Towers of Midnight - Chapters 46-50

In this section, a glimpse of the future is given.

Faile participates in negotiations with Perrin and Elayne over the fate of the Two Rivers. Elayne cannot enforce her writ, so she avoids being a tyrant or a fool and creates bonds to tie the fledgling nation of the Two Rivers to Andor. Elayne soon does the same with the Cairhienin, binding their fates together with an exchange of lands and nobles.

Fortuona questions Elaida, and the Seanchan gain Traveling. Ominously, she decides to use this tool to subjugate the remaining Aes Sedai in an attempt to get Rand to serve her as prophesied.

Mat explains his quest to Perrin.

Aviendha goes through the glass columns in Rhuidean, in another fan-favourite scene. I’ll contrast this scene with the similar scene in Chapters 24-25 of The Shadow Rising, when Rand originally went through the glass columns to learn the history of the Aiel.

The glass columns scene in The Shadow Rising sets expectations for Aviendha’s visit. It isn’t possible to surprise readers with the mystery of Rhuidean, or the Tree of Life, or the visions because they are already all well known. The fog has lifted from Rhuidean, and there are no more mysteries. The author wisely decides to skip over what is known and expected, instead leaving Aviendha questioning “is that all there is?” Rhuidean is mundane now, just like the decisions which led the Aiel to pick up spears and fight.

Restoring a bit of mystery, Aviendha wonders about whether the columns have more capabilities that only what use they have been put to in Rhuidean. The mundane is made extraordinary again, and the weighty purpose of the columns is hinted at, but kept shrouded.

Aviendha’s first vision builds on prior knowledge of how she experiences the lives of the people seen in the columns.  Unlike with Rand’s earlier visit, there is no crafting of links between Malidra and Aviendha, no emphasis on how these two are really one. This first vision contains several links to the present and the familiar, referring to the Waste, Aiel, and a railroad which brings the steamwagons to mind. The mystery is about why Aiel are living like scavengers and why is Aviendha seeing life through the eyes of a random Aiel girl? The revelation is not only the details in the vision, but the fact that this vision exists at all. A need is established immediately, but it is mundane, a quest for food, instead of the character oriented need of Mandein in Rand’s visions. There is no firm historical link between Aviendha and Malidra yet, largely because Malidra has no character or identity, she is simply a scavenger looking for food.

As with Rand’s visions, each subsequent vision establishes more detail, eventually revealing that the visions are linked along Aviendha’s, and Rand’s future bloodline, containing links to each other, and to the current day. Whereas Rand’s visions began as known to be his personal and cultural history, of which he was then learning the details, Aviendha’s reverse this by showing the details and then establishing that this is her personal and cultural legacy.

Rand’s visions used parental relationships to convey the passing down of cultural responsibility from one generation to the next, giving great weight to the losses suffered by each of the lives he lived, and great importance to the sacrifices. Aviendha’s visions are bereft of such attachment to identity of the next generation, as shown with the casual indifference to the loss of children. In each of Aviendha’s visions, the women try to maintain the culture of the Aiel, at the cost of the people, overlooking that sacrifices are made for family, not only for the sake of sacrificing itself.

The lives of the women take on personal importance to Aviendha. Each of their failures is hers, and Rand’s. While so much of the history of this world has built towards the day when Rand faced the Dark One, until recently there was little attention to what happens after the Last Battle. Rand is not the end point of the cross-generational burden, he is a link in a chain which extends as far into the future as into the past.

Once again, the reverse chronological order the visions are presented in is effective in drawing the reader in, and the revelation puts the emphasis back on Rand and Aviendha to correct mistakes.

How can Aviendha find a new identity for the Aiel and overcome the Seanchan menace, or even craft an alliance with them that outlasts the Last Battle? One possibility is the Aiel clan chiefs and Wise Ones singing the lost Tinker Song, since they all learned it in the glass columns. The song is an act of creation, and can overcome the blight afflicting the crops of the world. Such a life offers an honourable and productive alternative to clan warfare. The Aiel once sealed a promise with a sapling of the Tree of Life, and they could do so again with the Seanchan, even offering them Avendesora itself. What good could come of Seanchan nobles walking through the glass columns, seeing the mistakes and errors of their ancestors? With this insight, the Seanchan and Aiel should be able to avoid some of the decisions Aviendha saw in the glass columns.

Writing Lessons:

Withholding context while establishing links to other parts of the story creates effective mystery.

Towers of Midnight - Chapters 18-20

In this section, characters learn they must set aside their differences and work towards common goals.

Perrin begins his training in Tel’aran’rhiod. His interaction with wolves is one of the more interesting facets of his character, and to be portrayed convincingly, the wolves’ language and culture has to be distinct and recognizable. For the most part, their vocabulary is monosyllabic, implying only cursory language skills, which are supplemented with detailed scents and impressions which they can send to each other.

The longest words Hopper uses are: follow, understand, sparrow, cannot, slumber, always, remember, unnatural, honey, memory, remain, again, quickly, ready, especially, strongly, holding , carrying, running, practice, wrongness.  Of these words, most have simple meanings that are easy for readers to attribute to a clever animal’s mind. The ones which don’t are especially, holding, and unnatural. Especially is suitable for a language that can distinguish levels of gradation, not the precise terms generally used by wolves elsewhere. Holding is something men do, and in other contexts the wolves have called the objects Perrin holds his claws, as though they were part of him. Unnatural is applied to Perrin, yet the purplish wall of the dreamspike is termed wrongness, and the difference is lost on the reader. Wrongness is the more wolfish of the two, in keeping with the majority of the examples in other wolf dialogue, but it’s odd that Hopper would call Perrin’s presence unnatural if men have historically walked the Wolf Dream.

Overall, the few words wolves use which are mildly inappropriate can only be identified as such because of the consistency in tone, sentence structure, and vocabulary in the rest of their speech.

Ituralde is defending Maradon from a Trolloc horde, yet they won’t come to his aid. He holds his position, waiting for Rand to send help as was promised.

Faile confronts Berelain about the rumours, and she denies anything inappropriate happened. Wouldn’t she consider it appropriate if Perrin set aside his wife for her? In any case, Faile makes Berelain realize that Faile will challenge her to a death match unless she can find a way to dispel the rumours. Berelain concocts a plan that requires Faile and Berelain to behave as though they were friends, with no animosity between them, one of many examples of characters setting aside differences to work towards common goals.

Mat is badly failing to keep a low profile, thanks to rumours in Caemlyn which he cannot hope to quash. He meets with Elayne, and they discuss the manufacture of his dragons. The negotiation scene is heavy on dialogue. Mat says the opposite of almost every point he had made to himself before the talk began, consistently upending expectations. The negotiation ends with both Mat and Elayne satisfied at the outcome. Each of them will benefit from their arrangement, keeping a portion of the dragons, which are primarily to be used in the Last Battle. Defending against lightning strikes with the One Power is simple, so these cannonballs should be stopped as easily, unless they are deployed against Trollocs.

Mat had to sweeten the offer by giving up his sole protection against the gholam stalking him. Writers can be backed into a corner when their heroes become too powerful, and readers can see through contrived attempts to bring them back to a more normal power level. Mat giving up his medallion works effectively, because the immediate threat to Mat is obvious, and he is trading a short-term risk for a long-term gain, which is an entirely believable course of action. The reader’s emotional reaction to the threat and outrage that Mat has to give up his only defense will likely override any analysis which recognizes this deliberate effort to place Mat in a situation which he can’t easily escape.

Nynaeve takes her test to be confirmed an Aes Sedai, to be given and judged by several of the highest ranking Aes Sedai. Throughout the test, she consistently ignores the precepts placed in her mind to save the inhabitants of the test realms. She later says that without context, she can’t know why the rules have to be followed so strictly, so it is right that she flout them to act as she thinks an Aes Sedai should. There is a fierce debate about whether she should follow strictures or be trusted with forbidden weaves, or the ability to decide what the greater good is. She is raised by a narrow margin, yet by undergoing the test, she has decided she already knows what she must do, and the shawl of an Aes Sedai is a worthwhile goal, but not her ultimate goal. For this realization, she is able to claim the prize she most desires, Lan’s bond. As with the Ebou Dar scene in which they were married, Nynaeve is instantly rewarded for her personal growth.

Writing Lessons:

Portray other cultures with a consistent use of language specific to that culture.

The Gathering Storm - Chapters 2-5

In this section, the heroes slowly begin to think of the future beyond the Last Battle.

Egwene, forced to live as a Novice, must serve dinner to her antagonist, Elaida. Often, downcast roles of scullery maid or other menial roles showcase the hero’s ethics, hard-working, and struggling against odds, increasing the reader’s respect, which is probably why rising from a lowly birth station is an element in many traditional fantasy stories. Egwene’s struggle in the Tower is just such a plot, showing Egwene’s mounting ability to overcome physical abuse. Facing Elaida directly and being subjected to a more subtle and insidious mental abuse offers a different opportunity to do the same thing.

 Offering an example of what Elaida’s direct attention can do, we are shown Meidani, caught in a trap from which she cannot escape. Since Beonin betrayed Meidani’s identity, Elaida wasted no time in bringing her into proximity, so she can fully humiliate the woman, forcing her to research the very punishments she’ll have to endure once her true allegiance is revealed. Egwene realizes that direct confrontation with Elaida will end her crusade, but as soon as she decides to take a meek stance, Meidani is there to show the results. Elaida torments Meidani, a supposed confidante, relishing her power over the other woman. When Egwene arranges a distraction so she can also confide in Meidani, her gentle strength is in stark contrast to Elaida’s. Repeatedly, examples contrast Egwene’s behaviour with Elaida’s, almost always ending with someone considering what they have seen, comparing the two women. Egwene is being measured against Elaida, but no one has completely committed to her except for those with no choice in the matter.

Egwene understands by the end that physical pain is of no concern when compared to the pain of the spirit that comes from seeing what you love being rent by careless or bullying hands. This in turn stands in contrast to Rand’s plot, where he has been subjected to great physical pain, and is about to be put through an emotional wringer.

Similarly, Aviendha is being put to shaming work, as though she had no honour at all. She struggles to understand what the Wise Ones want of her, but is too proud to ask, and it is against her cultural upbringing in any case. Aviendha must figure it out on her own, as Egwene already have.

Gawyn has a short chapter, in which he questions whether he is on the right side. His reluctance to admit he chose wrongly when the Tower split has delayed this introspection. The realization that he faces his old mentor is presented as the instigating reason why he has reached a moral impasse, and must choose sides for once and for all. Earlier encounters with Egwene, and Min and Siuan forced him to make allowances for his behaviour, but pride as strong as Aviendha’s has kept him from switching allegiance completely. Gawyn serves as a proxy for Rand, whose pride is greater than anyone’s. The moral quagmire in which each of them finds himself makes them feel lost. The contrast between Rand and Gawyn and the choices and consequences they face will be more evident as the story progresses.

In Arad Doman, Rand is angry that despite all his efforts, no one easily believes that he has accomplished one of the greatest wonders ever. This angry and petulant attitude rings truer than introspective moments shared with Asha’man. But in those moments Rand begins to see beyond the immediate needs of the Last Battle, to the future and the legacy he will leave. I’ve contrasted this series, an American fantasy, to American History, beginning with the War for Independence, through the uncertainty of Vietnam, and the difficult choices of the 21^st Century. This is the first we’ve seen of anyone thinking to the future, beyond the modern era. Rand has begun to realize, as have Aviendha and Egwene, that the Last Battle is not the end of everything, their hope is that it is the beginning of something, and they must begun to prepare for it.

Elsewhere, Cadsuane realizes that breaking Semirhage is nearly impossible, and is forced into introspection about how she could be broken, hoping to use the answer against Semirhage. She feels the pressure of time, worrying privately that she won’t be able to prepare Rand for the Last Battle. She contrasts Rand with Semirhage, admitting to herself that her progress with him is not much better than her progress with the Forsaken.

Writing Lessons:

It’s not always bad to follow a well-established writing convention, there is usually a good reason it is used so frequently.

Knife of Dreams - Chapters 8-10

In this section, Mat unites his followers.

In other posts I’ve pointed out how the books are most entertaining when they follow a character for a few chapters, then jump to another locale for a few more chapters, and so on, so that each locale is seen three or more times, and enough time is spent in each locale to advance the story. This section takes us to the fifth consecutive chapter from Mat’s point of view, with one more to come after. That’s a significant chunk of the book, and a sign that either some characters will be cut out, or have abridged sections. Nonetheless, Mat’s uniquely funny voice and a sense of advancement in the relationships among his followers make these chapters entertaining and flow smoothly.

A number of other ongoing plots are advanced: Mat and Aludra make a deal regarding her cannons, Bayle and Egeanin get married, the sul’dam begin to learn how to channel from the Aes Sedai, more of the Prophecies concerning the Last Battle are revealed, and continual references to the Snakes and Foxes keep cropping up.

Tuon educates Mat about the finer points of reading omens. Most omens are related to animals’ behaviour. The Pattern could have a wonderful control mechanism for the Seanchan Empire with the fervent belief in these superstitions. The Empress and High Blood take them very seriously and appear to alter plans based on seemingly random events. I wonder if Robert Jordan was detail-oriented enough to have known some of these omens when he wrote the earlier books and insert them before readers had any context to interpret them. Even he wouldn’t have. Right? Funnily, things that Mat knows to be true, she derides as superstition.

Mat finally gets Tuon to take a horseback ride with him, and while visiting some ruins he makes a startling realization: the Aelfinn and Eelfinn have established a lasting connection to him and may know exactly what he is doing.

Egeanin tells Mat more about Tuon and what she knows of life in the Imperial Family. Mat has slowly been falling for Tuon, despite starting out as him simply trying to learn more about his fated wife. Setalle Anan is also helping him as much as she can, and trying to correct his roguish ways.

All in all, Mat leaps from misadventure to another, slowly getting to know Tuon, slowly gaining the confidence of followers, and slowly letting other followers get out of hand. Amongst these, Joline loses her temper against Tuon, and then finds an a’dam clapped around her neck. Tuon provides a taste of her effective training methods. Then Mat steps into the fray, unlocking the a’dam despite Tuon controlling the Aes Sedai to weave flows of air around Mat. The Aes Sedai and Tuon had already seen the foxhead medallion in action, so this is the second time Mat is able to do what no man should be able to do, earning the respect of everyone involved. It has taken a while, but Mat’s ragtag band is forging links of trust, dependence, and mutual respect.

A bubble of evil or breakdown in the Pattern has an ancient village materialize, then vanish, taking a peddler with it. Once again, this stands out as a little contrived, seeming to serve no direct purpose other than to provide another example of the signs heralding the Last Battle. It does serve an incidental purpose as a motivating factor for Egeanin and Juilin to make peace between them, and vacate the tent, leaving Thom, Noal, Olver and Mat alone.

Thom has been reading a letter over and over, subtly making Mat curious about the letter, hoping he will ask about it, as Moiraine insisted he must before he can show it to him. Mat, oblivious as always, has taken months to finally ask Thom about it, and at last we get confirmation that Moiraine is not dead. Mat agrees to undertake a perilous journey back to the realm of the Aelfinn and Eelfinn to rescue her, with Thom and Noal in tow. This gives some satisfaction that a long-awaited plot will be resolved, but its resolution is yet several books away.

Writing Lessons:

Create suspense and tension by telling what must happen, then dragging out its resolution.

Winter's Heart - Chapters 29-32

In this section, Mat escapes with a wife in tow, and Rand promises to accept an advisor.

Mat and his allies lack insight that other characters already have, notably that sul’dam are women who can learn how to channel. Watching him experiment with the a’dam is necessary to maintain belief in his ingenuity and allows a chance to prove earlier information or add detail to it with concrete examples. Once he’s done experimenting however, the author throws a lifeline, providing sul’dam, a High Blood, and everything else Mat needs. Giving these things to Mat too early would have reduced the credibility of the situation.

A potential rift between the uneasy allies will appear if Mat’s side learns about Egeanin turning the male a’dam over to Suroth.

Mat makes some changes to his plan, but this is revealed only at the last second. First, the author builds up concern about the things that can go wrong. Mat analyzes it, and concludes his plan has as few flaws as can be expected. Because of this analysis and Mat’s dread, the reader is primed to think something will go wrong. Mat reminds everyone of their tasks, and of the cost of making a mistake or exposing them. He makes plans for what to do if something goes awry. It all seems to be going well. The first sign of trouble comes when Mat worries about Teslyn cracking. Night falls, and riders approach. Egeanin has adapted the plan to keep the warders and others close by her rather than lose them in the rain. Mat initially expresses anger, but lets it drop because, surprise, surprise, he has made changes to the plan as well! After all that worry, Mat himself turns out to be the source of the threat he was worried about! With a tense set-up like that, this down-to-the-last-word surprise revelation adds humour and excitement: After all, lying on that bed in Tylin’s apartments, he had decided to risk a change or two himself.

Mat reluctantly kidnaps Tuon after learning that she is the Daughter of the Nine Moons he is foretold to marry. She is physically opposite to everything he likes in a woman, and so culturally different from him they could be called opposites, yet he must marry her. This is similar to Rand’s situation, in which he has an ideal path in mind, but destiny requires him to embrace something strange and alien to him.

Far Madding symbolizes a life without the True Source, without the Light. Lews Therin rails against the city, calling it madness to live in such a place. In this place both physically and spiritually, Rand casually intends to murder his opponents. His feelings are non-existent; he might as well be a stone for all Min can feel through the bond. He is losing touch with his humanity, the very thing Cadsuane seeks to prevent.

Cadsuane represents the Light. She has strict rules that must be adhered to, like Commandments, or she will not offer help. She is never wrong, she is demanding, but those who travel with her are happy, enlightened and empowered.

Rand has the idea that he has to be harder than his opponents. He knows his opponents will exploit weakness, so he has cut ties with friends and family, excising feeling sand emotion from his life. Rand is despondent as he walks the cold, rainy streets of Far Madding. Then he bumps into Verin, fresh from the previous evening’s heart-to-heart with Cadsuane.

Verin tells him that Cadsuane did not send her; she is out riding with Nynaeve. Verin brings news that his war on the Seanchan has been for naught. They have refortified their positions and are marching into Illian as though he never drove them back. Verin dismisses battles as irrelevant in the long run, recognizing there are stronger forces that shape history. Realizing his efforts have been wasted, Rand asks whether Cadsuane might help him.

Verin says he can apologize, stop being a fool, and she should listen to him. Rand asks Verin to carry his apology and promise to Cadsuane. He is leaving Far Madding, having realized that the world won’t wait for him to do dawdle while important things await him, such as cleansing saidin.  Rand’s allies agree that Cadsuane can give him what he wants, and even have sacrificed to make their meeting possible.

Nynaeve takes pride in Cadsuane’s fallibility since she didn’t know everything about her ter’angreal. Rand starts to have doubts, uncomfortable knowing Cadsuane will be able to channel when they meet. Then a letter is delivered. Padan Fain’s letter presents a path away from Cadsuane. He represents war against the Shadow, with no moral questions bogging him down. He has pledged to destroy Rand, and the choice presented in the letter will destroy him if he takes it. Cadsuane still represents the Light, morality trumping all other considerations, uniquely powerful in a city where no one else can sense the True Source.

Hours of daylight remained before he had to meet Cadsuane. One last chance to act outside of her rules. A possibility of deferring the actions he must take in favour of the ones he wants to take.

Writing Lessons:

 A choice to be made is a powerful means of establishing identity, creating tension and excitement, and clarifying the theme.

Winter's Heart - Chapters 20-22

In this section, confusion stems from new point of view characters and missing details from a new location.

Bethamin and Egeanin provide new viewpoints from the Seanchan perspective, which when added to Tuon’s makes 3 chapters from three different Seanchan. The author is clearly pointing to the Seanchan as a major part of the ongoing story with this attention to their citizens, and so many new points of view in this book serves as a signal that the story has reached a turning point. While this is useful to establish the background of the various players, jumping from character to character carries risks. In this instance, unfamiliarity with new characters means the reader may be confused, angry that her favorite characters are absent, or simply too impatient to care about these newcomers.   

The two Seanchan characters are particularly unlikely to have the reader’s acceptance because the Seanchan have been depicted as villains up until now. Their culture is evil by all the standards of our heroes, and it also alien to them, which makes embracing a character from there very difficult.

Bethamin is the Wheel of Time’s equivalent of a slave driver, using an a’dam instead of a whip. This is a behaviour that is particularly unlikeable, but the author uses a few techniques to try to overcome that.

First, Bethamin is performing an inspection, which is a simple duty anyone can identify with. The author is trying to establish common traits with the readers. She cares for the health of her damane, which is slightly admirable given that she is talking about humans. She bullies Renna, who had tried to break Egwene to the a’dam. Anyone who bullies Egwene’s enemies can’t be that bad. She doles out candies. Maybe not all sul’dam are bad.  Maybe Bethamin could switch sides.

Before sympathies develop too much, a reminder of Bethamin’s cruelty is given: how she takes away her charges names and gives them new ones. Three gentle strokes, one slap.

Then it’s back to nice Bethamin. She takes special care of damane having problems; she refuses to lose a damane, even that ugly old Tessi. It’s no accident that Teslyn is used an example. Teslyn stood for Elaida, deposed Siuan, is Red Ajah, and has no compelling physical traits, so Bethamin stands in opposition to all that Teslyn represents. Bethamin distrusts Aes Sedai, as do all the readers by now. She makes a note to be more diligent about breaking Tessi. Three gentle strokes, one slap.

Other things which align the reader’s sympathies with Bethamin: she enjoys shopping, she has a healthy sense of self-preservation, and she knows secrets that could be useful to our heroes. Except for her current station in life, which is at risk, she is incredibly normal.

When someone alien is introduced, you want to highlight the differences. But you also need to establish commonalities, with the reader more than with the other characters.

The Seeker exemplifies the highly paranoid nature of the alien Seanchan culture. He has knitted together moonbeams and happenstance into a strangling cord for Egeanin’s neck. He is recognizable as a police officer, a common character type, but the paranoia and limitless power make him ineffectual. Only by blundering into clues does he make any headway, and that in the wrong direction.

Egeanin continues to be the bridge between cultures, with her potential husband and so’jhin Bayle Domon. She is resigned to the fact that she will never fully induct him into Seanchan culture, and with this danger before her, she realizes it is she who might have to embrace his culture instead.

Egeanin’s loyalties would obviously seem to lie with the mainlanders under the circumstances, and readers would accept her since she has been helpful to the heroines in past books. But to place doubt in the reader’s mind, a crucial action she took, handing the male a’dam over to Suroth herself, will taint that association with goodness. At best she was caught with no way out, at worst she betrayed Rand and Nynaeve. When she says she will stay free “whatever it took”, the example of her quick surrender of the male a’dam should come to mind as an example of how quickly she would throw allies overboard.

Rand has an entire chapter set on Far Madding, and we are told that he can safely confront the Asha’man here, but not how. He has a swordfight with one, but we are not told why neither is using the One Power.   The explanation will come a chapter later, which allows readers to enjoy a fight, an assassination, and a second assassination without the context. Keeping the explanation back from readers is meant to convey a sense of secrecy and frustration, just as Rand is experiencing. Similarly, Kisman is lacking information despite giving much insight to readers. Isam also doesn’t know the whole story, but again reveals exciting details. Assassinations of Kisman and the couple staying in Rand’s old room symbolize that what Rand doesn’t know could kill him. Rand really is lost morally and spiritually, but everything he needs will soon be coming in with Cadsuane, which is symbolized by her readers finally learning about the city when she strolls into town.

Writing Lessons:

When someone alien is introduced, you want to highlight the differences. But you also need to establish commonalities, with the reader more than with the other characters.

A Crown of Swords - Chapters 33-36

In this section, Rand regains his confidence and uses his unique abilities

In earlier chapters, the nature of being a ta’veren was discussed. Perrin hopes it will work for him while Mat’s ability was actively exploited by Elayne and Nynaeve.  Rand now decides to try use his ta’veren event-twisting to gain allies.

Ta’veren usually works in subtle ways, providing what is needed and drawing it near the ta’veren for the moment when it is needed. Being ta’veren altered the chance Min would fall hopelessly in love with Rand, providing a means for Rand to get glimmers of what lies ahead. Her personality is familiar and comforting, since she had an upbringing very similar to his own. Whatever she says, Rand can accept it more easily than from anyone else except maybe Egwene.   

Min tells Rand about a viewing of two men merging and one surviving. Rand decides it must mean that Lews Therin is real and that he is not mad after all. Hot on the heels of Cadsuane’s warning about the voices, Rand’s cobbled-together explanation based on more hope than fact is presented as the correct conclusion. It is still possible that Lews Therin’s voice is not there and he really is mad. The author’s ability to pull the reader one way while the evidence all points the other way continues to impress.

Rand finally visits the Sea Folk who have been waiting on him in two cities since Lord of Chaos. The ta’veren effect sweeps Harine up, and she spends the next few minutes conceding things instead of bargaining for them. She would likely have booted Rand right off the ship, Coramoor or not, except once told Min’s Viewing everyone realizes it is a done deal. Harine will make the Bargain, be punished for it, yet still eventually become Mistress of the Ships. The Sea Folk are a culture with very rigid rules for the hierarchy, but unlike the Seanchan who also have strict rules, there is a lot of mobility within Sea Folk culture. An ominous warning about the Seanchan is given just in time for their reappearance in just a few chapters.

With the Sea Folk firmly in hand and about to capitulate, Rand walks away from the table. Not because of a sudden attack or other plot device, but because he feels confined and it reminds him of his captivity. Cadsuane soon learns the truth of the captivity and how it affects him and realizes how difficult it will make her task. This major obstacle is character driven instead of plot driven. The implication that Rand can make mistakes because of this new behaviour is concerning since he rashly decides to see how far he can next push his ta’veren ability with the rebels. His optimism is summed up: “I’m the Dragon Reborn, and today I can do anything.”

Rand randomly appears in the woods, only meters from Caraline Damodred and Lord Darlin who are drawn into the ta’veren web. Caraline realizes who Rand is while her companions all accept Rand’s alias without question, inferring that the Damodreds are all smart cookies, especially Moiraine. Right then Min reveals that she had a Viewing of Moiraine that failed even though they just left a situation where the outcome rested on the assumption that her Viewings never failed. Min does not realize that her Viewing means that Moiraine is not dead. From the reader’s perspective, this apparent loophole is important in undermining confidence in Min’s Viewings, since that will come into play in later books. Other loopholes such as ‘if’ statements or choices help reduce certainty. The reader has to decide whether Min’s Viewing is wrong or whether her Viewings are always right and the other evidence is wrong.   

Min also drops hints that she is reading Fel’s books, looking for clues about what he was trying to tell Rand. Despite this and other later indications, her insights in this area still have a feel of implausibility, but I can’t figure out why; something to keep an eye on.

Being ta’veren draws Rand to Padan Fain. The wound he inflicts on Rand in just the right spot to not kill him instantly is another ta’veren twist. Grady’s healing provides Rand with the most important clue he will need for his later effort to cleanse Saidin. More importantly, Grady infers that the Asha’man are learning new weaves all the time, even without permission. This is akin to when the Aes Sedai were first introduced and every spell cast had no explanation, it was just Aes Sedai work, and needed no further explanation. Now that readers are familiar with the powers and limitations the Aes Sedai have, it is useful to the author to have a wild card that can be played by the Asha’man. “Oh this? Just a little weave I invented.” And now many situations can be resolved with an all-encompassing explanation, much like ta’veren. To a lesser extent he did the same with the Kin and their ability to do one Weave with the greatest proficiency.

Rand’s wound allows Cadsuane the opportunity to become part of his inner circle of advisors. Dashiva is already there, and is quite intent on making sure Rand has every chance to live, but is ambivalent to the outcome. The Asha’man are content to serve, so far.

The author uses verbs to great effect, and some of his choices stand out as different from the expected word selection, and symbolize something other than what they are describing.

Narishma colored, jerking himself stiffly erect. (several arousal-themed words to match the verb)

She was ready to leap if he crooked a finger (crooked implies improper behaviour)

Long trestle tables groaning with food and drink (groaning reveals Rand’s mood in the rebel’s camp)

Something crooked and red spiderwebbed across the outside of the void. (spiderwebbed is a new Jordan trademarked verb)

The fog seemed to deaden sound (threatening circumstances seem to invoke the word ‘dead’)

Fain’s dagger scored across Rand’s left side (scored implies a victory for Fain, a defeat for Rand)

Her eyebrows climbed halfway to her hair (climbing halfway symbolizes she doesn’t know as much as she thought she did)

Writing Lessons:

Use verbs that symbolize as well as describe the action.

A Crown of Swords - Chapters 29-32

In this section, followers become leaders, and the wishes of several characters come true

Elayne has finally had enough of being ignored by the other Aes Sedai. No one has truly accepted that she is Aes Sedai, and so she has not been taught what most women learn upon gaining the shawl, including the secret of the Kin’s existence. She challenges the Aes Sedai to either deny that she is Aes Sedai which would imply they deny Egwene and the rebels as well, or to accept her as Aes Sedai which means that her strength in the Power would place her at the top rank of the rebel Aes Sedai in the Palace, other than Nynaeve.

Alviarin brings news of Rand’s escape to Elaida. The revelation of this failure could be enough to topple Elaida, so she finds herself blackmailed to protect this secret a while longer. Further disasters loom ahead, yet she is more concerned with maintaining her position than in the fate of the Aes Sedai sent after Rand or to the Black Tower. Her Foretelling about the Royal Line of Andor has convinced her that only she can lead the Aes Sedai during this tumultuous time, and she lets that supersede other concerns. Alviarin is able to exploit this and put herself in a position of unquestioned authority over Elaida. Her first priority is undermining the Ajahs’ willingness to cooperate on any venture.

Elaida then seeks out an Aes Sedai she can trust. Her criteria to determine trustworthiness is whether that person supported her when they had incentive not to. Seaine is given the task of hunting out traitors, which she mistakenly interprets as seeking out the Black Ajah. She in turn seeks out a trustworthy helper. Her criteria to determine trustworthiness is to find the person with the most incentive to hunt down the Black Ajah. As with Siuan and Moiraine’s secret hunt, Seaine almost makes the mistake of bringing a friend into the hunt, not knowing that the friend has already joined the Black Ajah.

Moghedien proves the mindtrap’s effectiveness by recklessly following an impulse to kill Nynaeve in a narrow window of opportunity. The chance to act of her own free will is limited by the chance of discovery by Moridin. She acts in a way almost opposite of what she normally would have, lashing out with no thought of danger to herself, exposed to the world instead of her normally cautious method of slow and sure steps to success. She is in effect no longer herself, the mindtrap has fundamentally changed who she is and how she acts.

This scene provides even further explanation for the mechanics of balefire. The Fires of Heaven had the most detailed explanations to date, yet it is apparent that the author wants readers to think about it some more, implying that further balefire scenes are yet to come, and comprehension will improve understanding and acceptance of the strange outcomes of those scenes.

Mat is raped by Queen Tylin. Typical rape scenes in stories are representations of a loss of control and a violation of that person. Readers may feel sympathy for the victim, or pity. It has been argued that scenes in which a man is raped effectively neuter the character in the reader’s mind. He will be perceived as less powerful and worthy of scorn or pity. In this instance the author decided to play for a humourous angle to maintain the man’s stature. First, the rape is portrayed as a bit of role reversal; this is not a man being treated unfairly, it is portrayed as a man getting the treatment he dishes out to others. However, Mat never treats women the way he is treated, he abides by the multicultural rule in the series that the woman is always in charge of deciding whether sex takes place or not. We saw a similar situation with Lan in New Spring when he had no choice but to have sex since he would not let the woman appear to be a liar. In these cultures women have the only say, whether strongly in favour of or against having sex. Second, Mat is not entirely an unwilling victim. He doesn’t mind the sex, only the manner it which it is exacted from him. There is therefore no loss of stature and no sympathy is generated as result of the rape. Lastly, the humour comes from Mat’s own lack of comprehension as to how this could be happening to him. The situation in his obtuse view is plainly ridiculous, which carries some inference that it is therefore somewhat reasonable to the reader. Every added layer of ridiculousness, from a gaggle of serving women helping in the endeavour, to the Prince’s open encouragement, only serves to increase the humour of the situation. Switch the genders of the participants, and the scenes would be unpalatable to virtually any reader.

A similar sort of situation plays out when Lan marries Nynaeve against his wishes. She plows through any resistance he offers, but his Malkieri culture compels him to marry her. He almost got roped into a marriage in New Spring simply because Edeyn declared it should happen. Fortunately, he is not unwilling to wed this particular woman, and the reader is rooting for this wedding to take place.

The marriage to Lan is Nynaeve’s reward for finally overcoming her block. Nynaeve has been working towards surrendering to circumstance, having recently learned to apologize, for example. When she finally surrenders to saidar, it represents a change in her behaviour. As soon as she does learn to surrender, the thing she wants most lands in her lap; a physical representation of how to control saidar. Tying the resolution of this romance to one of the major personality-related obstacles makes the moment when she scores all these victories rewarding for the reader.

Writing Lessons:

Consider how the scenes you write will affect the reader’s perception of the character.  

The Shadow Rising - Chapters 19-23

In this section, plans and secrets are revealed, and the Heroes try to take charge of their destinies.

Rand hatches a plan to acquire his own army by entering Rhuidean and winning the hearts of the Aiel. Through shrewd deductions, he determines he can travel from Tear to Rhuidean in a day using Portal Stones. He holds onto this secret means of travel until the last possible moment. The author does the same, showing Rand think repeatedly to himself that he can hold out just a little longer before telling. This small mystery is solved, but a few more are introduced: Rand’s father, not mother, was Aiel, contradicting what has been insinuated previously; who are the Jenn Aiel?; what will they find in Rhuidean?

Rand also made plans for Tear, trying to elevate the peasantry out of their grinding poverty, trying to shape the nation into something in line with his ideals. With Thom’s help he has disposed of several threats to his rule from the nobility. He is trying to treat the Tairens as his flock, sparing a care for even the High Lords he is threatening to execute. This behaviour is contrary to Moiraine’s, who puts achieving her goals and winning the Last Battle ahead of everything else. Over time, Rand will embrace Moiraine’s ideals, becoming cold and driven, even as his allies try to reintroduce the concepts of mercy and love to him. Moiraine and Lan may have had the important task of finding Rand, but their influence on his behavior has overall been negative and sets him down a path of self-destruction.

Moiraine’s thoughts regarding Rand involve frequent use of the puppet on a string metaphor.  She ties strings, she deliberately seeks to control and manipulate him just as Thom feared. The author could have chosen a number of metaphors to express this Aes Sedai need for control, but he deliberately chose the one which Ba’alzamon had used, which has appeared in certain dreams, which has very negative connotations. The goal is to make the reader see Moiraine as plainly untrustworthy, as someone that Rand cannot confide in, so as to increase the sense of desperation he feels. Even noting how Lan, who is a very likeable character, is contemplating leaving Moiraine’s side, adds to the feeling that there is something wrong with Moiraine, and justifiable in stymieing her plans. Every one of Rand or Mat’s insolent grins at her also undermines her standing. There is never just one technique used to affect reader’s perceptions, there are several, subtly working together.

It seems one of Moiraine’s questions to the Aelfinn involved the list of Red Ajah she promises to Thom, for the expedient purpose of getting him out of the way, unless the story of the rogue gentling was well known among the Aes Sedai.

The Portal Stones and discussion of tel’aran’rhiod remind me to examine the geography of the universe. Each mirror world is represented by a horizontal line, other worlds which are even harder to reach, such as the Aelfinn world or worlds that might be reached with an Ogier Book of Translation, are represented by vertical lines crossing the horizontal lines. These are the warp and woof of Verin’s Pattern. And accessible from all of them is the World of Dreams. Some places do not have accessible reflections in tel’aran’rhiod, such as stedding and Rhuidean. What a strange weave to cut off access from tel’aran’rhiod! Useful however, to close the unguarded back door into every fortress. The World of Dreams must also have reflections of the Mirror Worlds and the ‘vertical’ worlds as well! Is the strange realm of spires and ramps that Rand evaded Forsaken in simply a tel’aran’rhiod reflection of the Ways? The property of laying across mirror worlds is that a number of different outcomes of the past or future can be observed. This may explain the Aelfinn ability to give true answers, or a Dreamer’s ability to gain insight about the future. Mirror Worlds are faded if the decisions leading to them are improbable. A probability density function can be used to interpret the ‘realness’ of Mirror Worlds and see what has happened or may happen. Is this why the Wise Ones speak about future events in an odds-based vocabulary? Parts of Tel’aran’rhiod itself shift in relation to the probability that an object is in a given location or not. The more likely it keeps a fixed location in the real world, the more stability its reflection has in tel’aran’rhiod. One should be able to travel to reflections of the other worlds, somehow. What keeps our heroes anchored in the reflection of their own World? Simple probability, or lack of awareness that other reflections exist? Do the Mirror People also have souls? Can they somehow also be represented at the Last Battle, the battle for all creation? I can’t help but feel they will be there.

Egwene’s lessons haven’t even started yet, but we’ve learned much about what can be done in tel’aran’rhiod, if not how. The Wise Ones are being set up as mentor characters, supplanting Moiraine and Lan.

A technique used frequently in this book, probably due to the number of characters being juggled, is that important events concerning a character may be told from a different character’s point of view. Some examples were Aviendha being sent to Rhuidean as seen by Egwene, Rand’s gathering of the High Lords as seen by Moiraine, Lan and Nynaeve’s romance as seen by Elayne. The advantage is that it requires fewer switches back and forth between character points of view. A disadvantage is that a long-awaited or compelling scene lacks a direct report of the emotions felt by the character, it is only seen from the outside looking in. An author could selectively time these scenes and the way they are presented to affect the tempo of the book. Not showing a scene from the concerned character’s perspective also allows the reader to imagine and imprint their own ideas about what is going through the character’s head, creating mystery or tension. There could be several reasons to select or avoid a given character’s point of view.  

The Aiel and Sea Folk have larger cultural differences with the Heroes than any previously encountered people. In earlier books, Robert Jordan would have one culture lead into the other, or have them play off each other. Here, both cultures endure certain hardships particular to their home, have prophecies foretelling massive change to their way of life, have lived in seclusion from the centre of the continent, hiding their channelers. They are meant to express the same idea, that every person in every place in the world has as take in the events unfolding.  

Next time: My favorite chapters ever!

Writing Lessons:

Use an old idea in a new place to associate the reaction to the old idea to the new place.

The Great Hunt - Chapters 27-30

In this section, Rand struggles to keep his gains, while hints of the future are revealed.

For the first time, Rand’s kinsmen, the Aiel, are encountered. Urien reveals much to Perrin and Verin, about Rhuidean, Wise Ones, and the prophecies that will send them out of the Three-fold Land again, the prophecies about He Who Comes With the Dawn. Verin can’t help but make an association with the Dragon. There are many ways to prepare the reader for future events: someone may have a feeling, or they wonder if certain events might come to pass, or a prophecy can be made. Prophecies automatically create an expectation that they will be fulfilled. In this story, there are many prophecies, and then more prophecies. Once a few have been fulfilled, the reliability of the prophecies and the expectation of fulfillment will be cemented in the reader’s mind.

The story compartmentalizes information, by having information important to one character revealed to another character instead, such as Perrin’s encounter with the Aiel. This approach to placing information allows the reader to learn enough to understand later events without the author having to deal with how the information would affect the character it will later affect.

Another example is Bayle Domon’s introduction to the Seanchan High Lord Turak. Domon’s perspective is most important for allowing the author to explain enough of the Seanchan culture so that later chapters involving them, which will be more action-oriented, will flow better. Seanchan culture is notable for the extreme inflexibility of the social structure, and the way in which most citizens’ actions are constrained by the will of those in the social strata above. If the Seanchan return has been scheduled by Ba’alzamon, how much of their culture reflects the Dark One’s way of thinking? Obedience trumps all other considerations. There is no free will to speak of, and the little that is afforded by one’s position must be carefully guarded at all times. This is the antithesis of Rand’s desire to not be forced into any action he doesn’t want to take. That makes two cultures, Cairhienin and Seanchan, to which readers have been exposed, and have metaphorical elements that are related to Rand’s personal conflict.

Before even Bayle Domon’s encounter with the Seanchan can make sense, the reader is gently exposed to rumours of the Seanchan presence on Toman Head, through a short Bornhald point of view. Gradual introduction of their strange behaviour creates a voyage of discovery for the reader, including an air of mystery about their objectives, powers, and secrets. Carridin’s ploy to disrupt life on Almoth Plain is meant to keep interference with the Seanchan at a minimum. Bornhald, an unintentional villain at first, is being set up as one of those misguided characters who is on the verge of reform. The majority of readers will draw the simplest conclusion: Bornhald will help Rand at Toman Head.

In Cairhien, Fain has caught up to Rand, and deploys his forces through the Foregate searching for him. Rand has had a month to train with the greatest swordsman in the world, and easily dispatches Trollocs. What he can’t do with his sword, he considers doing with saidin. He always considers that as a last resort, saidin could get him out of any jam. Despite Selene’s renewed insistence that he use the Oneness, and seek glory, Rand manages to find other means of escape that don’t require him to be exposed to temptation. When Selene is present the double-entendres just keep coming.  

Writing Lessons:

When, where, and how you introduce foreshadowed story elements is important to make them feel natural, not forced.