Towers of Midnight - Summary

Towers of Midnight is the next to last book of the series, and sets up an epic character-driven confrontation before the Last Battle, bringing everyone tantalizingly close to working together. Almost every hero and heroine will be at Merrilor to stand for or against Rand’s plan to break the seals on the Dark One’s prison. The lead-up to this reunion pervades the book, driving several plots forward while the remaining sections allow characters to tidy up loose plot threads.

Perrin resolves rumours about his dalliance with Berelain, understands his nature as a Wolfbrother, defeats Slayer, and confronts his guilt over killing for the first time. Egwene beseeches Gawyn to obey her, yet finds treating him as a partner is the path that leads to his love, his bond, and saving the Tower. Elayne gains cannons, another throne, an army, and uncovers a plot to invade Andor. Mat dispatches the gholam, creates cannons, and enters the trickster realm of the Aelfinn and Eelfinn to rescue Moiraine, who still has a role to play. Lan grudgingly accepts help on his quest, then leads his people towards a final confrontation with the Shadow. Aviendha becomes a Wise One but learns of a fate far worse than death for her people unless they find new purpose. And Rand fears nothing, unperturbed by any events or threats, whether a circle of channelers or an army of Trollocs, for he can seemingly do anything.

All of the characters have now attained the summit of their power and influence in the world, ruling nations and people, just in time for the Last Battle. While the title Towers of Midnight refers to the Forsaken, they are squashed before the newfound might at the Heroes’ command.

Several aspects of the book echo events early in the series, particularly The Great Hunt, with Ingtar and Noal’s eerily similar self-sacrifice to save the heroes, Lanfear’s presence twisting at Rand’s heart, or Morgase returning to Caemlyn. Tel’aran’rhiod reappears with great importance, and both Perrin and Egwene learn how to use it to its fullest potential. The Seanchan prepare their boldest invasion yet. It stands to reason that the author put the key elements in the story early on, and as the end approaches those elements resurface.

The last remaining unfinished plot lines in Towers of Midnight will present some of the most insurmountable difficulties yet. Setting up the dire circumstances surrounding each of these was an important part of this book. The Black Tower stands impenetrable as Taim secures his stronghold, turning its inhabitants to his side one by one.  The Seanchan remain unwilling to bend until Rand serves them. The Malkieri charge to their doom, alone.

Many of the early books had a magic item that acted as the focus of the story. The Eye of the World, the Horn of Valere, Callandor. Later books got away from this, but a new ter’angreal is introduced here. The dreamspike is a powerful tool, and one of them remains in the hands of the villains.

Also reintroduced is Dark Prophecy, last seen staining the walls of a cell in Fal Dara, now promising the death of Perrin before Rand is defeated. There seems no reason why these dark prophecies would be any less accurate than Min’s viewings or Egwene’s dreams or Elaida’s Foretelling. With strong allies and more personal power than ever before, the Heroes are more ready than ever to face a challenge head-on, but those foreboding elements are a reminder that there will be a price to pay for victory.

Aviendha’s future visions once again make the dire outcome of the Heroes’ decisions personal, affecting their descendents personally, and tying their future to the chain of cultural duty and responsibility stretching three millennia into the past. No matter how epic in scope the story gets, the authors bring it back to a personal level.

Writing Lessons:

Obstacles must remain challenging, no matter how powerful the characters are.

Knife of Dreams - Chapters 2-4

In this section, the villains get a leg up on the heroes.

Keeping with the theme identified in the prologue, more characters are facing the consequences of an earlier choice.

Beonin saw an opportunity for gain by returning to Elaida. She is convinced the rebels are finished and wastes no time securing a spot on the lifeboat. It was never clear that anyone on the Rebels’ original ruling council was secretly affiliated with Elaida, so her actions come as quite a shock. Importantly, her point of view focuses on her as the star of her own story, with Rand as a faraway incidental player. Sometimes authors succeed wildly at this and a character rises to become a favourite. This doesn’t quite happen here, but the unexpected actions combined with a distinct point of view unlikely to ever be confused with anyone else’s solidifies the readers’ understanding of this ambitious, distasteful, smart, and good woman.

Beonin gives a clue that may lead to unmasking Aran’gar, but as previously mentioned, she needn’t have worried about being exposed by Kairen or Anaiya through their friendship with Cabriana. Had she just murdered a random Aes Sedai instead of either of them, her goals would have been achieved at little risk of the trail leading back to her.

There have been many examples to date of the Dark One’s touch affecting the world and the White Tower. Beonin sees the dead walking, and ate some weevils in her bread. Elaida will hear of rats in the White Tower. Occurrences of the dead walking have been forced into the story as truly random events, like the bubbles of evil, while failing wards and pest-laden food can fit in seamlessly with the narrative.

From out of nowhere, we learn the former King of Illian is a captive of Elaida’s. His appearance here seems primarily aimed at demonstrating Elaida’s puissance and management style. The first report she dealt with was for garbage clean-up: “I want to hear that a start was made today. Today!” The second was for sewers: “she scrawled I WANT THESE CLEARED BY TOMORROW.” The third and most important report about rats in the Tower gets a mild “have someone check the wards.”

Beonin may have been able to end the rebellion until Sitters from other Ajahs began showing up. Her failure is forgotten in light of the secret knowledge she brings to Elaida. Egwene is a Dreamer, and the rebels have dream ter’angreal. They can weave disguises, hide their ability to channel, invert weaves, Heal with an improved weave, make cuendillar, and Travel. Egwene’s discoveries and abilities are the main reason her life was spared, but it is Beonin who pays the ‘bribe’ by teaching these weaves to Elaida. The rebel ferrets are exposed, establishing links between each of the storylines set in the White Tower. An effective way to create anticipation and excitement is with a web of possibilities, such that the reader doesn’t know which plot will interfere or aid any other plot. Too few plots makes the resolution more predictable.

The Forsaken learn someone is impersonating Sammael. There is some question as to whether he may be alive. Only two Forsaken have died by balefire so far, which means that there could be eleven left standing. There were eleven chairs waiting for the Forsaken when they arrived, but devious Graendal got to choose the setting. Did she purposefully choose the number of chairs as well to confuse the Forsaken or hide that she has been impersonating Sammael? Only eight of the Forsaken showed up for the meeting, Asmodean, Sammael and Osan’gar being the missing ones, and readers know those three have all died. But when the Dark One resurrects a minion, he also gives them a new name, so even an author quote saying that Sammael is dead may not mean as much as it seems. Hiding the simple detail of a Forsaken’s whereabouts has proven to be one of the mysteries that has engaged fans the most. These larger than life villains create excitement whenever they are on the page simply by being who they are: mysterious, powerful, with hidden motives and ruthless plots against one another. Aran’gar admits she has been impersonating another Forsaken, but which one and when she did so remain a mystery.

Lanfear and Ishamael had been the only Forsaken to take an interest in Mat and Perrin in the early books; they were beneath the attention of all the others. Now Moridin orders their deaths, and Semirhage recognizes one of them, giving a clue as to her whereabouts.

The images of Mat and Perrin conjured by Moridin in Tel’aran’rhiod move stiffly and have expressions that never alter, which is typical of such creations. This confirms that the room they are in is in fact in Tel’aran’rhiod or some aspect of it, but it also calls into question some of the theories about creating images of a specific person using Tel’aran’rhiod. A nightmare may be able to express emotion, and a created horse will act like a horse, but can a person created express emotion and speak? Not according to this scene.

Perrin meets the Seanchan, makes a display of power, and then offers to give up his claim to Manetheren in exchange for their help in rescuing Faile. When Berelain gets testy, he calms her and reveals his plan to dose the Shaido wise Ones with Forkroot. He produces a letter from Suroth that will let him carry off every bit of Forkroot the Seanchan have. The Seanchan banner-general is continually surprised by what Perrin is able to do.  A deal is made.

An odd occurrence takes place just after Perrin offers up the claim to Manetheren. A foul wind blows through, raising clouds of grit. It may be a bubble of evil, or it may be the same wind as in Chapter 1, allowing the reader to understand these events take place the same day as Egwene’s capture. It could be one of those signs of the Pattern breaking down, like the dead people sightings. More outlandishly, it could be the Wild Hunt, coursing through at high speed, taking word of Perrin’s location back to Semirhage. Whatever it is, it clumsily represents Perrin’s distaste at making a deal with the Seanchan. Throwing in odd events like this with no explanation and no reason, then having the characters decide to ignore it altogether leaves the reader wondering why the author even bothered adding it. Just another bubble of evil, same as the last.

Writing Lessons:

Multiple plots make the reader uncertain how they will interact or how events will resolve, creating anticipation and excitement.

Winter's Heart - Prologue

In this section, multiple plots are laid out clearly, and reader’s expectations are set.

Perhaps recognizing the previous book’s weak ending, the author immediately sets up several storylines with expectations to be met before the book ends.

In the White Tower, the Black Ajah Hunters get Talene to re-swear the Three Oaths. Talene is a tool that can be used now, but the Hunters decide to proceed with caution, bringing in the ten rebel ferrets to swear obedience first. That will bring their number to sixteen. Seaine also has her first doubts about what task Elaida actually assigned her. We expect this quest to net a second Black sister soon.

Elayne’s section reveals a little about Egwene, which is all we’ll see of the Amyrlin in this book. A simple primer about Elayne’s major competitors for the throne means we should see some of them interfering before the book is over. A number of reasonable contrivances explain why Elayne won’t be receiving any outside help. No allies are available, and in any case would unintentionally cost Elayne the throne because they are foreigners. The Sea Folk remain stuck in Caemlyn by their own mistrust that Elayne will break the Bargain. This character-driven obstacle is more powerful than a physical one could be. Renaile will not leave until she gets what was agreed to, which will keep her at Elayne’s side for a long time.

The confrontation between Taim and Elayne ends with him acquiescing to her requests to visit the Black Tower under supervision. When she later carries out her first visit and Toveine sees her, we then expect some interaction between the two.

After Taim, a Wise One enters, the third uninvited interruption in the last twenty minutes. Dyelin provides a comment which is likely echoing the reader’s thoughts, and is therefore meant to restore the plausibility of the scene: “Blood and ashes!” Dyelin muttered. “ Is the whole world just going to walk in here?” She uses exaggeration to make the current situation seem normal in comparison. Humour is another tactic which causes the reader to overlook the obvious by pointing out the abnormal situation. A reader who knows that the author has recognized their complaint will be satisfied and move on with the story feeling the problem has been resolved.

The first-sister ceremony provides a glimpse of a healthy relationship by Aiel standards. It amounts to knowledge, faith, and forgiveness of the first-sister. Elayne has already shown this behaviour is the basis for her romance with Rand, so now this example will allow Aviendha to learn how to love him as well, and maybe they will teach and remind Rand how to behave.

Toveine is crafty, and seems to have a secret plan to pull down Elaida, even as she agrees to publicly give leadership of the Black Tower prisoners to another sister. Readers expect this plan to bear some fruit by the end of the book. Logain’s unwanted presence at the Black Tower and the faction he is heading create interest in seeing matters advance or get resolved. The Asha’man voice concerns that Rand doesn’t care about them, that Taim is giving preferred treatment to certain Asha’man, and that Taim’s cronies have turned bad. The implication is that Taim is creating a private army and Logain will be the main obstacle he has to overcome.

Rand has decided he can’t wait to move forward with his plan to make his Asha’man into reliable tools again. As soon as he can lure his would-be assassins to him and dispatch them, he plans to cleanse saidin. This sets the reader’s expectations. There had better be an attempt to cleanse saidin before the book is done! He even describes how it will go down: everyone within a thousand miles will feel him channeling, and come to put an end to it, so he needs to whittle down the number of detractors he will face before he starts cleansing. That and get over the sickness that has begun to affect him whenever he channels.

Each of these points of view has created expectations that readers will want resolved.

Writing Lessons:

Set expectations purposefully, or your readers will set them for you.

Use humour and exaggeration and acknowledgement to have readers overlook the contrived scenarios you devise.

The Path of Daggers - Summary

The Path of Daggers ends on such a weak note, it’s hard to think of it as a complete book. The Hero gets ambushed in dramatic fashion, and survives, but is unable to deliver any retribution. A similar attack on an Aes Sedai is treated without emotion or build-up. And the final chapter covers a handful of plotlines from other characters that haven’t been seen for the last half of the book, only one of which involves any action or genuine excitement.

While the book moved rapidly and had several rewarding moments, the failure to deliver a strong conclusion can’t help but wear down a long-time reader.  As with the previous two books, which read better as a pair because of the lack of resolution, I expect the most satisfaction will come from treating The Path of Daggers as the first half of Winter’s Heart, instead of a complete book in its own right. As with Lord of Chaos, the other half-book, this book uses a sudden plot twist near the end to try provide some excitement, hoping to make up for the lack of resolution of the main plots. It was much less successful here because the threat to Rand was much more physical than character-driven, and it involved foreseeable events instead of something never before seen let alone imagined.

The layout of the chapters has each character’s point of view chapters clumped together, mimicking the most successful pacing of the earlier books in the series. This layout delivers strong results once again, allowing a situation to be introduced, built upon, and if necessary to come back and complete the resolution in a later set of chapters.

The centerpiece of the book and the high point of the story is Rand’s epic war against the Seanchan. Rand knows the war was waged at a great cost to his own forces, with most of the losses coming at his own hands when he mishandles Callandor. He learns Callandor is flawed, but it is the war itself which was flawed. Rand is learning firsthand that the Tuatha’an saying is right; doing violence damages him and his people as well as the people he strikes.

In a similar vein, when the tools and people he relies on begin to let him down, whether Maidens rebelling or Asha’man going mad or trying to assassinate him, Rand builds up walls. Even if he can’t trust, he still intends to carry on as before.

Up until now, Rand had been presented simple solutions to all the problems: raise an army, and his opponents will surrender; kill a Forsaken and he can take over a nation. But his early successes are beginning to drag him down. He is learning through difficult experience that his tactics aren’t working any more, but he insists on pushing harder instead of examining whether other tools may produce better results. Rand has only recently achieved manhood and begun to take his responsibilities seriously, but he is fumbling with how to do it.

The metaphor of the sha’rah game in the prologue best depicts the book’s central theme. It can be more dangerous to have control than to give it up, the tool you hold can work against you, and the unseen pitfalls are many and hazardous.

Writing Lessons:

A book’s conclusion demands resolution and reader satisfaction. Failing to deliver it will cost you.

The Path of Daggers - Chapters 16-19

In this section, Egwene blindsides the Sitters to take control of the rebels

Egwene’s entire battle with the Hall is resolved through a familiar trick, the last-minute introduction of a rule that the opponents must follow. This turns up frequently in stories, usually with the heroes making a plan just before the final confrontation, but the reader is not told what the plan is until the very moment the trap is revealed, the secret allies name themselves, and they achieve victory. Sometimes the revelation is logical and satisfying, other times it comes out of nowhere and leaves the reader flat. Let’s analyze how well it is pulled off here.

The plan is to get the Hall to vote in favour of declaring war, which will hand a great deal of power to Egwene personally. She will rule by edict, and the Hall will not be able to stymie any of the edicts she puts forward. The Hall must then be sufficiently motivated to declare war, but must not be aware of the implications of that vote. Egwene also has time against her, because the opportunity to declare war can be usurped by one of the Sitters if she does not act quickly enough.

Egwene must:

1 Learn the Law of War

2 Keep the Sitters from learning her plan or the Law of War

3 Call a question of war before time runs out

4 Convince the Sitters to vote in favour of war

Of these, only the second is given to the reader initially, and that only partially, as we see Egwene undertaking actions to accomplish the fourth. An army in the rebels’ path is the catalyst Egwene has been waiting for.

Half of Egwene’s loyal Aes Sedai travel north to meet with the army blocking their way, though we are not told why, while the others spend the morning reminding the rebels of something, and we are again not told what. This creates a sense of anticipation but also frustration, since we have no context for any of the actions taking place.

We also have no context for why Egwene is suddenly reversing her constant insistence they keep moving, except that it relates to her plan. In the camp, Morvrin corners Takima, who is the only Aes Sedai who knows the Law of War, but the relevance is completely lost since there is no context for the confrontation yet. Aran’gar has killed Egwene’s maids, but that has no bearing on the current plot, other than a long-term goal of trying to keep Sheriam and her maid close to Egwene to learn the plan.

Egwene’s anticipation of victory is palpable, yet she feigns meekness for what she hopes is the last time. This is the only part of the plot which depends on her behaviour or character, since with a clear plan laid out she could do the rest in her sleep. This is a weakness of the plot, because it all depends on predetermined rules and events. We get to see events unfold, but it’s not surprising to Egwene, and the potential threat of failure is diminished in our eyes. Romanda and Lelaine’s sparring suggests the time for Egwene’s plan to come to fruition is very soon, before either of them succeeds in undermining the other and taking over the Hall. Added to the list of successful and awful Amyrlins, the one thing the reader does understand are the stakes.

Another sub plot is introduced when Siuan notices too many of the Sitters are too young. The answer only matters in the long-term, but is better introduced now so this sub plot can be delved into immediately in a future book.

The threat of timeliness is introduced when both Lelaine and Romanda learn of the meeting with the army, and deliver ultimatums to Egwene. Egwene clings to her meekness, and the non-specific language used is designed to convince even the reader that she is almost chastened. Then the first surprise is revealed at the last possible moment of the chapter: “Siuan, they couldn’t have handed me the Hall better if I had told them what to do.” This sentence flips the meaning of the entire chapter on its head. All of the negative emotions felt by character and reader are not signs of imminent failure, but of success. At this moment, the reader does not know what is going on specifically, only that it is going the way Egwene wants.

The rebels march towards the Murandians and Andorans, with the showdown looming over them. A possible threat is revealed in the form of Talmanes, leader of a third army who continues to trail the rebels. Once again, we think Egwene is enduring unfair treatment from her hosts on the ice, until we are reminded that her loyal Aes Sedai rushed out here to meet with them before Egwene showed up. When they refuse passage, they are doing Egwene’s bidding, and the whole meeting is a show put on to prod the Hall. The army barring their progress is a secret ally, whose function is to openly doubt the rebels, whether they know it or not.

Once Egwene meets with the nobles and Talmanes, we realize she is unconcerned with their actions, all her attention is on the Hall and keeping them from wresting control from her. As soon as they return to the rebel camp, a meeting of the Hall is called. Siuan and Egwene go over the plan one more time, but we continue to be kept in the dark.

Finally, the moment comes. Egwene hastily calls her question about war before anyone else can speak, and the battle is almost won. Takima has the power to speak up just as Talmanes and the nobles did, but keeps silent. We still don’t know how she can undo Egwene’s power grab, until it is made clear it is her knowledge of the Law of War that matters, a Law we had never heard of up until now. A few short impassioned speeches later, consensus is reached. And with that, Egwene can reveal the power they have just invested her with. The reader is likely pleased that Egwene has pulled a fast one on the Hall, but is less impressed with learning about a Law that must be followed just before it comes into play.

Robert Jordan decided to write this scene as a mystery, keeping the method secret, but revealing the motive, the players, and elements of the plan as it became necessary. Had he discussed the Law of War in any detail earlier, that suspense would have lost, and he would have had to play up some other aspect to keep the reader’s interest. The resolution would have been obvious to the reader and would not sustain their interest. Can you think of another way these chapters could have been handled that maintained the reader’s interest? As a consequence of the mechanism Egwene uses to take power, Jordan was forced to use the least worst of several bad options to try interest the reader, resulting in a narrowly believable resolution with only mild suspense. It is not a strong way to carry the reader through the middle section of the book, but ending with Egwene firmly in charge mitigates the dissatisfaction.

Writing lessons:

Contrived solutions to the character’s problems can lose the reader’s interest. As much as you try to avoid telegraphing the surprises to the reader, also be aware of giving them too little and making them disbelieve the solution you present.

A Crown of Swords - Summary

A Crown of Swords flows like my favorite book in the series, The Shadow Rising. Each handful of Ebou Dar chapters is followed by a handful of Cairhien chapters. Each section is just long enough to resolve the last obstacle, advance the plot, and introduce a new obstacle. The two plots are loosely connected by chapters showing Sammael meeting with other villains in both locations. Moridin is a second character whose actions affect characters on both locations.  A minor plot involving Morgase, the White cloaks and the Seanchan serves as setup for future books, having little impact on events in this one. A major plot involving Egwene’s tenure as Amyrlin has at least one important impact on the Ebou Dar story. By keeping the number of focal characters low and establishing a consistent pattern for several chapters spent in each locale, the flow and speed of the story are maintained at a fun pace.

The thrill of discovery comes from new characters instead of exotic locales. Cadsuane, Moridin, the Kin, the gholam, and others all have mysterious origins, abilities and motives.  Some introductions are strong, others disorient the reader.

The theme of A Crown of Swords is one of leaders and followers. Who leads, who follows them, and why do they follow? The theme was introduced early in the prologue with a smattering of examples of relationships. A series of leaders emerge in the Fortress of the Light, each seizing power from his predecessor. The question of who leads was central to finding the ter’angreal cache in Ebou Dar. The actions of followers pushing the limits of their orders affected the heroes several times, whether by Moghedien, Carridin, Alviarin, or Colavaere. Morgase abdicates since she is no longer fit to be queen. Egwene blackmails Aes Sedai to compel their obedience. The loyalty of the Asha’man is a question that continues to aggravate Rand. Galina has her role completely reversed as she moves from world-shaker to pointless labourer. The book ends with Rand conquering Illian without having to subjugate the population or the ruling lords. The people of Illian want to follow Rand because he has exhibited traits they desire in their King.

This book feels like more of a whole book than the last one, because several plot lines are resolved, providing a strong sense of completion. Along with several plot lines, a bit of the theme from the previous book Lord of Chaos carried through to this one, but the tone is very different. You could more easily say that Lord of Chaos has some of this book’s theme, since a good part of the chaos and humour in that book stemmed from the relationships between leaders and followers.

The personal threats faced by the heroes were more interesting than the plot-driven obstacles. Jordan easily transforms physical plot-driven obstacles into personality and character-driven obstacles. Elayne faced threats to her authority and identity. Nynaeve had to learn to surrender control and was instantly rewarded when she did so. Mat endured all manner of unfair treatment to finally earn respect from those two. Min convinced Rand to keep her near. Egwene began to assume the role of the Amyrlin as well as the title. Rand realizes he is an equal partner with Min, not the belligerent mauler he made himself out to be. Cadsuane places herself close to Rand despite his misgivings about Aes Sedai. Perrin fears what he has realized about the value he places on Faile. It satisfies the reader that each of the heroes had some pages dedicated to them.

The nature of ta’veren was presented as a tool to be used as Mat, Elayne, Nynaeve and Rand try to twist fate and make progress by keeping a ta’veren present. Although they rarely recognize when it is working, it does work to bring them the people they need to meet at the right time. The Sea Folk are handled on two different occasions by ta’veren, and dealings with the Kin and Cairhienin rebels are possible because of chance meetings wrought by the ta’veren.

The timing of many events was necessitated by the plot, but the reason given for the timing was couched in the characters’ relationships.

Overall, the happy resolution of many character-driven plots and a strong structure overcome a few problems with introduction of new characters, and contrived timelines.

Writing Lessons:

Resolution of plot lines provides reader satisfaction. Dangling plot lines induce reader dissatisfaction.

Lord of Chaos - Summary

100^th post! I am averaging two posts every three days. Slower than hoped, but satisfactory.

Other books in the series have dabbled in humour, while Lord of Chaos makes it a central theme, with a focus on who gets the last laugh, usually through trickery. In a pair of sequences bookending the novel, the principal villain Demandred has never been known to smile, but finally tells a story that has the Dark One himself laughing.  

Between those bookends, a multitude of other characters scheme and plot to get the upper hand. There are layers of subterfuge, beginning with Rand’s use of the world’s largest army to distract Sammael from the true attack. This is one of two major plots in the book, but this one remains unresolved, as though it was a distraction itself, a piece of patter meant to lure the reader one way so the punch line of the second plot line can surprise them to the fullest.

The second major plotline is the competition between the two Aes Sedai embassies to see who will recruit Rand to their cause. The setup implies he will choose one or the other, but the resolution is something else entirely, where both end up serving Rand instead.

Both of these plots, and myriad smaller ones, involve deceit and trickery, but are not presented as a question of the trickery surprising the reader. Often the trickery is exposed, but determining who benefits is the question, given that there are several reversals of fortune. The ultimate example is that in the end Rand’s victory has been the goal the Dark One sought, against all logic.

The injustice done to Rand is such that his victory provides immense satisfaction, so much so that the reader hardly notices that other plotlines involving other heroic characters or the battle with Sammael have been left unresolved. Since the following book, A Crown of Swords, ties these up, the two novels might be viewed as halves of a whole.  

Writing Lessons:

Reader satisfaction comes from emotional reaction, not from the resolution of the plot itself.

The Dragon Reborn - Chapters 53-56

In this section, the Heroes overcome the forces arrayed against them, and Rand confirms he is the Dragon Reborn.

Faile falls into a trap, and since Moiraine assigned responsibility for her to Perrin, he makes use of the ability to enter the Wolf Dream to save her. Compared with Perrin’s careful smithing, his behavior here is frantic, leaping before he looks, urging Hopper to stop explaining and get on with leading him to Faile. These are the impetuous actions of man thinking with his heart, not his head.

Egwene takes control of her captivity, also using her access to the World of Dreams to save herself and her friends. Like Perrin, she is ignorant of the rules governing the World of Dreams, but fortunately her opponents are even less knowledgeable. Egwene is able to channel in tel’aran’rhiod despite being shielded in the waking world. The True Source can be touched anywhere but a stedding. Some part of her, maybe the most important part of her, is free of the confines of a physical body, and in the World of Dreams exists as a conceptualization of herself. The shield is around her body, and is not replicated in tel’aran’rhiod. Is the same true of all weaves? Does it matter whether they are tied off weaves or being held by someone? Later we’ll see how warded boxes are no protection in tel’aran’rhiod, so the answer must be that no weaves in the waking world are replicated in the World of Dreams. That also explains how Be’lal and Rand can wield Callandor in dreams.

Egwene finds Joiya first, and shields her. She scares Joiya by inferring that the shield may extend to her waking body. What affects you in tel’aran’rhiod affects your body in the waking world too, though to a lesser degree. Rand and Perrin’s wounds upon waking have often been less than what they appeared to have been subjected to in their dreams. Readers are finally getting the long awaited explanation of the World of Dreams. There is no better way to explain than by showing examples of the rules in action.

Egwene finds Amico next, who is drifting in and out of sleep as she toys with her dream ter’angreal. Egwene shields her also, but when she finds resistance, she sharpens her weave and rams it in place, stilling Amico. What affects you in tel’aran’rhiod affects you in the waking world, yet somehow Amico’s weaves hold even as she is stilled. Since Amico was not yet fully in tel’aran’rhiod, she can’t access it any further with the True Source cut off, but also can’t have the stilling take effect until she wakes. The ter’angreal has effectively trapped her between worlds. Nynaeve’s punch ends both the channeling and the dream. The ability to still someone instead of shield them may never been a real possibility in battle given how closely matched most Aes Sedai are in the One Power. The only example shown was years earlier when Moiraine battled Merean in New Spring. In tel’aran’rhiod, the willpower making the action is more important than the strength in the One Power, and Egwene forced the shield in place with all her might.

Mat manages to make friends on the rooftops and battle his way through the stone, taking out the High Lord Darlin with battle skill, not luck. He finds and frees the young women, gets insulted for his trouble, but may have saved them from any retribution by the remaining eleven Black Ajah before they fled the Stone.

Rand finally makes his appearance. Despite being absent most of the book, his short talk with Perrin, the updates through the dreams, and what is learned about the prophecy surrounding Callandor and the Stone of Tear all serve to make the stakes important to the reader. In a sentence or two, Rand’s conflict is made clear; his reluctance to learn the truth opposes his need to get Callandor before someone else does. Moiraine balefires Be’lal out of existence, and is herself knocked out by Ba’alzamon, who has decided to kill Rand after all. The only way to survive is to take Callandor.

Like both Perrin and Egwene, Rand must enter the World of Dreams. Ba’alzamon uses tel’aran’rhiod against Rand in a dozen ways. It is unlikely that Rand instinctively knows which weaves to use to survive each trap, or to split Ba’alzamon’s stream of balefire. He just uses Callandor to hold more of the One Power, and in doing so is filled with confidence, which lends him the power to manipulate tel’aran’rhiod. Each of Rand’s feats is more plausible as a consequence of him exerting his will over his surroundings, outmatching Ba’alzamon’s will, undoing what traps his opponent has set. Rand should have had less success using the One Power in this manner in the waking world. But, there is the precedent of his intuitive use of weaves when he used the Eye of the World.

The book’s ending would be difficult for Rand to carry alone. The other character’s plotlines all conclude with some satisfactory action, but it is not clear whether they have overcome their internal difficulties. Is Egwene burying the hatchet with Nynaeve when she asks her to sing to her as she did when she was a child? Perrin set out to find Rand, but dropped that quest in favour of his falcon and the Wolf Dream. Mat just wanted to get away from it all, and wound up defeating some minor villains, but resolved little else. The haphazard way in which each of their plotlines ends leaves the way wide open for Rand to provide the conclusive victory. Be’lal and the Forsaken were late arrivals on the scene in this book, but understanding the scope of their power made Be’lal’s confrontation with Rand a worthy challenge. Ba’alzamon danced around the edges throughout the book, but was never clearly made the main villain, given that neither Egwene nor Perrin had much to do with him. Only the carryover from the other books made it work well.

Another element that worked well was the continually shorter duration of each character’s point of view throughout the novel, culminating in rapid jumps from character to character within single chapters. The same quick switching was in the Great Hunt, but was mostly present because the other points of view were required to understand the events unfolding.  

Writing Lessons:

Give your characters satisfactory resolutions to their story arcs or risk the wrath of the reader.