The Wheel of Time - Act 3 - Books 10-14 (part 2)

Having now reread A Memory of Light, I will revisit Act 3 of The Wheel of Time, comprising Books 10-14. The original post on Act 3 is here (http://greatlordofthedark.blogspot.ca/2013/01/the-wheel-of-time-act-3-books-10-14.html), posted before I had read A Memory of Light for the first time. I find it eerily on target, and rather than repeat it, I suggest you supplement this post by reading that one as well.

Act 3 of The Wheel of Time builds on the concept that Rand must not only defeat the Dark One, but he must also defeat him in exactly the right way, or all is lost.

Rand is absent at first, keeping readers wondering about his temperament after being locked away in the dungeons of Far Madding. When he tentatively attempts to stick to the path he must follow, Semirhage’s trickery instead pushes him down a hardened and bleak path. First she foils his alliance with the Seanchan, then she compels him to attack a woman he holds dear to his heart, nearly recreating Lews Therin Kinslayer’s sin.  

Rand thus becomes more and more determined to accomplish his task, alone, with no help except that which he commands from people. His friends in similar command situations have been much quicker to realize the limits of what they will do to achieve their goals or enforce their will on others. Early on, Perrin's attempts to find and free his wife are stymied by his own realization that if he doesn’t free her in the right way, she will not accept the man he has become. Egwene similarly learns that leadership isn’t about occupying the seat of power, but of representing it, even if she must lead by example from the bottom rung of the White Tower’s hierarchy.

Rand falls so far from the path, he even threatens to kill his father rather than let Cadsuane guide his actions. His descent is frighteningly self-reinforcing. He loses his conscience, twisting everything Nynaeve says into a means to deliver a desired end. Only on the verge of destroying the pattern in a fit of balefire does he consider an alternative to taking responsibility for the acts of all humanity. Rand’s epiphany atop Dragonmount is driven by recognizing that what he wants is another chance to get things right. For him, and for all humanity, mistakes are allowed, and can always be corrected.

Following this path he doesn’t help Rand bring the armies and rulers of the world to his cause. It is only when his mentor Moiraine returns that all parties agree to stand together. Building on this success, Rand meets the Seanchan Empress and makes concessions which it will be up to others to live with or overturn. Rand puts his faith in his others and hopes for the best, which is similar to how he wind the Last Battle.

It still amazes me how the Last Battle hinges on subtle character traits and choices made by Rand, and how those literally affect the fate of the world. I do not know of any other story where the personal and world-spanning consequences are so well intertwined. The ending, or the last three hundred pages of it, perfectly encapsulates the themes running through the series, providing logical and fulfilling closure to the series.

Unlike most stories, all of the major romantic storylines have been fully resolved long before the story ends. The prize for winning is not a mate or a partner, but their own identity. The Wheel of Time has mostly presented obstacles of character, not of contrivance, and once the heroes have decided on a love interest, there is little that gets in its way.

The earlier focus on magic items has fallen by the wayside in Act 3. No quests for ter’angreal are undertaken, they have been replaced by insurmountable quests to change the minds of profoundly stubborn people.

Somewhat surprisingly, the heavily featured magical elements of Tel’aran’rhiod and balefire do not play central roles in the mechanics of the Last Battle. Instead, balefire is a temptation that the heroes reject while Rand demonstrates that the reality-shaping power of Tel’aran’rhiod is a prize for staying true to himself.

Following the earlier comparisons of the series to American History, this final act covers the modern era, when America considered the use of nuclear weapons in a cold war standoff. As with Padan Fain’s philosophy, some people’s hate was so strong they seriously accepted the idea of destroying themselves so long as the opponent went down first. The question of how far one should go to win, and whether you lose who you were, continues to be relevant in today’s conflicts.

The obvious bone of contention in Act 3 is Sanderson’s succession of Jordan, and the sharp contrast in their pacing, level of detail, and the number of switches in point of view. Sanderson’s style fits the Last Battle very well, perhaps better than the style which Jordan used throughout the series. The constraints of Jordan’s notes undoubtedly helped the story maintain its focus on the prevailing thematic elements; but it is doubtful Sanderson could have done much to interfere with them given how frequently they recur in the preceding books. Sanderson succeeds in elevating these elements to a fitting level of focus, never letting them dominate, never letting them be forgotten. It is a wonderful balancing act, and worthy of recognition; Sanderson was the right choice to complete the series not only because of his writing skill, but because he understands and correctly interprets these themes.

Writing Lessons:

It is possible to telegraph exactly how your story will unfold, yet still surprise and delight your audience.

A Memory of Light AUDIOBOOK Chapter 3

Writing for a listening audience is different from writing for readers. An audio performance can add dynamism to the story, but it can also cement a certain interpretation in a listener's mind when emphasis is placed on one word over another, or when a character is portrayed in a certain way.

I have the good fortune of presenting a short audio clip from Chapter 3 of A Memory of Light, provided courtesy of Macmillan Audio. Let's examine the difference. You may find it fun to play the clip as you read the analysis.

Fans have awaited the resolution of the Black Tower plotline for three books. Sanderson makes use of their impatience, maintaining a slow boil, inching the plot forward slowly. Setting the mood for the Last Battle, the author continually dangles hope before the characters then yanks it away soon after. In this audio clip, Welyn’s proclamation deflates the reader’s hope that Logain will prevail over Taim. Hope is restored by the scepticism shown blatantly by Jonneth, or more subtly by Androl. But that scepticism must remain muted or those who express it will be crushed.

The actor’s distinct voice for each of the speaking characters in this clip makes it easy for listeners to distinguish between them, and it replaces or adds to the other tags used in the text to distinguish characters from each other. Welyn doesn’t have a Seanchan slur, or an Illianer’s distinct grammatical structure, nor does he have tag words assigned for his sole use (such as curse words for Mat, Uno,  or Elayne), yet the tone and pacing of his speech are distinct from any of the other characters in the scene.

Written text retains the possibility of easily flipping back a page, or a few paragraphs, to remind yourself of a detail, or replay the conversation. Paragraph division itself helps the reader understand structural and conceptual leaps. Yet with an expressive voice, an audio presentation of the same text commands the reader's attention, adding a dimension to the story that didn't exist as a text alone. Other media such as comic book and film adaptations offer similar trade-offs, possibly altering the original vision in order to augment some particular aspect of the story. Sanderson's compact and to-the-point text lends itself well to the audio format, since he prefers to paint a cursory sketch of the locale and let the audience fill in the details. His focus on dialogue over description allows the audio presenters to take a more active role in bringing the story to life.

A few elements of this section keep the listener’s emotions flipping between fear and doubt. No context is given for when this takes place in comparison to Rand’s activities, so the listener has to consider that Welyn may be telling the truth. Withholding context creates uncertainty, and the primary concern it raises is that Logain has yielded to Taim and Rand remains unaware of the danger at his side. 

Androl is ‘feeling chilled’ as he listens to ‘the thing with Welyn’s face’. Up until those phrases are uttered, the description of the room and the people gathered are unremarkably normal. The abrupt shift to these strange descriptions establishes instant doubt in Welyn’s tale, which then raises more questions about Logain’s situation, whether Rand has been in contact with Taim’s men, and how Androl and his friends will avoid notice and escape.

Writing Lessons:

Use tags or other tools to give each character a distinct voice.

The Gathering Storm - Summary

The Gathering Storm is the most intense book of The Wheel of Time so far, profiling the meteoric rise of Egwene and the chronicle of Rand’s disastrous shunning of emotion and love. As one rises, the other falls. Both live through memorable scenes of triumph even as they follow opposing trajectories.

Rand is subjected to the most personal and traumatic of tortures. He overcomes them by turning his back on the Light and his friends, coming to see everyone as a thing to be used to advance his quest, failing to see them as people at all. In this distant emotional state, he has the power to do anything, but lacks the imperative to do anything at all. He follows the prophecies as though it were a script, playing his part with no care for how he interacts with the other players.

Egwene’s subtle resistance to Elaida’s physical and personal humiliation of her wins allies of ever-increasing rank. Novices, Aes Sedai, and Sitters all come to respect her, culminating in Verin entrusting her with her life’s work. The support she has built allows her to take on power during a Seanchan raid in which she singlehandedly hands the raiders a defeat. Egwene has demonstrated she embodies the best traits of all Ajahs, and reunites the factions of the White Tower under her rule.  

These two heroes stand at counterpoint to each other, Egwene demonstrating how to gain followers, and Rand demonstrating how to lose them. Egwene unites feuding factions while Rand can’t reach simple temporary agreement with the Seanchan nipping at him. Many dueling forces stand between Rand and victory: the Seanchan against the mainland nations, the male channelers against female channelers, Lews Therin against his own soul, Moridin’s nihilistic philosophy against the hopes espoused by Cadsuane and Nynaeve. All of these opposing forces must be reconciled, demanding sacrifice in the form of discomfort, concession, and acceptance.

Since the book is co-authored by Brandon Sanderson, the question of who wrote individual scenes in The Gathering Storm is inevitable. In the early part of the book, the difference in writing style from Robert Jordan’s earlier work is jarring, yet before long, the story takes hold of the reader, and the fate of Rand, Egwene, Verin, and other favourite characters overrides any apparent dissonance. By the time Rand finds himself in Semirhage’s clutches, the pace of the story carries the reader forward.

If Brandon has committed any sin in his handling of the story, it is one he could never overcome: he is not Robert Jordan.

Robert Jordan was facing his own mortality as he wrote this book, and must have found himself uncomfortably in the shoes of several of his characters. In the legend of Manetheren, in Seanchan imperial culture, in the Malkieri vows, in the historical truth shown in the glass columns of Rhuidean, there have been trans-generational commitments; tasks so vast, so important, that each generation must pick up the duty from their forefathers, and carry the burden onward. Best summarized in this passage from The Shadow Rising:

“I mean to save something here, and that something is you.”

“As you say,” he said reluctantly. “We will care for what you have given into our charge until you want them again.”

“Of course. The things we gave you.” She smiled at him and loosened her grip, smoothing his hair once more before folding her hands.

Like Verin in this book, Robert Jordan entrusted his work to loved ones who understood and could finish what he set out to accomplish. The words of the story and the order they appear in are merely things, unimportant compared to the messages they contain, the resolution of the characters’ quests, or the battle against the Shadow which permeates the story. Fighting the Shadow is more than one man can do alone. Rand tried that in this very story, and failed. Working together, the keepers of Robert Jordan’s legacy forged ahead with the story as he wished, knowing the criticisms that would be leveled, cognizant of the difficulties in living up to the level of his work, understanding that hesitation might cost the opportunity to ever complete it.

“So many decisions you must make, for one so young.” She yawned, then grimaced as a pain stabbed her.

Egwene rose, walking to Verin’s side. “Thank you, Verin. Thank you for choosing me to carry this burden.”

My thanks also.

Writing Lessons:

You are a writer. Never quit, never give up.

The Gathering Storm - Chapters 43-45

In this section, Rand’s reunion with Hurin is menacing, while Egwene’s reunification of the Tower proceeds much better.

Rand’s attempts to sever all emotional ties hardly finds an obstacle when he meets with Hurin, a follower from long ago. Back then Rand offered Hurin leadership, courage, and hope. Today he threatens Hurin, questions his very identity, and dismisses all of his petty concerns. What could have been a gesture of friendship is interpreted as an attempt to influence Rand, with disastrous consequences. Nynaeve is hardly able to sway Rand’s mood when he begins weaving lightning to send crashing into the Borderlanders’ camp.

When he does relent, it is partly out of a sense that he owes Nynaeve a debt for caring when he can no longer afford to. Similarly to Far Madding, when he reached out for Cadsuane’s help before getting in trouble, Rand reaches out to his conscience, Nynaeve, and gives her a scrap of information, telling her where Perrin is. The other part of his motivation is that he hopes to save time by having Nynaeve reel Perrin back to his side.

Nynaeve brings Perrin’s location to Cadsuane, but it isn’t Perrin she is after, but someone whose relationship with Rand goes back even further than Hurin or Perrin.

It is pointed out that Min’s Viewings are clues as to what the Pattern intends for later, but if the Dark One wins, those plans will be for naught, since the Pattern itself would have been destroyed.  

Egwene goes through some introspection, which is always a danger for authors. Too much self-awareness, or too little, and readers can be knocked out of the story. Egwene’s lasts for almost three pages, and is extremely self-aware, teetering on slipping into the author’s voice instead of her own.

Egwene is bitter over her failure to persuade Siuan not to come to her rescue. She blames her secrecy for allowing Siuan to reach conclusions she would not have, had she known more details of Egwene’s plan. Egwene resolves to share her thoughts more freely in the future, while knowing that there will be some secrets her position demands be kept close. To illustrate her new mindset, the chapter concludes with her revelation to the Sitters of the Black Ajah amongst them. This purging of their ranks could not happen if Egwene didn’t have some reason and means to openly share the contents of Verin’s research with her highest-ranking and most-trusted followers.

Further illustrating the previous lack of communication between Egwene and her closest followers, Egwene must explain to Gawyn that his discomfort was the price she demanded of him. The idea that loved ones must be free and empowered to take their own risks in life has surfaced repeatedly throughout The Wheel of Time, and the truest example of this is the relationship between Warder and Aes Sedai.

Siuan and Bryne’s storyline comes to an end. Siuan has fulfilled her Viewing, as has Bryne, and they are at last united in love and the Warder bond. With Egwene installed on the Amyrlin Seat neither Siuan nor Bryne has anything further to accomplish in relation to the story. It would be nice if they could retire after the Last Battle, but it’s just as plausible that they will get singled out as casualties in the fighting.

The Ajah heads in the White Tower are revealed to have been behind the Young Sitters in both Halls. The Young Sitters didn’t obey as well as expected, and some of the more experienced Sitters turn out to have been serving the Black Ajah, explaining their odd voting record. It’s an anticlimactic resolution to a plotline that had been thrust to the forefront at least twice. The Ajah heads settle on Egwene as their preference for the next Amyrlin, putting the need of the Tower and the world ahead of their own at last, since their earlier efforts conveniently aligned their own interests with the perceived needs of the Tower and the world.  

Egwene’s exposition of Sheriam is handled with quick, curt dialogue. The rapid exchange lures the reader in, allowing them to plow through the text before having time to think, which is exactly the effect that the exchange has on Sheriam. There is hardly even any descriptive text, just curt questions and answers:

“Egwene?” Sheriam asked uncomfortably “I was just –“

Egwene stepped forward. “Are you Black Ajah, Sheriam?”

“What? Of course not!”

“Do you consort with the Forsaken?”

“No!” Sheriam said, glancing to the sides.

“Do you serve the Dark One?”

“No!”

“Have you been released from your oaths?”

“No!”

“Do you have red hair?”

“Of course not, I never –“ She froze.

In this scene, Sheriam is a stand-in for all the Black Ajah, her familiar, kindly, and oft seen face representing the closeness which many of the Aes Sedai will have had with their evil sisters. Were they able to tell all as they marched to the headsman, as Verin was able to? Once they believed their death was imminent, were they able to reveal the Dark One’s secrets? Did they even try to?  Sheriam at least revealed she had been stealing dream ter’angreal, another strong indication that the Dark One doesn’t want the heroes poking around in this realm, although it could still simply be Forsaken jealousy. Did Mesaana arrange for many other ter’angreal to be stolen from the Tower?  Why were she and other Forsaken so worried about getting caught stealing ter’angreal when Egwene was able to waltz in to the storerooms twice? It seems likely there was simply nothing worth stealing, or worth having the Aes Sedai notice was missing, which implies cowardice on the Forsaken’s part, a strong motivator. The sa’angreal Egwene used must nonetheless have been tempting.

Egwene’s purge of the Black Ajah amongst the rebels is not representative of Rand’s handling of the darkness within him. She does however acknowledge the existence of the Black Ajah privately, which is an important step for Rand to take. Only then is she able to excise it, yet Aes Sedai will still behave as Aes Sedai do, even if they do not serve the Shadow. The capacity for evil always remains, and if Egwene has only lightly touched on this truth, Rand will have to deal with it more directly before he can win the Last Battle.

Egwene accepts the Tower’s surrender, and their appeal to her to take the Amyrlin Seat. It’s nowhere near as gripping or powerful as the scene where the Black Ajah amongst the rebels are purged, and feels like a necessary epilogue to Egwene’s plotline, and there’s yet more Egwene to come.

Writing Lessons:

Control the pace of dialogue to keep the reader focused on something, or to keep them from focusing on something.

The Gathering Storm - Chapters 37-39

In this section, Rand mercilessly destroys his enemies and Egwene gets some help.

Without a shred of regret or doubt, Rand sacrifices a Domani nobleman to test whether Graendal is really hiding in a fortress called Natrin’s Barrow. His plan to kill Graendal amounts to fooling her into thinking she is sitting down to play a game with him, then to kill her before she realizes there is no game.

Callandor failed Rand before, but we get a glimpse of why Callandor is the object called out in the Prophecies, not the Choedan Kal. Rand calls Callandor a box, designed to trap him, but readers retain the intuition that a circle of two women and one man using Callandor can overcome its flaws. Callandor forces men and women to work together, to be in a circle where they can share sensations, and feed off each other’s will. The Warder bond sometimes causes a feedback loop where Aes Sedai and Warder’s emotions feed off each other. The a’dam allows sensation of the damane’s physical feelings. Rand’s bond with Elayne caused uncomfortable feedback and amplification of sensations. In a circle, using Callandor, it seems plausible that a feedback loop can be created that magnifies willpower, allowing Rand to feed off of the combined resistance of the women linked with him. Given the possible weakness in the True Power exposed in the previous chapters, the ability to use collaborative willpower would be of great value in the Last Battle.  

Balefire’s unique properties are once again showcased in a clever and callous strategy to verify whether Graendal is dead. Of course, dedicated balefire enthusiasts such as myself found several ways in which Graendal could have survived the blast. Min contrasts the results of the faded Compulsion with the bruises on her own neck which have not faded yet. The difference is that Rand acted as an intermediary, so his actions were not undone by balefiring Semirhage, he still believed he had a collar around his neck and was being forced to strangle Min. Given Demandred’s meeting with the Dark One and the repeated use of balefire, it is inevitable that balefire will play an important role in A Memory of Light. I expect Demandred’s forces to channel it almost exclusively in an attempt to unmake the world itself, an attack which would require the True Power, or the properties of Tel’aran’rhiod to repair.

Nynaeve is despondent over her inability to sway Rand by even a hair, so she reluctantly turns to Cadsuane, who tests her, questioning her ability to obey. Nynaeve resists, as she always does, not unlike Rand himself, while Min assigns herself the duty of keeping Rand alive and sane, with his soul in one piece.

Egwene uses need in Tel’aran’rhiod and comes across Tinker wagons. Mat once discovered Tinker Wagons burned with the message ‘tell the Dragon Reborn’ scratched with one man’s dying efforts. What do they mean together? The most common answer relates to their lost song, but given Rand’s recent moods, what he needs to be told is to adopt the Way of the Leaf. Acceptance of events and refusal to use force are two elements of this philosophy that are used frequently in other places in the story. If Rand’s soul is to be salvaged, the Way of the Leaf may offer a means to do it.

Stepping out of Tel’aran’rhiod, the transition from healthy Egwene to injured Egwene drives home the treatment she casually described to Siuan, hoping not to alarm her to the point where she would ignore Egwene’s order to pursue no rescue. With Siuan she uses words like ‘solitude, beating, spice, survive, narrow, touch, can’t stand, bend, stoop, pain, beatings, old, itches, cracks.’ Upon awakening, the author uses stronger words such as ‘blackness, exploded, pain, pounded raw, strap, cramped, forced, curled, small, smelled, unwashed, stench, groan, shield, stiff, cracked, scraping, parched, never, stooped’.

Dramatic events surrounding Elaida’s potential downfall and Silviana’s potential execution allow Egwene a few moments alone back in her cell, just in time for a visit from Verin.

Verin’s affiliation with the Black Ajah was a much bigger secret than Sheriam’s because she helped the heroes so overtly, but of course there were still those who latched on to the idea that she was Black Ajah early. Verin’s appearance brings an avalanche of revelations. Fortunately she doesn’t just walk in and hand her secrets to Egwene. There is a cost, which is her life. Self-sacrifice isn’t something the Dark One seems able to conceive of or worry about, so Verin’s self-sacrifice is a clue to the Dark One’s blind spot, one which Rand should easily take advantage of as he embodies the role of saviour.

As the series nears its end, it’s foreseeable that readers get reminders of all the major plot elements which will explain the later victory, so these tidbits about the Dark One, balefire, Callandor, the True Power and Tel’aran’rhiod are significant. In almost every case, those tidbits have been placed in gripping scenes so that readers absorb them, but don’t dwell on them, allowing a more powerful revelation later.

With most of the Black Ajah plots already foiled, it is timely to reveal their identities now. No longer are readers filled with paranoia about who may be on their side, from now on they will know exactly who is a villain and who is not. A new tension arises from Egwene’s need to keep this secret until she can make the most use of it, even when it will mean interacting with Black Ajah.  She gives orders to take Alviarin immediately if at all possible.

The book has been picking up its pace for a while now, overcoming most concerns or interest in the difference between Jordan and Sanderson. The reason is that events in each locale are directly affecting each other, creating a storyline that links the parts into a whole which the reader has interest in following. Mat’s agreement with Verin led to her arrival in the Tower. Rand’s failure with the Seanchan leads to Tuon launching a raid on Tar Valon. Tuon’s raid prevents Egwene from acting on Verin’s information immediately. Disparate storylines are being interwoven with cause and effect rather than simply thematic links.

Writing Lessons:

Readers feel story progression when the solution to one problem creates a new problem.

The Gathering Storm - Chapters 34-36

In this section, Tuon resists and rejects Rand.

The first time I read The Gathering Storm, I found several of Mat’s humourous sections over the top and out of character. This time, they provided the heartiest laughs. Rand’s chapters are too grim to allow humour, so a brief Mat interlude allows a quick respite from the grimness, before launching back into it. All Rand all the time would be a grind to read, but Mat’s sections give the book a tempo such that it feels like two beats down, one beat up, two beats down, one beat up, until Rand hits rock bottom. Here’s a quick look at what makes the humour in each of these sentences effective.

Next he knew, the daisies on the sides of the road would be ganging up to try and eat him. Exaggeration to the point of ridiculousness.

Mat’s overly detailed aliases for the raid on the town of Trustair have several more examples of exaggeration, this time by adding detail upon detail, any one of which would be acceptable, but when combined sound preposterous.

Mat’s seat: Bloody thing must have been designed by insane, cross-eyed Trollocs and built from the bones of the damned. A combination of exaggeration and uncommon details.

You’re Aes Sedai. I figured you… you know, saidared it. Inappropriate use of a word is funny, this one manages to take Aes Sedai down a notch as well through its lack of respect, and ridicule of prominent figures is usually accepted as funny. 

Is Verin lying to Mat? She goes to some length to present a fantastic story of coincidence and fate, yet as it is begun, the following line puts it all in question:  That smile on the corner of her lips? That was the smile of a jackleg who didn’t care that you were on to her con. Now that you understood, you could both enjoy the game, and perhaps together you could dupe someone else. She then establishes the context for her incredible tale: Mat is ta’veren. Mat shrugs it off but their argument ought to make everyone else more convinced it’s true. If it isn’t a true tale, then it must have been to convince Mat that the thing that Verin has for him, a letter with instructions, is so important that he can’t afford to ignore it as he typically might. It would also require that Verin’s ability to find Mat be explained when none of the Forsaken or Darkfriends have been able to. If it isn’t a true tale, then why not have Mat admit to himself that he’s just playing along?  Or is all that captured in his concluding remark as he accepts her letter and her terms: “Why was Verin being so cryptic?”

Thanks to the Mat interlude, readers are a little less pessimistic about Rand’s mood when he meets the Seanchan. That doesn’t last long though, as he is soon trying to use the True Power to bend Tuon’s will and give him the treaty he wants. The fact that Tuon can resist shows her strength of character, but it also shows a weakness to the True Power. If the True Power could force someone to change her mind, they have to be accepting of that change, much as Shemerin was with her demotion. Tuon truly does not want to give in, and despite Rand using the True Power on her, she is able to resist. The True Power cannot make you do anything, control over that comes from within. This fits thematically with many of the other truths of this world, such as Rand’s many encounters with Moridin, the sudden twisting of his ta’veren powers to the nasty side, the way Tel’aran’rhiod works with force of will, and maybe even with the worst of the Dark One’s powers: the ability to turn people to the Shadow using Myrddraal and channelers. It is possible that resisting turning can cause the effort to fail, at which point a captive is killed.  It could be that it is fear of death that gets captives to surrender, and allow the conversion to the Dark. Tuon’s resistance is a mixed blessing, for readers want peace so Rand can focus on the Dark One, yet it is apparent that Rand’s victory in this matter by using the True Power would have a bad outcome. With all those weighty matters grabbing the reader’s attention, it is easy to overlook the seemingly insignificant detail that Rand was simply unable to bend her will using the True Power, which will be a key to victory in A Memory of Light.

The cultural chasms between the Seanchan and the rest of the world are vast, and Tuon says that these lands had forgotten their oaths. Oaths to do what? Await the Return? Obey? It feels like we are missing some element of what the purpose of the Return was, only glimpses of which are revealed by Tuon’s mention of the Essanik Cycle. This set of prophecies is widely believed to be a corrupted version twisted in meaning by Ishamael, but it is also possible that it is nothing of the sort, and that it simply tells how the Seanchan will command the Dragon to fight the Last Battle, and that the oaths are akin to those of the Borderlands or Manetheren, to pledge to fight the Shadow.

Writing Lessons:

Create funny sentences using exaggeration or a series of uncommon details.

The Gathering Storm - Chapters 17-20

In this section, new difficulties present themselves to the characters.

The way in which Brandon Sanderson jumps from character to character makes it harder to identify themes in the fifty-page portions I post about. Where in earlier books there was time to delve deep into a character’s psyche, in this format there is hardly time to start thinking in the same way the character does before the perspective changes to a new character. This format is a good fit for Sanderson’s sketchy descriptive style, where he is able to use minimal description to give the illusion of a fully-imagined location. Longer descriptions would hinder this jumping about, and would also have delayed publication in all likelihood. I can see ways in which several Cadsuane or Perrin viewpoints could have been combined into a longer single chapter or two to retain the format of earlier books. Sanderson may also have divided the chapters into these short bursts to better follow the chronological order of events, although the fact that Tuon is only now agreeing to meet Rand when her agreement was revealed to the Aiel several chapters earlier undermines that possibility.

Cadsuane breaks Semirhage by damaging her pride, and humiliating her. Semirhage will still never talk, but Cadsuane has at least proved who is the greater of the two. Recalling that in past books Cadsuane represented the Light itself, how can her interactions with Semirhage be viewed? On the surface, Semirhage represents pain, but her personality is sheer pride. She knows everything worth knowing, and whatever else Cadsuane may know is dismissed by Semirhage. She is cold and without feeling, the only emotions she expresses are calculated to raise her standing and diminish others. While Cadsuane knows that “a statue with no feelings could not face the Dark One”, she is faced with just such a personality in Semirhage. She has a staunch reliance on her intimate knowledge of the human body, seeing it only for its parts and treating the human spirit as worthless, something only to be destroyed.  Semirhage may dismiss the Light, or believe is has no bearing on her, yet Cadsuane’s simple punishment strikes at the core of her certainty very effectively.

Perrin can’t move refugees away quickly enough, and they cling to his protection, refusing to leave even if Gateways are provided. This is the second Perrin section in which he hardly spares a thought for Faile, concentrating on his unwanted leadership and his duty to Rand even though he has just complete a multi-volume single-minded quest to free Faile. While Perrin alludes to single-mindedness as his problem, and thinks he has a need to strike balance between these competing forces in his life, the switch to his current mindset is startling. The story demands that Perrin return to the Wolf Dream, and the rationale offered involves a character-driven plot that it is claimed has been set aside for some time. Perrin quite deliberately used his followers desire to follow him to serve his selfish purpose of freeing Faile, so it’s true that he doesn’t want to be their leader, and ignored that aspect of his personality in order to regain Faile. He used the wolves similarly, but now he resolves to treat both groups as they deserve, which has nothing to do with his broken relationship with Faile. The fact that he has dwelt this long on what still stands between them, when he has forgiven her any betrayal, implies that the fault still lies with him.

Since it’s unclear where Robert Jordan’s guidance ends and Brandon Sanderson’s ideas begin, I will accept general plot lines as being Jordan’s influence, but with Sanderson’s words telling them. This means that Perrin’s angst was planned by Jordan, and must have some deep-seated reason for existing. I still see this as confirmation of an event that Perrin doesn’t want to confirm, regarding his night with Berelain.

Grady explains the problem with moving so many refugees in engineering-lingo, placing a mathematical word problem in the text. It gets the point across, but does anyone in this fantasy world really calculate things with ‘per second’? A better suited measure would have been knowing how many men can march past a certain point in an hour, which has a practical application in the military forces of this world, and phrased the measurement as “Balwer and I figure we can move about seven thousand men through the gateway in an hour,” leaving Perrin to do the sums for his hundred thousand refugees.

Siuan learns Elaida can travel and figures out the implications for the army very quickly. With Sharina’s help, Siuan learns that Lelaine is trying to foment discord, and is angling to take over the rebels in Egwene’s absence. Again, this section could have been juxtaposed with Siuan’s earlier section, and presumably her later ones, to keep the format of earlier books.

Tuon hears of Trollocs in Altara, forgives Beslan for a rebellion, and prepares a raid on Tar Valon, before finally agreeing to meet Rand. After some reflection, it seems that Perrin, Mat and Tuon are in the same timeframe, while Rand’s sections may be several days ahead. It is certainly confusing and jumping from character to character with several days gap between each time we see them only adds to the confusion. The advantage of the format in earlier books is that readers had to perform these mental gymnastics once much less frequently. The disadvantage is when too many events are crammed into a single day, straining believability, yet it works quite effectively in this throne room scene, which compels characters to save their important business for this particular day.

Mat is in love, and is bound for Hinderstap. His section starts with rampant humour, which is startlingly out of place given the intensity and pacing of earlier chapters. Yet any humour has to be here, because in a few short chapters, the intensity will not allow for any humour but gallows humour.  

Writing Lessons:

Short viewpoints, writing style, description, pacing, and clarity all affect each other. Use them coherently so they support each other, and do not undermine each other.

The Gathering Storm - Chapters 6-9

In this section, several more characters get their first point of view, expanding the cast.

Sanderson’s style involves much more frequent changes in the point of view character. It changes at least every chapter, sometimes several times within a chapter. Shorter, more frequent points of view can make the pace quicker, and keep the reader’s attention only for the time necessary to drive the main points home; they are unlikely to be as analytical when there’s little time to digest what has taken place before jumping to the next locale. Jordan’s longer concentration on one locale for several chapters kept the reader more deeply immersed in the world, allowing time to flesh out more details. Jordan’s pacing was most effective when he’d spend only a few chapters in one locale, but returned to that locale several times in the story, allowing the story to progress. In later books, the pacing often felt off because he might only return to the locale once, leaving plotlines unresolved. This is unlikely with Sanderson’s pacing, which trades depth and detail for action and progress. 

In one example, we get Leane’s 4-page point of view, followed by 3 pages featuring Egwene. Why switch at all? Is anything accomplished by showing Leane when we’ve been following Egwene so closely? The main detail too unseemly for her to tell Egwene is the conditions of her captivity. It also makes sense that Leane would know the names of the two Yellows shielding her, but Egwene would not, yet that detail is of no import. Even the comfort Egwene provides to her is stated rather than explained through internal dialogue. The only other reason I can see is to establish that Leane is a point of view character so that readers don’t find it jarring if the action shifts to her at some later point in the story, but I don’t recall any major role she plays in this book. In short, adding a few pages from Leane’s point of view when Egwene’s would have done as well, was unnecessary.

In fact, Egwene’s point of view is pivotal, since immediately after leaving two sections of the Tower are transposed, an event that greatly affects a later battle. Egwene sees that the floor should have been “nondescript gray tiles”, but unless something really is nondescript, that adjective should not be used. There have been several examples of rooms changing, and being relocated, and the scale seems to be increasing. Will we later see entire pieces of countryside being randomly shuffled about the world? What good would any strategy be when the geography is ever-changing?

Ituralde scores a great victory, but realizes that ever more powerful forces will come for him; Seanchan pride demands no less. Several characters’ pride interferes with their decision-making.

Nynaeve senses a storm coming, but I wonder if she senses Rand’s mood? In earlier books, she acts as his conscience, so it seems plausible this great and terrible storm she senses is related to Rand’s future behaviour. I’d have to go back and see where else she has used this ability, and compare with what Rand was up to.

Perrin is lying in the mud fixing wagons, wondering how to fix his marriage. The metaphor of him lying in the mud as he contemplates this compares well to Faile’s own muddy metaphors, both of them relating to infidelities. Some of the language fits well with the earlier metaphors which implied neither of them was being truthful, even to themselves. In other ways, the language is much franker, seeming to embrace the truth presented on the surface. Perrin puts off his problems with Faile though, to concentrate on the other thing bothering him, which requires seeking out Rand and leading his men. It’s an unsatisfying deviation from the more important problem of Faile.

Siuan walks through the makeshift village the rebels have set up, and some of the descriptive text stands out as distinctly different from similar concepts described in earlier books. Let’s look at what the two different styles convey:

In earlier books, Jordan used examples to illustrate some of the points.

Once she gained the Tower, that second kitchen would be opened again, and the Novices still would need to eat by shifts, something unknown since well before the Trolloc Wars.

Delana would discuss anything, from how they were to find proper clothes for nine hundred and eighty-seven novices to whether Elaida had secret supporters among the sisters, another topic that gave most sisters a case of the prickles.

In Sanderson’s text, the same basic information is given, as a reminder, in the same way that Jordan often did when reintroducing a concept established in an earlier book. But here, the examples are more generic, not attributed to any particular person, not compared to any particular situation. Sanderson’s method is briefer, and conveys the apparent truth of the situation concisely. Jordan’s text was rich with detail and context, but much lengthier, surely requiring more research and consistency checks.

One of the only oddities about the village – if one ignored the fact that there were tents instead of rooms and wooden walkways instead of tiled hallways- was the number of novices. There were hundreds and hundreds. In fact, the number had to be over a thousand now, many more than the Tower had held in recent memory. Once the Aes Sedai were united, novices’ quarters that hadn’t been used in decades would have to be reopened. They might even need the second kitchen.

These novices bustled around in families, and most of the Aes Sedai tried to ignore them. Some did this out of habit; who paid attention to Novices? But others did so out of displeasure. By their estimation, women aged enough to be mothers and grandmothers – indeed, many who were mothers and grandmothers- shouldn’t have been entered into the novice book. But what could be done? Egwene al’Vere, the Amyrlin Seat, had declared that it should happen.

It seems odd that a detail-oriented person such as Siuan would not know more precisely the number of novices, or that the details Egwene reveals about eating in shifts at the kitchens wouldn’t have come from Siuan in the first place. Maybe Egwene learned it during her short stint as a novice?

Writing Lessons:

Each writing style has some trade-offs: detail vs. conciseness, specificity vs. time invested to write. Be aware of the benefits and downsides to the writing style you choose.

Knife of Dreams - Chapters 17-19

In this section, Rand and Elayne lose control of something.

Birgitte confirms that Elayne didn’t get lost; it was the Palace that changed. Since she can’t do anything about the danger or problems that come with locales changing suddenly, instead, she stoically goes on with the things she can do something about. The mutable geography is not necessarily the same as bubbles of evil, which have a more sinister and violent effect, but they are just as random.

Young Perival correctly deduces that a third of the High Seats of Andor are keeping their distance because of the nearby Borderlander army. Elayne’s earlier meeting with the Borderlanders in Winter’s Heart is still bearing fruit, yet it also gives the impression that not much has changed since then. That will come to an abrupt end with Arymilla’s apparent bribery of the mercenary companies guarding Caemlyn. Arymilla expects to have the city within a week. As with the Perrin storyline, establishing a firm countdown to disaster ramps up the tension and dispels any sense of drudgery or lack of progress. One way or the other, with Arymilla’s scheme unfolding, the plotline will be resolved.

A discussion of House Mantear, the House that Rand is descended from, added to Elayne’s unswerving confidence her babies will be born safely, linked a few ideas in my mind. Elaida’s Foretelling was that the Royal Line of Andor is the key to winning the Last Battle. She thinks it means Elayne, but readers know it probably means Rand, and there is a slight possibility it means Morgase, or Luc, or some other secondary character. However, I’m surely not the first to see that Rand and Elayne’s children are descended from the two most recent Royal Families of Andor. Could all of Moridin’s schemes be aimed at Rand’s children, to prod him in ways he couldn’t be prodded before? Could Rand’s children or his attitude towards them be the key to winning the Last Battle? To fit the themes in the story so far, the Last Battle will have to be about Rand affirming his identity for once and for all. In what ways could his children factor into that? Will they represent the humanity he is trying to save, or will they represent a sacrifice on his part?

Reanne’s death and the discovery of a doll that should have been taken by a fleeing Kinswoman rule out Merilille as the Black Ajah. Sadly, it means Elayne can add a number of probable murders to the bill, since it implies that most of the vanished Kinswomen were killed, and did not run away.

Loial interviews Rand for his book, and is told almost nothing really useful, something Theorylanders are familiar with from RAFO-filled author interviews. The boys from Manetheren have rubbed off on Loial, for he is ready to address the Stump with his views that the Ogier should stand against the Dark One rather than flee to another Dimension using their Book of Translation. Loial acquiesces to his Mother’s demand for a wedding, which takes place minutes after her arrival, the only hasty thing Ogier ever do. For all of his fear that his life would be dominated by a wife, she asks him what he would do, and then supports him in that decision.

I once asked Robert Jordan why Rand had never thought again about the mysterious stranger who saved his life in Shadar Logoth. At last, Rand does so now, recognizing his face as the one that has been appearing in his head shortly after he thinks of Mat and Perrin. It’s likely this was the point of the story in which this information was bound to appear, and not the direct result of a fan’s question. Rand also concludes that the stranger used the Forsaken’s so-called True Power. He stops short of realizing that the stranger may be a reincarnated Forsaken, failing to recognize that the Lord of the Grave is more than a name, it describes one of his abilities. The ability to parse out information slowly is often difficult, as authors are eager to show off the wonderful world they have created. The trick is in supplying just enough new information to keep the reader happy without going beyond the minimum that the reader needs. The Wheel of Time’s length, multiple plotlines, numerous characters and publication schedule have demonstrated that it is possible to dole out clues very slowly, over two decades, and still maintain an air of mystery and wonder with each revelation.

Rand’s madness isn’t getting worse, but he is at the point where he and Lews Therin seem evenly balanced, as represented by Lews Therin’s several comments that he doesn’t understand why he has voice in his head. Establishing how even they are, mirror images of each other,  is key to the surprise when Lews Therin grasps the One Power from Rand during a monumental Trolloc attack. Lews Therin wails that he can’t move his hands, as though it is his body and Rand has grasped physical control of the body from him. A Trolloc attack, even in numbers of hundreds of thousands, is no longer enough to threaten the heroes. Unless a monkey wrench is thrown into the works. As has often been the case, this obstacle is not a physical one but one of identity. Who is Rand? Is he really Lews Therin? Rand’s immediate need is to strike some agreement with the madman in his head or he will die. When the metaphysical argument has physical consequences that can put Rand and his allies in harm’s way, the stakes are raised far more effectively than if the attack had simply been overwhelming numbers of Shadowspawn.

 Writing Lessons:

Time pressure not only increases tension, but can dispel any concerns that the plot isn’t moving.

Knife of Dreams - Chapters 8-10

In this section, Mat unites his followers.

In other posts I’ve pointed out how the books are most entertaining when they follow a character for a few chapters, then jump to another locale for a few more chapters, and so on, so that each locale is seen three or more times, and enough time is spent in each locale to advance the story. This section takes us to the fifth consecutive chapter from Mat’s point of view, with one more to come after. That’s a significant chunk of the book, and a sign that either some characters will be cut out, or have abridged sections. Nonetheless, Mat’s uniquely funny voice and a sense of advancement in the relationships among his followers make these chapters entertaining and flow smoothly.

A number of other ongoing plots are advanced: Mat and Aludra make a deal regarding her cannons, Bayle and Egeanin get married, the sul’dam begin to learn how to channel from the Aes Sedai, more of the Prophecies concerning the Last Battle are revealed, and continual references to the Snakes and Foxes keep cropping up.

Tuon educates Mat about the finer points of reading omens. Most omens are related to animals’ behaviour. The Pattern could have a wonderful control mechanism for the Seanchan Empire with the fervent belief in these superstitions. The Empress and High Blood take them very seriously and appear to alter plans based on seemingly random events. I wonder if Robert Jordan was detail-oriented enough to have known some of these omens when he wrote the earlier books and insert them before readers had any context to interpret them. Even he wouldn’t have. Right? Funnily, things that Mat knows to be true, she derides as superstition.

Mat finally gets Tuon to take a horseback ride with him, and while visiting some ruins he makes a startling realization: the Aelfinn and Eelfinn have established a lasting connection to him and may know exactly what he is doing.

Egeanin tells Mat more about Tuon and what she knows of life in the Imperial Family. Mat has slowly been falling for Tuon, despite starting out as him simply trying to learn more about his fated wife. Setalle Anan is also helping him as much as she can, and trying to correct his roguish ways.

All in all, Mat leaps from misadventure to another, slowly getting to know Tuon, slowly gaining the confidence of followers, and slowly letting other followers get out of hand. Amongst these, Joline loses her temper against Tuon, and then finds an a’dam clapped around her neck. Tuon provides a taste of her effective training methods. Then Mat steps into the fray, unlocking the a’dam despite Tuon controlling the Aes Sedai to weave flows of air around Mat. The Aes Sedai and Tuon had already seen the foxhead medallion in action, so this is the second time Mat is able to do what no man should be able to do, earning the respect of everyone involved. It has taken a while, but Mat’s ragtag band is forging links of trust, dependence, and mutual respect.

A bubble of evil or breakdown in the Pattern has an ancient village materialize, then vanish, taking a peddler with it. Once again, this stands out as a little contrived, seeming to serve no direct purpose other than to provide another example of the signs heralding the Last Battle. It does serve an incidental purpose as a motivating factor for Egeanin and Juilin to make peace between them, and vacate the tent, leaving Thom, Noal, Olver and Mat alone.

Thom has been reading a letter over and over, subtly making Mat curious about the letter, hoping he will ask about it, as Moiraine insisted he must before he can show it to him. Mat, oblivious as always, has taken months to finally ask Thom about it, and at last we get confirmation that Moiraine is not dead. Mat agrees to undertake a perilous journey back to the realm of the Aelfinn and Eelfinn to rescue her, with Thom and Noal in tow. This gives some satisfaction that a long-awaited plot will be resolved, but its resolution is yet several books away.

Writing Lessons:

Create suspense and tension by telling what must happen, then dragging out its resolution.

Crossroads of Twilight - Summary

Crossroads of Twilight is widely regarded as the least favorite book in the Wheel of Time because “NOTHING HAPPENS!” There are several reasons for this view.

It is the only book where the situation at the end is little different from the end of the previous book. Perrin is still seeking to free his wife. Elayne is still trying to gain the throne of Andor. Rand is still resting from his efforts. Egwene’s army is still mired outside Tar Valon. Mat is still traveling with the circus folk and wooing Tuon. Black Ajah hunters are still hunting the Black Ajah.

Typically, when the story is divided across several locales, the author has come back to the locale three times, with some progress being made each time that set of characters is revisited. Over half of the locales are shown only once in this book and even those shown twice don’t substantially change anything plotwise. These short scenes limit what the author can do to progress the plots.

So pacing is affected by the limited time devoted to each locale, and a lack of events to change the status quo. Something must happen though, right?

The book is very strong thematically, as each character has time for introspection and faces a very difficult or momentous choice. The choice is first framed with respect to the cleansing of saidin, which is the most important event to take place in the series so far. The author wanted the cleansing to have an epic scope, which required every character to take note of it, no matter where they were in the world. Often books will have a brief epilogue, revealing some of the reaction to the climatic events of the final chapters. Crossroads of Twilight is such an epilogue, 681 pages long. Cramming in everyone’s reaction bogs down the story and forces it to take place over a short period of time, about a week, which again limits how far events can progress.

The other ta’veren ignore the cleansing, concentrating on the task at hand. Elayne and Aviendha see it as something wonderful. Cadsuane disbelieves it, while other Aes Sedai mistrust it, thinking it the work of the Forsaken, which propels them in surprising directions.

Perrin’s inner turmoil is the most vivid, as he ignores the cleansing to save Faile at any cost, and taking a step too far, then realizes that not limiting what he is willing to do would destroy any chance of his reunion with Faile being a happy one. Other characters must also choose between what they want most and what they are willing to do to achieve it. Each variation brings to mind Shadar Logoth, and the price its citizens paid for their choice. Shadar Logoth is gone now, the last reminder of the price to be paid if you are willing to pay any price.

Crossroads of Twilight was published in 2003, the first book in the series to be written and published after the September 11^th attacks. Of all the characters, Perrin’s amputation of an Aiel prisoner is the most symbolic of the public discussion surrounding the appropriate response to the attacks. Perrin’s followers all insist he do what must be done, but he realizes taking the actions they want would destroy who he is. Yet he struggles to find what other courses of action he can take. He throws away his axe, choosing the hammer instead; he chooses forging, not cutting. In contrast, Mat’s choice to kill Renna to save his followers is declared justice and a righteous punishment for traitors. Rand and Egwene decide to try to find common ground with opponents, in order to fight a greater menace. As with plot elements in earlier books, modern American Mythology is blended into the story, with these plot elements applying to both the Vietnam experience and current events. In addressing these themes, a quieter, more introspective story was in order, yet another reason for the markedly slower pace of this book. I feel that wanting to give the story the right balance in this regard may have been a reason for the longer time it took to write.

Much of the trademark metaphorical language that the author uses to make descriptions mean something more is missing or more subtle. This is a deliberate way of fuzzing the reader’s understanding. Few things are blunt and direct, most descriptions, events, or revelations are vague, incomplete or unclear, which fits in tightly with the overall theme of the book.

Writing Lessons:

Make the voice you tell the story in match the theme.

Make something happen by the end!

The Wheel of Time - Act 2 - Books 4-9

Treating The Wheel of Time as one long novel, the Books from The Shadow Rising to Winter’s Heart make up Act 2. This is the middle of the story, where we expect to find conflict and a growing problem that the heroes can’t solve, leading into the conclusion of the story in which victory is achieved.

The Shadow Rising picks up with Rand having accepted that he is mankind’s saviour. He sets out determined to act out his role, only if he can do it without guidance or prodding. He rejects help from Moiraine, preferring to set out where his parentage leads: to the Aiel waste. With the help of Lanfear, he gains leadership over the Aiel and captures a Forsaken to teach him. Lanfear later strikes out at Rand in jealousy, and he loses his mentors.

Rand becomes a leader, and builds an army of soldiers and male channelers. He learns that followers have more say over the leader than the other way around. His arrogance leads him to make a mistake that gets him kidnapped. His treatment hardens him, and he grows ever more protective of his emotions. He resolves to firmly impose his will over both enemies and followers. For a time he appears to succeed, leaving dead Forsaken and wrecked armies wherever he goes. Eventually, the people he constrains wiggle free or fight back, reinforcing his attitude. Rand is well on his way to becoming a tyrant.

At this late juncture new potential mentors appear, Cadsuane and Sorilea, who see that a saviour who imposes his will is not much better than the Dark One. Their challenge is to save Rand from himself, before it is too late. At the last, Rand stumbles into a trap of his own making, yet recovers enough to gain Cadsuane’s help. He cleanses the taint, metaphorically erasing his past mistakes, but the question remains what path will he follow?

The villain Ishamael has returned in a new body, naming himself Moridin. He reveals his plan to be not to try control Rand yet. A board game serves as a metaphor for controlling Rand. It can be as dangerous to hold Rand as to let your opponent hold him. Moridin has cast doubt in Rand’s mind, now he plans to sit back while the heroes fulfill those doubts and set Rand’s path towards the Shadow. The only hitch so far is Rand’s cleansing of saidin, a danger so great to the Dark One that all the Forsaken were commanded to stop it even if Rand is killed in the doing.

The cleansing of the taint is the single most important event to happen in the world, opening up the possibility of men and women working together to defeat the Dark One, and acting as the opening blow of the Last Battle. As a pivotal moment, it makes a logical place to end Act 2.

Robert Jordan deftly creates obstacles of character, making the heroes’ choices directly responsible for how events play out. Nowhere is this clearer than with the battle for Rand’s identity, where his most personal defining choices dictate the fate of the world.

Supporting characters have been propelled into positions of leadership throughout Act 2. Elayne, Egwene, Mat and Perrin have assumed the responsibilities of leadership without going through the difficulties that Rand has created for himself. Notably absent is Nynaeve, who acts as Rand’s protector and conscience, disposing of threats to him, and she therefore has no leadership duties to assume.

All of the characters have had romantic interests identified and the majority have cemented them. Where stories frequently are resolved by acquiring the romantic interest, the fact that this story has tied most of them up this early may signify that the most important role of the relationship is to make men and women work together, like saidar and saidin. Resolving the romance at the end of the story would be counterproductive in achieving this goal.

The World of Dreams, Tel’aran’rhiod, is a place where identity and force of will shape reality. The early part of Act 2 had a heavy focus on this realm which was conspicuously absent in later books. This is distraction on the author’s part, diverting the reader’s attention from the possibilities of its powers until their eventual use in the final act.

Several of the books made use of a magical item or spell in the climax of a plotline, such as the Bowl of the Winds, balefire, a’dam, or the Choedan Kal, but these are far less obvious quests than in the earlier books of the series.

The broadened cast of characters and more frequent use of minor characters’ viewpoints greatly expand the world. Readers understand that the whole world is at stake, because they are exposed to the entire world and its myriad cultures. This wider tapestry has the side effect of bogging down the story a bit; most often when the readers can’t see how a scene affects the characters they have been following for so long.

The story carries the best pacing and enjoyment when readers are treated to several chapters in a row featuring the same locale before jumping to a different one.

Continuing the theme of American fantasy, the books of Act 2 reflect a far less certain time, reminiscent of the Vietnam era and its outcome, and the internal conflict it created.  Rand and America have stepped forward to claim the privileges of adulthood, and then made an apparent bungle of things with hardened arrogance and ego, the type of errors in judgment such as any young man might make. These events are part of the modern American mythology, along with the self-questioning that comes with it. These books are about the search not only for what outcomes are right, but what actions are right to reach them.

Winter's Heart - Summary

Winter’s Heart shows Rand reacting to an attempt on his life at the conclusion of the previous book. As with the pair of books before them, The Path of Daggers and Winter’s Heart are like halves of a book dealing with Rand’s ego and the vipers he has brought to nest at his side. The assassins who hid among his followers are symbolic of the choices he is making, which are leading him astray from where he must go. His attempt to destroy them for their betrayal only aggravates the situation, leaving him with fewer and fewer people to trust.

Rand’s eventual apology and plea to Cadsuane provide him the help he needs when he needs it most. A highly symbolic series of events in Far Madding represent his life without the Light, and with it. As soon as he embraces the Light, in the stern form of Cadsuane, he is able to cleanse saidin, representing his own cleansing.

Nynaeve nearly gets Rand and Lan killed through a mistake that is also symbolic of her role as protector. She left Emond’s Field to save Rand and to gain Lan’s love, and she fails them both. This is the first time we see Nynaeve end a book in disgrace instead of victory. She is pardoned, via Rand’s control of the link they form when they cleanse saidin.

Padan Fain surprisingly returns for the first time since cutting Rand with his knife. Fain uses the Shadow’s own tactics against it, and he represents Rand’s potential to do the same.

The Forsaken collectively attack Rand but are repelled by people with a common goal, including one who shares that goal despite being Black Ajah. Verin’s compulsion of Elza and her subsequent destruction of Osan’gar represent the Shadow’s own tactics turning on itself, just as happened in Aridhol. Evil simply cannot get out of its own way.

This battle was the first to show men and women linked together. Enough has been made of the need for cooperation in the Last Battle that this development is exciting, though lacking in some insight as to the possibilities and limitations. The author doesn’t want to give too much away yet.

Other sections of the book jump from established characters to newcomers. These newcomers act as very subtle symbols of greater events occurring in the story and Rand’s conflict. So subtle, the reader must ask what the point of them was. Approximately 6000 pages into the story, readers have significantly less interest in characters that have never featured before and appear unlikely to again. Even knowing what future books hold, I struggle to find why these characters needed such a strong presence in the story.

Several romantic angles are covered, with Perrin, Mat, and Rand each finding difficulties in their relationships. Perrin’s identity is centered on his wife, Mat’s identity is contingent on not having a wife, and Rand’s identity will depend on the romance with his three loves. Each of these relationships is somewhat symbolic of faith. Perrin is accused of losing faith or betraying it, Mat rejects it, and Rand feels he cannot afford to have faith, seeing it as a weakness.

Elayne begins her quest for the crown, but it feels like her quest to become the ideal ruler. If Rand represented the Light when he was bonded to the three women, and Cadsuane represents it later, then Elayne is attempting to become the embodiment of the Light, searching for that perfect balance between strength and compassion.

Several Seanchan points of view emphasize the direction the series will take from here on. The Seanchan are ingrained and cannot be removed or repelled.

This was the first book to skip a full calendar year in the publication schedule. Readers can forgive delays when they get what they want in the end. Adding to the sense of delay is the virtual absence of Egwene, whose storyline jumped ahead a month at the end of the previous book, and the unfinished plotlines involving Perrin, and Elayne. Although each of these reaches a turning point, they are in no way as complete as Rand’s plotline was. Readers expect to wrap them up a year later, when the next book is published.

Overall the book offers a baffling mix of new and old characters and a few dangling plotlines, which are overcome by potent scenes in Ebou Dar, Far Madding and Shadar Logoth.

Writing Lessons:

Introducing new pivotal characters late in the story can frustrate your longtime readers.