The Wheel of Time - Act 3 - Books 10-14 (part 2)

Having now reread A Memory of Light, I will revisit Act 3 of The Wheel of Time, comprising Books 10-14. The original post on Act 3 is here (http://greatlordofthedark.blogspot.ca/2013/01/the-wheel-of-time-act-3-books-10-14.html), posted before I had read A Memory of Light for the first time. I find it eerily on target, and rather than repeat it, I suggest you supplement this post by reading that one as well.

Act 3 of The Wheel of Time builds on the concept that Rand must not only defeat the Dark One, but he must also defeat him in exactly the right way, or all is lost.

Rand is absent at first, keeping readers wondering about his temperament after being locked away in the dungeons of Far Madding. When he tentatively attempts to stick to the path he must follow, Semirhage’s trickery instead pushes him down a hardened and bleak path. First she foils his alliance with the Seanchan, then she compels him to attack a woman he holds dear to his heart, nearly recreating Lews Therin Kinslayer’s sin.  

Rand thus becomes more and more determined to accomplish his task, alone, with no help except that which he commands from people. His friends in similar command situations have been much quicker to realize the limits of what they will do to achieve their goals or enforce their will on others. Early on, Perrin's attempts to find and free his wife are stymied by his own realization that if he doesn’t free her in the right way, she will not accept the man he has become. Egwene similarly learns that leadership isn’t about occupying the seat of power, but of representing it, even if she must lead by example from the bottom rung of the White Tower’s hierarchy.

Rand falls so far from the path, he even threatens to kill his father rather than let Cadsuane guide his actions. His descent is frighteningly self-reinforcing. He loses his conscience, twisting everything Nynaeve says into a means to deliver a desired end. Only on the verge of destroying the pattern in a fit of balefire does he consider an alternative to taking responsibility for the acts of all humanity. Rand’s epiphany atop Dragonmount is driven by recognizing that what he wants is another chance to get things right. For him, and for all humanity, mistakes are allowed, and can always be corrected.

Following this path he doesn’t help Rand bring the armies and rulers of the world to his cause. It is only when his mentor Moiraine returns that all parties agree to stand together. Building on this success, Rand meets the Seanchan Empress and makes concessions which it will be up to others to live with or overturn. Rand puts his faith in his others and hopes for the best, which is similar to how he wind the Last Battle.

It still amazes me how the Last Battle hinges on subtle character traits and choices made by Rand, and how those literally affect the fate of the world. I do not know of any other story where the personal and world-spanning consequences are so well intertwined. The ending, or the last three hundred pages of it, perfectly encapsulates the themes running through the series, providing logical and fulfilling closure to the series.

Unlike most stories, all of the major romantic storylines have been fully resolved long before the story ends. The prize for winning is not a mate or a partner, but their own identity. The Wheel of Time has mostly presented obstacles of character, not of contrivance, and once the heroes have decided on a love interest, there is little that gets in its way.

The earlier focus on magic items has fallen by the wayside in Act 3. No quests for ter’angreal are undertaken, they have been replaced by insurmountable quests to change the minds of profoundly stubborn people.

Somewhat surprisingly, the heavily featured magical elements of Tel’aran’rhiod and balefire do not play central roles in the mechanics of the Last Battle. Instead, balefire is a temptation that the heroes reject while Rand demonstrates that the reality-shaping power of Tel’aran’rhiod is a prize for staying true to himself.

Following the earlier comparisons of the series to American History, this final act covers the modern era, when America considered the use of nuclear weapons in a cold war standoff. As with Padan Fain’s philosophy, some people’s hate was so strong they seriously accepted the idea of destroying themselves so long as the opponent went down first. The question of how far one should go to win, and whether you lose who you were, continues to be relevant in today’s conflicts.

The obvious bone of contention in Act 3 is Sanderson’s succession of Jordan, and the sharp contrast in their pacing, level of detail, and the number of switches in point of view. Sanderson’s style fits the Last Battle very well, perhaps better than the style which Jordan used throughout the series. The constraints of Jordan’s notes undoubtedly helped the story maintain its focus on the prevailing thematic elements; but it is doubtful Sanderson could have done much to interfere with them given how frequently they recur in the preceding books. Sanderson succeeds in elevating these elements to a fitting level of focus, never letting them dominate, never letting them be forgotten. It is a wonderful balancing act, and worthy of recognition; Sanderson was the right choice to complete the series not only because of his writing skill, but because he understands and correctly interprets these themes.

Writing Lessons:

It is possible to telegraph exactly how your story will unfold, yet still surprise and delight your audience.

A Memory of Light - Epilogue

In this final section, glimmers of the future are shown and loose threads are tied up.

Rand’s quest ended on exactly the last page of the story, and the epilogue has a scant sixteen pages to wrap up many loose ends, which it does quite successfully.

Rand is blind and burdened with weight. After escaping the Pit of Doom, Rand realizes an unfamiliar woman is kneeling next to him, guiding him on what to do. The major clue to her identity comes in the following paragraph with the juxtaposition of two ideas in successive sentences: He blinked, his vision fuzzy. Was that Aiel clothing? An old woman with gray hair? Her form retreated, and Rand reached toward her, not wanting to be alone. Wanting to explain himself. Rand not wanting to be alone refers to his attaining adulthood, which firms up the link with his mother, Shaiel. She is offering him final words of encouragement as he enters the world alone, and he is expressing his final regrets about leaving the dependence of childhood behind. It is reasonable that the last to let go of a child who grows into a man is his mother, and since there has been much ado over Rand’s father figures, it is appropriate for his mother to have her brief time on the page as well.

Shaiel’s death was only ever confirmed by Tam, and that came in a fever-dream. If she somehow survived Rand’s birth, it seems implausible that a woman of her renown could have returned to Aiel society without being recognized. She might have intentionally lived alone in the wilderness for two decades, if so motivated by Gitara’s original Foretelling. More likely is that she is a Hero of the Horn, which explains her appearance in Aiel garb and her apparent knowledge about what Rand should do. It does not however explain her appearance at Aviendha’s side when she was tested at Rhuidean, if she is the same woman, as seems likely.

Rand ambiguously reveals what he asked the Aelfinn. Rand had asked the Aelfinn how to win the Last Battle and survive, and the answer had been “The north and the east must be as one. The south and west must be as one. The two must be as one. To live you must die.” Given that this is the moment where Rand is dying, his newfound understanding of how to live and die could be what he is explaining to the Aiel woman, but the link is tenuous. His second question on how to cleanse the taint from saidin has been resolved. Was Rand’s third question to ask what his fate was and receive the answer ‘to choose’?

 “I see the answer now,” he whispered. “I asked the Aelfinn the wrong question. To choose is our fate. If you have no choice, then you aren’t a man at all. You’re a puppet…” 

The concept of free will has been present since the beginning of the series, and the revelation of Rand’s third answer from the Aelfinn at this late point in the story infuses the concept with even more importance. While the Wheel forces Rand to come to a certain place at a certain time, it cannot force him to do anything; it can present him with choices, but can’t compel him to choose one path over another. Even when the choice is to die or take another action, it remains a choice.

In the same Mat paragraph, the pleasantness of the sun is contrasted with the stinking blackness of Fain’s body. Mat wins every gamble he takes, yet even he won’t touch the cursed Shadar Logoth dagger. As the most reckless character, Mat is associated with the most instinctual behaviour, and he clearly rejects the path set out by Fain. Believing that the end justifies the means is the gamble that can’t be won; there is no way to preserve yourself when you start down that line of reasoning. The final phrase’s use of mess carries psychologically symbolic meaning: Behind, the dagger, ruby and all, melted away into the mess that had been Padan Fain. Again, this idea that absolutism is bad has been incorporated into the series from a very early point, and is reinforced by its placement here at the end of the story.

Perrin surveys the losses and celebration of victory in the camp, still worrying about his duty to protect Rand. He sees Rand dying in the tent, with the two best healers unable to prevent him dying. Perrin stands equal with Nynaeve: “Dogs obey that command, Nynaeve,” Perrin said, “not wolves.” He consoles her over Egwene’s death. Moridin is also in the tent, dying. Lan also sees Perrin as an equal. No one has seen Faile.

Loial’s walk through the camp, like Perrin’s, allows a couple of small plots to be resolved, including succession to a throne, naming surviving Aes Sedai, and planting straightforward clues to something odd: None of Rand’s loves seems to care that Rand is dying. Amusingly, Loial frets over the correct way to record dates after the Last Battle, an indication that with the Last Battle done, concerns are swiftly turning back to the everyday and mundane.

Mat is renowned amongst the Sharans, but when he calls the fireworks display the best in the history of “my land or yours”, he reveals that he does not see himself as one of his wife’s people. For Mat, being off the hook seems to imply he is free to leave. Tuon’s threat makes it clear that Mat can choose to do whatever he wants, but there will be consequences if he angers his wife. It is a ridiculous and funny predicament to leave him in at the close of the story.

Perrin faces the insurmountable task of finding Faile’s body amongst the hundreds of thousands of dead. Exhausted, he falls into sleep.

Moghedien has survived the Last Battle and no one knows that she lives. She too is free to act as she chooses with the Dark One imprisoned again, and she begins by strangling a worker and assuming her appearance. She thinks she can rule the world within a few years. Her own subterfuge works against her as a sul’dam captures her and deduces from her skulking that Moghedien will not be missed after she is dragged back to serve the Seanchan. Her poor selfish choices dictated her fate.

Nynaeve announces Rand’s death. She tries to corner Aviendha and bully her into revealing why she doesn’t seem upset, but Aviendha deflects her question. Aviendha, always representing Rand’s past, has been wounded and will never fight again, another metaphor of his having grown into adulthood. The fate of the Aiel, and of a couple of kings is revealed in passing.

When Perrin was last in Tel’aran’rhiod, Dragonmount was drawing near Shayol Ghul as the world shrank and large portions of it were destroyed and pulled up into the sky. That damage has seemingly been repaired with Rand’s victory. Perrin travels easily across the countryside as a wolf, lamenting his loss, struggling to understand why he has lost Faile when he did everything his duty compelled him to do. A clue draws him to Faile, whose wounds are healed in moments with Perrin’s creative use of the Wolf Dream to bring her back to the camp quickly. Their reunion is immensely rewarding despite its brevity, and also shows that Perrin’s decision to follow duty was well made.  Perhaps brevity is what makes this scene work; after having tormented the reader with doubt that Faile survived, once she is healed what further point is there in saying anything beyond ‘they lived happily ever after’?

Birgitte asks Elayne a blunt question in the same vein as that which Nynaeve posed to Aviendha, and gets a noncommittal response. She tweaks Elayne’s nose by telling her Olver and the Horn have been sent away, which Elayne recognizes was the best outcome for all. With a mature outlook, she agrees that there is little need to keep a powerful instrument of war such as the Horn as a deterrent. Birgitte is being reborn, and it turns out her interpretation of Gaidal as a young child somewhere out there was correct. Birgitte too gets her reward of being with the one she loves.

Tam notes signs of life in Shayol Ghul, a place that was once feared above all others. He reflects on what all humanity has been given by his son, how all men stand equal: In the evening, even with his light, it was hard to tell Aiel from Aes Sedai, Two Rivers man from Tairen king. All were shapes in the night, saluting the body of the Dragon Reborn. Tam stands next to Moiraine and Thom, pride and reverence in his heart.

Min stands with her two friends watching Rand’s body burn. Her Viewing fulfilled, they discuss the future and she nods agreement to the idea that they will make sure that the world believes Rand is gone. Leading toward the final revelation, she senses her bond pulsing stronger each moment.

Rand awakens alone, rested, healthy, and whole. The mirror shows Moridin's face, with a single saa held motionless in his eye, representing that Rand will always be able to see things with a bit of the Shadow's nihilistic or selfish point of view. But that dark viewpoint is held motionless; Rand will know it, but it will not drive him or affect him, he is in control. In effect, he now has a mature outlook on life, no longer carefree or innocent, one which acknowledges a wider array of possibilities, both good and bad.

Alivia has left him clothing and money, and a horse as means of transportation. He has Laman's sword. Shayol Ghul is blooming and full of life. From a distance he watches as his old body - Moridin's body now - is cremated. He leaves as the onlookers watch his funeral pyre. All but one whom he acknowledges with a nod of his head before heeling the horse away.

From that, Cadsuane deduces that inexplicably, Rand is in Moridin's body. She thinks she may be able to use this information in some unexplained fashion, but then is ambushed by four Sitters. They have decided that Cadsuane will be the new Amyrlin. This is quite appropriate, as Cadsuane has closely represented the Light itself, and now the Light is being forced to take up the responsibility of caring for humanity, the logical outcome of Rand choosing Light over Shadow. It is also the logical outcome of filling the void left by Rand’s death, for he would have been the obvious choice to lead the world under the Light. There will be no further abdication of leadership by the Light, no further manipulation of Rand, for Cadsuane and the Light have a more direct role to play in shepherding humanity.

Rand sees the world with a hint of Shadow, but has acknowledged the Light, and no one has impeded his departure. He has everything he needs, and is now completely free, with no restrictions over him from any person or agent.

Representing this ultimate freedom, he lights his pipe by thought alone, a matter of willing it to be so, just as if he were in Tel'aran'rhiod. The choice of a pipe in this symbolic act is appropriate, since smoking is often portrayed as a deliberate act of defiance and freedom in today's world. He inspected it for a moment in the darkness, then thought of the pipe being lit. And it was. This scene potently completes Rand's evolution from an uncertain youth into a grown man who can now literally do anything he puts his mind to.

While Rand embodies this new Power, and may be unique in using it, the story in its entirety implies that with the right driving forces and moral bearings to guide someone, they too can manipulate reality and get what they want. For physical explanation, the most logical is that some characteristics of Tel’aran’rhiod now exist in the waking world, and Rand is the first, perhaps only one, to have unlocked the secret of using them. Or perhaps Rand unlocked the secret for everyone, and the ultimate choice of what each person will do with it comprises their own eventual personal Last Battle.

Rand wonders which of his three lovers will follow, and which he might pick. As his past, present, and future, he is completely unable to pick one over the others; they are all a part of him. He can't leave his past behind (Aviendha), he can't simply live for the moment (Elayne) and he can't only dream about the future (Min).

With his newfound freedom, Rand is pleased to have the leisure to explore and experience the world as he sees fit. Funnily, he sees the royal trappings of powerful rulers he has seen as just one thing out of many to experience, not as the end point that many of the Forsaken sought. The final wind that rises showcases the duality that pervades Rand’s mental state and so much of the story: The wind rose high and free, to soar in an open sky with no clouds. It passed over a broken landscape scattered with corpses not yet buried. A landscape covered, at the same time, with celebrations. It tickled the branches of trees that had finally begun to put forth buds. The wind blew southward, through knotted forests, over shimmering plains and towards lands unexplored.

Writing Lessons:

Keep the story alive in your reader’s mind by inciting them to imagine what happens next.

A Memory of Light - Chapters 44-49

In this section, Rand defeats the Dark One.

Perrin awakens after the battle is done. He argues with Chiad about why she won’t bend the rules for gai’shain, given that it is the Last Battle. “What good is honor if the Dark One wins the Last Battle?” Perrin snapped, pulling up his trousers. “It is everything,” Chiad said softly. “It is worth death, it is worth risking the world itself. If we have no honor, better that we lose.”

Perrin’s surrogate father Master Luhhan comes to check on Perrin’s health, and formally acknowledges that Perrin has grown into a man, one he is quite proud of.  Upon learning of Fain’s role in the murder of Perrin’s family, Luhhan says “What? Are you certain?” Questioning the truth of Perrin’s statement is odd on the heels of everything else Luhhan said. The author could easily have substituted other incredulous statements such as “The Peddler? How did you learn this?” or “Fain? How could he?” Either of these would have supported Luhhan’s faith in Perrin and allowed further discussion of the Whitecloaks, or even segued into Fain’s nature, which would surely have been useful since Fain’s appearance is imminent.

Masuri offers to Heal Perrin, but she must first confess and receive Perrin’s absolution for her actions with the Prophet. This again presents Perrin as a fully grown man of power and moral character, standing in judgment of high-ranking figures. His character arc is now complete.  

Thom protects the entrance to Shayol Ghul, sitting in for the author since they have the same concerns about how to describe the events unfolding around them. These pages offer a peek directly into the author’s mind as he wrote this final chapter of the Wheel of Time. ‘Epic’, ‘momentous’, ‘climactic’, ‘perilous’ and ‘terrifying’ aren’t right, but he eventually settles on ‘exquisite’. That’s a wonderful word to describe completing this epic.

Mat gets a Gateway opened to bring him near Shayol Ghul. Bringing Olver is part of the tugging he feels, but there is more, some greater role he must play.

Shaisam is a new name for Padan Fain, which means Destroyer of the Shadow. Shaisam is a creature vaster and far more powerful than before, living in every tendril of mist. And no wonder, for Rand’s intent to destroy the Shadow is greater than ever before. Shaisam kills friend and foe indiscriminately, for only one thing matters to him. As much as killing Rand and the Dark One balance each other as goals, he can accomplish both by rooting himself deep in Rand’s breast, in a host which can destroy one enemy and be destroyed in the process. Even now as the end approaches, there is a vagueness to Shaisam’s motivations, since the author has never, even now, come right out and explained them directly. This deliberate sidestepping of a key fact that provides context has been used throughout the series, and has provided the most fertile ground for fan theorizing, for both good and ill.

Gaul and the wolves defend the entrance to the Pit of Doom against Slayer in Tel’aran’rhiod. Perrin arrives, then Slayer monologues to fill in plot and character gaps. Seeing the look in his friend’s eyes,  Gaul senses it’s time to skedaddle.

Mat flies a to’raken into the valley of Thakan’dar, and senses Fain in the mist below. He crashes, and Olver blows the Horn. The clouds above form the ancient sign of the Aes Sedai, reflecting that Rand stands even with the Dark One at the moment.

Rand re-enters the Pattern, and swipes Callandor at Moridin. He tells Moridin that he doesn’t matter any more. Moridin responds by flinging a knife at Alanna.

Nynaeve’s herbs gave Alanna enough awareness to release the bond. This is a symbol of Rand being free of what Alanna represents. Since she bonded him forcefully, it simply means Rand is free of influence, and is free to choose his path. His ploy foiled, Moridin stabs his own hand causing Rand pain through the bond they share, and Rand drops Callandor, losing access to the torrents of the One Power it provides.

Perrin and Slayer battle, flipping between worlds. Perrin recently became a full-fledged adult in Luhhan’s eyes, and is therefore more confident and more sure of his identity than ever before. He has the confidence to truly unleash his fury on Slayer, and also has superior control over Tel’aran’rhiod. The killing blow sends Perrin spinning through Mirror Worlds. Unlike his past experience with the Portal Stones, when he saw variations of himself, in this instance all versions of Perrin act the same, and achieve the same victory as a result. All possibilities collapsed into one, the one where Perrin knows exactly who he is. Perrin brings survivors of the battle to the cave entrance to defend against the Darkhounds. Even as they face certain death, hope springs about them in the form of growing plants. The Horn summons wolf Heroes as well as human to fill out their ranks, and the odds are no longer so grim.

Mat approaches Perrin, who is concerned about Faile. Mat lies and offers Perrin hope, for what else could he say? As he reveals Fain’s presence, Mat is stabbed through the chest by Fain’s tendril. Mat’s death is so sudden in comparison to Egwene’s, and the manner of it so final based on all prior evidence, that readers are likely to be shocked out of the complacency that has been building since the Shadow was routed at Merrilor.

Aviendha holds off Graendal’s shield. She takes a chance, unraveling her Gateway despite that the effects are unpredictable, and may not help her at all. Graendal casts her Compulsion just as the Gateway explodes. Aviendha actually made a mistake in her haste, picking the wrong thread, which is a poor turn of phrase since she would have to botch the unweaving deliberately in order to have a chance of achieving the effect she is looking for. The threat of Compulsion is terrifying, and enthralls the reader with the horrible story possibilities that may come about if it succeeds.

Fain comes across Mat, who is not dead after all. Mat grabs Fain by the throat and stabs him with the dagger. Fain and Mordeth die, and not coincidentally, this embodiment of the all-consuming desire to achieve the end goal at any cost meets its demise just before Rand makes his decision on how to defeat the Dark One for good. Mat’s explanation that if you catch a disease you cannot catch it a second time is an awkward introduction of modern medical knowledge into the story in an attempt to have the reader accept this unforeseen immunity. Perhaps Mat is merely paraphrasing what the Amyrlin told him after he was healed of the dagger’s influence, or what Nynaeve has told him at some point, but the wording used suggests a strong level of in-world familiarity with disease that just hasn’t been featured before. Taking out the word ‘disease’ and having Mat speak in terms of his own immunity rather than a general statement about illnesses would have been more believable.

Perrin abandoned Mat on a gut feeling from the look Mat gave him. ‘Look’ may not have been the best word, given that Mat only has one eye, but the meaning is understood. Interestingly, Perrin had no angst about leaving Mat whereas he has wrung his hands over many of his friends and followers throughout the series. It is partly his newfound maturity, partly that he is more concerned with Rand here and now than he can allow himself to be for anyone else, even Faile. Perrin finds Gaul and returns him to Merrilor to rest. Then, acting against his desire to seek out Faile, he returns to guard Rand’s back yet again.

Moridin picks up Callandor and attempts to channel with it, falling into Rand’s trap. Moiraine and Nynaeve, duty and conscience, take control of Moridin, then link with Rand. Rand is shielded from any taint by combining the powers and using Moridin’s link to touch the True Power. The three powers are combined and wielded against the Dark One, turning the Dark One’s own power on himself. Rand holds him fast in a gauntlet of Power. In terms of Rand’s identity, he is turning doubt and negativity against his own doubt and negativity, looking at them with scorn and dismissal.

The following sections together show how Rand’s final victory and assertion of his identity affect the world. Rand’s past, present and future all figure, as well as his chronicler, and his successor.

Elayne surveys the carnage. The nearby plateau collapses, like the foundation of Rand’s old identity.  The bond lets her sense Rand’s strength, control and domination. She sees a beam of light far to the north, marking the end.

Thom sees the light up close. If Thom still represents the author, then he is in awe of the ending.

Min sees a brilliant lance of light, clearing the clouds. The wounded shield their eyes from the bright future Rand is making.

Aviendha sees the light and senses Rand winning, and it revives her. Graendal has been self-compelled by the unraveling gateway and begs to serve Aviendha. Since Aviendha represents the past, this is an indication that reverence for tradition and memory of this light and what it means are part of what the future holds.

Logain lost his prize in the collapse of the Heights, but saved the refugees, and they accept and welcome him, aspire to have their children join him. The Asha’man are no longer cursed for Lews Therin’s sins, but are seen as talented for Rand’s redemption of those sins. The light reminds Logain of his duty. He breaks the seals, another symbol of the old making way for the new.

Perrin sees the light in Tel’aran’rhiod, and observes the World of Dreams disintegrating and collapsing. Dragonmount is being drawn towards Shayol Ghul, all points coalescing into one, and then this realm of possibility will be gone. This was an unexpected development, which pertains to Rand’s transformation.

Perrin encounters Lanfear in the cavern. Her words still carry a sense of wonder that leads us to think she’s on the good side. “It is the end. Something amazing just happened. This might be the most important moment for humankind since we opened the Bore.” Perrin is compelled by Lanfear to help her kill Nynaeve and Moiraine, yet he resists. Lanfear has been working towards her true objective all along, at whatever cost. This is a trait shared by all of the Forsaken, the Mordeth-like motivation to do anything at all to achieve their heart’s desire.  Focusing on Faile, a far more powerful motivation than any dislike of Moiraine, Perrin’s will is stronger than Lanfear’s mere Compulsion weave. In Tel’aran’rhiod, this means he is able to reassert his identity and change himself back to the way he should be. He kills Lanfear, yet still loves her, she who represents the thirst for glory and power. Perrin may still want those things in some fashion, but not at the expense of the one he loves most.

The Dark One is freed yet cannot escape as Rand has him clutched tightly. He sees the Dark One as pitiful, tiny, insignificant, and above all, a liar. Rand pulls the Dark One into the Pattern, where he can be killed. But before he can kill him, Rand remembers that the vision he created with no Dark One was no better. Realizing his error, he thrusts the Dark One back outside of the Pattern and reforges the prison using braided saidar and saidin in a pure form and the True Power to keep the Dark One’s touch at bay by shielding the Bore.

He understood, finally, that the Dark One was not the enemy. It never had been. Rand’s own heart was the only enemy that could harm him, for as all the heroes have learned, ultimately, whatever befalls them is by their own choice.

Moiraine pulls Nynaeve out of the cavern. Looking back, she sees silhouettes of Rand and Moridin, Light and Shadow, vanish in the all consuming light. The last thing she sees, the last words which end the book, is the Bore being closed, a metaphor for Rand locking away in his heart the Dark One and the dark desires and ambitions he promotes, never to torment him again.

Writing Lessons:

End your story on a high note, right after the critical moment. 

A Memory of Light - Chapters 25-28

In this section, Egwene makes uneasy alliance with her personal Dark One.

Egwene has good reason to detest the Seanchan, having endured a short time in their clutches as a damane. She is tolerant of their help when she first hears of their arrival, but the matter of who leads who must be decided. So, she and Fortuona must meet face to face for the sake of expediency, despite the risk to their status being seen doing so.

She wore a glittering dress whose train extended a ridiculous distance behind her, carried by eight da’covale, those servants in their horribly immodest clothing. The use of the adjectives ‘ridiculous’ and ‘horribly’ not only describe the physical appearance of Fortuona’s garments and entourage, but also Egwene’s judgment of it. This sort of deep and personal attribution of adjectives is one way the author succeeds in crafting the third-person limited point of view.

In her confrontation with Fortuona, Egwene takes up the familiar theme of freedom to choose. Many of the evils in this world limit people’s freedom, and Egwene’s cause is one that Rand recently supported, and will again in his imminent confrontation with the Dark One.

Both Fortuona and Egwene can be excused for spontaneous bouts of uncharacteristic blurting out what they are really thinking when their minds should be keenly focused on the politics of this encounter.  Their minds may be sharp as diamond-studded bear traps, but all preparation and logic go out the window once a ta’veren is part of the conversation. If Mat weren’t present, readers might frown over the women’s lack of formality and veering off topic. I suppose Egwene’s eagerness to publicly beat Fortuona account for some of her behaviour.

Elsewhere, the generals are caught making mistakes, and Bashere is arrested as a result. Lan has verified his suspicions about Agelmar as well. Perrin would like to investigate this matter more, but he has been battling Slayer and protecting Rand.

In his battle Perrin sees an image of snakelike men battling as well. Are the forces of evil also attacking the Aelfinn? Or are the Aelfinn and Eelfinn secretly participating in the battle at Thakan’dar, staving off the threat to their own existence?

The dreamspike serves a major plot related purpose, keeping Rand safe from outside interference, though it may later slow his escape. The wolves add to Rand’s defense, summoning Perrin whenever Slayer approaches.

Perrin’s encounter with Slayer ends in victory as the other man is driven off before he can harm Rand. Perrin and Gaul also fight several red-veiled Aiel, defeating the last by changing them into idiots. I wonder whether the turning process somehow weakens their willpower, thus affecting how easily they are altered in Tel’aran’rhiod, or perhaps it is simply lack of training as Perrin surmises. Lanfear even shows up to aid Perrin yet again, and despite misgivings, it is difficult not to wonder if this most Forsaken of them all might be swayed back to the Light.

Moridin has no such second chances in his future: “Now? Now you beg me to return to the Light? I have been promised oblivion. Finally, nothing, a destruction of my entire being. An end. You will not steal that from me, Lews Therin! By my grave, you will not!” Moridin came forward swinging.

Shaidar Haran’s demise is anticlimactic, yet not without interest. The giant Myrddraal’s husk lies on the ground before an infinite Blackness, whose touch may spell the end of Rand. Moridin will try to bleed one last time to weaken him enough for the Dark One to prevail, perhaps even to defeat Rand himself. The stakes, emotion, and uneven odds all contribute to the intensity of Rand’s slow progress to the Bore. The slow pace of Rand’s battle, explained by the time differential, also keeps the tension high. The book is half over, and he’s just facing his opponent now. How much can be left? What will happen? So, so good.  

A raken hit by a fireball crashes atop a messenger in Byrne’s camp. With no one else to carry a plea for help, Min offers her aid. Necessity is a very believable reason for improbable coincidences to take place. In this case, it provides the desired motivation for Min and Bryne, and is quicker and more elegant than any other convoluted attempt to place her with the Seanchan could be. Added to Fortuona, Min and Mat now offer another convenient pair of viewpoints to show events from a more Seanchan perspective.

The use of an Ogier song of mourning makes the reader’s mood more downcast, especially in contrast to how the Ogier’s manic battle rage had provided an uplifting source of hope in an earlier chapter. Loial’s sections are short, and used to punctuate the plot with the desired emotion each time he shows up.

Writing Lessons: Use adjectives to simultaneously describe physical and symbolic elements, as well as reveal character.  

Use necessity as a means to make improbable scenarios more believable.

A Memory of Light - Chapters 17-20

In this section, events are more dire than ever!

Rand comes to see Tuon, more humble than last time they met. Mat establishes that his allegiance is with the Seanchan. Mat is the only character who could have made the linkage with this alien culture, as he is perpetually the outsider. Now he will truly be a man with a foot in each world, belonging fully to neither.

Rand must concede the lives of many channelers to procure an alliance. Many times throughout the story, characters have had to act contrary to one ideal in order to achieve a greater goal. Those who could not or would not concede became a different sort of evil, such as Aridhol’s, or the Whitecloaks. Rand has come to realize that he can’t take responsibility for every problem men face; people will have to figure those problems out after he faces the Dark One. Cadsuane reminds him of this again when she reveals the men of the Black Tower freed themselves without his help.

Rand’s burden has him reflecting on many philosophical matters, such as whether Trollocs have souls, yet another way to ponder how his actions affect the world, another matter he must set aside in order to focus on his current goal of the Last Battle.

Rand knows Alivia must help him die, so he entrusts her care to Cadsuane, who in turn is placed near Aviendha, whom he trusts. Cadsuane confirms Rand is ready, and insists he maintain hope for life, even if the odds seem insurmountable. Note Cadsuane’s continued role as a stand-in for the Light itself in this interaction with Rand:

“Our interactions have not always been smooth, Rand al’Thor.”

“That would be one way to say it”

“However,” she continued, eyeing him, “I will have you know that I am pleased. You have turned out well.”

Elsewhere, Gawyn has much talent which isn’t being used well. Egwene keeps him in line for now, but he is eager to do something of value. Gawyn also learns more about the Bloodknife rings, and the danger they carry. A false expectation is laid, with the Aes Sedai wondering when Taim will bring his Dreadlords to confront them on the most important battlefield.

Lan speaks to Mandarb, his faithful war horse, about his dream of making a new home for them and Malkier. His love for Nynaeve has truly changed his view of the world. Lan confronts Agelmar about suspected mistakes he has made and receives a very good explanation that is a catch-all for any author’s errors in strategy: “I am not without flaw, Dai Shan. This will not be my only error. I will see them, as I saw this one, and learn from them.” Bashere also makes a mistake, giving a second clue about the generals’ behaviour, but his explanation is also reasonable.

Egwene visits Tel’aran’rhiod for the last time. The World of Dreams is disintegrating, an unexpected complication. Aiel Wise Ones want Rand to move more quickly, yet he has already received advice from Moiraine, and Cadsuane, on that point. Egwene explains the new hazards of balefire, reminding herself that it is only another weave, despite the strong importance place don its unique nature. It is an unimportant observation now, and will still seem unimportant when she refers back to it later at a crucial moment. She bids the Wise Ones a fond farewell, an opportunity for closure that few other characters will have had, and then she gets another with Rand.

When Rand visits Egwene, he realizes the seals he gave her are fakes. This is shocking and risks upsetting all his plans! However dire things felt before, this is much worse!

Gawyn learns how Galad and Rand are related in an awkward conversation. This detail didn’t have to come from Rand’s mouth, did it? We’ll see how important this detail is in a later chapter.

Mat gets a new outfit for the Last Battle. And I had predicted it would be one of the girls who got a new dress. Rats. Mat realizes he has achieved everything in life he set out to do. What now? Nothing is working out as he expected, which is fitting since he never does what is expected. Reminding readers how different the Seanchan are even in terms of dress adds to the sense of mistrust felt as the reader wonders whether Rand’s treaty with them will hold.

At last, the chapter titled Into Thakan’dar tells readers that the really serious stuff is about to begin. It begins with a clunky piece of exposition, which is effective at quickly placing it in time for the reader’s comprehension, but is a violent way to introduce the situation: “Later in the day after her meeting with Rand, Egwene thrust Vora’s sa’angreal out in front of her and wove Fire.”

When Gawyn deciphers the Myrddraal’s tactics, and an immense Gateway opens revealing a surprise army, there is not even a moment’s consideration that this might be Taim or another Forsaken. Demandred has finally made his grand entrance, with as much impact as readers could hope for. Quickly and brutally, his Sharans devastate the Aes Sedai’s army and ranks of channelers.

Despite Aviendha’s belief that one could not describe Thakan’dar, but had to experience it, the author does a masterful job of revealing the utter despair of the place. Another unexpected twist about time is foreshadowed in the planning:

“Let us assume,” Ituralde said with a smile, “that there is going to be more to it than a duel.”

“I am not a fool, Rodel Ituralde,” Amys said coolly. “I doubt that the Car’a’carn’s fight will be one of spears and shields. However, when he cleansed the Source, did that not happen in the space of a single day? Perhaps this will be similar.”

“Perhaps,” Ituralde said. “Perhaps not.” He lowered the glass and looked to the Aiel. “Which possibility would you rather plan for?”

“The worst one,” Aviendha said.

“So we plan to hold out as long as the Dragon needs,” Ituralde said. “Days, weeks, months… years? As long as it takes.”

Years? Aaaaa!

Aviendha also reminds Rand that the greatest victory would be taking the Dark One gai’shain. It seems even crazier than killing him, but if he can’t be killed, it seems like the next best thing.

Nynaeve confirms that Callandor is a trap, allowing anyone to seize control of him. His allies ambushed, the seals stolen, carrying a tool that can turn against him, facing a dark deity, in a battle that could last years, how much worse can things get? I am so excited!

Writing Lessons: Foreshadowing works better with a strong explanation for the crucial detail you are placing in the text, instead of a weak or random observation.

A Memory of Light - Chapters 14-16

(Sorry for the long delay, life intervened... how did I ever maintain this pace last year?)

In this section, the Black Tower plotline is resolved!

Contrary to established rules, it is now possible to enter Tel’aran’rhiod from the Blight, which is explained with the mild observation that barriers are weakening between worlds. Importantly, it will allow Perrin, Lanfear, and Slayer to later interact with Rand at Shayol Ghul while they are in Tel’aran’rhiod. While the story is rife with examples of impossible things becoming reality, when the author starts tweaking rules which remove well established restrictions, there is a chance that readers will find it too convenient to be believable. This is overcome to some degree by simply establishing that a change in rules has taken place, with no commitment towards it being of benefit or detriment to the heroes.

Perrin not only feels he has to stay near Rand, but also needs to investigate dangers to Rand, appointing himself as a sort of bodyguard.  While it was expected that Perrin might take on this role, it was both thrilling and surprising to see Gaul join him. So they set off to the Black Tower where Lanfear makes an appearance. Two opposing ideas are now associated with her. The first is her obsessive thirst for power and prestige, which Perrin recalls quite well, and is wary of. The second is the recent idea of her coming back to the Light, as introduced through her dialogue with Rand. Due to the elements of Eve and Pandora I identified in her mythical roots, I am predisposed to her seeking or gaining redemption. The nearly equal weighting of these ideas adds to the mystery around her goals, indicating she could go either way and no one would be surprised. “I chose my master. This is my price – unless I can find a way free of it.” Whatever she is after, she achieves it by helping Perrin, allowing him to remove a dreamspike at a very opportune moment.

The coincidental timing of Perrin’s actions is a little hard to accept, but the Wheel weaves as the Wheel wills, and that logic-defying clause allows the author to push the limits of coincidence in a manner that is explainable, if not entirely satisfactory.

Androl’s Talent for Gateways allowed him to make a miniscule Gateway over a very short distance even when the dreamspike was activated. The small Gateway he uses to catch Taim’s balefire presumably also only carried it a very short distance. Perrin’s deactivation of the dreamspike then frees Androl to make Gateways of any size, and he uses some exciting techniques to devastate Taim’s cronies and send two Forsaken running. After such an intense build-up, the resolution is nothing but satisfaction. Importantly, Androl and the other Asha’man have claimed their own freedom, usurping control from Taim with no observable outside help.

Androl isn’t the only character whose desperate actions amazingly bear fruit. Rand did the same on several occasions, notably at the end of The Eye of the World, when he thrice appealed to the Light to intercede and save him, and then was able to regain control of the situation. Androl makes no such appeal for deliverance, instead drawing on his defiance and will to displace the barrier which prevents his Gateways from forming. Why does this work?

The simple explanation is that time runs differently in Tel’aran’rhiod, and Perrin’s deactivation of the dreamspike is mirrored over a longer time frame in the waking world.

A different explanation requires delving into Androl’s character and the reason for his Talent. Androl is a dreamer and a searcher, and has traveled far and wide across the world trying to find the elusive conditions that will give him closure and peace. He may have traveled to more places and tried more paths in life than almost every other character. He knows himself as much as he knows the places he has been. Androl’s Talent and lack of ability in other areas is therefore a metaphor for his inner quest and lack of satisfaction with what he has found so far. Knowing himself is equated with knowing where he is, a condition required to form Gateways. When Androl finally succeeds in crafting his tiny Gateway, he has dug deep within himself and found that which he always sought elsewhere: the will to make part of the world fit his needs, to take his place as the heart and soul of the Black Tower, to defy Taim with his last breath and create the place he has long searched for. With this understanding comes his salvation, just as the dreamspike is deactivated.

The Black Tower itself has been a metaphor for Rand’s inner turmoil over the last several books. As he allowed his humanity to wither away, the Black Tower festered. At first the Black Tower represented a cherished dream for Rand, a safe place for men like him. By failing to nurture this dream, it could not sustain itself, and eventually went bad, until it grew to the point where it threatened his life and the world itself. Androl demonstrated that a powerful dream will draw others to it, others who can share in keeping it vibrant and secure. Rand’s naive hope that his project would be successful simply by establishing initial conditions, and then walking away, was proven to be foolish. The failed Black Tower experiment serves as a precedent for the upcoming conflict with the Dark One, where Rand will again try quick and easy solutions that will predictably fail.

With the Black Tower plotline resolved, it isn’t long before Taim shows up in the Borderlands to disrupt the desperate tactics of the Borderlanders. Lan can survive a duel with two Myrddraal at once, and repeated sorties on the field lancing Trollocs, but must flee before the Dreadlords’ siege engine. There is some entertainment in comparing how Byrne’s later use of Gateways as windows provides immensely more advantage than simply elevating channelers on a siege engine to have a better view of the battlefield. But for now, the edge goes to the Shadow.

In Ebou Dar, Mat once again entertains readers with his banter with Selucia. Mat is either thinking out of character or subconsciously adopting Seanchan ways of thinking: She had shaved her head again properly, now that she was no longer hiding. Tuon’s adoption of Mat’s ways is much more in character, and funny: “Are you bloody insane?” Mat asked. “Are you bloody stupid?” she asked.

The Heroes’ ability to spot Gray Men is uncanny. Even when wounded, a Gray Man is unnoticed by the keenest eyes in the Seanchan Empire. I attribute the Heroes’ success versus Gray Men to the ta’veren effect, increasing the dim likelihood of noticing them into a certainty. I think channelers and Warders were the only others to ever notice a Gray Man. There’s been some debate as to why the Shadow didn’t use more of these assassins. I reason that there was simply a lack of good targets, with most potential targets either unfindable or able to notice and kill them. I also suspect they are not very numerous, since their creation requires a sacrifice on par with Padan Fain’s, a dedication that is decidedly rare.

Rand has a swordfight with Tam, allowing him to learn how the loss of his hand has affected his perception of himself.  The missing hand has been more of an inconvenience than an obstacle in terms of Rand’s abilities to confront opponents, since he can channel even without it. By showing an example of weakness, the author is able to better showcase the inner turmoil Rand feels in the face of the Last Battle. Rand regularly tries to express certainty about his plan to kill the Dark One, but just as with his sword prowess, there are deep-seated doubts and weaknesses he worries about. Aviendha previously suggested taking the Dark One gai’shain might be a better path, and Moiraine now tries to dissuade him from his chosen course of action even as she urges him to commence his assault now.

Moiraine gets good tasting tea from Rand, a symbol that he does indeed have the right balance that so many of his motherly mentors have sought. Each of them has correctly foreseen that  as with so many of the obstacles faced by the characters, it is not Rand’s battle training or ability to channel that will lead to victory, but a matter of his character.

Galad and his Whitecloaks are perturbed by the Ogier’s violence. Their first instinct upon witnessing their savagery is to consider them Shadowspawn.  Galad understands that evil does not reside in the act of chopping down opponents, but the reasons for that act can be good or evil. If the Ogier’s violence is startling in its intensity and rivals the murderous actions of Trollocs, it is because once riled and forced to actions the Ogier would rather not have contemplated, their resolve to carry them out is unwavering. They embrace violence as the tool that will best allow them to continue their peaceful lifestyle.

Writing Lessons:

Do not break your daily writing habit. Once missed, writing time is lost forever.

A Memory of Light - Chapters 10-13

In this section, two ta’veren take to the field.

With allies waiting for reinforcements, the failure to lure Trollocs out of Caemlyn hurts the heroes badly, though not personally. Androl too is failing to find a means of escape, adding to the building pressure, which culminates with Lan’s retreat from Tarwin’s Gap when faced with Dreadlords.

At last, the Trollocs take the bait and pursue the Andoran army, falling into a trap of gunpowder and shrapnel. Elayne thinks the invention of these cannons will change warfare forever, with their destructive power acting as a deterrent no sane person would risk facing. The comparison with the nuclear era is easy to spot. Early gains by Elayne and Bashere are whittled away as the Trollocs adapt to the tactics. Birgitte’s personal struggle to keep some part of her memories and her confusion serve as a nice metaphor for the skirmishes and stalemate that is emerging.

Rand tries to intervene to help the Borderlanders, but is rebuffed by well-organized Dreadlords trying to cut him off from the source. Incapable of helping any of the forces any longer, he must accept Moiraine’s urging for him to march on Shayol Ghul.

In his dreams, Rand encounters Lanfear, and a long-awaited opportunity for Mierin to turn back to the Light is rejected. So close. So close to the Light, like a feral cat in the night, stalking back and forth before the fire-lit barn! He found himself angry, angrier than before. Always, she did this! Flirting with what was right, but always choosing her own path. Yet despite her rejection of love and Light, and her dejection at discovering how little she means to Rand, readers may still entertain the idea that she can be saved, that she wants to be saved after Rand reveals himself fully to her. This perception is key to her upcoming interactions with Perrin.

Perrin feels a tugging which he knows is Rand. He decides to act as Rand’s guardian, facing dangers which he cannot, such as at the Black Tower, and countering the agents he suspects are arraying themselves against Rand. It is disappointing that even at this late juncture, Perrin doesn’t describe the dreamspike to Rand, and perhaps benefit from Lews Therin’s insight and memories, or even tell Rand about Slayer, if only to assure him that Perrin will finish him. Perrin and longtime friend Gaul enter Tel’aran’rhiod in the flesh, which readers will have trouble convincing themselves isn’t an act of evil, for the only person who says different is Perrin himself, whose rationale is simply that it is not evil, just incredibly stupid.

Bornhald’s revelation that Padan Fain killed Perrin’s family is the first reminder that he is still up in the Blight, waiting for Rand, another danger which Perrin may be better placed to face than Rand.

Inventiveness allows the heroes to make progress in Kandor, whether by the use of Gateways for observation of the battlefield or by plans to include Aes Sedai as part of the military forces, which soon gives humanity its first uncontested and complete victory.

A feature of these last three Wheel of Time books by Brandon Sanderson has been the inclusion of a number of fan-friendly initiatives, from auctioning off naming rights of minor characters, to featuring the guardians of the largest Wheel of Time fan sites as innkeepers, to acknowledging fan theories in text. While there is a certain glee at receiving acknowledgement, such Easter Eggs can prove disruptive, taking a reader who is in the know out of the story. The same is likely true for any scene which has been heavily advertised to fans ahead of publication. Involving fans on an emotional level both rewards their long dedication and keeps them attached, so some kind of balance must be struck despite the potential disruption to the story. In theory, a minority of the millions of readers will be in the know, so by keeping these references subtle, the desired balance is reached.

Mat returns to Ebou Dar, which he realizes is his home more than any place else. Among his many fond memories, are those of Tylin.  After a year of analyzing the story and finding deep meaning in even simple descriptive paragraphs, I find the sexual context surrounding his affection for Tylin offers surprising ways to interpret the rest of this paragraph:

Tylin. Bloody ashes, but that had been a fun game. She had had the better of him time and again. Light send him plenty of women who could do that, though not in rapid succession, and always when he knew how to find the back door. Tuon was one. Come to think of it, he would probably never need another. She was enough of a handful for any man. Mat smiled, patting Pips on the neck. The horse blew down Mat’s neck in return.

Readers may never know whether these words belong to one author or the other, or a combination of both, making it harder to judge whether their use is intentional. Since the relationship with Tylin sets the context for the rest of the paragraph, I think the imagery is intentional, not accidental, and very much in line with Mat’s unconventional behaviour. However, as an author it can be inconvenient to find out you’ve unintentionally implied something you never intended, and it seems the context of such oversights is often sexual.

Writing Lessons:

Check your text for unintentional meanings.

A Memory of Light - Chapters 1-4

In this section, Rand returns as a point of view character while dire events transpire at the Black Tower.

The familiar opening shows a world failing, withering, dying, awaiting the end. Rand’s appearance disrupts that imagery with happiness: Laughter broke the air.

While Moridin’s forces feel assured of victory, Rand is more hesitant, concocting a plan he isn’t sure can work, revealing that he wishes to kill the Dark One himself. The key element of the plan involves breaking the seals on the Dark One’s prison, which drives a wedge between him and Egwene. Egwene has a clue left by a Dreamer, a well known and oft studied clue: Wait upon the Light.

Rand pays attention to Roedran, inciting the reader to do the same, yet it seems unlikely or undesirable to the reader that such a minor character can suddenly play a meaningful role. It turns out that this is a feint; Roedran is being mildly played up to attract attention while keeping the reader guessing about Demandred’s whereabouts a little while longer.

Rand correctly surmises the Shadow wants to prevent the heroes from unifying, and the bold attack on Caemlyn threatens to do just that. More importantly to the story, Caemlyn is the central city, the gleaming jewel on the hill, the heart of the civilization that emerged after Hawkwing’s death. Its fall symbolizes the last cutting of ties to the old, the end of all that was good. It symbolizes that all the people of the world have left is each other now, even though most of their nations and cities still stand.

Talmanes’ overly heroic death is averted by Nynaeve’s healing.  This doesn’t sit well, as it indicates an unwillingness to let even a secondary character die, and cheapens the stakes. On a reread, it may instead have been intended to deliberately mislead, so that when well-established heroes die later, it will be even more shocking. If an author goes to such great lengths to keep this character alive, a payoff is expected. Does Talmanes have a critical role to play which no one else can do? Is there some clue in the way he embraced death which he can teach a main hero? Or is this just one of many death and resurrection parallels throughout the story?

Perrin and Elayne urge Rand and Egwene to talk, not argue, when they meet on the morrow.

At the Black Tower, Androl commits to a course of action, abducting and questioning one of Taim’s men. While the characters at Merrilor debate what to do and talk about events at a distance, it is Androl’s sections which provide the excitement. No matter that Androl is a new character and Pevara is a Red Sister, and that readers generally identify with Rand and Egwene closely, having followed their adventures for thirteen books. All it takes is a lack of action on their part to thrust Androl’s plotline to the forefront. It helps that readers are mildly unsure whether Androl’s events take place precisely on the eve of the meeting at Merrilor, and that they expect Taim’s men to play some role in disrupting those proceedings. Readers expect that the Black Tower storyline will play directly into events surrounding Rand. The fact that this turns out to be false doesn’t lessen the excitement immediately felt as Androl’s plan comes apart and he and his followers are overwhelmed as they rescue Logain. Logain’s own role and foretold destiny also help lift this plotline above the main storyline.

Aviendha comes to Rand, and for the last time he makes a halfhearted attempt to try spare a woman any pain. As always, the woman points out that she is truly an equal, and must therefore be allowed to choose on her own what pain and risks she will accept. Rand finally accepts this, and immediately reaps the rewards.

The dreamshard scene reminds readers that Moridin and Rand are linked somehow. The possibility that many of their early interactions took place in a dreamshard is raised, and offers an explanation for many small mysteries from the early books.

However brief the Moridin-Rand scene is, it contains emotive power in the cool verbal parrying between them. In just four pages it covers Lanfear’s relationship with Lews Therin, Moridin’s self-loathing, Rand’s desire to protect his loved ones, dreamshard physics, discussions on fate and destiny, Rand’s ultimate plan revealed to his enemies, and a surprise ability that sends Moridin scurrying. Any interaction between the principal hero and antagonist is bound to excite the reader, and this short section hits with everything it can. Hammering at the raw nerves of either character and addressing their worst fears is wonderfully effective here.

On the back of the hope raised by Rand’s small victory over Moridin, everything runs smoothly for Androl up until the last second, when hope is dashed. This too is a great example of stringing disparate sections together based on the mood the author wants to convey. Rand’s victory leads to Androl’s early success which reinforces expectation of Androl’s ongoing success, right up to the last second.

Writing Lessons:

Readers will perceive importance with the things the author treats with importance.

A Memory of Light - Prologue

Sorry for the lengthy wait, life struck and added to the time I needed to digest A Memory of Light.

In this section, new point of view characters foil readers’ expectations.

Oddly, Bayrd the Andoran soldier is introduced as a new character. It’s odd because there are already a multitude of other characters in which readers are already emotionally invested. Why introduce him at all? In this case, Bayrd’s story ties up a few loose ends, telling what happened to one of Elayne’s enemies and showing that across the world, ordinary men recognize the signs of Tarmon Gai’don and decide to join with whatever army they can find so they can march against the Dark One. Bayrd and his companions stand in for all the other people which the author can’t afford to show. It’s still meager benefit against the risk of displeasing the reader, but the other possible reasons for including are misleading. Weapons failing? Rejecting immoral authority figures? The act of creating as a ward against the Dark One? The lack of other good explanations for this section gives each of these possible other explanations added weight, whether it is intended or not.

Talmanes appears between every other scene in the prologue, leading a desperate defense of Caemlyn. The alternating structure of the prologue increases the sense of urgency over what a straightforward telling would have done. This structure is highly atypical of most Wheel of Time books, which would normally avoid interruptions in the midst of an action sequence, except to show other players within that same action sequence. It is however common in other fantasy stories, serving to delay resolution and increase the reader’s curiosity and emotional involvement. The difficulty here is that Talmanes is a secondary character, and spends a great deal of time searching for cannons, two things which reduce a reader’s engagement. The author wisely first portrayed Talmanes’ actions in saving the citizens of Caemlyn, forging an emotional bond with Talmanes before sending him off to save the new weapons, which so far offer more hope than proof of effectiveness.

Isam offers a peek inside his grim upbringing in the Town, a way station in the shadow of Shayol Ghul itself. The initial description represents Isam’s life: “The building would have been called an inn elsewhere, though Isam had never seen anyone inside except for the dull-eyed women who tended the few drab rooms and prepared tasteless meals. Visits here were never for comfort. He sat on a hard stool at a pine table so worn with age, it had likely grayed long before Isam’s birth. He refrained from touching the surface overly much, lest he come away with more splinters than an Aiel had spears.” Women, food, and simple furniture all fail to live up to the most meager of expectations. What isn’t bland is likely to hurt him. It’s all symbolic of life under the Dark One, and the reader can’t help but feel a twinge of pity for Isam, or hope that there is something of him to be salvaged. These feelings come from the way Isam stands in contrast to his surroundings. Longtime readers know Isam is nasty, but as presented here he becomes rather sympathetic in comparison to the red-veiled Aiel called Samma N’Sei, or the Forsaken who use and discard him. Coming so soon after Lanfear’s appeal for help at the end of the last book, there is reason to wonder whether Isam, or Luc, has any interest in ending his service to the Shadow. Once again, such an assumption will prove to be misleading.

Clues reveal these Samma N’Sei are Aiel men who can channel, but have been captured and turned to serve the Shadow. This secret army of channelers made a surprise appearance at the end of Towers of Midnight, stacking the odds against the heroes, who don’t yet know they exist. Having successfully avoided revealing the existence of these evil channelers throughout the entire series, readers expect a big payoff when they enter the fray. Readers may dread the outcome for their heroes, they may resent their sudden appearance, but they will expect big things from the Samma N’Sei.

Leilwin approaches Nynaeve to offer help, but finds her past mistakes impede her chances of having her offer accepted.

Aviendha returns from Rhuidean, and realizes this is the last possible night for her to be with Rand.

Androl and Pevara act out the same tale that recurs throughout the series; that of deciding whether to trust someone who is very different from yourself. A quick exchange of background stories aims to make the reader care about these men but it is Androl’s drive which creates the greatest interest. The overwhelming sense of danger built up over the last several books outweighs all other considerations though, and now a countdown element is added as Androl’s group suspects their time is dwindling. Allies turn to Taim’s side overnight. Androl is weak, his Talent useless. Yet more than Bayrd or Talmanes, readers want to see him rise up and succeed. Connecting Androl’s personal desires to the Black Tower’s fate, which is already foremost in readers’ minds, allows them to care deeply about him despite his sudden appearance at the end of the series.  

Moghedien learns that Taim has joined the ranks of the Chosen. Her perspective also allows readers to learn about Sindhol, Dreamshards, Demandred’s whereabouts, Graendal’s fate, and other tempting morsels of Moridin’s plan. Disappointingly, Taim and Demandred appear together, at the same time, seeming to drive the final nail in the magnificent theory that Demandred is Taim. But if Kari al’Thor can be a dreamshard fabrication, why not one of these two? HA! I’ll never yield!

Moridin’s last command is chilling, setting the stage for the Last Battle: “The last days are upon us. In these hours, you will earn your final rewards. If you have grudges, put them behind you. If you have plots, bring them to completion. Make your final plays, for this… this is the end.”

Those words rev me up every time I read them! AAAAAAAAA!!!!

Writing Lessons:

Make a character appear sympathetic by showing them in contrast to something worse.

The Wheel of Time - Act 3 - Books 10-14

Treating The Wheel of Time as one long novel, the books Crossroads of Twilight, Knife of Dreams, The Gathering Storm, Towers of Midnight, and A Memory of Light make up the third and final act. The beginning and end of the story are bookends, what shows up in one should be resolved in the other. As of this writing, I have yet to acquire A Memory of Light, but the concept of the story’s end is simple to guess at.  

Rand was told he must save the world, which he grows determined to do despite what the world may have to say on the matter. He tries repeatedly to force people to act as he thinks they should, eventually using the Dark One’s own seductive True Power to exert his will on them. The end justifies his means, a philosophy once espoused by Mordeth, who viewed any cost as worth paying to be rid of the Shadow. Rand finds that even unbelievable achievements such as cleansing saidin earn him little gratitude or respect, pushing him further down a path where he seeks to validate his accomplishments and soothe his ego.

Other characters face their own intense desires and duties, each of them successfully fending off thoughts of absolute adherence to some objective at any cost. Each of them finds a balance, weighing the need versus the cost, never entirely certain how hard each objective must be strived for, yet willing to stand for their values at great personal cost. They all learn that only they can find the balance, and when they do they become free and powerful.

Rand’s balance is much harder to achieve, coming only after he has nearly abandoned his humanity in a misguided attempt to protect his loved ones. He callously murders and rationalizes his actions, and even Nynaeve, the stand-in for his conscience, considers that he may be right. Only when faced with his father, does he relent and reflect upon his actions as he holds the power to end the Pattern.  Rand realizes that the Pattern allows people a second chance to correct their mistakes, and that strength comes from fostering relationships, not cutting them off. Rand has finally overcome the delusion that he has to face his destiny alone, a falsehood perpetrated on him by Lan, who has now come to the same realization.

From the early books the characters used their formidable force of will to overcome obstacles, and after fumbling about for a while, they finally know when and how to use it. The heroes have acquired followers in the thousands, and have learned how to lead them after stumbling a few times. They no longer require mentors, having earned equality and rank equal to those who used to guide them. The greatest foes they faced, gholam, Forsaken, otherworldly creatures, have all fallen before them. The heroes are adults, full-fledged members of their community, and have attained the pinnacle of their power and influence, and have learned how to use them well, just in time for the challenge of their young lives.

Almost every character has entered into a romantic relationship, many choosing to be bonded as well. Battles showing large circles of bonded men and women have not yet appeared, but promise to reveal the full glory and importance of male-female relationships, drawing on the power of creation to defeat the forces of the Shadow.

Every book in Act 1 ended with a battle in Tel’aran’rhiod. The last book should also end in Tel’aran’rhiod. Lanfear freed the Dark One and is especially knowledgeable about Tel’aran’rhiod. She was last seen begging to be saved from the Dark One, opening the door for her to fulfill her role and have her sins redeemed by the Dragon. The rules governing Tel’aran’rhiod have at last been explained, almost in full, allowing the final confrontation to take place there.

The last final message Rand leaves should fit the themes running throughout the story: man needs guidance but has to be trusted to stand and act on his own; choices and attitude dictate who you are, no one can impose identity on you; it is wrong to impose your will on someone else; standing for and against what you cherish most is worth dying for; no philosophy should be adhered to absolutely.

Following the earlier comparisons of the series to American History, this final act covers the modern era, when world-changing events demand absolute commitment to fighting the enemy, and a grudging realization that the cost of rigid adherence to winning battles may cost the war. The Wheel of Time’s characters find a different path, one that balances on a razor’s edge, one that questions the value of conflict and the identity of the enemy and proposes a different solution. Rand will face the very nature of evil, and learn that it is often within oneself.  

The Seanchan’s role as foreign invaders with a strange culture and vastly different treatment of some residents has its modern parallel. How can the heroes make peace with these aggressive people and get them to join the fight against the true enemy? The myth of the self-made man, the lone cowboy, is laid to rest and replaced with a multicultural community-minded set of values, wherein each person stands alone, in exactly the way they want, every difference laid bare and celebrated, and despite the differences is accepted and supported by the community.

Brandon Sanderson weaves the tale he took over with great skill, preserving the thematic elements and essence of the characters. His writing style is more direct than Robert Jordan’s, uses modern language, and short choppy chapter breaks which increase the pace of the story, and act as a structural version of the breakdown of the Pattern affecting the world. Like several of his characters, Robert Jordan had to delegate his life’s work to the next generation, living the very scenarios he wrote about, entrusting loved ones to carry on with his duty. Life didn’t imitate art so much as Jordan wrote about the essence of life and purpose of existence so well.

Writing Lessons:

Know your story’s message and themes.