Showing posts with label chapter breaks. Show all posts
Showing posts with label chapter breaks. Show all posts

Monday, 10 December 2012

Towers of Midnight - Chapters 6-9

In this section, Mat, Lan, and Perrin are moved in directions they did not foresee.
Morgase serves tea, her perspective that of an outsider looking in. When Perrin tries to marry her off to Tallanvor, she protests, telling him he has no right to decide what is right for other people. Since she is another of the elder mentor characters, a former queen no less, her philosophy is meant to be correct thematically, and give Perrin yet another clue about how to win his conflicts.
Morgase has links with both Perrin and Galad, which is relevant enough to be of significance later, so this is the first opportunity to re-establish who and what she is, so that any role she plays in the later conflict between them will not confuse or surprise readers.
Lan gets three more followers, and like Perrin learns the futility of trying to tell people what to do. The humourous circumstances surrounding his grim march to the Blight feel natural, since Lan’s intense behaviour can’t help but be ridiculous when it isn’t venerated.
Perrin and Galad scenes are shuffled together in a single chapter, leading towards their confrontation. Cutting down on all but the dialogue was used foremost as a means of giving more intensity to the imminent collision between the two forces, but the reduced descriptive text in the Galad scenes has an additional result:
Galad is convinced of Perrin’s evil by Byar. At first, some description sets the location inside Galad’s tent, and shows Galad’s perspective on things. Once the author moves into dialogue, the descriptive text is trimmed down, yet there are two obviously distinct people conversing. The dialogue continues in the next page-long section with only four pieces of description allowing the reader to distinguish whose perspective it is: Byar said, lowering his voice and Galad said flatly, recalling a particularly embarrassing lesson he’d once been given and A coincidence, or something more? and Byar was obviously thinking along the same lines. In the next section, there are only two pieces of text to say whose perspective it is: Byar leaned in close, sunken eyes alight with zeal and Byar smiled, looking eager. From then on, there is just ‘Galad said’ and ‘Byar said’, if that. All of the inner thought has been moved into the dialogue.
The effect is to make Byar’s and Galad’s thoughts more similar, less distinguishable, such that Galad becomes an extension of Byar’s will, meshing his follower’s thoughts with his own and arriving at a conclusion that is a fusion of the two, without confirming that we are still following Galad’s perspective: “We have no choice. The Light has delivered him into our hands.”
To a lesser extent, the same technique is used between Perrin and Gaul in the scenes shuffled between Galad’s, though Perrin’s voice is more obvious.
Mat has received a letter from Verin, and is held hostage by his promise to do what it says if he opens it. The letter is used as motivation, providing incentive to keep Mat away from his stated goal of saving Moiraine for a time.  
The gholam has returned, kills two of Mat’s oldest followers, and threatens his closest allies. The threat is used as motivation, providing more incentive to keep Mat away from his stated goal of saving Moiraine for a time.  
Teslyn promises future help to Mat. Her role as a former damane will give her a unique voice in the White Tower, and common ground with Egwene.
Writing Lessons:
To show a character being convinced of something, associate them with other elements of the person convincing them.

Tuesday, 4 December 2012

Towers of Midnight - Prologue to Chapter 2


In this section, old and new characters give meaning and emotion to the story.
The prologue has three sections which are truly prologue material, involving Graendal, Fain, and some new Kandori characters. The other three sections involve main characters who figure prominently throughout this book. Lan gains his first follower, while Perrin and Galad share the first of several chapters in which they are inexorably drawn into conflict, though for now they are simply moving towards each other, though even that is not yet clear. Placing their perspectives in the same chapter, or in back-to-back chapters, creates the feeling that their stories are intertwined early on, which will allow later chapters to increase the tension as they draw ever closer to opposing each other.
Graendal survives Rand’s balefire attack by a narrow margin. One flaw I had identified in the balefiring of her palace was that none of the food her servants prepared for the last several hours or days ever made it to her plate, since the servants were balefired too. For all intents and purposes, Graendal was sitting in a forest for some time, imagining that she was in a castle surrounded by her pets. It may be that the balefire simply didn’t undo events very far back.
But once again, balefire has been used, and readers have yet another opportunity to have its properties explained, heavily implying that it will feature in the Last Battle, either as a tool of Demandred’s as suggested when the Dark One asked if he would unleash balefire, or in the hands of the heroes. Balefire’s most important property, revealed long ago, and only recently discovered by Rand, is that the Dark One cannot step outside of time any more than the heroes can. So what can Rand balefire to make use of this property in defeating the Dark One? The obvious answer is that the seals can be balefired. The Dark One’s prison can be broken open using balefire without him knowing that he was free to leave it. Rand can prepare his new seals, and while he balefires the seals, his allies can place the new ones at the instant he does so, cutting off any opportunity for the Dark One to take advantage of the gaping hole in his prison.
Fain enters the Blight, and readers are reminded that he has a role to play. His powers have increased immensely. He represents both the Shadow and intense opposition to the Shadow. He also represents a side of the heroes that they have turned away from, a dedication to a cause at all costs. His final role in A Memory of Light should play off of the heroes’ dedication to their causes, such as Perrin’s protectiveness of Faile, Rand’s desire to win, or Egwene’s pride. There have been two examples of how his evil can counteract the Dark One’s evil, with Rand’s wound and the cleansing of saidin. Fain is a trickster, so the third and final example where he counteracts the Dark One himself is not a foregone outcome.
Rand has had an epiphany of sorts, and where his immediate surroundings used to have all manner of bad things happen, such as spoiling of food or fatal accidents, now his presence makes things grow and provide sustenance. This change reinforces the idea that the spreading bubbles of evil and bad ta’veren effects were a result of his mental state, following the prophetic words that the Dragon is one with the land.  
It stands out as odd when new characters are introduced so late in a story, or when peripheral characters not seen since the first book make a return to the story. In Almen Bunt’s case, Rand is able to return a favour given long ago, and this is a second chance for him to treat people correctly, since he realized everyone should have a second chance during his epiphany atop Dragonmount.
Let’s take a quick look at how a scene of disposable characters, meant to introduce the dire forces massing against the heroes, is presented:
Malenarin expresses frustration, and has never accustomed himself to having the Blight nearby, yet he exhibits a casual ability to overcome difficulty by taking matters into his own hands, all presented with a short scene in which he latches a window to stop a hot breeze.
More detail of the sort of difficulty he must overcome is given in the form of the talents of his recruits, a memento of battles past, and the necessity to trick men into joining the ranks.
Malenarin’s son Keemlin is turning fourteen, and will be presented an heirloom sword. As he surveys the fortress, providing more details on the difficulties its men may face, the author forges a link between Keemlin, the fortress, and the difficulties, by talking about duty and burden, and how Malenarin’s philosophy encompasses them. In only two pages, the reader gains a strong understanding of Malenarin’s motivation, setting, and character.
A problem is introduced, Jargen says that another tower has signaled trouble. The author brings attention to Jargen joining the ranks of soldiers on his fourteenth birthday, further establishing the idea that Keemlin will do the same. Malenarin quickly decides to treat the event as though it represents the most serious possibility. Riders are to be sent south in case the flashes prove ineffective, and Keemlin thankfully happens to be on the list.
Malenarin’s worst fears are realized when the other tower southward does not respond. The hopes of the kingdom now ride with Keemlin. Malenarin orders the fortress made ready for a siege, and is dismayed to find Keemlin before him!
Keemlin explains that he let another younger rider take his place, out of concern for a friend’s family, and for the slight advantage that a few less pounds may have on the horse’s endurance and speed. Malenarin realizes that his son needn’t wait until his birthday to be raised to manhood. He has acted selflessly, and responsibly, choosing the least worst of his available options, even though it means his own death. He is thus able to stand with his fellow soldiers, having adopted behaviour that fits solidly within the philosophy presented earlier.
These few pages introduce new characters whose ideals are explained, challenged and met. The author accomplishes this rapidly by presenting several concepts and then linking them under a common idea, so that it stands in for all the subordinate concepts.
Writing Lessons:
Link ideas under a larger common idea to efficiently represent them all at once.

Tuesday, 16 October 2012

Knife of Dreams - Chapters 26-27

In this section, a jumble of viewpoints leads up to Rand getting injured.
Following Egwene’s lengthy chapter, the next viewpoints are short, and are divided oddly amongst the chapters. Here are the viewpoints, the number of pages in each, and the chapter they fall in.
Chapter 25: Tarna 6, Mat 12
Chapter 26: Tuon 12, Perrin 15, Faile 3
Chapter 27 : Rand 15, Mat 9
It is an odd partition to have Tuon’s viewpoint sharing a chapter with Perrin, when the viewpoint immediately preceding it was Mat’s, who is in the same locale as Tuon. Why not have shorter chapters with no shared viewpoints? Why throw a Mat section at the end of a Rand section, when there is no logical link between Rand’s and Mat’s actions? Tarna’s viewpoint was filled with trepidation, Mat’s also, but less so. Mat is more in control of events once he meets up with his army again. Tuon’s section is back to mild confusion and study of the situation. Perrin is nothing but preparation for conflict, and worry for how it may pan out. Faile is down to a desperate gamble. The range of emotions these characters feel is similar to what Rand has gone through in preparing to meet the Seanchan. Trepidation, study, preparation, and a gamble at the end. But it’s not just Rand; each of these characters also went through something similar in their predicaments. The viewpoints are divided this way to avoid repeating each character going through similar emotions, which could make for arduous reading. The emotions and concerns expressed in each of the sections stands for the others as well. And in the end, each of the characters will make their gamble, knowing that there is a knife-thin margin between victory and defeat, which relates back to the rhyme at the opening of the book. All of these plotlines are linked thematically.  
The Tuon section reveals that surprisingly, she knows as little of Mat as he does of her. Even as a willing prisoner, Tuon plots how to undermine the enemies of her Empire, considering ways in which she can make life difficult for him or his army. Tuon’s inner thoughts have been kept from readers to maintain the mystery around her, so that they are unsure of where Mat stands with her. As their royal wedding nears, it is finally time to reveal some, but not all, of what her goals are, and how she thinks of Mat. This is an excellent opportunity to switch from his viewpoint to hers, since the author’s objective is now to keep some mystery around Mat’s brilliant plan to escape Altara.
Perrin’s plans are much less secret. Readers have been told about the Forkroot, and how Perrin will sneak some men inside the city to help Faile escape, which are the major tricky parts, the rest simply being placement of the troops. Perrin is able to put aside worries about Whitecloaks nearby, more Shaido septs reinforcing his enemies, and a ripple in the Pattern that feels as though he will be undone. That ripple represents how he may become undone by the secrets Faile may be keeping, but his singular focus lets him dismiss it, as he would dismiss anything Faile had done amongst the Shaido. He has an objective, and he will not let moral obstacles prevent him from reuniting with Faile any more than physical ones.
Perrin’s thought on Berelain are so forthright, I can’t help but feel his perspective is wrong: “Light, how could anyone believe there was anything between him and her? She was as beautiful as ever, true, yet the scent that had minded him of a hunting cat was so long gone from her smell that he barely remembered it. The bedrock of her scent was patience and resolve, now. She had come to accept that he loved Faile and only Faile, and she seemed as determined to see Faile freed as he was.” Berelain doesn’t give up, and Perrin’s smells are unerring, so Perrin has either misinterpreted what the smell means or is not being entirely truthful. It’s quite a leap to start suspecting that a bluntly honest character such as Perrin is hiding something that he can’t even address in his inner thoughts, something that contradicts the text told from his perspective. Consider this possibility: Perrin was ready to make a deal with the Dark One to get Faile back, and may have needed Berelain’s help so bad, he gives in to her as the price. Having paid her price, he tries to pretend nothing happened, to which she replied: “Very well Perrin, if that’s the way you want it.” Whether it is true or not, the author has carefully crafted the discussion between these two the morning he woke in her tent, so that a hidden meaning can be gleaned. Enough to raise suspicion, not enough to prove anything. Other clues point to a hidden meaning in the above passage as well: how exposed must she be for him to know the bedrock of her scent?  Why would she no longer smell like a hunting cat, unless she had already caught her prey? Could his forgetting that smell represent him hardly remembering what they did together? Obviously, there is never a Berelain point of view because that would reveal what is meant to never be revealed. Writing with double meaning, or to imply a double meaning, takes a particular attention and skill.
For her part, Faile is involved in rebuffing Rolan’s suggestions that they play kissing games. She plays coy with him, unwilling to lose a potential escape route. Faile hopes that the Aes Sedai Galina proves true, or she may have to take up Rolan’s offer. Readers know Galina is lying, and this represents Faile’s only truthful option being taken away. Faile recognizes that her only slim hope of not having to hide anything from Perrin lies with this woman, who is frantic and unpredictable. Giving the Oath Rod to Galina represents Faile trying to tell the truth about Rolan. The results would be unpredictable, possibly wild, with no guarantees despite Faile trying to force one out of her. The next post will further delve into the symbolism of Galina.
Rand confronts Semirhage, and loses a hand and his eyesight for it. With two other characters having somewhat successful interactions with Seanchan, there is still some expectation for Rand to come out of this well, despite Suroth’s involvement. There is some mild confusion about timing, as readers may be led to believe this scene takes place after Tuon’s return to Ebou Dar, so that Rand can meet her. The confusion is quickly resolved by the revelation that Semirhage was disguised as Tuon. Semirhage represents pain, based on her reputation, but Rand refuses to acknowledge any pain, whether from his old wounds or the loss of his hand. He is effectively cutting himself off from feeling anything, the wounds to his soul somehow eclipsing the grave physical wounds he has taken.
This uncaring sentiment is echoed when Mat refuses to give aid to the Seanchan soldiers he has cut down with his new tactics. Tuon approves: “A lion can have no mercy.”
Writing Lessons:
Unreliable narrators may require you to write true things with double meanings, not deal with certain things, or write outright lies.

Sunday, 14 October 2012

Knife of Dreams - Chapters 24-25

In this section, Egwene digs at the foundations of Elaida’s White Tower.
Egwene has resolved to undermine Elaida from within the White Tower, even though she has been demoted to a Novice, and is given Forkroot regularly to prevent her channeling too powerfully. Elaida knows Egwene is purportedly a Dreamer, but either cannot or doesn’t care to do anything to prevent her from using that ability.
Egwene’s lengthy section is one of my favorites in the series. It is told slightly out of chronological order, focusing on her success at forging and maintaining her identity instead of her success at undermining Elaida. The character achieving victory through personality conflicts instead of plot-driven progress has been demonstrated several times throughout the series. Egwene ends her first beating by the Mistress of Novices surprisingly calm despite having howled while it was being administered. She got the beating for claiming to Amyrlin, and she earns two more visits for the same before leaving the room. While Egwene earns punishments, she also is able to avoid bending her neck, and never does curtsy or call an Aes Sedai by their honorific title.
Every time Egwene is punished, she has another chance to prove to herself, and the world that her will is stronger than those who would seek to craft her identity. Every beating reinforces her self-confidence, and makes her wholeheartedly embrace her identity as Amyrlin. Egwene was already willful, and now she is being tempered into a being of self-knowledge and force of will that will eclipse all others in Tel’aran’rhiod. While Elaida believes she is breaking down Egwene’s resistance, she is in fact making her more resilient, and more powerful. Throughout the series we’ve seen several occasions when force of will and identity are the keys to victory, and Egwene is ahead of the other characters in developing an unassailable identity; several of the others still have some uncertainty or hesitation in embracing who they must become.
By repeatedly demonstrating that she will not become a Novice in fact as well as name, Egwene earns respect in ever-increasing amounts. Novices begin by bullying her, while the Red Ajah crows over her situation. She earns a spanking in every class, and the Mistress of Novices Silviana must adjust Egwene’s lessons and provide extra Healing to avoid drawing blood from the repeated beatings. Other Aes Sedai ignore Egwene in the Halls or the cells where Leane is imprisoned. Egwene drops hints to the Aes Sedai giving her lessons, all aimed at undermining Elaida, usually earning a penance. Small illustrative parallels are squeezed into Egwene’s lessons, such as former Amyrlin Shein Chunla, a woman whose identity as Amyrlin was subsumed by the Hall, which resulted in many egregious errors being made by the White Tower.
Despite lack of progress, Egwene begins to see each visit to the Mistress of Novices as a badge of honor, proof that she had refused to yield. The Novices try to emulate her, and quickly stop when they earn their own punishments, yet Egwene carries on. She gives advice to Accepted, consoles fearful young women when ghosts appear or corridors change location. She endures hard labor, yet the taskmistress in the kitchens is surprisingly kind with her. Eventually, Alviarin, the fallen Aes Sedai seeks her out, as does the kidnapped King of Illian. The first Aes Sedai she brings to her cause is Beonin, the betrayer. Beonin believed herself free of her Oath of fealty to Egwene, but a combination of logic and dislike for Elaida brings her to follow Egwene’s instructions. Doesine, a Sitter and Black Ajah Hunter, decides not to send Egwene to be punished for failing to curtsy or address her properly. Silviana finally begins to treat Egwene as more than a Novice to be spanked. Symbolizing her success, the Novices slip honey in Egwene’s tea, and offer her a cushion to ease her soreness. Embracing her identity, Egwene puts the cushion aside before sitting her tender parts on the hard bench, and the Novices are fully hers. She hasn’t reached anywhere near the influence she needs yet, but she is winning her war.
That chapter is in contrast to Tarna’s visit to Elaida’s apartments. Elaida is leading one of the rebel infiltrators by the nose, waiting for a chance to snap the jaws of her trap shut, seeming to relish the future opportunity to crush the woman’s spirit and betray their apparent complicity. Part of her sadistic joy comes from worry that the infiltrators are in collusion with the Ajah Heads, who are continuing to meet with the rebels in pointless negotiations. Where Novices and Accepted come to Egwene for advice, Elaida’s most trusted associate won’t discuss certain topics for fear of unleashing Elaida’s fury on herself. Elaida hopes to gloat over Egwene’s situation in person by having her serve Elaida’s private meal with one of the infiltrators.
Oddly, the chapter ends with Mat’s point of view, and the next chapter continues immediately from where it leaves off with Tuon’s. The division of chapters for the next while is peculiar, but discussion of it is best suited for the next post.
Tuon asks Mat to kiss her, but with Mat having such an unreliable point of view, it’s hard to tell who is more flustered by their first kiss. Their unique relationship is devoid of any traditional romance.
A Seanchan army and a landslide obstruct Mat’s escape from Altara. His band of soldiers is not far off though. Will he overcome this obstacle with his personality or his army? If the past is any indication, some element of character and personality will be the focus.
Writing Lessons:
The end result of a plotline is more powerful when developed slowly and incrementally, and relates more to character than plot elements.

Wednesday, 3 October 2012

Knife of Dreams - Chapters 8-10

In this section, Mat unites his followers.
In other posts I’ve pointed out how the books are most entertaining when they follow a character for a few chapters, then jump to another locale for a few more chapters, and so on, so that each locale is seen three or more times, and enough time is spent in each locale to advance the story. This section takes us to the fifth consecutive chapter from Mat’s point of view, with one more to come after. That’s a significant chunk of the book, and a sign that either some characters will be cut out, or have abridged sections. Nonetheless, Mat’s uniquely funny voice and a sense of advancement in the relationships among his followers make these chapters entertaining and flow smoothly.
A number of other ongoing plots are advanced: Mat and Aludra make a deal regarding her cannons, Bayle and Egeanin get married, the sul’dam begin to learn how to channel from the Aes Sedai, more of the Prophecies concerning the Last Battle are revealed, and continual references to the Snakes and Foxes keep cropping up.
Tuon educates Mat about the finer points of reading omens. Most omens are related to animals’ behaviour. The Pattern could have a wonderful control mechanism for the Seanchan Empire with the fervent belief in these superstitions. The Empress and High Blood take them very seriously and appear to alter plans based on seemingly random events. I wonder if Robert Jordan was detail-oriented enough to have known some of these omens when he wrote the earlier books and insert them before readers had any context to interpret them. Even he wouldn’t have. Right? Funnily, things that Mat knows to be true, she derides as superstition.
Mat finally gets Tuon to take a horseback ride with him, and while visiting some ruins he makes a startling realization: the Aelfinn and Eelfinn have established a lasting connection to him and may know exactly what he is doing.
Egeanin tells Mat more about Tuon and what she knows of life in the Imperial Family. Mat has slowly been falling for Tuon, despite starting out as him simply trying to learn more about his fated wife. Setalle Anan is also helping him as much as she can, and trying to correct his roguish ways.
All in all, Mat leaps from misadventure to another, slowly getting to know Tuon, slowly gaining the confidence of followers, and slowly letting other followers get out of hand. Amongst these, Joline loses her temper against Tuon, and then finds an a’dam clapped around her neck. Tuon provides a taste of her effective training methods. Then Mat steps into the fray, unlocking the a’dam despite Tuon controlling the Aes Sedai to weave flows of air around Mat. The Aes Sedai and Tuon had already seen the foxhead medallion in action, so this is the second time Mat is able to do what no man should be able to do, earning the respect of everyone involved. It has taken a while, but Mat’s ragtag band is forging links of trust, dependence, and mutual respect.
A bubble of evil or breakdown in the Pattern has an ancient village materialize, then vanish, taking a peddler with it. Once again, this stands out as a little contrived, seeming to serve no direct purpose other than to provide another example of the signs heralding the Last Battle. It does serve an incidental purpose as a motivating factor for Egeanin and Juilin to make peace between them, and vacate the tent, leaving Thom, Noal, Olver and Mat alone.
Thom has been reading a letter over and over, subtly making Mat curious about the letter, hoping he will ask about it, as Moiraine insisted he must before he can show it to him. Mat, oblivious as always, has taken months to finally ask Thom about it, and at last we get confirmation that Moiraine is not dead. Mat agrees to undertake a perilous journey back to the realm of the Aelfinn and Eelfinn to rescue her, with Thom and Noal in tow. This gives some satisfaction that a long-awaited plot will be resolved, but its resolution is yet several books away.
Writing Lessons:
Create suspense and tension by telling what must happen, then dragging out its resolution.

Sunday, 22 July 2012

The Path of Daggers - Summary


The Path of Daggers ends on such a weak note, it’s hard to think of it as a complete book. The Hero gets ambushed in dramatic fashion, and survives, but is unable to deliver any retribution. A similar attack on an Aes Sedai is treated without emotion or build-up. And the final chapter covers a handful of plotlines from other characters that haven’t been seen for the last half of the book, only one of which involves any action or genuine excitement.

While the book moved rapidly and had several rewarding moments, the failure to deliver a strong conclusion can’t help but wear down a long-time reader.  As with the previous two books, which read better as a pair because of the lack of resolution, I expect the most satisfaction will come from treating The Path of Daggers as the first half of Winter’s Heart, instead of a complete book in its own right. As with Lord of Chaos, the other half-book, this book uses a sudden plot twist near the end to try provide some excitement, hoping to make up for the lack of resolution of the main plots. It was much less successful here because the threat to Rand was much more physical than character-driven, and it involved foreseeable events instead of something never before seen let alone imagined.

The layout of the chapters has each character’s point of view chapters clumped together, mimicking the most successful pacing of the earlier books in the series. This layout delivers strong results once again, allowing a situation to be introduced, built upon, and if necessary to come back and complete the resolution in a later set of chapters.

The centerpiece of the book and the high point of the story is Rand’s epic war against the Seanchan. Rand knows the war was waged at a great cost to his own forces, with most of the losses coming at his own hands when he mishandles Callandor. He learns Callandor is flawed, but it is the war itself which was flawed. Rand is learning firsthand that the Tuatha’an saying is right; doing violence damages him and his people as well as the people he strikes.

In a similar vein, when the tools and people he relies on begin to let him down, whether Maidens rebelling or Asha’man going mad or trying to assassinate him, Rand builds up walls. Even if he can’t trust, he still intends to carry on as before.

Up until now, Rand had been presented simple solutions to all the problems: raise an army, and his opponents will surrender; kill a Forsaken and he can take over a nation. But his early successes are beginning to drag him down. He is learning through difficult experience that his tactics aren’t working any more, but he insists on pushing harder instead of examining whether other tools may produce better results. Rand has only recently achieved manhood and begun to take his responsibilities seriously, but he is fumbling with how to do it.

The metaphor of the sha’rah game in the prologue best depicts the book’s central theme. It can be more dangerous to have control than to give it up, the tool you hold can work against you, and the unseen pitfalls are many and hazardous.

Writing Lessons:

A book’s conclusion demands resolution and reader satisfaction. Failing to deliver it will cost you.

Monday, 2 July 2012

The Path of Daggers - Chapters 10-12


In this section, old acquaintances team up.

Morgase’s group has already joined up with Perrin’s, tying up one loose end in this part of the world. There was a feint that her plotline would converge with some others in the last few books, but her part was simply to be a sympathetic character who could show us what was taking place in areas where none of the heroes had reached yet. Once she joins Perrin, it indicates that the main characters will take over and she will be relegated to the sidelines.

Elyas is the next old acquaintance to have a chance encounter. He immediately throws his support behind Perrin, not really asking for anything in return. He faces some risk in being near Aes Sedai, but will take what precautions he can, and be ready to aid however he can.  

A new acquaintance, Queen Alliandre, is brought before Perrin. She swears to follow him as well, though her reputation is not for steadfastness as Elyas’ is. Faile imposes restrictions on her that will keep her support from wavering.

When a contingent of Dragonsworn is hung for their brutal crimes, Aram wonders if their deaths are justified. After all, these men are sworn to Rand. Perrin says that Rand doesn’t want men like this on his side, driving a first wedge between him and the boy that will eventually result in him perceiving Perrin as the danger to the Lord Dragon.

Sevanna barely ends a rebellion against her by her Wise Ones. She had hoped to bind Galina to her service, but must concede on that point amongst others, and share her with Therava. Belinde begins the confrontation on Sevanna’s side, and ends it on Therava’s, physically moving to stand with her. Using a minor character to physically represent the shifting politics of the Shaido makes the change more believable than simply having Sevanna worry about how she stands with the others. The task is even harder when told from an outsider like Galina’s point of view, making Belinde’s actions all the more important.

Graendal is added to those who serve Moridin. She is the last to be brought in. The message is clear, there is only one boss, and there is no room to do anything outside his plan. A new Forsaken, Cyndane, is introduced, already in thrall to Moridin.

Cadsuane and Sorilea meet as equals, and pledge to work towards the goal of making Rand learn he must embrace his emotions. After several examples of how easily Cadsuane would ruthlessly use people and throw them away to get what she wants, we are unsurprised to learn Cadsuane knows that she will break this oath if it interferes with her end goal, as she suspects Sorilea will if it meant Rand would destroy the Aiel. Their tentative promise should allow both to accomplish what they want.

This problem is one of the central points of the entire series. It is not sufficient for Rand to win, which he seems well on his way to doing as he adds another crown to his brow. Rand must also win under the right conditions, in the right mood, for his victory to count. This makes the Last Battle more a matter of character than of logistics or strength. A great deal of tension is introduced since Rand’s victories to date are all leading him down the wrong path, and all the characters who have failed to approach him in the right way must now struggle to make amends, if it is not too late.

The layout of the book is similar to the last one, with several chapters concentrating on one locale before moving to the next, and brief chapters between them covering secondary characters and villains. In each of these sections, some cue is given to help the reader identify when these events happen in relation to the other events they have read about. When the locales are far apart, it makes little difference if they are told slightly out of order, but it will matter more and more as Traveling allows characters to bounce about.

In this case, we learn that events have been told out of order. The prologue and Bowl of the Winds sections at the beginning of this book took place before Rand’s confrontation with Moridin in Shadar Logoth. This means that those sections may have been intended as part of A Crown of Swords, while this Perrin sequence was intended as the opening of The Path of Daggers. Likely reasons for placing them in this book are not wanting to have an Ebou Dar overweight of chapters, fitting the theme better in this book, and a desire to increase the pacing of this book by starting out with an action sequence, since Perrin`s point of view feels like mostly talk.

Writing Lessons:

Don`t be afraid to tell your story out of sequence, you can always explain to the reader so they don`t get confused.

Wednesday, 14 March 2012

The Shadow Rising - Chapters 38-41

In this section, dangers loom in Tanchico where the Hunters are hopeful, while the Hunter in the Westwood takes his loss personally.
Following a disastrous Trolloc ambush, Perrin acknowledges what he’s been trying to accomplish: vengeance and justice. The bottled up emotions, clear to the reader but understated in the text until now, are finally released. Faile quickly sets him straight on where guilt for his actions will lead. Her rebuke about proper behaviour for generals leads her to admit her royal lineage. Perrin is also stuck revealing his own secrets. They both come clean with each other, holding nothing back. Perrin and Faile face issues of guilt, responsibility, honesty and come out with a strengthened bond. This is all accomplished in relatively little space, which can be contrasted with Rand’s yet-to-come similar struggle with the same issues, which will be stretched out over a far longer period of time. There might be some message here about strength as a couple versus vulnerability as a loner. Faile and Perrin accept each other as they are, in line with the Way of the Leaf, which is not only non-violence, but acceptance of what comes. Interestingly, the Aiel have kept this part of the Way of the Leaf, in the form of their grim fatalism about death.
The first real insight into the mind of a Black Ajah, Liandrin, illustrates their selfishness and sense of entitlement. The way she lashes out at a maid, one who purportedly shares her affiliation with the Dark One, serves to demonstrate what her dominion over Rand would be like. Six Black Ajah, and however many others are off-screen, and a force of five hundred Whitecloaks greatly outmatch Elayne, Nynaeve, Thom, Juilin and Bayle. The sense of danger is heightened; excitement builds.
The reminder about the Seanchan menace waiting in the wings is much less effective at producing a similar sense of danger and excitement. At best, there is an indication of some divisive elements among the Seanchan, and potential for one side or the other to aid the heroes. Odds favour Egeanin, who is on the verge of contemplating treason. She sent the Lady Leilwin overseas. With all the intrigue in Seanchan, it is doubtful Egeanin’s new name was chosen coincidentally.
There is no indication yet that Bayle recognizes Thom from their flight down the Arinelle but he easily picks Nynaeve out of a crowd. There are no ta’veren in Tanchico, yet the coincidences happen anyway. Perhaps it is sufficient simply to encounter a ta’veren for him to set your path?
Similarly to the young couple, Thom comes clean with Elayne about his affair with her mother. Elayne seems likely to remember the feeling, if not the exact words Thom said, strengthening their trust.
Chapter separation in the Perrin sequence again seems to serve spacing and pacing considerations, but there is no indication chapter breaks were purposefully designed.  Rather, an uninterrupted Perrin sequence was written, and the breaks and placement chosen afterwards to improve the flow.
Slayer is now twice described as looking as Lan’s brother might. Alert readers remember the legend of Isam, and may even pick up on the same inhuman smell coming from Lord Luc. These clues require memory of earlier books events, but a hook was placed that allows easy recollection: Lan. Stories about random people who are deceased from a generation earlier don’t stick in the memory. Make that story about Lan’s lost cousin, and reader interest is piqued. If it were about Bornhald’s lost cousin, it would not work so well. Lan is the last Malkieri, so any relative affects his identity. Slayer also reveals his plan to Perrin, which is made into a reasonable action by the intent that the information will lure Perrin into a trap. A suitable alternative since an inner monologue such as Slayer gives in The Path Of Daggers would give away too much at this point. The clues may be there, but there is no sense solving the mystery for the reader yet.
With the raker’s departure, the Sea Folk have yet to play a significant role, so readers may expect the Coramoor, Elayne, the Sea Folk and the Seanchan to meet up in the future.
Writing Lessons:
Make a detail more memorable by linking to a character or event that already made an emotional impact in the reader’s mind.