Showing posts with label character. Show all posts
Showing posts with label character. Show all posts

Wednesday, 26 February 2014

The Wheel of Time - Act 3 - Books 10-14 (part 2)

Having now reread A Memory of Light, I will revisit Act 3 of The Wheel of Time, comprising Books 10-14. The original post on Act 3 is here (http://greatlordofthedark.blogspot.ca/2013/01/the-wheel-of-time-act-3-books-10-14.html), posted before I had read A Memory of Light for the first time. I find it eerily on target, and rather than repeat it, I suggest you supplement this post by reading that one as well.

Act 3 of The Wheel of Time builds on the concept that Rand must not only defeat the Dark One, but he must also defeat him in exactly the right way, or all is lost.

Rand is absent at first, keeping readers wondering about his temperament after being locked away in the dungeons of Far Madding. When he tentatively attempts to stick to the path he must follow, Semirhage’s trickery instead pushes him down a hardened and bleak path. First she foils his alliance with the Seanchan, then she compels him to attack a woman he holds dear to his heart, nearly recreating Lews Therin Kinslayer’s sin.  

Rand thus becomes more and more determined to accomplish his task, alone, with no help except that which he commands from people. His friends in similar command situations have been much quicker to realize the limits of what they will do to achieve their goals or enforce their will on others. Early on, Perrin's attempts to find and free his wife are stymied by his own realization that if he doesn’t free her in the right way, she will not accept the man he has become. Egwene similarly learns that leadership isn’t about occupying the seat of power, but of representing it, even if she must lead by example from the bottom rung of the White Tower’s hierarchy.

Rand falls so far from the path, he even threatens to kill his father rather than let Cadsuane guide his actions. His descent is frighteningly self-reinforcing. He loses his conscience, twisting everything Nynaeve says into a means to deliver a desired end. Only on the verge of destroying the pattern in a fit of balefire does he consider an alternative to taking responsibility for the acts of all humanity. Rand’s epiphany atop Dragonmount is driven by recognizing that what he wants is another chance to get things right. For him, and for all humanity, mistakes are allowed, and can always be corrected.

Following this path he doesn’t help Rand bring the armies and rulers of the world to his cause. It is only when his mentor Moiraine returns that all parties agree to stand together. Building on this success, Rand meets the Seanchan Empress and makes concessions which it will be up to others to live with or overturn. Rand puts his faith in his others and hopes for the best, which is similar to how he wind the Last Battle.

It still amazes me how the Last Battle hinges on subtle character traits and choices made by Rand, and how those literally affect the fate of the world. I do not know of any other story where the personal and world-spanning consequences are so well intertwined. The ending, or the last three hundred pages of it, perfectly encapsulates the themes running through the series, providing logical and fulfilling closure to the series.

Unlike most stories, all of the major romantic storylines have been fully resolved long before the story ends. The prize for winning is not a mate or a partner, but their own identity. The Wheel of Time has mostly presented obstacles of character, not of contrivance, and once the heroes have decided on a love interest, there is little that gets in its way.

The earlier focus on magic items has fallen by the wayside in Act 3. No quests for ter’angreal are undertaken, they have been replaced by insurmountable quests to change the minds of profoundly stubborn people.

Somewhat surprisingly, the heavily featured magical elements of Tel’aran’rhiod and balefire do not play central roles in the mechanics of the Last Battle. Instead, balefire is a temptation that the heroes reject while Rand demonstrates that the reality-shaping power of Tel’aran’rhiod is a prize for staying true to himself.

Following the earlier comparisons of the series to American History, this final act covers the modern era, when America considered the use of nuclear weapons in a cold war standoff. As with Padan Fain’s philosophy, some people’s hate was so strong they seriously accepted the idea of destroying themselves so long as the opponent went down first. The question of how far one should go to win, and whether you lose who you were, continues to be relevant in today’s conflicts.

The obvious bone of contention in Act 3 is Sanderson’s succession of Jordan, and the sharp contrast in their pacing, level of detail, and the number of switches in point of view. Sanderson’s style fits the Last Battle very well, perhaps better than the style which Jordan used throughout the series. The constraints of Jordan’s notes undoubtedly helped the story maintain its focus on the prevailing thematic elements; but it is doubtful Sanderson could have done much to interfere with them given how frequently they recur in the preceding books. Sanderson succeeds in elevating these elements to a fitting level of focus, never letting them dominate, never letting them be forgotten. It is a wonderful balancing act, and worthy of recognition; Sanderson was the right choice to complete the series not only because of his writing skill, but because he understands and correctly interprets these themes.

Writing Lessons:


It is possible to telegraph exactly how your story will unfold, yet still surprise and delight your audience.

Tuesday, 19 November 2013

A Memory of Light - Chapter 37 - Part 3

In this section, Mat commits all his resources to his plan.

Tam fires arrows at Trollocs. Throughout the battle, it has been regularly shown that Tam and the other Two Rivers archers hardly ever miss. Having enjoyed some amount of success with their bows, the archers abandon them for lack of arrows. They enter the fray in wedges, trying to split up Trolloc armies assaulting the Whitecloaks.

Making an example, Fortuona dispatches Karede, a beloved guardian, and others of her Deathwatch guards to the front lines as punishment for letting her be put in danger. Then she publicly turns her ire on Mat. While safety is presented as the foremost reason for their rift, the final nail in the coffin is, as always, one of personality. She deftly diverts the attention from the strategy and its results to the man behind them. “This entire battle has been a disaster. You lose ground each moment. You talk lightly and joke, refusing proper protocol; I do not think you approach this with the solemnity befitting your station.”  For readers and Seanchan nobles, it is clear Mat will never abide by her rule. Readers know Mat better than they know tactics. The author marries the irrefutable reason of Mat’s behaviour to a debatable reason in the form of his tactics.

The Dark One spins a new reality for Rand, one in which there is no value to human life. Children are murdered callously, might makes right, and the very concept of compassion is absent. The Dark One’s words are chilling: MEN WHO THINK THEY ARE OPPRESSED WILL SOMEDAY FIGHT. I WILL REMOVE FROM THEM NOT JUST THEIR WILL TO RESIST, BUT THE VERY SUSPICION THAT SOMETHING IS WRONG. COMPASSION IS NOT NEEDED. WHAT I SHOWED BEFORE IS WHAT MEN EXPECT. IT IS THE EVIL THEY THINK THEY FIGHT. BUT I WILL MAKE A WORLD WHERE THERE IS NOT GOOD OR EVIL. THERE IS ONLY ME. Rand responds by beginning to spin a world without the Dark One.

Mat sends Min to follow Fortuona, but keeps Karede and the other exiled Deathwatch Guards. Surprisingly, the Seanchan only comprise a quarter of his forces.

Tam fights Trollocs. He wins. Lan meets him and salutes him. Both of Rand’s father figures are solid, unchangeable, and are able to stand against anything. No reed practiced how to bend in the wind. It simply did. Tam watches children and elderly take to the field of battle, to collect arrows and identify the wounded. As in the Two Rivers back in The Shadow Rising, the battle is not just the men’s battle, it is everyone’s battle. This depth of involvement, down to the least trained and least able indicates the level of desperation. It proves to be an effective way to raise the stakes without resorting to a contrived battle scene putting heroes in danger. In fact, it works despite Tam’s victory over the Trollocs only minutes earlier.

Elayne lays Bryne to rest. Adding to the desperation, Elayne hears a summary of the bad news: “The camp at Dashar Knob has been abandoned,” Birgitte said. “I don’t know where Cauthon is. The Seanchan have forsaken us.” Elayne responds by raising her banner, to offer some point of hope to the troops. Nonetheless, she concludes that humankind did not have days remaining, but hours.  Demandred begins sending balefire into Elayne’s troops trying to kill her, so Birgitte pulls her from the field.

Galad attacks Demandred, announcing his identity. Everything feels right to him. The right thing had always seemed clear to Galad before, but never had it felt as right as this. With Mat’s medallion in hand and an introduction like that which ties his very identity to the action he is about to take, readers are easily led to believe Galad is going to pull this off.

Nynaeve sews to save Alanna’s life. The most mundane of skills and Nynaeve’s creativity and stubbornness may be all that keeps Alanna alive long enough to save Rand. Of all the scenes of courage in this book, I don’t think any stole my breath as much as this one. For all her power, Nynaeve’s ability to care and to try save lives, her desire to heal is what makes the difference. Her brief scenes packed a strong emotional punch.

Mat orders Bashere to carry his orders. “I don’t care if you’ve bloody been touched by the Shadow!” Mat said. “Every man has had the Dark One’s fingers on his heart, and that’s the bloody truth. You can fight through it.”  He then gathers his remaining forces to keep Demandred pinned on the plateau. A ta’veren twist brings Teslyn at an opportune moment.

Egwene feels the absence of Gawyn deeply. She needs something to fill the void, someone to watch her back when she goes back to the battle.  Leilwin is the only potential warder available who has loyally served and saved her. Egwene finally embraces her former enemy and completes her character arc, making peace with the decision to bond Leilwin, bringing the representative of her most hated opponents as close as her beloved Gawyn was.

Demandred wounds Galad, and is wounded in turn. Then Demandred lops off Galad’s arm, and seemingly kills Galad. Despite that Demandred was worried and is wounded, Galad did everything the heroes are supposed to do, using a ter’angreal, being one of the world’s best swordsmen, and never giving in, even going so far as to spit at Demandred in defiance as an Aiel would. If Galad can’t beat Demandred, can anyone?

Androl approaches Taim in disguise and manages to steal the seals. It would have been easy and simple to use a Gateway to sever Taim’s hand off and drop it into another Gateway to send the Seals directly elsewhere. More believable too. Echoing the reader’s thoughts often works to suspend their disbelief, but seems to fall short on this occasion. “You’re not going to believe this, but…”

Arganda’s battle with a Trolloc plays off of Demandred’s taunts, with him falling to a Trolloc. He faced just the one, and lost. Only wounded, he is later revived and concludes they are doomed. “To win… Light, to win we’d need to break these Sharans, rescue the pikemen – they will soon be surrounded by the Trollocs – and each man of ours would need to kill at least five of those beasts! That’s not even counting Demandred.”

Rand weaves a reality which is too good, and demonstrates that removing the Shadow would change those he loves as surely as the Dark One would remake them. IN KILLING ME, I WOULD WIN. NO MATTER WHAT YOU DO, I WILL WIN. YOU CANNOT SAVE THEM.

I am thrilled with the way Mat contrasts the battle to a game of cards, how I recognize that it is playing out like a game of cards, and that one of Robert Jordan’s hobbies was playing cards. It feels right. Mat and Demandred have been slowly adding chips to the pot, neither one committing all their forces. Keeping the Seanchan in reserve with their damane has kept Demandred from committing too strongly, lest Mat use them to gain some advantage. Demandred holds the advantage of both time and numbers. Mat can hold him off for only so long. With no reserves after the Seanchan departure, Mat’s armies look more vulnerable. Demandred poses a problem to Mat’s attempt to contain him until an attack from Egwene begins drawing channelers away.

Olver and Faile’s caravan infiltrates a Shadow supply line, and get brought to the fighting at Merrilor. Aravine has been a Darkfriend all along, but the traitor’s identity is not as important as her story. She had hoped to leave that life behind and return to the Light, but even a small step in the Shadow is one too many. There is no return. Despite this warning, the earlier attempts to cast Lanfear in an uncertain light are too effective, and readers may retain some hope for at least one Forsaken to be redeemed.

Events seem set in stone now. Mat is committed, Rand is losing hope, Perrin is still wounded. The few bright spots shown by Elayne and Tam have been quickly overturned. Only Egwene and Androl offer a glimmer of hope. And Olver.

With the Horn taken by Darkfriends and his friends captured, pitiful Olver has been ignored. Knowing that all is lost, he still makes a desperate attempt to kill the Dreadlord holding Faile captive. The moment when the meekest of characters tried to win in the face of impossible odds felt like a turning point, when once again, momentum can begin building for the heroes.

Writing Lessons:


Use character to motivate actions, rather than strategy or logic.

Tuesday, 20 November 2012

The Gathering Storm - Chapters 31-33

In this section, Nynaeve can’t get through to Rand
As with several earlier storylines, the focus is shifting from physical obstacles, such as the Last Battle, to character-driven storylines, such as Cadsuane and Nynaeve’s need to have Rand rediscover his feelings before it’s too late. In this section the problem is just being established.  I’ll note once again that Cadsuane represents the Light, and Nynaeve represents Rand’s conscience. Ever since he dismissed the Light, his conscience is in turmoil.
Arad Doman is itself a metaphor, the people need something more than Rand offers. He brings food but the people distrust it.  
Cadsuane learns that the normal ta’veren balancing of events is no longer taking place. The bad effects persist, the good ones have stopped occurring. A sudden change in a fact that the reader knows to be true is an effective way of raising the stakes.
Cadsuane ponders the question of who stole the collar and bracelets from her room. She concludes its removal was intentionally designed to sow distrust. The obvious candidate is Shaidar Haran, who was in the building, and has some reality-bending abilities, surely enough to get past Cadsuane’s defensive weaves.
Cadsuane comes up with a desperate plan, kept secret from the reader. She runs to the Wise Ones with it, and they listen.
Nynaeve may be trustworthy enough to act as Rand’s new advisor. His first act is to tell her how Lan’s death in the Blight may serve Rand’s larger battle plan. Rand then consigns the noblewoman Milisair to the dungeon where she let a messenger die, Rand’s last lead to track down Graendal. Nynaeve disagrees with that act as well, but Rand is ready to banish her as easily as he banished Cadsuane. Rand’s solutions to all possible problems involve force and decrees, leaving little room for anyone else’s wishes to be considered.
Nynaeve recalls that only Moiraine had ever made any headway with Rand, guiding him as she guided saidar. She immediately dismisses the idea of flattering him or acting subservient, choosing instead to demonstrate that they are working towards the same goals by trying to uncover a link to Graendal. Her refusal to bow and scrape is similar to when she refused to apologize to Mat in A Crown of Swords, even though that character-centric action is what was required to succeed in her quest.
Nynaeve shows Rand a boy she discovered, suffering from Compulsion. At Rand’s instruction, and seeking to prove herself, she removes Graendal’s weaves, causing the boy’s death. Even though he whispers a location to Rand, Nynaeve considers the exercise a failure since she believes the boy could have been saved had Rand not so callously determined his fate. When Rand guides her, she is soiled, their relationship needs to be set back properly with her guiding him.
Rand explains himself: he doesn’t need to save his soul, since he’ll be dying in the Last Battle. He doesn’t have to worry about whether his hardness will destroy him; he knows it will. He accepts that Nynaeve cares about him, and is grateful, but has no need of that emotion. Nynaeve sees that by surrendering his hope, he has lost all reason to care about the outcome of his battles. Yet she cannot find words to argue against his grim point of view; he is dragging her along with him.
With these chapters, the format is similar to Jordan’s earlier books with a lengthier focus on a particular locale and set of characters. This seems to be partly due to the rapid succession of events in each locale, though that rapid succession itself may be a result of Jordan’s plotting to fit the desired novel structure. Compressing events in time allows that lengthier focus to be maintained.
Nynaeve spends a long chapter piecing together a mystery, so we’ll take a closer look at how this mystery is presented.
A sick boy met on the road home allows a chance to show off the skills Nynaeve will use to find clues, particularly Delving to find symptoms of illness. Nynaeve is looking for clues without knowing what they might look like, but readers aren’t even immediately told she is looking for clues leading to Graendal, all they know is that she is looking for some means to get Rand to listen to her. Vague language keeps the reader guessing: A plan began to take root in her head. By the time she reached the mansion, she had an idea of what to do.  
Nynaeve recruits three soldiers, and uses them to recruit a handful of servants, never telling the reader why. Curiosity over the lack of context and her out-of-character actions keeps the reader interested. The author could simply have presented readers with Nynaeve busting down the door of the chandler’s shop and offered a quick explanation of why she was there and who she had brought with her, but keeping it a mystery accentuates the feeling that she is looking for something, because the reader is also looking for something.
Nynaeve procures her first piece of information, the dungeon’s location, and thinks: Good. She didn’t intend to withhold information. Revealing this location tells the reader what to think about, what to try make connections to. Nynaeve’s thoughts tell that more information will be forthcoming, but not until it is needed. The author withholds each piece of information as long as possible, allowing readers time to try figure it out and maintaining their sense of curiosity as long as possible.
At last the reason for Nynaeve’s interest is given: the timing between Rand’s request for the messenger and his death. Too coincidental for her taste, she wants to investigate further.
The dungeon’s questioners are captured, but Nynaeve doesn’t directly them what she most wants to know, instead going through the facility one step at a time.  The person she is looking for is ignored at first while she questions the torturers, and nearly manages to escape later. This is a typical distraction, presenting the reader with an obvious target for their attention, such that the true solution has been shown but is overlooked.
The torturers weave an incredible story, casting doubt on their version of events. Having already promised not to punish them for past sins if they cooperated, Nynaeve has no choice but to accept what they tell her.  She decides to Delve and Heal Milisair before leaving in failure, which is when she discovers traces of poison, something so out of place she knows it is the link she has been looking for.
Writing Lessons:
When writing mysteries, the character and reader must both be looking for something, but not necessarily for the same thing.
To sustain the mystery, reveal each dribble of information as late as possible.

Sunday, 14 October 2012

Knife of Dreams - Chapters 24-25

In this section, Egwene digs at the foundations of Elaida’s White Tower.
Egwene has resolved to undermine Elaida from within the White Tower, even though she has been demoted to a Novice, and is given Forkroot regularly to prevent her channeling too powerfully. Elaida knows Egwene is purportedly a Dreamer, but either cannot or doesn’t care to do anything to prevent her from using that ability.
Egwene’s lengthy section is one of my favorites in the series. It is told slightly out of chronological order, focusing on her success at forging and maintaining her identity instead of her success at undermining Elaida. The character achieving victory through personality conflicts instead of plot-driven progress has been demonstrated several times throughout the series. Egwene ends her first beating by the Mistress of Novices surprisingly calm despite having howled while it was being administered. She got the beating for claiming to Amyrlin, and she earns two more visits for the same before leaving the room. While Egwene earns punishments, she also is able to avoid bending her neck, and never does curtsy or call an Aes Sedai by their honorific title.
Every time Egwene is punished, she has another chance to prove to herself, and the world that her will is stronger than those who would seek to craft her identity. Every beating reinforces her self-confidence, and makes her wholeheartedly embrace her identity as Amyrlin. Egwene was already willful, and now she is being tempered into a being of self-knowledge and force of will that will eclipse all others in Tel’aran’rhiod. While Elaida believes she is breaking down Egwene’s resistance, she is in fact making her more resilient, and more powerful. Throughout the series we’ve seen several occasions when force of will and identity are the keys to victory, and Egwene is ahead of the other characters in developing an unassailable identity; several of the others still have some uncertainty or hesitation in embracing who they must become.
By repeatedly demonstrating that she will not become a Novice in fact as well as name, Egwene earns respect in ever-increasing amounts. Novices begin by bullying her, while the Red Ajah crows over her situation. She earns a spanking in every class, and the Mistress of Novices Silviana must adjust Egwene’s lessons and provide extra Healing to avoid drawing blood from the repeated beatings. Other Aes Sedai ignore Egwene in the Halls or the cells where Leane is imprisoned. Egwene drops hints to the Aes Sedai giving her lessons, all aimed at undermining Elaida, usually earning a penance. Small illustrative parallels are squeezed into Egwene’s lessons, such as former Amyrlin Shein Chunla, a woman whose identity as Amyrlin was subsumed by the Hall, which resulted in many egregious errors being made by the White Tower.
Despite lack of progress, Egwene begins to see each visit to the Mistress of Novices as a badge of honor, proof that she had refused to yield. The Novices try to emulate her, and quickly stop when they earn their own punishments, yet Egwene carries on. She gives advice to Accepted, consoles fearful young women when ghosts appear or corridors change location. She endures hard labor, yet the taskmistress in the kitchens is surprisingly kind with her. Eventually, Alviarin, the fallen Aes Sedai seeks her out, as does the kidnapped King of Illian. The first Aes Sedai she brings to her cause is Beonin, the betrayer. Beonin believed herself free of her Oath of fealty to Egwene, but a combination of logic and dislike for Elaida brings her to follow Egwene’s instructions. Doesine, a Sitter and Black Ajah Hunter, decides not to send Egwene to be punished for failing to curtsy or address her properly. Silviana finally begins to treat Egwene as more than a Novice to be spanked. Symbolizing her success, the Novices slip honey in Egwene’s tea, and offer her a cushion to ease her soreness. Embracing her identity, Egwene puts the cushion aside before sitting her tender parts on the hard bench, and the Novices are fully hers. She hasn’t reached anywhere near the influence she needs yet, but she is winning her war.
That chapter is in contrast to Tarna’s visit to Elaida’s apartments. Elaida is leading one of the rebel infiltrators by the nose, waiting for a chance to snap the jaws of her trap shut, seeming to relish the future opportunity to crush the woman’s spirit and betray their apparent complicity. Part of her sadistic joy comes from worry that the infiltrators are in collusion with the Ajah Heads, who are continuing to meet with the rebels in pointless negotiations. Where Novices and Accepted come to Egwene for advice, Elaida’s most trusted associate won’t discuss certain topics for fear of unleashing Elaida’s fury on herself. Elaida hopes to gloat over Egwene’s situation in person by having her serve Elaida’s private meal with one of the infiltrators.
Oddly, the chapter ends with Mat’s point of view, and the next chapter continues immediately from where it leaves off with Tuon’s. The division of chapters for the next while is peculiar, but discussion of it is best suited for the next post.
Tuon asks Mat to kiss her, but with Mat having such an unreliable point of view, it’s hard to tell who is more flustered by their first kiss. Their unique relationship is devoid of any traditional romance.
A Seanchan army and a landslide obstruct Mat’s escape from Altara. His band of soldiers is not far off though. Will he overcome this obstacle with his personality or his army? If the past is any indication, some element of character and personality will be the focus.
Writing Lessons:
The end result of a plotline is more powerful when developed slowly and incrementally, and relates more to character than plot elements.

Thursday, 4 October 2012

Knife of Dreams - Chapters 11-12

In this section, Mat and Perrin are targeted by Darkfriends.
Tuon has the idea to visit a rough tavern of the lowest sort, a hell. Setalle may have given her this idea, so that she can see Mat in his natural habitat. Thom wagers that Tuon has let a sheltered life, winning a gold coin off Mat when she falls for their deceit that a tavern full of merchants is in fact a hell. Little examples about Mat’s petty wagers on just about anything are a good reminder of that aspect of his character. The same applies whenever he assesses the defenses of any location he enters, or the cleavage of any woman he encounters.
Mat plays a game of dice, winning as usual, and raising suspicions that he is cheating. When the stakes are raised to gold instead of silver, he knows that winning will trigger the accusation, and so would refusal to play. He rolls the dice, and luckily loses. Mat may not read, but he can count, and always knows the score: Laughing just as if it were not just their own coin won back, Camrin and Kostelle began dividing their winnings. His calmness and eye for subtle danger impresses Tuon.
Thom learns that Seanchan soldiers are looking for Tuon not to rescue her, but to kill her. She reckons it could be a plot by one of her sisters. Sending a secondary character off-page to gather information is a convenient way to introduce new elements quickly. Thom walks away, and returns with a plot twist in hand, no explanation required. Just in case the convenience of Thom learning about the plot to kill Tuon seems too far-fetched for readers or Mat, he adds he heard this from three different sources. Once again, almost no effort is expended to make the new information more credible. No convoluted explanations, just a simple one.
Moridin’s earlier orders to kill Mat and Perrin come to fruition, when a Darkfriend recognizes Mat, and leads a dozen men against him. Faced with tough odds, Mat takes action he deems will increase his odds of survival, no matter how odd they seem. Some of his memories come from nasty, efficient killers, and he never hesitates, once again displaying the rare traits that are suitable for life in the Imperial Family. His only lapse is to call Tuon by name, so that she can say she won the game after the battle is done. Mat has yet to find anything she will shirk from.
One of the Darkfriends is a local merchant, and Mat concludes he can’t explain away this man’s death in a satisfactory way, so they need to leave Valan Luca’s circus as soon as possible. In the next chapter, amid a swirl of colours, Perrin sees Mat leading a group on horseback into the forest, providing not only an idea of when Perrin’s actions take place in relation to Mat’s, but linking the chapters that makes the separate storylines seem like parts of a whole. The ta’veren viewing mechanism has not yet been explained, other than to say it is ta’veren, but it creates this link effortlessly, which is useful for the author, and will later be useful to the characters. I suspect A Memory of Light will involve concurrent events depending on each other’s success in different locales, such as Perrin waiting for Rand to do something before entering the Wolf Dream. The ability to monitor each other’s progress and actions will create links between the separate storylines, making them feel part of a whole, and allow for rapid pacing as the Last Battle reaches its climax.
Another link to Mat’s storyline and the earlier scene with the Forsaken is provided when Perrin is also set upon by Darkfriend assassins. There is also the man who turns into bugs, the fourth bubble of evil/failure of the Pattern shown in this book, providing another link between different storylines.
Perrin isn’t romancing Tylee Khirgan, but she as impressed with his toughness as Mat is with Tuon’s.
Balwer serves the same purpose as Thom in the previous chapter, wandering off to return with important information later, no further explanation required. It’s just what Balwer and Cha Faile do.
As a nannycrat working with the blind cord police, I love Tylee’s nervousness about dealing with an Imperial functionary. Almost every character in the story to date can be reasoned with by arguing about need, affiliation, honour, or some other ideal. Functionaries care about process. The fact that the manufactory has been successful at producing Forkroot is of no consequence, the functionary would have been just as dedicated to the correct process and procedures if the project was failing. Just one of the Goat’s thousand heads.
Robert Jordan sometimes uses uncommon words which make his prose richer, even though a simpler word may have worked as well.  
A farm on rolling ground hove into sight
I’m afraid there’s no jaunt into Maderin for you, Precious.
Small piles of gold and silver admixed with a few gold coins lay in front of each of the players.
In this next one, he repeats the fact to emphasize it, adding a word for even more emphasis: She hissed at him. She held the entry flap open, but she purely hissed like a cat.
Writing Lessons:
Look for ways to cut back on explanations while retaining their credibility, like having a competent character state a fact, learning things off-page, or using a simple explanation instead of a lengthy one.

Tuesday, 4 September 2012

Crossroads of Twilight - Chapters 13-14

In this section, much happens, but Elayne accomplishes little.
These are the fourth and fifth chapters in this book dedicated to Elayne and Caemlyn. Elayne reminds her friends that she has to take the long view. Even if she is trying to gain the throne, she cannot set aside the work that needs to be done to prepare the queendom for the Last Battle. Her goal is not simply to win the contest for the throne, but to win the support of the Andoran people for the long term. She makes several seemingly minor decisions throughout this section, none of which have any immediate consequences, but they may have delayed consequences that she will not know the result of until much later, when it is too late to change them. In a typical Mat sequence, the result of his gamble is immediately known, while in Elayne’s version, the dice are thrown and it may be a book or two later before we know how the dice have landed. While this makes sense in the political arena, a delayed payoff creates an expectation that the payoff will be that much more rewarding when it finally comes.
Elayne receives the support of four High Seats, though in truth Dyelin did the legwork and they are siding with Elayne because of loyalty to her mother, or antipathy towards the other claimants. So far, Elayne’s actions or character has not proven particularly relevant in her budding support.
The High Seats are young, naïve, and simplistic. But there is agreement that they are good material to be shaped, some having had good training, others being perceptive, and others being amenable to guidance from Elayne and Dyelin. I cannot escape the perception that Elayne as Queen is meant to embody the Light itself, and many of the judgments she passes on the individual Andorans she meets seem like the Creator choosing out who pleases him best.
Elayne’s two most important servants, the First Clerk and the First Maid, give her reports on the state of affairs in the Palace and the city. They discuss spies in the Palace, which Elayne is pragmatic about. They develop a strategy to counteract the attempted arsons in the city. Most troubling is a report that Arymilla has borrowed so much money from the banks that their only hope of seeing repayment may be to help her to the throne so she can receive enough income to make good on the debts. Other High Seats have vanished, and it is unknown whether they have settled in for the winter or are marching towards Caemlyn, their allegiance yet unknown.
Elayne is subjected to a weave to check the health of her babies, for she learns she has two. A thought is spared for Rand before she begins to fret over the difficulties if they are twin girls, which would present all manner of difficulties for the Succession. True to character.
Merilille has fled with a Sea Folk apprentice, creating another headache for Elayne. It may be that those moments spent in the dressing room or bathing are the only moments when she can be herself and not encumbered by her quest to gain the throne. She keeps many different plates spinning, coming back to each one ever so briefly, but she doesn’t actually get much done. At the end of these five chapters, I’m hard pressed to say what she has accomplished, despite the many things that have happened in her favour or against it. If Elayne is acting as a symbol for the Creator, then not taking a direct hand is appropriate. But even so, failing to do things is a sin that readers do not easily forgive.
Writing Lessons:
Delaying the payoff creates an expectation of a bigger and better payoff.

Monday, 3 September 2012

Crossroads of Twilight - Chapters 10-12

In this section, Elayne does all the things the readers don’t like.
There’s a reason you rarely see characters doing menial tasks. It takes time away from them doing the things readers enjoy, such as battling, or romancing, or striving, or accomplishing. Menial tasks make the characters that much more ordinary. But it also makes them relatable. If you never see a character eat or sleep, you might wonder where they get their energy. In Elayne’s case, readers feel they are all too often treated to hair brushing, choosing clothes, and bathing.
Elayne is unique amongst the main characters, in that she grew up and still resides in a world of politics. She will be judged for improper attire, unkempt hair, or smelling bad from a day in the saddle. Some of the others might get away with those things, but they are as much a part of Elayne’s routine as practicing sword-forms is to Rand or Lan.  A princess who doesn’t spend time doing these things is not a believable princess. Nonetheless, readers yearn for less of these trivial things.
The way Elayne is judged is important to her success in gaining the throne of Andor. She is trying to present herself as the impeccable choice to be Queen, and is courting the nobility of Andor. She is successful in portraying the desired image, but the Houses have little left to give, certainly not enough to make a difference in the defense of Caemlyn. But their presence is worthwhile for the symbolism.
Elayne reflects on the power of rumour and hearsay to create an identity for her. The image she portrays must be completely infallible. This is similar to how Rand tried to manage his own image, except that he took a very firm hand in direct dealings with the people he encountered. Elayne’s own dealings are subtle, never veering in a direction that can be misconstrued. The amount of time she spends dwelling on it reflects the intense non-stop effort it requires.
Everyone still insists on mothering Elayne, treating her as a fragile specimen whose only purpose is to bear a child.
When a character makes an analogy, the author is able to write one that conveys not only Elayne’s privileged lifestyle, but relates back to the topic being considered. Thinking of Rand always makes Elayne think of the babe, so the analogy that follows is: One followed the other as surely as cream rose in the milkpan.
Elayne’s romantic relationship with Rand puts a different spin on the importance of the cleansing. She reminds herself that it is the taint on saidin that will kill him. With the cleansing, that is no longer true, for him as well as for all the Asha’man. The blazing beacon she senses to the west is a source of concern for her, which it wasn’t in the last few perspectives considering its meaning. Aviendha sets her straight: they need to have faith that Rand can deal with this on his own, rather than rushing to his side and introducing an unknown factor he isn’t expecting.
Of the five Elayne chapters in a row, three of them end with her relating how Andor is what matters most, more than any other thing could matter. This feels repetitious in the same way Perrin’s continual quest for Faile was, but without the same dire outcome waiting. If Elayne doesn’t gain the throne, and Arymilla runs the queendom into the ground, Elayne would still be free to partake in the rest of the story. Her identity is wrapped up in becoming queen though; it is all she has been told from birth. Failing to become Queen changes her identity, which is the main threat she faces. The obstacles she faces are mostly circumstantial, and are not the result of any of her character traits. If anything, her character in this regard is flawless, and it is the shadow of her mother’s character she is trying to escape from under.
The Black Ajah in the palace is brought up again, but there are no good clues pointing to her. If anything, Sareitha’s praise of Mellar causes readers to view her as sympathetic to him, a known Darkfriend. That vague and tenuous connection from a single conversation creates a strong connection because of the pre-existing link between Mellar and the Shadow.
The Sea Folk make a new bargain with Elayne. They are in a rush to leave because Zaida wants her chance to become Mistress of the Ships. This gives Elayne a chance to be rid of some of the inconveniences thrust on her by the agreement to provide teachers. She gives up some future concessions that will cost her more than she can foresee, in order to keep what help she can for now.
A theme running through this entire section is that good help is hard to find. Maids gossip, Lords provide feeble old men or boys for Elayne’s armies, Mellar is a dolt, the Sea Folk are running off, the Black Ajah in the Palace still hasn’t been found, and her own closest friends and advisors don’t trust her to care for herself or the baby. Amidst all these unreliable people, only Elayne is strong and true, never erring, always seeing to the heart of the matter. Readers tend to interpret this as Elayne being overbearing instead of the commentary on the followers failure to live up to expectations which it must be, or the same message wouldn’t keep coming back. Based on how Jordan has used this repetition technique in the past, he is trying to expose Elayne’s worst fear that she won’t live up to expectations. Unfortunately, by the end of all this, a significant portion of readers won’t care whether she does or not.
Writing Lessons:
The events a character spends time on should be consistent with their background and goals.  

Saturday, 1 September 2012

Crossroads of Twilight - Chapters 5-7

In this section, Perrin undertakes the long search for his wife.
The sequence consisting of Faile’s abduction and eventual reunion with Perrin begins in The Path of Daggers (Book 8) and ends in Knife of Dreams (Book 11), over a publication span of seven years. I suspect it’s the lengthy publication dates more than the writing that is at fault for making this one of fandom’s least favorite plot lines. A closer look will tell us more.
Perrin was last seen discovering Faile’s capture, and hastily setting out in pursuit of her abductors. We return to him now twenty-two days later, after he has learned some hard lessons. Perrin is not a hasty person. He usually considers things, takes his time, and thinks things through before acting. At first he didn’t do any of those things when pursuing Faile, and it cost him a chance to get her back. As usual, Perrin uses a blacksmithing analogy, reminding himself that haste ruins metal.
Having learned the hard way, Perrin is staying true to his nature now, proceeding cautiously, meticulously, and determinedly. He is gaining ground on the Shaido, slowly but surely. He thinks of himself as a hammer, moving with purpose to strike its target. Now, every action, every tool, every relationship is viewed exclusively in the lens of how it can help him rescue Faile.
Balwer tells Perrin he is clever, but Perrin thinks it is simply the result of his nature, thinking and considering before acting.
Aram reveals his mistrust of Aes Sedai, Balwer, Selande, heck, practically everyone. Perrin says you have to trust somebody.
Perrin finds Darkhound tracks circumventing the camp. Their presence was felt in his dream, which did not take place in Tel’aran’rhiod.  It begs the question of whether Darkhounds can also enter Tel’aran’rhiod. If they are supposed to confront each other in the Last Battle, then Tel’aran’rhiod is the only place suitable for them to congregate.
The Darkhounds were looking for someone else, and the only plausible someone or something is Rand, Mat, or the Seals. The timing corresponds roughly to when Rand may have left Far Madding, vanishing from the Forsaken’s radar. They obviously knew he was there when they sent the Asha’man to kill him, but could have been urgently searching for him if they discovered he had left the city. Whatever the case, they are trying to avoid notice, so they circumvent Perrin’s camp.
A great deal of discomfort is caused by Perrin learning of secret meetings between Masema and the Seanchan, and Masema and the Aes Sedai. While there could be reasons why Suroth would extend a hand to Masema as a regular part of advancing the Return, the letter from her is more likely to signify they work for the same dark master, since we already know Suroth is a Darkfriend. Masema would have to perform mental gymnastics to rationalize working with Darkfriends, but he’s already made an exception for Perrin, who he thinks is a tame Shadowspawn. The problem with vague possibilities of characters teaming up for some vague reason is that it is vague, and doesn’t clearly direct the reader anywhere. If the intent is to confuse the reader, or introduce doubt, then it can succeed wonderfully. The link from Suroth to Masema to Aes Sedai to Wise Ones creates a resilient doubt about whether any of them can be trusted, despite the vagueness of the secret relationships between them. Berelain herself now puts more stock in Perrin than in her own advisor Annoura.
Masema serves as a counterpoint to Perrin. Perrin’s single-mindedness is leaning towards the fervor of Masema’s logic. Someone who disregards all else for a single purpose is insane. Masema warns Perrin that all else is dross and trash, but you could substitute Masema’s dedication to the Light for Perrin’s need to find Faile. Perrin’s sequence opened with his dream of Darkhounds, and in it the Darkhounds’ presence spurs a mad thought: Hatred, and a sure knowledge of death coming. There were no choices to be made, not now. He ran harder, toward death.  The search for Faile threatens to be Perrin’s undoing. Changes to his character from his own choices will kill him as effectively as any weapon could.
Writing Lessons:
A strong association between two characters can be passed along to other characters through weak associations.  

Monday, 27 August 2012

The Wheel of Time - Act 2 - Books 4-9

Treating The Wheel of Time as one long novel, the Books from The Shadow Rising to Winter’s Heart make up Act 2. This is the middle of the story, where we expect to find conflict and a growing problem that the heroes can’t solve, leading into the conclusion of the story in which victory is achieved.
The Shadow Rising picks up with Rand having accepted that he is mankind’s saviour. He sets out determined to act out his role, only if he can do it without guidance or prodding. He rejects help from Moiraine, preferring to set out where his parentage leads: to the Aiel waste. With the help of Lanfear, he gains leadership over the Aiel and captures a Forsaken to teach him. Lanfear later strikes out at Rand in jealousy, and he loses his mentors.
Rand becomes a leader, and builds an army of soldiers and male channelers. He learns that followers have more say over the leader than the other way around. His arrogance leads him to make a mistake that gets him kidnapped. His treatment hardens him, and he grows ever more protective of his emotions. He resolves to firmly impose his will over both enemies and followers. For a time he appears to succeed, leaving dead Forsaken and wrecked armies wherever he goes. Eventually, the people he constrains wiggle free or fight back, reinforcing his attitude. Rand is well on his way to becoming a tyrant.
At this late juncture new potential mentors appear, Cadsuane and Sorilea, who see that a saviour who imposes his will is not much better than the Dark One. Their challenge is to save Rand from himself, before it is too late. At the last, Rand stumbles into a trap of his own making, yet recovers enough to gain Cadsuane’s help. He cleanses the taint, metaphorically erasing his past mistakes, but the question remains what path will he follow?
The villain Ishamael has returned in a new body, naming himself Moridin. He reveals his plan to be not to try control Rand yet. A board game serves as a metaphor for controlling Rand. It can be as dangerous to hold Rand as to let your opponent hold him. Moridin has cast doubt in Rand’s mind, now he plans to sit back while the heroes fulfill those doubts and set Rand’s path towards the Shadow. The only hitch so far is Rand’s cleansing of saidin, a danger so great to the Dark One that all the Forsaken were commanded to stop it even if Rand is killed in the doing.
The cleansing of the taint is the single most important event to happen in the world, opening up the possibility of men and women working together to defeat the Dark One, and acting as the opening blow of the Last Battle. As a pivotal moment, it makes a logical place to end Act 2.
Robert Jordan deftly creates obstacles of character, making the heroes’ choices directly responsible for how events play out. Nowhere is this clearer than with the battle for Rand’s identity, where his most personal defining choices dictate the fate of the world.
Supporting characters have been propelled into positions of leadership throughout Act 2. Elayne, Egwene, Mat and Perrin have assumed the responsibilities of leadership without going through the difficulties that Rand has created for himself. Notably absent is Nynaeve, who acts as Rand’s protector and conscience, disposing of threats to him, and she therefore has no leadership duties to assume.
All of the characters have had romantic interests identified and the majority have cemented them. Where stories frequently are resolved by acquiring the romantic interest, the fact that this story has tied most of them up this early may signify that the most important role of the relationship is to make men and women work together, like saidar and saidin. Resolving the romance at the end of the story would be counterproductive in achieving this goal.
The World of Dreams, Tel’aran’rhiod, is a place where identity and force of will shape reality. The early part of Act 2 had a heavy focus on this realm which was conspicuously absent in later books. This is distraction on the author’s part, diverting the reader’s attention from the possibilities of its powers until their eventual use in the final act.
Several of the books made use of a magical item or spell in the climax of a plotline, such as the Bowl of the Winds, balefire, a’dam, or the Choedan Kal, but these are far less obvious quests than in the earlier books of the series.
The broadened cast of characters and more frequent use of minor characters’ viewpoints greatly expand the world. Readers understand that the whole world is at stake, because they are exposed to the entire world and its myriad cultures. This wider tapestry has the side effect of bogging down the story a bit; most often when the readers can’t see how a scene affects the characters they have been following for so long.
The story carries the best pacing and enjoyment when readers are treated to several chapters in a row featuring the same locale before jumping to a different one.
Continuing the theme of American fantasy, the books of Act 2 reflect a far less certain time, reminiscent of the Vietnam era and its outcome, and the internal conflict it created.  Rand and America have stepped forward to claim the privileges of adulthood, and then made an apparent bungle of things with hardened arrogance and ego, the type of errors in judgment such as any young man might make. These events are part of the modern American mythology, along with the self-questioning that comes with it. These books are about the search not only for what outcomes are right, but what actions are right to reach them.

Tuesday, 21 August 2012

Winter's Heart - Chapters 29-32

In this section, Mat escapes with a wife in tow, and Rand promises to accept an advisor.
Mat and his allies lack insight that other characters already have, notably that sul’dam are women who can learn how to channel. Watching him experiment with the a’dam is necessary to maintain belief in his ingenuity and allows a chance to prove earlier information or add detail to it with concrete examples. Once he’s done experimenting however, the author throws a lifeline, providing sul’dam, a High Blood, and everything else Mat needs. Giving these things to Mat too early would have reduced the credibility of the situation.
A potential rift between the uneasy allies will appear if Mat’s side learns about Egeanin turning the male a’dam over to Suroth.
Mat makes some changes to his plan, but this is revealed only at the last second. First, the author builds up concern about the things that can go wrong. Mat analyzes it, and concludes his plan has as few flaws as can be expected. Because of this analysis and Mat’s dread, the reader is primed to think something will go wrong. Mat reminds everyone of their tasks, and of the cost of making a mistake or exposing them. He makes plans for what to do if something goes awry. It all seems to be going well. The first sign of trouble comes when Mat worries about Teslyn cracking. Night falls, and riders approach. Egeanin has adapted the plan to keep the warders and others close by her rather than lose them in the rain. Mat initially expresses anger, but lets it drop because, surprise, surprise, he has made changes to the plan as well! After all that worry, Mat himself turns out to be the source of the threat he was worried about! With a tense set-up like that, this down-to-the-last-word surprise revelation adds humour and excitement: After all, lying on that bed in Tylin’s apartments, he had decided to risk a change or two himself.
Mat reluctantly kidnaps Tuon after learning that she is the Daughter of the Nine Moons he is foretold to marry. She is physically opposite to everything he likes in a woman, and so culturally different from him they could be called opposites, yet he must marry her. This is similar to Rand’s situation, in which he has an ideal path in mind, but destiny requires him to embrace something strange and alien to him.
Far Madding symbolizes a life without the True Source, without the Light. Lews Therin rails against the city, calling it madness to live in such a place. In this place both physically and spiritually, Rand casually intends to murder his opponents. His feelings are non-existent; he might as well be a stone for all Min can feel through the bond. He is losing touch with his humanity, the very thing Cadsuane seeks to prevent.
Cadsuane represents the Light. She has strict rules that must be adhered to, like Commandments, or she will not offer help. She is never wrong, she is demanding, but those who travel with her are happy, enlightened and empowered.
Rand has the idea that he has to be harder than his opponents. He knows his opponents will exploit weakness, so he has cut ties with friends and family, excising feeling sand emotion from his life. Rand is despondent as he walks the cold, rainy streets of Far Madding. Then he bumps into Verin, fresh from the previous evening’s heart-to-heart with Cadsuane.
Verin tells him that Cadsuane did not send her; she is out riding with Nynaeve. Verin brings news that his war on the Seanchan has been for naught. They have refortified their positions and are marching into Illian as though he never drove them back. Verin dismisses battles as irrelevant in the long run, recognizing there are stronger forces that shape history. Realizing his efforts have been wasted, Rand asks whether Cadsuane might help him.
Verin says he can apologize, stop being a fool, and she should listen to him. Rand asks Verin to carry his apology and promise to Cadsuane. He is leaving Far Madding, having realized that the world won’t wait for him to do dawdle while important things await him, such as cleansing saidin.  Rand’s allies agree that Cadsuane can give him what he wants, and even have sacrificed to make their meeting possible.
Nynaeve takes pride in Cadsuane’s fallibility since she didn’t know everything about her ter’angreal. Rand starts to have doubts, uncomfortable knowing Cadsuane will be able to channel when they meet. Then a letter is delivered. Padan Fain’s letter presents a path away from Cadsuane. He represents war against the Shadow, with no moral questions bogging him down. He has pledged to destroy Rand, and the choice presented in the letter will destroy him if he takes it. Cadsuane still represents the Light, morality trumping all other considerations, uniquely powerful in a city where no one else can sense the True Source.
Hours of daylight remained before he had to meet Cadsuane. One last chance to act outside of her rules. A possibility of deferring the actions he must take in favour of the ones he wants to take.
Writing Lessons:
 A choice to be made is a powerful means of establishing identity, creating tension and excitement, and clarifying the theme.

Thursday, 16 August 2012

Winter's Heart - Chapters 17-19

In this section, Mat fatefully encounters a number of women and decides he must attempt a daring rescue. Again.
Mat meets almost every important woman of the next few months of his life in these chapters: Aludra, Setalle, Tylin, Egeanin, Tuon, Anath, Suroth, Teslyn, Joline, Edesina.
The Mat chapters have a very distinctive voice, so let’s take a look at how Robert Jordan creates that voice so that the reader can tell these sections are from Mat’s point of view.
The words he uses to describe Mat’s actions always have a tone of carelessness or haste or suddenness about them. The foxhead medallion is stuffed into his coat pocket, so he can snatch it out of need be; flinging open the doors; the plan had just occurred to him; he sank into one of the bamboo carved chairs; ignoring the protests of his leg, Mat moved faster than he thought he ever had in his life; he went straight to Tylin’s apartments; he walked to the first and opened the door long enough to peek in; he unconsciously began humming. Mat’s section contained no fights, no action, just walking and meetings with various people, yet it has an intensity that comes from the words that describe Mat’s actions, as well as his description of other people’s actions. Mat’s life is filled with spontaneity, impulsiveness, and unpredictability, even if it involves him doing nothing more than walking across the room.
Mat is fairly obsessed with the opposite sex in comparison to the other men in the story. Other male characters certainly enjoy the sight and company of the women around them, but in Mat point of view chapters, physical observations of the opposite sex are moved to the front: the statue of Queen Nariene has three possible explanations for its pose, one of which involves a bared breast; “Mud?” he said to a pretty, smiling maid spreading her skirts in a curtsy; (Tylin) pale green lace trimmed the oval opening in her gown that half exposed her full breasts;  (Suroth) a pretty enough woman despite her hair being shaved to that long crest; (Anath) imperiously beautiful, she put Tylin and Suroth both in the shade; (servants) the yellow-haired man in his indecent garment was not the only one either. A slim but nicely rounded red-haired woman wearing the same sheer robe was kneeling beside a table; (Selucia) a short woman with half her golden head shaved and a bosom that might outmatch Riselle’s. The author does not hold Mat back from expressing his interests, and that gives Mat a unique voice in the story.
To a lesser extent, Mat’s other interests in horses, gambling, wealth acquisition, and battle (or battle avoidance) crop up regularly. Anything that doesn’t fit those interests is quickly dismissed. This narrow focus allows the author to drop obvious hints to the reader while Mat cheerily skims over these details. Playing into this behaviour allows many humourous situations to be created.
Even without that, a great deal of humour comes from Mat’s exaggerated view of even mundane situations. Mat is prone to exaggerate more than anyone else, making his point of view distinctive: what good it would do if she still swallowed the whole faradiddle; her muscular husband was a fishing –boat captain with more dueling scars than Mat wanted to think about; Light, did the whole city know?; he kept shooting frowns at his workmen as though suspecting they would lie down and go to sleep if he did not maintain a close watch on them. A dead man could not have slept in that heat; the day after he first kissed the Illuminator, the grandmotherly maids disappeared from her chambers, replaced by women white-haired and wizened; No one could be friends with Suroth; With dozens of Seanchan just the other side of a door guarded by a cook with a spoon; her ageless face still looked as if she ate briars three meals a day.
Any one of the elements described above could lend a strong voice to a character, but when you combine several of them the effect is multiplied, and the voice becomes unique and memorable.
Writing Lessons:
Create a distinctive voice for your characters by playing up some aspects of their behaviour and playing down others, in content, word choice, and tone.

Sunday, 29 July 2012

Winter's Heart - Chapters 1-4

In this section, Perrin and Faile learn the extent of their problems.

At the very end of the last book, Faile’s kidnapping and Perrin’s meeting with Masema were covered. This provided a bit more of a cliffhanger ending, but those bits would have fit as easily at the beginning of Winter’s Heart. Only the prologue separates them from the opening chapters of this book, so the flow feels almost uninterrupted, despite a two-year publication interval.

Very little new information is given during Perrin’s march back to camp, during which he is oblivious to Faile’s plight. The first chapter serves as a re-introduction to some of the main elements of Perrin’s current set of tasks. We are reminded that Masema is a powerful fool, his followers have a mild respect for Perrin at the moment, but are still crazy, and will do whatever Masema tells them. Perrin’s followers are alert, and many of them favour killing Masema outright. Perrin maintains firm control over his followers, but worries they will act on their own because his hold isn’t firm enough. The relationships between the diverse followers are difficult to keep smooth. Yes, all this is old news, and the reader has to be satisfied with sparse tidbits of new material.

Perrin’s lack of knowledge heightens the tension, especially since readers have known about her kidnapping for some time. It only lasts for that one chapter, but the reader spends most of it feeling that Perrin needs to hurry up and find out what’s going on. In the short term this had the desired effect, but in the longer term it contributes to the perception of slowness of this entire plotline.

Among the new tidbits is that Perrin has already thought through his options regarding Masema. His plan confirms what we already knew about his personality. Kidnapping or killing Masema would turn his bands of madmen loose on the land, causing looting burning and killing. Perrin is completely unwilling to cause such havoc, the slaughter at Dumai’s Wells still fresh in his mind. He hopes to never see the like again, and will go to great pains to avoid it, even at the cost of dealing with Masema directly and marching home instead of Traveling. Meanwhile, Toveine and Rand are both trying to prevent the same possibility from coming true with the Asha’man. Keeping the madmen congregated and obedient is a parallel plot they share.

Another interesting tidbit is Elyas’ assessment of Aram. He says that with the Way of the Leaf gone, he has nothing to believe in except Perrin, and that is not enough for any man.  Aram is fervent, perhaps as intensely as Masema, and the implication is that no good can come of it. This comes just as Perrin reminds us yet again that nothing is more important than Faile, even his task, or his men. All resources must be devoted to finding Faile, at any cost. Perrin has a number of people acting as his conscience, to set him right when he gets too far down the path of single-mindedness and to approve his actions when he acts appropriately. Aram serves as a cautionary tale for Perrin showing what goes wrong when you worship a person instead of a set of ideals. Masema does as well, but as a leader instead of as a follower.

Faile meets Rolan, the leader of the Brotherless, Aiel who have rejected sept, clan and society. Like Aram, they have rejected their former set of beliefs and associations. Faile and her friends live because Rolan and his friends rejected the Aiel notion that the prisoners should freeze to death instead of being wrapped in coats. Rolan is a sort of anti-Perrin, physically comparable, representing an alternative life that Faile will have little choice but to try embrace if she is to escape.

Her other options for escape are limited. She can help Therava spy on Sevanna and hope the Wise One keeps her word to leave them behind at some later point, presumably once Sevanna has been deposed. She can help Galina steal the Oath Rod from the implacable Therava and try escape with her. No matter who she helps, she is betraying the other two, with the likely outcome that she will be exposed and punished or killed. She is faced with a handful of incompatible choices, greatly heightening the danger she faces.

Both Perrin and Faile are in situations where any choice will force them to act counter to other actions which are critical to their character or to their survival. The choices have been well explained, and the contradictions they expose are clear to the reader so they understand the consequences and the stakes.

Writing Lessons:

The reader needs to know what choices the characters have, what the costs and benefits of each are, and have a clear understanding of which your character chooses and why.

Sunday, 22 July 2012

Winter's Heart - Prologue


In this section, multiple plots are laid out clearly, and reader’s expectations are set.

Perhaps recognizing the previous book’s weak ending, the author immediately sets up several storylines with expectations to be met before the book ends.

In the White Tower, the Black Ajah Hunters get Talene to re-swear the Three Oaths. Talene is a tool that can be used now, but the Hunters decide to proceed with caution, bringing in the ten rebel ferrets to swear obedience first. That will bring their number to sixteen. Seaine also has her first doubts about what task Elaida actually assigned her. We expect this quest to net a second Black sister soon.

Elayne’s section reveals a little about Egwene, which is all we’ll see of the Amyrlin in this book. A simple primer about Elayne’s major competitors for the throne means we should see some of them interfering before the book is over. A number of reasonable contrivances explain why Elayne won’t be receiving any outside help. No allies are available, and in any case would unintentionally cost Elayne the throne because they are foreigners. The Sea Folk remain stuck in Caemlyn by their own mistrust that Elayne will break the Bargain. This character-driven obstacle is more powerful than a physical one could be. Renaile will not leave until she gets what was agreed to, which will keep her at Elayne’s side for a long time.

The confrontation between Taim and Elayne ends with him acquiescing to her requests to visit the Black Tower under supervision. When she later carries out her first visit and Toveine sees her, we then expect some interaction between the two.

After Taim, a Wise One enters, the third uninvited interruption in the last twenty minutes. Dyelin provides a comment which is likely echoing the reader’s thoughts, and is therefore meant to restore the plausibility of the scene: “Blood and ashes!” Dyelin muttered. “ Is the whole world just going to walk in here?” She uses exaggeration to make the current situation seem normal in comparison. Humour is another tactic which causes the reader to overlook the obvious by pointing out the abnormal situation. A reader who knows that the author has recognized their complaint will be satisfied and move on with the story feeling the problem has been resolved.

The first-sister ceremony provides a glimpse of a healthy relationship by Aiel standards. It amounts to knowledge, faith, and forgiveness of the first-sister. Elayne has already shown this behaviour is the basis for her romance with Rand, so now this example will allow Aviendha to learn how to love him as well, and maybe they will teach and remind Rand how to behave.

Toveine is crafty, and seems to have a secret plan to pull down Elaida, even as she agrees to publicly give leadership of the Black Tower prisoners to another sister. Readers expect this plan to bear some fruit by the end of the book. Logain’s unwanted presence at the Black Tower and the faction he is heading create interest in seeing matters advance or get resolved. The Asha’man voice concerns that Rand doesn’t care about them, that Taim is giving preferred treatment to certain Asha’man, and that Taim’s cronies have turned bad. The implication is that Taim is creating a private army and Logain will be the main obstacle he has to overcome.

Rand has decided he can’t wait to move forward with his plan to make his Asha’man into reliable tools again. As soon as he can lure his would-be assassins to him and dispatch them, he plans to cleanse saidin. This sets the reader’s expectations. There had better be an attempt to cleanse saidin before the book is done! He even describes how it will go down: everyone within a thousand miles will feel him channeling, and come to put an end to it, so he needs to whittle down the number of detractors he will face before he starts cleansing. That and get over the sickness that has begun to affect him whenever he channels.

Each of these points of view has created expectations that readers will want resolved.

Writing Lessons:

Set expectations purposefully, or your readers will set them for you.

Use humour and exaggeration and acknowledgement to have readers overlook the contrived scenarios you devise.