Towers of Midnight - Chapters 15-17

In this section, possible future plots are laid, both good and dreadful.

Nynaeve heals madness, a feat considered impossible by three millennia of Aes Sedai, who simply took the easy path of gentling men rather than study them. Once the easy path was institutionalized, deviating from it was not well looked upon. As has been done in earlier books, before Nynaeve does her Healing, it is established that she first Delves a person, telling her what is wrong with them.

Nynaeve healed gentling and stilling by building a bridge across a gap in the afflicted person. She can heal Compulsion by weaving its reverse pattern. She helped cleanse saidin by funneling the immensity of the taint through a filter. She heals madness by meticulously pulling one barb at a time and healing the spot where it penetrated the brain. Could stopping the Dark One and sealing the Bore again be done similarly to any of these, or as a combination of all four?

A bubble of evil once again represents the situation at hand. Everyone in a several block radius of a neighbourhood in Tear has been turned into a fine powder. When Nynaeve and Naeff pile it up, and she adds fire, the spark sets it all off in a fiery flash. A mad Asha’man acts similarly, having his very essence ground away, until something sets him off, and he is caught in irrationally mad behaviour, destroying everything around him.

Nynaeve feels insignificant in the face of such monumental forces of evil, but she realizes it is important to feel the little victories, for futility is what the Dark One wants her to feel. This is in line with Rand’s realization that it is not the big epic things that matter most, it is the immediate, local things that matter in the long run, that when repeated in the thousands across the land, create the fabric that the Dark One seeks to unravel.

Nynaeve is invited to Shayol Ghul, to accompany Rand at the Last Battle. Rand had decided this prior to seeing Nynaeve and learning of her feat, yet it is presented as a natural consequence of Nynaeve’s ongoing dedication to her community. Rand hands out compliments and takes criticism gracefully. He has taken on a role similar to his father, and is seen as such by Nynaeve, further cementing the fact that he has fully matured and is ready for the Last Battle.

Egwene learns the Oath Rod can be beaten, and rather easily at that. The weave allowing sounds to be heard differently is simply a means of doing what most Aes Sedai do anyway, which is to twist the truth. Egwene has the Aes Sedai researching Mesaana’s character traits, looking for clues to understand her and eventually defeat her. Egwene’s intense personal focus on Mesaana builds up interest in their eventual confrontation. That focus stems from the comparison of Mesaana being the Shadow’s Amyrlin, a direct and personal comparison to Egwene. The realization that she is the target, and the decision to use herself as bait adds to the personal nature of their conflict. Without these elements, there would be nothing but plot driving this storyline forward.

Perrin and Faile celebrate an anniversary, coming mostly clean with secrets they held back previously. As cathartic as it is talking about captivity and running with wolves, they both avoid the topic of infidelity. Perrin guesses why Faile won’t talk about Rolan, but now ascribes it to fondness, nothing more. Faile won’t let Perrin talk about Berelain, reserving the duty of dealing with her and the rumours for herself. On the surface, no cheating took place for either of them, but I still have nagging doubts that this is a case of willingly unreliable narrators, convincing themselves and each other of the truth they want to believe.

Perrin has a weakness: Faile, and he is told that he must accept that weakness, since it is a part of him that he cannot change, and makes him who he is.

Perrin contrasts his unforgiving attitude towards Rolan with the Whitecloaks’ attitude towards him. Empathy is something readers should identify with, since it is hoped they feel empathy towards the main characters. Showing empathetic characters who can see from someone else’s point of view makes them likeable, while unempathetic characters may feel readers with dislike, disgust, horror, or dread.

Mat’s followers are parting from his company, and will almost certainly be seen with Egwene next. I just noticed Olver shares a name with the author. Did he include a young version of himself in the story?

Elayne continues to believe Min’s Viewing makes her safe, then considers doing the very thing Rand warned Nynaeve not to: approach the Black Tower. No matter which order these two elements are presented in, the end result is dread.

Writing Lessons:

Show empathy to make characters likeable, and do not show it to make readers uncertain or negative towards the characters.

Towers of Midnight - Chapters 10-14

In this section, the past catches up to the heroes.

Perrin learns the taint has been cleansed from saidin. He could have learned this at any time over the last few weeks, but he learns it now, because it reflects his current situation. Cleansing the taint is a metaphor for wiping the slate clean, casting off past sins. It is relevant because Perrin’s sin of killing other men is coming back to haunt him.

Neald is making circles with Wise Ones, and he is the first to explain that he can use saidar to strengthen his weaves of saidin. He feels more complete, as he feels saidar, and can increase the Power and size of his weaves. The sensations are reflected back to the women, who have disparate feelings about what they sense.

Perrin opts to keep Grady away from the Black Tower for rational and practical reasons, but it reminds readers that the Black Tower hasn’t been seen in a long time, since Pevara arrived and an ominous revelation had just taken place.

Galad decides to fight Perrin now so he won’t have to face him at the Last Battle, mirroring Rand’s decision to break the seals.

Elayne’s council expresses vastly different advice regarding her political prisoners. Birgitte is all practicality and hardness, while Dyelin thinks this is the moment when releasing the captives will earn Elayne the most credit. Birgitte is emotion, Dyelin is reason. Elayne decides this is an opportune time to claim Cairhien.

Mat’s letter to Elayne, with its spelling mistakes, is funny. It once again feels out of place with what has come before due to modern touches like the postscripts, but succeeds because it defies expectations. Mat never writes, foiling one expectation and providing a surprise. Postscripts don’t belong in this world, so Mat uses three of them. Mat is a trickster and it is always correct to write him defying expectations. Thom is laffing so hard at me that I want to be done.

Min gives only readers the only insight into Rand’s head since he descended from Dragonmount. Rand’s earlier behaviour with Egwene and Almen Bunt revealed a changed man, but it is Min’s insight that gives part of the reason.

Alanna vanished, leaving no clue where she is going. The likeliest explanation involves no abduction, simply a decision to leave and accomplish something. Rand could have contacted her and set her a task, weaving a Gateway that she could use without others detecting it. The change in Rand’s behaviour is the only impetus she likely received to make her do anything at all.

Cadsuane declares that Alanna, and by extension everyone, is a tool. This is an odd statement for her to make publicly, but is nonetheless consistent with her focus on Rand. Rand asks her to find someone who is missing in the Caralain Grass, someone who has been abducted by well-meaning allies in the White Tower. Assuming she succeeds, Cadsuane can then act as a bridge, or mediator between Rand and Egwene.  

Rand has insight into the Last Battle, how it will be fought, what he needs, and what must be done. He is decisive, apologetic, self-assured.  He knows secrets and has new abilities, such as his ability to pick Darkfriends out of a line-up. Somehow he picked up the fact that Mattin Stepaneos is being held in the White Tower, though that could have been learned through a ta’veren effect when he was in Tar Valon. Rand makes amends with the Aiel, Cadsuane, Nynaeve, Tam, everyone he let down previously. If he realized on Dragonmount that every one wants a second chance, he is getting every second chance possible.

“I’m not a weapon. I never have been,” he says. Cadsuane says that “Of all people, you cannot afford to let the pressure of life drive you.” Rand has understood some of what Cadsuane had to teach, but it is unclear whether this is the entirety of it, since the Asha’man haven’t yet learned their part.

Finally, Rand is forgiven by his father, and reclaims his role as a son. At the same time, Tam’s acceptance allows Rand to be a man, an equal, to his father. Nynaeve said that he needed to grow up, but feared the man he became. That judgment has been reversed.

Egwene meets with the Wise Ones, seeking their help with Rand. The two sides are polarizing quickly, setting up the final confrontation long awaited, when the heroes must confront, then accept those who differ from them in fundamental ways.

Egwene sees a strange reflection in Tel’aran’rhiod, a window that doesn’t exist in the real world. Verin’s words are repeated, and her newfound credibility combined with the fact that this is being repeated for the reader’s benefit strikingly points to its importance:  There is a third constant besides the Creator and the Dark One. There is a world that lies within each of these others, inside all of them at the same time. Or perhaps surrounding them Writers in the Age of Legends called it Tel’aran’rhiod.

Egwene tricks Nynaeve by appealing for advice from her past as a Wisdom, then reversing their roles in the next example she presents. It’s startlingly effective and convincing as a technique to make an inflexible character bend. Nynaeve could hold out for months otherwise.

Writing Lessons:

Repetition infers importance. Use repetition to lead or mislead readers.

Knife of Dreams - Summary

A friend said, after skimming this blog, that I appeared to be shredding the author’s work, and wondered if I disliked the books. I can see how anyone looking at the fan sites might take our intense discussion of the minute details as harsh criticism, but we’re only willing to dedicate that much effort in discussing them because we enjoyed the books so thoroughly, and want to extract every last nuance we can. Particularly with a work that is layered like The Wheel of Time, where every passage has meaning, and every plot is inspired by several myths and legends, these discussions can take on many facets, combing over the same ground and finding new jewels to admire.

Knife of Dreams was the last book Robert Jordan wrote in its entirety before his untimely death. His writing had a flavour and depth unlike anything else I’ve found. Which is why I’m spending so much time analyzing it.

After the slow pace of Crossroads of Twilight, Knife of Dreams promises very early on to deliver resolution and action. The author accomplished this by establishing several countdowns early on, intending to dispel any doubts that this book would repeat the letdown of the previous book, which was at least partially due to the wait for its publication.

Beginning here, several plotlines directly mention the Last Battle is imminent, creating tension as readers recognize the heroes are not ready, forcing them to make unexpected concessions. Conflicts involving tens of thousands of Trollocs are handled easily, providing a reference that can be used in future books. A hundred thousand men in a battle is no longer a big deal, not when a dozen channelers can face it down without taking a scratch. Echoes of this are seen in Perrin’s rescue, where tens of thousands are involved once again, yet the victory is so overwhelming that the specific individuals he sought to rescue are unharmed by his assault of the city. Hundreds of Elayne’s best soldiers are disintegrated by just one Aes Sedai with a rod that shoots balefire, proving that warfare has escalated to a level where only the number of channelers matter, armies are inconsequential when facing them.  The unsurprising surprise revelation that the Black Tower is recruiting men to fight for the Dark One instead of the heroes is enough to put true worry in the reader’s heart. Hundreds of evil channelers could unleash even more destruction and death than in any of the conflicts presented in this book. One thing Robert Jordan has succeeded admirably at is to slowly build up towards the final conflict, edging the scale of battles slightly upward with each battle, and each book. The slow build is a distinctive feature of his writing, the reason why some fans think it’s too descriptive, and others keep finding layers of meaning.

The theme of Knife of Dreams leads into the Last Battle very nicely. The Knife of Dreams refers to the razor-thin margin between victory and defeat. In all of the conflicts in the book, small events turned the course of battle, or could have derailed the heroes’ plans. Just as the scale of the conflicts sets the low end of the standard for upcoming conflicts, the margin of victory established will always be close, and will be narrowest in the Last Battle.

Another theme running through the book is a question about how well the characters know each other. Mat and Tuon’s courtship shows them starting off uncertain about each other but growing confident in their understanding of each other. Rand is hopeful he can reach alliance with the strangers from Seanchan, whom he hardly knows at all. Traitors are exposed in Caemlyn without much ado, just a cynical acknowledgement that people lie. And cheat. The sections dealing with Faile and her romance with Rolan clearly state that she has remained faithful to Perrin, yet the descriptive text is a metaphor for her guilt over her situation, and her attempts to conceal secrets that are to widely known. I was sufficiently shocked at this contradiction, I had to go back to Winter’s Heart to reread when Perrin wakes in Berelain’s tent, and found the text could be interpreted as Perrin asking Berelain what alibi she has crafted. Whether either Perrin or Berelain cheated is not the point so much as them questioning whether the other did. In both cases, the text reads as though Perrin and Faile are unreliable narrators, refusing to acknowledge what happened even to themselves. In a preview of what Rand will later go through, the young couple instantly forgive each other anything that happened while they were apart, accepting that despite their love for each other, neither of them is without flaws. Concealing events that are the opposite of what the characters lived through while showing their point of view is an incredible accomplishment.

If you think you know Perrin and Faile well enough to say they never cheated on each other, ask yourself if you knew Robert Jordan’s writing well enough to say he wouldn’t have written such a thing, or conceal it if they did cheat.

Writing Lessons:

Make use of unreliable narrators to defy expectations and conceal key information.

Knife of Dreams - Chapters 28-30

In this section, Perrin and Faile have a happy reunion, except for some overhanging doubts.

I was taken aback by the possibility that the chapters detailing Faile’s theft of the Oath Rod contained a second layer of meaning, one which pointed to her sleeping with Rolan, and being so secretive about it that she doesn’t even mention it in her own thoughts. I went back and read the chapters in Winter’s Heart where Perrin wakes in Berelain’s tent and found the same thing. Neither situation means that any cheating took place, but the author definitely used language and symbolism to infer the possibility of it having happened.

In the chapters detailing Faile’s rescue, I found other symbolism which continues to support the author’s intent for readers to question whether they are being told the whole story. Galina represents truth, and both truth and Galina let Faile down. This is symbolized by Galina plunging Faile and her followers into the basement of a burned out building. The ruined timbers that collapse on them represent the web of lies that must be concocted to hide their actions with the Aiel men.

The jumble of charred timbers and half-burned boards filling the staircase resembled one of those blacksmith’s puzzles her Perrin enjoyed. Almost everything seemed to be propping up something else. Worse, the heavier timbers might be beyond all of them working together. But if they could clear enough for them to be able to crawl through, writhing between the thick beams… It would be dangerous, that crawl. But when a dangerous path was your only route to safety, you had to take it.

Much of the effort to move the timbers fails, and further shifting causes more of them to tumble into the dirty basement. The soot and ash dirtying their faces represents their shame. It means that despite their best efforts, they cannot come up with a story that can’t be unraveled. It is only when they are able to signal Faile’s other followers that they are able to escape. Rolan, the Brotherless, and the gai’shain help Faile escape the basement, representing their pledge to preserve Faile’s secret. What she did, she did for them, and they will protect her. Rolan will keep her secret as well, but not without exacting his price. A pinch on the bottom for each of the women represents something more, a price willingly paid for freedom.

At Theoryland we put great stock in quoting the text, but here is a situation where the quoted text is of no value in understanding what may have happened. Readers can accept the story told as it appears, for after all, Perrin and Faile are in love, and would never betray each other. Or, they can note the hidden symbolism and wonder, how well do I really know these characters? The author’s goal isn’t to state the truth one way or the other, it is to cast doubt. Readers won’t know for sure, they must have faith and belief in their interpretation of events, just as Perrin and Faile will have to.

The question of how well you know someone recurs frequently in this book. Mat and Tuon state it bluntly, as they circle each other warily in their courtship. Elayne’s spies and traitors aren’t presented in the shock and awe style of writing where the betrayal carries important consequences. It’s more of a gentle questioning of how far Mellar, or Sareitha, or anyone can be trusted. The motives of High Seats are vague, and are interpreted in the obvious way, with a small chance of deceit, just as the Seanchan Banner-General is someone Perrin has to decide to take at face value, and to trust. Rand’s encounter with the fake Daughter of the Nine Moons was a more direct betrayal, but his gamble to put trust in this unknown person fits the theme which runs through the relationships in this book. Perrin and Faile’s relationship is the inverse of Mat and Tuon’s. Where readers are comfortable with Perrin and Faile’s fabled honesty, and wary with Mat and Tuon’s usual unreliability, the author inverts the roles, creating doubt about the trustworthy and giving confidence in the scoundrels.

Aram is another case of someone who we thought we knew well, yet he suddenly turns on Perrin. His motivation is to protect Faile from Perrin, as explained to him by Masema, who knows no shades of grey, only the stark black and white of the moral code he and his cult have constructed around the Dragon. Aram would have killed Perrin for not being perfect, but both Perrin and Faile easily conclude that the other may have behaved imperfectly, which doesn’t matter, so long as they are together.

Min’s Viewings about the falcon and hawk, and the tinker with a sword all involve this particular part of the storyline. Why were these images important enough to merit a Viewing? Why present them to readers unless they meant something to Perrin? The falcon and its leash are obvious, but what do the other two mean if not the scenario I have described?

This is the last we see of Therava and Galina. Therava’s ability to crush the spirit of one of the most powerful women in the world stood out far more than Anath’s mild spankings of Tuon. I was sorely disappointed Semirhage’s alter ego was not as impressive as the Shaido Wise One, though that will be rectified in the next book. Therava overcame Sevanna’s ineptitude, and Galina received a just punishment for her actions. A feeling of justice is important to convey to the reader, if it is desired to keep a hopeful tone to the story. In this case it is convenient to contrast Galina’s fate and actions with Faile’s. They both may have betrayed the faith placed in them, but the consequences for each match the severity of their betrayal.

Writing Lessons:

Contrast one relationship with another to drive a point home.

Knife of Dreams - Chapters 26-27

In this section, a jumble of viewpoints leads up to Rand getting injured.

Following Egwene’s lengthy chapter, the next viewpoints are short, and are divided oddly amongst the chapters. Here are the viewpoints, the number of pages in each, and the chapter they fall in.

Chapter 25: Tarna 6, Mat 12

Chapter 26: Tuon 12, Perrin 15, Faile 3

Chapter 27 : Rand 15, Mat 9

It is an odd partition to have Tuon’s viewpoint sharing a chapter with Perrin, when the viewpoint immediately preceding it was Mat’s, who is in the same locale as Tuon. Why not have shorter chapters with no shared viewpoints? Why throw a Mat section at the end of a Rand section, when there is no logical link between Rand’s and Mat’s actions? Tarna’s viewpoint was filled with trepidation, Mat’s also, but less so. Mat is more in control of events once he meets up with his army again. Tuon’s section is back to mild confusion and study of the situation. Perrin is nothing but preparation for conflict, and worry for how it may pan out. Faile is down to a desperate gamble. The range of emotions these characters feel is similar to what Rand has gone through in preparing to meet the Seanchan. Trepidation, study, preparation, and a gamble at the end. But it’s not just Rand; each of these characters also went through something similar in their predicaments. The viewpoints are divided this way to avoid repeating each character going through similar emotions, which could make for arduous reading. The emotions and concerns expressed in each of the sections stands for the others as well. And in the end, each of the characters will make their gamble, knowing that there is a knife-thin margin between victory and defeat, which relates back to the rhyme at the opening of the book. All of these plotlines are linked thematically.  

The Tuon section reveals that surprisingly, she knows as little of Mat as he does of her. Even as a willing prisoner, Tuon plots how to undermine the enemies of her Empire, considering ways in which she can make life difficult for him or his army. Tuon’s inner thoughts have been kept from readers to maintain the mystery around her, so that they are unsure of where Mat stands with her. As their royal wedding nears, it is finally time to reveal some, but not all, of what her goals are, and how she thinks of Mat. This is an excellent opportunity to switch from his viewpoint to hers, since the author’s objective is now to keep some mystery around Mat’s brilliant plan to escape Altara.

Perrin’s plans are much less secret. Readers have been told about the Forkroot, and how Perrin will sneak some men inside the city to help Faile escape, which are the major tricky parts, the rest simply being placement of the troops. Perrin is able to put aside worries about Whitecloaks nearby, more Shaido septs reinforcing his enemies, and a ripple in the Pattern that feels as though he will be undone. That ripple represents how he may become undone by the secrets Faile may be keeping, but his singular focus lets him dismiss it, as he would dismiss anything Faile had done amongst the Shaido. He has an objective, and he will not let moral obstacles prevent him from reuniting with Faile any more than physical ones.

Perrin’s thought on Berelain are so forthright, I can’t help but feel his perspective is wrong: “Light, how could anyone believe there was anything between him and her? She was as beautiful as ever, true, yet the scent that had minded him of a hunting cat was so long gone from her smell that he barely remembered it. The bedrock of her scent was patience and resolve, now. She had come to accept that he loved Faile and only Faile, and she seemed as determined to see Faile freed as he was.” Berelain doesn’t give up, and Perrin’s smells are unerring, so Perrin has either misinterpreted what the smell means or is not being entirely truthful. It’s quite a leap to start suspecting that a bluntly honest character such as Perrin is hiding something that he can’t even address in his inner thoughts, something that contradicts the text told from his perspective. Consider this possibility: Perrin was ready to make a deal with the Dark One to get Faile back, and may have needed Berelain’s help so bad, he gives in to her as the price. Having paid her price, he tries to pretend nothing happened, to which she replied: “Very well Perrin, if that’s the way you want it.” Whether it is true or not, the author has carefully crafted the discussion between these two the morning he woke in her tent, so that a hidden meaning can be gleaned. Enough to raise suspicion, not enough to prove anything. Other clues point to a hidden meaning in the above passage as well: how exposed must she be for him to know the bedrock of her scent?  Why would she no longer smell like a hunting cat, unless she had already caught her prey? Could his forgetting that smell represent him hardly remembering what they did together? Obviously, there is never a Berelain point of view because that would reveal what is meant to never be revealed. Writing with double meaning, or to imply a double meaning, takes a particular attention and skill.

For her part, Faile is involved in rebuffing Rolan’s suggestions that they play kissing games. She plays coy with him, unwilling to lose a potential escape route. Faile hopes that the Aes Sedai Galina proves true, or she may have to take up Rolan’s offer. Readers know Galina is lying, and this represents Faile’s only truthful option being taken away. Faile recognizes that her only slim hope of not having to hide anything from Perrin lies with this woman, who is frantic and unpredictable. Giving the Oath Rod to Galina represents Faile trying to tell the truth about Rolan. The results would be unpredictable, possibly wild, with no guarantees despite Faile trying to force one out of her. The next post will further delve into the symbolism of Galina.

Rand confronts Semirhage, and loses a hand and his eyesight for it. With two other characters having somewhat successful interactions with Seanchan, there is still some expectation for Rand to come out of this well, despite Suroth’s involvement. There is some mild confusion about timing, as readers may be led to believe this scene takes place after Tuon’s return to Ebou Dar, so that Rand can meet her. The confusion is quickly resolved by the revelation that Semirhage was disguised as Tuon. Semirhage represents pain, based on her reputation, but Rand refuses to acknowledge any pain, whether from his old wounds or the loss of his hand. He is effectively cutting himself off from feeling anything, the wounds to his soul somehow eclipsing the grave physical wounds he has taken.

This uncaring sentiment is echoed when Mat refuses to give aid to the Seanchan soldiers he has cut down with his new tactics. Tuon approves: “A lion can have no mercy.”

Writing Lessons:

Unreliable narrators may require you to write true things with double meanings, not deal with certain things, or write outright lies.

Knife of Dreams - Chapters 5-7

In this section, Faile and Mat advance their romantic relationships.

Faile is steadily recruiting help, faster than she would like. Rumour travels quickly among the gai’shain, and some of her new followers may not be very reliable. Faile marches inexorably closer to her death at Galina’s hands when some of her followers are able to steal the Oath Rod. Readers have been told Galina’s plan is to get the Oath Rod, then kill Faile. She is unknowingly charging towards her own murder. This has the effect of creating anxiety over Perrin’s recent treaty; instead of beginning the attack now before Faile gets killed, Perrin is heading the other way to gather Forkroot. What looked like progress now costs precious time that Faile may not have. Reversing expectations like this is a wonderful way to keep the reader invested in the story.

Rolan makes his romantic intentions towards Faile known. His is the third possible means of escape she has before her, the other two relying on Perrin and Galina. Accepting Rolan’s help may end up with her sleeping with him. She further realizes that all of Rolan’s spear brothers would know if she did sleep with him. Despite his claim that what happens when you wear gai’shain white is forgotten when you put it off, she still recognizes that secrets are hard to keep: “If Rolan could be believed they all knew! Hope and danger, all tied together inextricably. What a tangle.”

The very next paragraph is a metaphor for her decision regarding Rolan. This is not only a description of the search for the Oath Rod, but also a description of Faile feeling exposed and dirty, hoping to keep her secrets as best she can when so many know. Covering herself as best as she could with her hands, Faile huddled together with other women wearing Sevanna’s belt and collar – they had been made to put those on again straightaway - huddled for a scrap of decency while Shaido rummaged through the gai’shain tents, tossing everything out into the mud. All Faile could do was think about her hiding place inside the town and pray. Hope and danger, and no way to untangle them. As Rolan advised, Faile will not speak of it again, even to herself, and neither will the other women in her situation, each of them complicit in keeping each other’s secrets.

A disadvantage of participating in Theoryland is that we tend to only give credit to information that is given in the text of the story, so in the past I did not believe Faile had slept with Rolan. In this case, Faile has become an unreliable narrator, refusing to even broach the topic of her affair with Rolan within her internal point of view, and certainly never alluding to it in the text. If what happens while she is wearing white can be forgotten, she has already done so to the extent that she can, and the reader will be none the wiser unless they read between the lines. It’s a wonderful piece of writing that says so much while appearing to say so little.

Mat is having much less luck with Tuon. He buys her a gift of a zebra-like horse, a rare and valued breed. Before he can give it to her, he gives Tuon a nickname: Precious. Mat asks Noal about Jain Farstrider, since he is oddly knowledgeable about his ‘cousin’. Even after keeping his identity secret for this long, it still feels contrived that Jain Farstrider is in the story. It would have been obviously worse had readers been told who he was right away. Tuon cuts through Noal’s melancholy, and just like that, another of Mat’s followers is as much under her control as his. The back and forth tug of war between Mat and Tuon for anything and everything is entertaining, and despite Mat seeming to achieve his goals as the relationship develops, he loses as much or more to Tuon’s influence.

Some Seanchan show up outside the circus tents, and after a brief scuffle, the circus folk pack up and move on before the soldiers come back to cause more trouble. Mat is alarmed that the Aes Sedai are channeling with soldiers right outside, and a confrontation with Joline results in Mat learning part of Setalle Anan’s secret: she was stilled. Learning that she has secrets at all feels only a little contrived, because readers still don’t know whether she was an important Aes Sedai or a run of the mill one. Once again, the brilliant ta’veren mechanism can be used to explain away any number of incredible coincidences such as the high profile list of Mat’s followers.

Writing Lessons:

Create tension by having progress in one plotline result in greater danger in another plotline.

Crossroads of Twilight - Chapters 15-17

In this section, Elayne’s rivals conspire and Egwene keeps the war effort alive

Elayne’s rivals Arymilla, Naean, and Elenia travel from camp to camp every night as they lay siege to Caemlyn. Despite having been knocked out of the contest, Elenia still sees a way in which she can emerge from this impasse as the Queen of Andor. While her drive and perseverance are admirable, her selfish reasons for seeking to become Queen are a stark contrast to Elayne’s rightful claim and interest in the well-being of the people of Andor. Despite the fact that Elayne hasn’t taken a very active hand in events so far, it is obvious that no hand at all is better than a hand like Elenia’s or Arymilla’s. Arymilla sees the Queen’s coffers as a means to upgrade her lifestyle even further while Elenia seeks the love and approval of the unwashed masses all the while thinking of them as foolish peasants. Her ego and intolerance instantly make her unlikeable, and make Elayne a more attractive choice despite whatever faults of her own she may have.

One of Elenia’s men, perhaps even her husband Jarid, has been meeting with the ringleader of the Caemlyn Darkfriends, the Lady Shiaine. Shiaine has two Black Ajah under her thumb, as per Moridin’s express wishes. She has her agent Mellar in a position of influence in the Royal Palace. She has a secret plan which Moridin has assigned her, and it remains unclear whether Elayne is meant to live or die, and if she is to die then to learn when that is to take place. It takes considerable effort to establish Hanlon’s position, keep a low profile for weeks, and wait until all Moridin’s conditions have been met. Does Moridin know something about Caemlyn’s role in the Last Battle? Does he suspect Elayne is pregnant with Rand’s children? Or does he know it for fact? How is what he is planning for Elayne any more effective than what Semirhage will later do to Rand? The only plausible answer is that the Last Battle is the battle for Rand’s soul and identity, and Moridin thinks Elayne offers a means of prodding Rand in some way. It’s incredibly vague and convoluted, and only rationalized by the fact that Rand has twice showed up where his girlfriends were in danger, in Falme and Tear.  

Darkfriends inherent mistrust and self-preservation instincts always seem on the verge of undermining their plans. Only fear of the Forsaken keeps everyone in line, knowing that their punishment will be severe, even if served years after their betrayal or failure. Hanlon wonders whether his would-be assassin had been sent by Shiaine. Falion arranges to be bruised so Shiaine won’t learn she and Hanlon are trading secrets. The level of suspicion is so high it’s a wonder they can get anything accomplished. When one of the heroes starts veering down a path of mistrust, it’s easy to see the negative context and its implications.

In the rebels’ camp, Egwene pines for her home, the White Tower. As with several other characters, she thinks of her goal in absolute terms: Whatever was required to keep the rebellion alive and pull Elaida down, she would do. Whatever was required. The author frequently uses repetition of a key phrase to emphasize the character’s level of commitment. Egwene’s goal requires she pretend at negotiations with Elaida, so that the rebels will see they haven’t come all this way for nothing. In some instances, when a character is aiming at one goal while secretly targeting some other goal, that detail is kept secret from the reader to allow for a surprise revelation later on. In this case it’s important that the reader understand exactly what Egwene is hoping to achieve, because the politics among the Hall of the Rebel Tower are convoluted enough. If the reader didn’t know Delana was Black Ajah, that Halima was a Forsaken, that Sheriam was most likely Black Ajah, and that Siuan and Leane were in her pocket, and a handful of other details, then none of the conspiratorial meetings between Sitters or other Aes Sedai would make as much sense. These waters are muddy enough that there is good reason to provide clarity to the relationships between the major and even minor players.

Egwene does keep one new surprise, which is her plan to blockade Tar Valon from receiving supplies. The reader can guess it involves cuendillar given the context in which it is stated that this secret exists.

The other secret which is not plainly revealed involves the Young Sitters. Having our attention brought back to this again implies the author has something worthwhile tucked up his sleeve. We’ll see soon enough.

A new peril facing the heroes is the revelation that foodstuffs are rotting, obviously an effect of the Dark One’s touch. Interesting that he first targeted the weather which caused a drought and affected crops, and is now attacking food. He went straight for the supply lines while his minions floundered after Rand. No one amongst the Heroes has even considered how to locate or affect the Shadow’s supply lines.

Writing Lessons:

Complex plans are unbelievable and fallible. Find the simplest way for a character to attain their goal and overcome obstacles.

Crossroads of Twilight - Chapters 2-4

In this section, Mat tries to re-establish command.

Mat has an awful time trying to earn respect. His own men know all he is capable of, and Thom and Juilin know enough to respect him. The Seanchan he has picked up only know him as Tylin’s Toy, and treat him accordingly. Even the Seeker searching for Tuon considers Mat a pawn being moved by Thom Merrilin. Earlier scenes with Gawyn, Logain, and Samitsu established that having two captains is terribly inefficient. Mat is in a similar plight, with both he and Egeanin fighting for dominance among their followers.

Mat is finally able to throw Egeanin off balance by mentioning Tuon’s name. This gains him a precious advantage over her, for the time being. He has no such hold on Tuon herself however.

Tuon is angered over being called a servant as part of the cover story Mat has cobbled together. She hurls a cup at him, and Setalle presents her with another one to throw should she desire it. Mat promises to set her free once he figures out how to do so safely. After some intense seemingly random questions directed at each other, Tuon makes a promise herself. She will not betray Mat or try to escape.

Mat learns that the search for Tuon is being carried out secretly and that Tylin has been killed by the gholam, which Tuon calls superstition. Importantly, Joline senses the cleansing of saidin, far to the north, which frightens her so much she wants Mat to get the circus move as far from it as possible. The cleansing is a convenient marker for establishing the timing of these chapters, but it isn’t necessary unless there is some chance of these separate storylines being brought together.

Noal takes too long to reach Mat’s Wagon, which Mat thinks is due to him dropping off his fish, but it comes so close after the last clue that Noal is not what he seems that the reader should be distrusting him. This is a very deliberate attempt by the author to introduce doubt about Noal. The first clue was Noal finding a dark-skinned man with blue eyes familiar, and the second is that he vanished for a few minutes. It’s not much, and it’s not menacing, but it does have the desired effect, and the reader should be watching Noal very closely, even if Mat is not.

The chapter featuring Karede allows a glimpse into the most secretive parts of Seanchan society. The supposed conspiracy around Tuon’s disappearance prompts the Seeker and Karede to establish their own conspiracy, so secret only they know of it. Their persistence is played up, and builds up some tension as they set out to find Tuon. Mat never had a chance to fight Seanchan, and this could be building up towards a great battle.

Let’s take a closer look at how new ideas are introduced in the text.

In chapter 2, we first learn Valan Luca has a circus.  We next see that attendance is down, so the bouncers are playing dice. Next, the strongman and his wife are engrossed in the dicing, which is atypical for them. Any behaviour out of the ordinary catches the reader’s attention. The flow from the first idea to the next, and the next after is smooth and logical.

The circus folk react to Mat and Egeanin’s arrival, giving an opportunity to describe Mat and Egeanin’s cover story. The strongman warns Mat about Seanchan speaking with Luca. Egeanin interrupts. Noal is ready to flee. The strongman’s wife tells Egeanin the Seanchan are just talking. The strongman adds to Mat that he doesn’t think there’ll be any trouble. The bouncer adds that they’ll protect Egeanin, admitting her gold is a factor in that loyalty.  Egeanin lays down the law and renews the promise of gold. Mat is angry because it’s actually his gold. He launches into all the other things that Egeanin does wrong, and then, out of nowhere, asks himself the original question again: why are the Seanchan there?

These pages allowed the introduction of a danger to reveal aspects of Mat and Egeanin’s relationship. They jostle for control, and each of them is seen as the leader by some of the circus folk. After a short while, the author brings the reader’s attention back to a previously raised point. The fact that the Seanchan’s presence had been revealed and discussed earlier allows the sudden shift in Mat’s thinking back to that topic. By placing that sudden shift in the middle of a paragraph, the author makes it feel even more like a sudden thought interrupting Mat’s other thoughts.

Considering the danger, Mat doesn’t even think of making a run. He tells everyone he’s confident it will work out, and they are mostly surprised he even spoke since Egeanin had done such an effective job of presenting herself as leader. Mat says he’ll slip near Luca’s wagon. Noal implies they will all die. Mat searches for signs he may be right by listening for dice rolling in his head. Egeanin catches up to him. Mat worries she will be recognized by one of the Seanchan. Egeanin dismisses the idea. Mat warns her not to glare at everyone. She angrily agrees.

Now the control has shifted back to Mat. Note how Egeanin ruins his plan by showing up immediately after he has dismissed the danger. Mat is not given any time to find solid footing, and it is not done through physical inconveniences, but through relationships. There is no time pressure, no imminent threat, just a chance of impending doom if he can’t regain control of his followers.

They traverse the circus grounds, spotting Aludra on the way. Egeanin berates Mat for blowing their cover by staring at her. Mat gives a snide comment, winning that particular skirmish. They see the Seanchan, as well as a number of their followers who are also watching the Seanchan. Mat worries about the clues they are giving away to the Seanchan. Egeanin recognizes the officer as he leaves. Mat realizes his luck is all that kept him from recognizing Egeanin.

The Seanchan wanted horses, but Luca’s warrant was enough to send them on. Luca worries about them returning and insists they should have left Ebou Dar earlier. Mat says leaving that night would have drawn attention. He says not to worry, they can leave right after Thom returns from the city. Luca dances a happy dance. Egeanin is angry her orders were not followed. Luca points out that Mat has the gold so he gives the orders.

As each event unfolds, it allows the strained competition between Mat and Egeanin to be revealed. Every other danger is subordinate to that one. Except the one that Mat eventually uses to finally beat her out: the danger posed by Mat’s relationship with Tuon.  

Writing Lessons:

Allow the solution to a problem to pose its own problems to the heroes.

Winter's Heart - Chapters 33-35

In this section, Rand recovers from a horrible blunder, and his allies prevail in an epic battle.

Rand is on shaky ground as he leaves to assassinate the Asha’man. Ignoring his recent understanding that killing the Asha’man changes nothing in the long run, he rushes off to play at killing, leaving the duty of keeping him on a moral trajectory to his friends. Min implores him to see the danger to himself, while Alivia thinks killing is a game, thinking of it as cavalierly as Rand does. Nynaeve is the last one to have a say in Rand’s actions, her access to the One Power is the only means by which Rand can gain entry to the villains’ apartment.

Nynaeve belatedly realizes what she has involved herself in. She didn’t think before; she thought of it as an adventure, confronting Darkfriends, renegade Asha’man. But Rand and her husband are going in to execute the men, to kill them before they know someone is in the room with them. Nynaeve left the Two Rivers to protect the boys from the wicked world and the ways of Aes Sedai, and at the last she utterly fails to act as Rand’s conscience. Kill them in their sleep, if you can, she says, giving her blessing to their actions.

As is the author’s habit, the actions which immediately follow Nynaeve’s capitulation are a metaphor for Rand’s moral situation: Something unseen wrapped snugly around Rand’s chest beneath his arms, and slowly he rose into the air, floating higher until he drifted over the edge of the overhanging eave. The invisible harness vanished, and his boots dropped to the sloping roof, sliding a little on the damp gray slates. Crouching, he moved back on all fours.

There is almost no foreshadowing of Fain’s appearance, which can frustrate a reader. At this point Jordan assumes readers are familiar with characters from several books back and haven’t started with this one. It’s a fair assumption, yet the sudden appearance of a returning character can confuse as easily as excite the reader.

Fain represents the evil of Aridhol, a nation that fought the Shadow using the Shadow’s own tactics, eventually destroying itself and tainting every pebble of the capital. Fain’s appearance at this juncture is highly symbolic. No sooner has Rand’s conscience abandoned him than Fain appears, dancing out of reach, goading Rand down the wrong path; the path Mordeth followed. The scene is prophetic, showing Rand’s eventual fate with a twin of sorts who has already succumbed.

Rand instinctively reacts to the illusion, striking Fain and driving him away. Lan is hurt. Rand cracks a joke and Lan does not laugh. He only laughs for Nynaeve, a reminder of her role as conscience and soul for both Rand and Lan.

Cadsuane, representing the Light itself, whisks to the scene and berates Nynaeve. If the guards have them, it is because of you. What can Cadsuane do? First, she has heard Rand’s plea to help her, delivered by Verin. Cadsuane and the Light follow strict rules, and keep their promises.

Rand’s prison is a metaphor for the one constructed by himself and Nynaeve. He dwells in darkness, confined in a tight space, a result of his arrogance and abandonment of morals. He remains trapped there until Cadsuane frees him, the fortunate result of his momentary hesitation the day before. Once in that prison, only the Light can free him. Once freed, he can even cleanse the taint. Many of the metaphors and symbolism in the series are subtle, and this feels like a hammer blow in comparison.

The battle at Shadar Logoth is somewhat unconventional. Readers know every single participant in the battle, and have a clear understanding of the battleground, handily described before battle begins. This allows the author to shift viewpoints continually, covering the entire battle hardly ever coming back to any one character.

Elza’s perspective gives the stakes and paints a picture of strong desperation.

Barmellin and Timna show that the battle has far-reaching consequences, greater than even the battle’s participants know.

Cyndane demonstrates sudden motion, conveying surprise, perhaps enough to catch the heroes off guard. She also confirms she is Lanfear reincarnated.

Cadsuane shows how effortlessly the first attack of lightning strikes has been repelled, and counterattacks with devastating force. Holding the opponents at bay is not the problem, Rand and Nynaeve’s stamina is.

Rand’s perspective casts doubt on the effort to cleanse saidin. He has made no progress.

Demandred finds his skulking ineffective, and must flee before a string of barrages erupts the forest into flame. He encounters some opponents face to face and underestimates them. He also offers the third clue of the book that he truly is not Mazrim Taim. Sigh.

Cyndane has figured out how to avoid the sheets of flame that are launched in her direction. This represents the turning point in the battle, the first time the villains are making progress.

Osan’gar reveals he is Dashiva, and mirrors Cyndane’s tactic. The villains are closing in.

Verin underestimates Graendal, and is in a fight for her life.

Eben has been walking and little else, demonstrating that the heroes can’t see the villains approaching. Aran’gar deceives them long enough to get in close.

Cyndane faces Alivia, who is stronger but lacking other advantages. This scene represents the heroes fighting back against these closer incursions, and maybe being on even footing. Maybe.

Moghedien sees a black dome and decides to sit back and let events unfold.

Rand struggles to control the flow of Power. He is succeeding, but can he hold on? His struggle is presented here, just as the other battles have been joined and have uncertain outcome.

Cadsuane’s perspective tells us that Rand’s effort to cleanse the taint is working, and that the villains have vanished for now. She takes advantage of the opportunity to heal Nynaeve, leaving an opening for Osan’gar.

Osan’gar spies the heroes sitting idly and prepares a fatal strike.

Elza is revealed to be Black Ajah, but the compulsion Verin laid lets her rationalize killing Dashiva. This represents the defeat of the villains.

Moghedien sees the black dome vanish. A vacuum is created into which she is pulled. Readers should know she is dead. When there is a threat to a character’s identity, they must overcome it or be destroyed. Moghedien’s character changed forever when she thinks that if she survived this, she would never feel fear again. She is metaphorically dead anyway, so the lack of a body shouldn’t be troubling, and it should be clear that she won’t be resurrected either. If she was, she wouldn’t be Moghedien any more.

Cadsuane surveys the battlefield and tallies the cost of victory.

The battle was filled with revelations, with several secret identities exposed, almost as though their lies could not hold up to the Light represented by the continent-smashing levels of the One Power being used. Stripping away the taint also stripped away their secrets, for the reader at least. Each small focused scene of the battle represented the battle as a whole.

Writing Lessons:

In conflicts, make each scene represent the emotional progression you want the reader to feel as the battle unfolds.

Winter's Heart - Chapters 23-25

In this section, a minor character observes the action in Far Madding.

Continuing the recent trend of giving new characters the point of view, Shalon, a Sea Folk Windfinder has two chapters told from her perspective. The author chose not to give either of these chapters to Rand, Min, Verin, Cadsuane, Nynaeve, Lan, Alivia, Corele, Merise, Daigian, Damer, Eben, Jahar, Beldeine, Elza, Harine, Moad, Alanna, Tomas, Kumira, Ihvon, Erian, Sarene or Nesune. That is four of the original heroes from the Eye of the World, three major allies found since, and many other secondary characters that were passed over. What advantages are gained with Shalon, or disadvantages avoided by not using the others?

The intent of these chapters is to establish the status quo in Far Madding, including explaining how the Guardian works. When explanations need to be given, authors often use an unknowledgeable character’s presence as a reason to elaborate the explanation, sometimes giving an info-dump. Out of the list above, only the Sea Folk and Asha’man qualify. To best capture the Guardian’s effect, a channeler is preferred, eliminating Harine and her Swordmaster. Not wanting to portray another male channeler yet who could give insight into the madness, only Shalon is left from the group traveling with Cadsuane.  An upside is that it offers a way to explain more about Sea Folk culture, one of the major cultures we have learned little about from anyone with firsthand knowledge from living in it. This adds a little to that alien feeling from earlier chapters.  

Entering Far Madding is described as like losing the sun, which is better prose than the last time Rand entered a stedding. Yet it is not simply the ability to channel that is lost. The loss of the True Source represents the loss of the Light. Shalon has been feeling disoriented and confused from her blackmail, her shame, the risk to her marriage and rank, and to her identity, until her sister offers her unexpected comfort. With her sister’s potential acceptance, Shalon is almost ready to risk confessing. This is a clue as to what Rand should do, and what risks he faces. It is really not obvious at all that Shalon’s personal crisis is setting the stage and the expectations for what happens to Rand later.

Rand and Cadsuane continue playing at not needing each other when they both desperately need each other. After talking with Alanna, Rand realizes he is ready to trust some of the Aes Sedai with some tasks, particularly Cadsuane if he can convince her. For her part, Cadsuane recognizes that Rand’s determination to act alone, with no help, is a danger to himself and to the world. But she waits for him to make the offer, for she fears that being too eager will put his back up.

Verin continues to half-reveal her secrets. She was exiled from Far Madding, which implies bad behaviour. She comes close to poisoning Cadsuane. She is a two-faced and not very nice person. It is quite a balancing act revealing just enough background or motivation for her actions to keep the reader guessing as to her loyalties. It makes fertile ground for all manner of ridiculous theories.

Writing Lessons:

Examine the pros and cons of each potential point of view character before choosing one.

The Path of Daggers - Summary

The Path of Daggers ends on such a weak note, it’s hard to think of it as a complete book. The Hero gets ambushed in dramatic fashion, and survives, but is unable to deliver any retribution. A similar attack on an Aes Sedai is treated without emotion or build-up. And the final chapter covers a handful of plotlines from other characters that haven’t been seen for the last half of the book, only one of which involves any action or genuine excitement.

While the book moved rapidly and had several rewarding moments, the failure to deliver a strong conclusion can’t help but wear down a long-time reader.  As with the previous two books, which read better as a pair because of the lack of resolution, I expect the most satisfaction will come from treating The Path of Daggers as the first half of Winter’s Heart, instead of a complete book in its own right. As with Lord of Chaos, the other half-book, this book uses a sudden plot twist near the end to try provide some excitement, hoping to make up for the lack of resolution of the main plots. It was much less successful here because the threat to Rand was much more physical than character-driven, and it involved foreseeable events instead of something never before seen let alone imagined.

The layout of the chapters has each character’s point of view chapters clumped together, mimicking the most successful pacing of the earlier books in the series. This layout delivers strong results once again, allowing a situation to be introduced, built upon, and if necessary to come back and complete the resolution in a later set of chapters.

The centerpiece of the book and the high point of the story is Rand’s epic war against the Seanchan. Rand knows the war was waged at a great cost to his own forces, with most of the losses coming at his own hands when he mishandles Callandor. He learns Callandor is flawed, but it is the war itself which was flawed. Rand is learning firsthand that the Tuatha’an saying is right; doing violence damages him and his people as well as the people he strikes.

In a similar vein, when the tools and people he relies on begin to let him down, whether Maidens rebelling or Asha’man going mad or trying to assassinate him, Rand builds up walls. Even if he can’t trust, he still intends to carry on as before.

Up until now, Rand had been presented simple solutions to all the problems: raise an army, and his opponents will surrender; kill a Forsaken and he can take over a nation. But his early successes are beginning to drag him down. He is learning through difficult experience that his tactics aren’t working any more, but he insists on pushing harder instead of examining whether other tools may produce better results. Rand has only recently achieved manhood and begun to take his responsibilities seriously, but he is fumbling with how to do it.

The metaphor of the sha’rah game in the prologue best depicts the book’s central theme. It can be more dangerous to have control than to give it up, the tool you hold can work against you, and the unseen pitfalls are many and hazardous.

Writing Lessons:

A book’s conclusion demands resolution and reader satisfaction. Failing to deliver it will cost you.

The Path of Daggers - Chapters 28-31

(Yay! 6000 views! 125 posts! Thanks everyone!)

In this section, hidden enemies strike.

Both Rand’s and Elayne’s sections end unspectacularly, which ends the book rather unspectacularly. Both make the same point, which is that the opponents hidden in their midst can pose a sudden threat.

In Elayne’s case, the sudden attack takes place at the end of an otherwise bland series of interactions with her party. Reading through this recital of ordinary events is meant to emphasize the hidden nature of the threat, and show how the Black Ajah behave as normally as anyone else, using their normalcy as cover. The revelation of the Black Ajah is described as just another part of an otherwise ordinary week, provoking no excitement.

The ‘explosion’ Elayne was disturbed by turned out to be simply a runaway Accepted hiding among the Kinswomen. The manner in which she is concealed among the Kin is similar to how the Black Ajah hide among trusted friends, but with much less dire consequences. The author builds up this supposed ‘explosion’ and then offhandedly describes discovery of the double murder in an emotionless and logical fashion. This is done to continue disarming the reader’s suspicions so that the attack on Rand in the next chapter can be played for maximum effect.

Dyelin is introduced, and with the events just revealed, Elayne and the reader now can’t help wonder if she is as truthful and loyal as she claims, or whether she is a secret threat.

A long-time foil for the heroes, Carridin, is replaced by Hanlon, just as the captive Black Ajah Ispan has been replaced by the Black sister traveling with Elayne. The advantage gained by knowing who was a Darkfriend has been erased, and the heroes are back where they started with unknown villains in their midst and no clues as to their identity.

The attack on Rand is handled differently than the one on Elayne. The chapter begins with a set-up meant to remind us that everyone serves Rand loyally. The Asha’man have been elevated to Rand’s most trusted guardians now that the Maidens’ complaint has them letting anyone in to see Rand. Sorilea brings five Aes Sedai from Elaida’s embassy who have decided to swear fealty to Rand. It is implied that everyone serves Rand. There are no problems apparent, so now he decides to deal with Cadsuane.

Just as he leaves, a subtle reminder that all is not well is given in the form of a single paragraph of the Maidens outside his door. They still disapprove of his actions. And then from out of nowhere, Rand is attacked!

The attack is sudden, violent and abnormal from any previous threat he has faced. There was no warning, no challenge, no duel, just an immense hammer of Power meant to flatten him. He manages to identify his attackers, and defends himself against Dashiva’s next weave with a globe of Power that serves as a metaphor for his situation. The globe will keep out everything than can harm him, but also the things which sustain him. He cannot live that way. Moments later, his attackers have fled, leaving Rand to wander aimlessly through the wreckage looking for someone to fight.

Finally, he finds Morr, an Asha’man who has spontaneously gone mad while guarding Min. In his final encounter with Taim, Rand adds several names to the list of deserters, all men who had been raised and appointed to serve Rand by Taim. When he euthanizes Morr, Rand refuses to cry, saying he has no time for tears, already hardening himself to the perceived weakness of emotion. If he can’t trust those near him, he won’t allow himself  to feel anything for them.

Bizarrely, a few other short points of view end the book. Perrin recruits the prophet to follow him back to Cairhien, but his refusal to Travel using the One Power means long delays. Faile’s kidnapping implies the same. The Pattern offers at least these two reasons to delay Perrin’s return, in case one or the other should fail to keep him in Ghealdan. Lastly, an undetermined number of days in the future, Egwene leads her army to the shores of the Erinin to lay siege to Tar Valon. By including this scene, there is no need to discuss Egwene or the rebels in the next book.

Writing Lessons:

Build up a single paragraph, or pages at a time, to evoke the mood or emotions you want the reader to have.

The Path of Daggers - Chapters 8-9

By the original schedule, I would have been done the series shortly. Instead, I am just past half done. It's still very rewarding, but it is a constant battle to impose writing regularly over the other events life throws at me. Thanks for your patience and sticking around!

In this section, new and old groups in Perrin’s camp are keeping secrets. Maybe.

Perrin’s main problems have been presented already, now we get to see some of the tools and people at his disposal.

The camp promises to be simpler to deal with than his current predicament. It presents some mild difficulties which are easily dealt with, as the description of its location implies: The camp lay about a league further on, well back from the road, among low wooded hills, just beyond a stream that was ten paces’ width of stones and only five of water never deeper than a man’s knees.

It is composed of three parts: Mayener, Aiel, and Two Rivers men. The difficulties stem from none of the factions really being sure the others share the same goal. The newcomers led by Morgase may make yet another faction, despite that Lini is advocating that they try fit into their new roles since their old lives are done with.

The factions differ on several issues, including whether Perrin should fly his banners, and whether Masema should be killed or brought to heel. While Perrin worries over the untold secrets among his current followers, he accepts at face value the story told by Morgase’s followers. Even his wife’s own followers have secret missions they carry out on Faile’s behalf!

Faile’s idea to fly the banners to distract attention away from Perrin’s true objective brings some comments from Perrin: Quicksilver. A kingfisher flashing by faster than thought. Both descriptions of Faile’s idea not only imply speed, but the quality of her idea, and her rank or position as well. Kingfishers may not be the only fast birds, but the words king and fisher offer the idea of leadership and correctness. Silver implies wealth and rarity.

With Perrin being so trusting, details about what the factions are up to can only be delivered by points of view of those involved in them, so Faile and Morgase sections tell us about their plans and plights. Even after Dumai’s Wells, Faile thinks kidnapping is the best means to get to Alliandre. Rand may not appreciate having his allies treated the way he was, even if handled gently.

The fear of hidden agendas is everywhere. The farriers worry that Perrin has some ulterior motive in examining their work with horseshoes when all he wants is a chance to do something for himself instead of people scurrying to serve him.

Unintentionally, Perrin finds himself doing the exact sort of subterfuge he dislikes, laying rumours among the Mayeners about his intentions regarding Manetheren, and somehow gaining more direct support from them while Berelain is away. It’s not something a ruler is bound to like.

Finally Perrin accuses the Aiel Wise Ones of having secret plans for the Aes Sedai, possibly involving murder. The Wise Ones and Aes Sedai both tell him to mind his own business, this is just normal apprenticing, though it began against the Wise Ones intentions. They also hide nothing regarding Masema, they would prefer him dead, sooner rather than later.

In general, things are not what they seem at the surface. Those who seem to be hiding secrets are not, while Perrin overlooks the many secrets being hidden by those he trusts. We’ve now met everyone in the camp except the Asha’man, but there will soon be more new arrivals. Overall it feels like an exceptionally long introduction to the people tagging along with Perrin. As I postulated back in Perrin’s section which open The Dragon Reborn, one reason Perrin’s sections may seem to move slower is because they are Perrin sections. His manner of observing and taking action demands a slower pace, and a very complete oversight of all the relevant people and places around him. Portraying Perrin as a slow and methodical person would be more difficult if his Point of View chapters jumped about rapidly. This translates into impatience for the reader.

Writing Lessons:

You can portray character by the pacing, tone, and setting of the story, not just by their reaction to events.

A Crown of Swords - Chapters 9-11

In this section, Egwene slowly builds herself up from nothing

It is always rewarding to watch a character overcome obstacles, to go from having nothing to the top of the heap. In the previous section, Egwene was presented as not even having a reliable chair. We saw her loyal maid, who fetched her two other loyal helpers, a pair of disgraced Aes Sedai who stand very low in the hierarchy. A fourth helper, the prisoner Moghedien, had escaped. Things look grim.

Sheriam is supposed to be Egwene’s helper, but tries to keep Egwene occupied with meaningless tasks while keeping control of the rebels by hoarding information. When Egwene finally learns of a secret that Sheriam and her council kept from the Hall, Egwene begins to blackmail her. Fear of the secret being told before the Hall prompts Sheriam to reveal it to Egwene and Siuan.

Sheriam and her group sent ferrets to the White Tower to spy on Elaida. They supposedly told no one because they were not only afraid of Elaida’s own spies among the rebels, but that the Sitters may be Black Ajah. Ridiculously, they never consider whether any of the ferrets or the 6 members of their council might be either of those (true on both counts).

Rushing to investigate Moghedien’s disappearance, Egwene loses the opportunity to truly corner Sheriam, but it will work out for the best soon. Egwene even risks exposing Siuan and Leane in her haste to find who freed Moghedien. Chesa behaves loyally in fetching them, and they in turn suggest grabbing Theodrin and Faolain to do the real legwork so they can go back to the pretense of being angry at each other.

Areina and Nicola attempt to blackmail Egwene, which she takes great offense to, and pushes back at them with veiled threats that she cannot follow through on. This is meant to show the reader that Egwene’s path to power is riddled with moral peril. She berates them for doing exactly what she is doing. Egwene believes she has better cause, and acknowledges she is willing to pay the price for her actions, since it is avoiding the price that is the immoral act, not the blackmail itself. The fact that they cave in to her shows they do not have the same moral fiber or righteousness, though whether Egwene has the right of it is undetermined.

Egwene regains the moral high ground in discussion with the Wise Ones (see below) and gets the germ of an idea when they suggest getting Aes Sedai to swear fealty to Rand.

Theodrin and Faolain then do something unexpected which gives Egwene power and an idea. They swear fealty to her because they feel Egwene is the person who deserves their pledge of allegiance under the law and in principle. They received offers from Romanda and Lelaine so when they swear to Egwene it is as much by choice as by duty. Egwene confirms they made the right choice when she tells them they are Aes Sedai, but never would be if they kept repeating the denials of other sisters who hold it over them.

Romanda and Lelaine demonstrate how professional Aes Sedai of the highest standing act.

We’re given several pairs of followers to compare over these chapters (Siuan and Leane, Faolain and Theodrin, Areina and Nicola, Romanda and Lelaine), with one more pair yet to come (Myrelle and Nisao), each of whom represents a relationship between the leader and the follower. Some are willing followers, some reluctant, some need bullying, and some see themselves as the leader and Egwene as the follower. This is similar to how the author introduced many of the concepts and cultures in early books, placing them near each other in the story as logical comparisons.

Let’s take a look at a typical Robert Jordan conversation, when Egwene meets the three Wise Ones in Tel’aran’rhiod:

Bair startles Egwene by speaking. 5 lines of discussion about her reaction and how it made her feel and an exaggeration about what will come next. Egwene recovers her poise. Descriptions of the Three Wise Ones.

Melaine mentions Egwene’s reaction, comparing her to a rabbit, again framing both her mood and situation. There is an implication Egwene needs to stop being a rabbit.

Egwene explains about Moghedien. Current relationship between Egwene and Melaine is revealed.

Egwene explains further. She changes her appearance to something more self-possessed.

Bair understands. Her strong character is revealed through her voice, like iron.

They ask for details. Aiel character traits revealed.

Stop, change topic. They get down to business. Sit near Callandor. Describe Callandor’s powers. Describe how weaves are reflected in Tel’aran’rhiod (I guess that means Rand’s dreams of Be’lal holding Callandor were just dreams, not in Tel’aran’rhiod, unless he dreamed himself another copy of it).

Egwene introduces topic of why she was summoned away. She stands, even if she is seen as a supplicant or on trial.

No big deal, says Amys. How old is she anyway (relating to question of aging which will be relevant with the Kin later).

I am the Amyrlin. They seem skeptical.

A comparable situation is described. And shown. The Wise Ones see to the heart of her problem. They do not consider that Egwene’s past lies count any more, since they have been atoned for.

Egwene agrees that she is seen as a figurehead, but she means to change that.

Forget them, come back to us. The Wise Ones extend an invitation.

Egwene already made her choice. But she wants to keep close ties with the Wise Ones.

Good luck. Invitation to join them sitting implies they accept her decision.

Stop, Change topic. Will your Aes Sedai swear fealty to Rand?

They will not. She gives a comparable situation. And shows it. The Wise Ones scoff at the very idea.

They are not like us. Grrrr. Angry Wise Ones. A short history of why that might be.

Egwene will do as she must, Amys says. The other Wise Ones follow her lead. They have tea, symbolizing acceptance of the situation. Egwene compares the Wise Ones to the Aes Sedai in her head, realizing they ARE trying to do the same thing. Only Egwene herself thinks of Rand’s needs first.

Stop, Change topic. What else troubles Egwene?

Rand troubles Egwene. She tries to lighten the mood.

That’s what men do. Melaine’s joke falls flat, implying this is now serious discussion.

Merana must be failing. Egwene reveals her concerns.

A second plea to rejoin the Wise Ones. Egwene rejects it.

I can help him more from here. Egwene is trapped by her own laws and customs.

We’ll take care of any problems between Rand and the Aes Sedai. The Wise Ones are holding back. In doing so, after Egwene has been so open, Egwene’s honour will rise, while their own falls. It is a lie unspoken.

Egwene is doubtful. She detects their evasion.

Bair jokes about how well they will get along.

Merana should have said something. Egwene digs for the truth.

Amys misdirects Egwene.

Amys, promise you won’t stop them from talking. The Wise Ones are uncertain how to keep their secret.

We promise. But they don’t like what it’s doing to their honour.

Egwene thanks them for being truthful. The Wise Ones are now locked in, they have toh. Their appearance changes. Egwene pretends not to notice to save them from more shame.

The Wise ones are silent.

Egwene asks a favour. Don’t tell Rand she is Amyrlin. She doesn’t want Rand interfering or raising tension.

Agreement. They will keep the secret. Egwene is surprised at how quickly they agreed.

Stop, change topic. They talk more, but the Wise Ones are still evasive, revealing tidbits only by accident. Their advice about the Aes Sedai problem is unsound.

Be careful of Moghedien. Egwene goes back to the first topic of discussion.

We can take them down. But they will also be careful.

Friends forever?

Friends forever!

Summary of the discussion: 

Introduction to mood and bad situation.

Topic 1 - Moghedien, Egwene gains honor.

Topic 2 - Egwene is Amyrlin, reminder of mood and bad situation, Egwene gains honour.

Topic 3 – Aes Sedai will not swear fealty to Rand, Egwene gains honour.

Topic 4 – Rand and the Aes Sedai may butt heads, Egwene surpasses the honour of the Wise Ones.

Return to topic 2, then topic 1 – Wise Ones leave, downcast. Egwene is pleased.

This conversation represented a journey for Egwene, pulling herself out of a bad mood to a good one, racking up standing with the Wise Ones, solving problems, and comporting herself in a manner befitting or better than a top tier Wise One. Jordan follows a very structured layout, progressing from small things to big, following the rule of three examples yet again, then moves back down from that pinnacle to the same small things, bringing the discussion full circle. He also uses available cues to plant clues to later plot lines, reveals character, advances plot, shares information among characters, and plants gentle reminders of the broader plot.

Writing Lessons:

Use conversations to advance character development, not just plot.