainly, having interpreted a phrase from the Queen slightly incorrectly. They may be inexperienced, or rebelling against expected Aes Sedai behaviour after being put in their place by Adeleas and Vandene, but their approach will find favour with Tylin.

Jaichim Carridin is in the palace as well, and is turning into a regular opponent of Elayne and Nynaeve.

Perrin finally makes his appearance in Caemlyn, just in time to meet his in-laws. They are portrayed in such a way that Perrin’s preference to face Trollocs is reasonable. Their appearance is prefaced by a seemingly unnecessary point of view from a young Saldaean soldier named Vilnar. He describes his potential father-in-law’s expectation, his readiness to face Trollocs contrasted with his reluctance to face Aes Sedai, and his preference to face both together than to be the one who brings Faile to her mother. It’s only a page, and does a middling job of introducing Deira as a fearsome woman, a job that could have been done from Faile’s point of view, or Perrin’s for that matter. Perrin also gives Rand another chance to reminisce about their carefree youth.

Writing lessons:

Structure your humourous sentences to deliver the punchline at the end