A Memory of Light - Epilogue

In this final section, glimmers of the future are shown and loose threads are tied up.

Rand’s quest ended on exactly the last page of the story, and the epilogue has a scant sixteen pages to wrap up many loose ends, which it does quite successfully.

Rand is blind and burdened with weight. After escaping the Pit of Doom, Rand realizes an unfamiliar woman is kneeling next to him, guiding him on what to do. The major clue to her identity comes in the following paragraph with the juxtaposition of two ideas in successive sentences: He blinked, his vision fuzzy. Was that Aiel clothing? An old woman with gray hair? Her form retreated, and Rand reached toward her, not wanting to be alone. Wanting to explain himself. Rand not wanting to be alone refers to his attaining adulthood, which firms up the link with his mother, Shaiel. She is offering him final words of encouragement as he enters the world alone, and he is expressing his final regrets about leaving the dependence of childhood behind. It is reasonable that the last to let go of a child who grows into a man is his mother, and since there has been much ado over Rand’s father figures, it is appropriate for his mother to have her brief time on the page as well.

Shaiel’s death was only ever confirmed by Tam, and that came in a fever-dream. If she somehow survived Rand’s birth, it seems implausible that a woman of her renown could have returned to Aiel society without being recognized. She might have intentionally lived alone in the wilderness for two decades, if so motivated by Gitara’s original Foretelling. More likely is that she is a Hero of the Horn, which explains her appearance in Aiel garb and her apparent knowledge about what Rand should do. It does not however explain her appearance at Aviendha’s side when she was tested at Rhuidean, if she is the same woman, as seems likely.

Rand ambiguously reveals what he asked the Aelfinn. Rand had asked the Aelfinn how to win the Last Battle and survive, and the answer had been “The north and the east must be as one. The south and west must be as one. The two must be as one. To live you must die.” Given that this is the moment where Rand is dying, his newfound understanding of how to live and die could be what he is explaining to the Aiel woman, but the link is tenuous. His second question on how to cleanse the taint from saidin has been resolved. Was Rand’s third question to ask what his fate was and receive the answer ‘to choose’?

 “I see the answer now,” he whispered. “I asked the Aelfinn the wrong question. To choose is our fate. If you have no choice, then you aren’t a man at all. You’re a puppet…” 

The concept of free will has been present since the beginning of the series, and the revelation of Rand’s third answer from the Aelfinn at this late point in the story infuses the concept with even more importance. While the Wheel forces Rand to come to a certain place at a certain time, it cannot force him to do anything; it can present him with choices, but can’t compel him to choose one path over another. Even when the choice is to die or take another action, it remains a choice.

In the same Mat paragraph, the pleasantness of the sun is contrasted with the stinking blackness of Fain’s body. Mat wins every gamble he takes, yet even he won’t touch the cursed Shadar Logoth dagger. As the most reckless character, Mat is associated with the most instinctual behaviour, and he clearly rejects the path set out by Fain. Believing that the end justifies the means is the gamble that can’t be won; there is no way to preserve yourself when you start down that line of reasoning. The final phrase’s use of mess carries psychologically symbolic meaning: Behind, the dagger, ruby and all, melted away into the mess that had been Padan Fain. Again, this idea that absolutism is bad has been incorporated into the series from a very early point, and is reinforced by its placement here at the end of the story.

Perrin surveys the losses and celebration of victory in the camp, still worrying about his duty to protect Rand. He sees Rand dying in the tent, with the two best healers unable to prevent him dying. Perrin stands equal with Nynaeve: “Dogs obey that command, Nynaeve,” Perrin said, “not wolves.” He consoles her over Egwene’s death. Moridin is also in the tent, dying. Lan also sees Perrin as an equal. No one has seen Faile.

Loial’s walk through the camp, like Perrin’s, allows a couple of small plots to be resolved, including succession to a throne, naming surviving Aes Sedai, and planting straightforward clues to something odd: None of Rand’s loves seems to care that Rand is dying. Amusingly, Loial frets over the correct way to record dates after the Last Battle, an indication that with the Last Battle done, concerns are swiftly turning back to the everyday and mundane.

Mat is renowned amongst the Sharans, but when he calls the fireworks display the best in the history of “my land or yours”, he reveals that he does not see himself as one of his wife’s people. For Mat, being off the hook seems to imply he is free to leave. Tuon’s threat makes it clear that Mat can choose to do whatever he wants, but there will be consequences if he angers his wife. It is a ridiculous and funny predicament to leave him in at the close of the story.

Perrin faces the insurmountable task of finding Faile’s body amongst the hundreds of thousands of dead. Exhausted, he falls into sleep.

Moghedien has survived the Last Battle and no one knows that she lives. She too is free to act as she chooses with the Dark One imprisoned again, and she begins by strangling a worker and assuming her appearance. She thinks she can rule the world within a few years. Her own subterfuge works against her as a sul’dam captures her and deduces from her skulking that Moghedien will not be missed after she is dragged back to serve the Seanchan. Her poor selfish choices dictated her fate.

Nynaeve announces Rand’s death. She tries to corner Aviendha and bully her into revealing why she doesn’t seem upset, but Aviendha deflects her question. Aviendha, always representing Rand’s past, has been wounded and will never fight again, another metaphor of his having grown into adulthood. The fate of the Aiel, and of a couple of kings is revealed in passing.

When Perrin was last in Tel’aran’rhiod, Dragonmount was drawing near Shayol Ghul as the world shrank and large portions of it were destroyed and pulled up into the sky. That damage has seemingly been repaired with Rand’s victory. Perrin travels easily across the countryside as a wolf, lamenting his loss, struggling to understand why he has lost Faile when he did everything his duty compelled him to do. A clue draws him to Faile, whose wounds are healed in moments with Perrin’s creative use of the Wolf Dream to bring her back to the camp quickly. Their reunion is immensely rewarding despite its brevity, and also shows that Perrin’s decision to follow duty was well made.  Perhaps brevity is what makes this scene work; after having tormented the reader with doubt that Faile survived, once she is healed what further point is there in saying anything beyond ‘they lived happily ever after’?

Birgitte asks Elayne a blunt question in the same vein as that which Nynaeve posed to Aviendha, and gets a noncommittal response. She tweaks Elayne’s nose by telling her Olver and the Horn have been sent away, which Elayne recognizes was the best outcome for all. With a mature outlook, she agrees that there is little need to keep a powerful instrument of war such as the Horn as a deterrent. Birgitte is being reborn, and it turns out her interpretation of Gaidal as a young child somewhere out there was correct. Birgitte too gets her reward of being with the one she loves.

Tam notes signs of life in Shayol Ghul, a place that was once feared above all others. He reflects on what all humanity has been given by his son, how all men stand equal: In the evening, even with his light, it was hard to tell Aiel from Aes Sedai, Two Rivers man from Tairen king. All were shapes in the night, saluting the body of the Dragon Reborn. Tam stands next to Moiraine and Thom, pride and reverence in his heart.

Min stands with her two friends watching Rand’s body burn. Her Viewing fulfilled, they discuss the future and she nods agreement to the idea that they will make sure that the world believes Rand is gone. Leading toward the final revelation, she senses her bond pulsing stronger each moment.

Rand awakens alone, rested, healthy, and whole. The mirror shows Moridin's face, with a single saa held motionless in his eye, representing that Rand will always be able to see things with a bit of the Shadow's nihilistic or selfish point of view. But that dark viewpoint is held motionless; Rand will know it, but it will not drive him or affect him, he is in control. In effect, he now has a mature outlook on life, no longer carefree or innocent, one which acknowledges a wider array of possibilities, both good and bad.

Alivia has left him clothing and money, and a horse as means of transportation. He has Laman's sword. Shayol Ghul is blooming and full of life. From a distance he watches as his old body - Moridin's body now - is cremated. He leaves as the onlookers watch his funeral pyre. All but one whom he acknowledges with a nod of his head before heeling the horse away.

From that, Cadsuane deduces that inexplicably, Rand is in Moridin's body. She thinks she may be able to use this information in some unexplained fashion, but then is ambushed by four Sitters. They have decided that Cadsuane will be the new Amyrlin. This is quite appropriate, as Cadsuane has closely represented the Light itself, and now the Light is being forced to take up the responsibility of caring for humanity, the logical outcome of Rand choosing Light over Shadow. It is also the logical outcome of filling the void left by Rand’s death, for he would have been the obvious choice to lead the world under the Light. There will be no further abdication of leadership by the Light, no further manipulation of Rand, for Cadsuane and the Light have a more direct role to play in shepherding humanity.

Rand sees the world with a hint of Shadow, but has acknowledged the Light, and no one has impeded his departure. He has everything he needs, and is now completely free, with no restrictions over him from any person or agent.

Representing this ultimate freedom, he lights his pipe by thought alone, a matter of willing it to be so, just as if he were in Tel'aran'rhiod. The choice of a pipe in this symbolic act is appropriate, since smoking is often portrayed as a deliberate act of defiance and freedom in today's world. He inspected it for a moment in the darkness, then thought of the pipe being lit. And it was. This scene potently completes Rand's evolution from an uncertain youth into a grown man who can now literally do anything he puts his mind to.

While Rand embodies this new Power, and may be unique in using it, the story in its entirety implies that with the right driving forces and moral bearings to guide someone, they too can manipulate reality and get what they want. For physical explanation, the most logical is that some characteristics of Tel’aran’rhiod now exist in the waking world, and Rand is the first, perhaps only one, to have unlocked the secret of using them. Or perhaps Rand unlocked the secret for everyone, and the ultimate choice of what each person will do with it comprises their own eventual personal Last Battle.

Rand wonders which of his three lovers will follow, and which he might pick. As his past, present, and future, he is completely unable to pick one over the others; they are all a part of him. He can't leave his past behind (Aviendha), he can't simply live for the moment (Elayne) and he can't only dream about the future (Min).

With his newfound freedom, Rand is pleased to have the leisure to explore and experience the world as he sees fit. Funnily, he sees the royal trappings of powerful rulers he has seen as just one thing out of many to experience, not as the end point that many of the Forsaken sought. The final wind that rises showcases the duality that pervades Rand’s mental state and so much of the story: The wind rose high and free, to soar in an open sky with no clouds. It passed over a broken landscape scattered with corpses not yet buried. A landscape covered, at the same time, with celebrations. It tickled the branches of trees that had finally begun to put forth buds. The wind blew southward, through knotted forests, over shimmering plains and towards lands unexplored.

Writing Lessons:

Keep the story alive in your reader’s mind by inciting them to imagine what happens next.

Winter's Heart - Chapters 33-35

In this section, Rand recovers from a horrible blunder, and his allies prevail in an epic battle.

Rand is on shaky ground as he leaves to assassinate the Asha’man. Ignoring his recent understanding that killing the Asha’man changes nothing in the long run, he rushes off to play at killing, leaving the duty of keeping him on a moral trajectory to his friends. Min implores him to see the danger to himself, while Alivia thinks killing is a game, thinking of it as cavalierly as Rand does. Nynaeve is the last one to have a say in Rand’s actions, her access to the One Power is the only means by which Rand can gain entry to the villains’ apartment.

Nynaeve belatedly realizes what she has involved herself in. She didn’t think before; she thought of it as an adventure, confronting Darkfriends, renegade Asha’man. But Rand and her husband are going in to execute the men, to kill them before they know someone is in the room with them. Nynaeve left the Two Rivers to protect the boys from the wicked world and the ways of Aes Sedai, and at the last she utterly fails to act as Rand’s conscience. Kill them in their sleep, if you can, she says, giving her blessing to their actions.

As is the author’s habit, the actions which immediately follow Nynaeve’s capitulation are a metaphor for Rand’s moral situation: Something unseen wrapped snugly around Rand’s chest beneath his arms, and slowly he rose into the air, floating higher until he drifted over the edge of the overhanging eave. The invisible harness vanished, and his boots dropped to the sloping roof, sliding a little on the damp gray slates. Crouching, he moved back on all fours.

There is almost no foreshadowing of Fain’s appearance, which can frustrate a reader. At this point Jordan assumes readers are familiar with characters from several books back and haven’t started with this one. It’s a fair assumption, yet the sudden appearance of a returning character can confuse as easily as excite the reader.

Fain represents the evil of Aridhol, a nation that fought the Shadow using the Shadow’s own tactics, eventually destroying itself and tainting every pebble of the capital. Fain’s appearance at this juncture is highly symbolic. No sooner has Rand’s conscience abandoned him than Fain appears, dancing out of reach, goading Rand down the wrong path; the path Mordeth followed. The scene is prophetic, showing Rand’s eventual fate with a twin of sorts who has already succumbed.

Rand instinctively reacts to the illusion, striking Fain and driving him away. Lan is hurt. Rand cracks a joke and Lan does not laugh. He only laughs for Nynaeve, a reminder of her role as conscience and soul for both Rand and Lan.

Cadsuane, representing the Light itself, whisks to the scene and berates Nynaeve. If the guards have them, it is because of you. What can Cadsuane do? First, she has heard Rand’s plea to help her, delivered by Verin. Cadsuane and the Light follow strict rules, and keep their promises.

Rand’s prison is a metaphor for the one constructed by himself and Nynaeve. He dwells in darkness, confined in a tight space, a result of his arrogance and abandonment of morals. He remains trapped there until Cadsuane frees him, the fortunate result of his momentary hesitation the day before. Once in that prison, only the Light can free him. Once freed, he can even cleanse the taint. Many of the metaphors and symbolism in the series are subtle, and this feels like a hammer blow in comparison.

The battle at Shadar Logoth is somewhat unconventional. Readers know every single participant in the battle, and have a clear understanding of the battleground, handily described before battle begins. This allows the author to shift viewpoints continually, covering the entire battle hardly ever coming back to any one character.

Elza’s perspective gives the stakes and paints a picture of strong desperation.

Barmellin and Timna show that the battle has far-reaching consequences, greater than even the battle’s participants know.

Cyndane demonstrates sudden motion, conveying surprise, perhaps enough to catch the heroes off guard. She also confirms she is Lanfear reincarnated.

Cadsuane shows how effortlessly the first attack of lightning strikes has been repelled, and counterattacks with devastating force. Holding the opponents at bay is not the problem, Rand and Nynaeve’s stamina is.

Rand’s perspective casts doubt on the effort to cleanse saidin. He has made no progress.

Demandred finds his skulking ineffective, and must flee before a string of barrages erupts the forest into flame. He encounters some opponents face to face and underestimates them. He also offers the third clue of the book that he truly is not Mazrim Taim. Sigh.

Cyndane has figured out how to avoid the sheets of flame that are launched in her direction. This represents the turning point in the battle, the first time the villains are making progress.

Osan’gar reveals he is Dashiva, and mirrors Cyndane’s tactic. The villains are closing in.

Verin underestimates Graendal, and is in a fight for her life.

Eben has been walking and little else, demonstrating that the heroes can’t see the villains approaching. Aran’gar deceives them long enough to get in close.

Cyndane faces Alivia, who is stronger but lacking other advantages. This scene represents the heroes fighting back against these closer incursions, and maybe being on even footing. Maybe.

Moghedien sees a black dome and decides to sit back and let events unfold.

Rand struggles to control the flow of Power. He is succeeding, but can he hold on? His struggle is presented here, just as the other battles have been joined and have uncertain outcome.

Cadsuane’s perspective tells us that Rand’s effort to cleanse the taint is working, and that the villains have vanished for now. She takes advantage of the opportunity to heal Nynaeve, leaving an opening for Osan’gar.

Osan’gar spies the heroes sitting idly and prepares a fatal strike.

Elza is revealed to be Black Ajah, but the compulsion Verin laid lets her rationalize killing Dashiva. This represents the defeat of the villains.

Moghedien sees the black dome vanish. A vacuum is created into which she is pulled. Readers should know she is dead. When there is a threat to a character’s identity, they must overcome it or be destroyed. Moghedien’s character changed forever when she thinks that if she survived this, she would never feel fear again. She is metaphorically dead anyway, so the lack of a body shouldn’t be troubling, and it should be clear that she won’t be resurrected either. If she was, she wouldn’t be Moghedien any more.

Cadsuane surveys the battlefield and tallies the cost of victory.

The battle was filled with revelations, with several secret identities exposed, almost as though their lies could not hold up to the Light represented by the continent-smashing levels of the One Power being used. Stripping away the taint also stripped away their secrets, for the reader at least. Each small focused scene of the battle represented the battle as a whole.

Writing Lessons:

In conflicts, make each scene represent the emotional progression you want the reader to feel as the battle unfolds.

A Crown of Swords - Chapters 29-32

In this section, followers become leaders, and the wishes of several characters come true

Elayne has finally had enough of being ignored by the other Aes Sedai. No one has truly accepted that she is Aes Sedai, and so she has not been taught what most women learn upon gaining the shawl, including the secret of the Kin’s existence. She challenges the Aes Sedai to either deny that she is Aes Sedai which would imply they deny Egwene and the rebels as well, or to accept her as Aes Sedai which means that her strength in the Power would place her at the top rank of the rebel Aes Sedai in the Palace, other than Nynaeve.

Alviarin brings news of Rand’s escape to Elaida. The revelation of this failure could be enough to topple Elaida, so she finds herself blackmailed to protect this secret a while longer. Further disasters loom ahead, yet she is more concerned with maintaining her position than in the fate of the Aes Sedai sent after Rand or to the Black Tower. Her Foretelling about the Royal Line of Andor has convinced her that only she can lead the Aes Sedai during this tumultuous time, and she lets that supersede other concerns. Alviarin is able to exploit this and put herself in a position of unquestioned authority over Elaida. Her first priority is undermining the Ajahs’ willingness to cooperate on any venture.

Elaida then seeks out an Aes Sedai she can trust. Her criteria to determine trustworthiness is whether that person supported her when they had incentive not to. Seaine is given the task of hunting out traitors, which she mistakenly interprets as seeking out the Black Ajah. She in turn seeks out a trustworthy helper. Her criteria to determine trustworthiness is to find the person with the most incentive to hunt down the Black Ajah. As with Siuan and Moiraine’s secret hunt, Seaine almost makes the mistake of bringing a friend into the hunt, not knowing that the friend has already joined the Black Ajah.

Moghedien proves the mindtrap’s effectiveness by recklessly following an impulse to kill Nynaeve in a narrow window of opportunity. The chance to act of her own free will is limited by the chance of discovery by Moridin. She acts in a way almost opposite of what she normally would have, lashing out with no thought of danger to herself, exposed to the world instead of her normally cautious method of slow and sure steps to success. She is in effect no longer herself, the mindtrap has fundamentally changed who she is and how she acts.

This scene provides even further explanation for the mechanics of balefire. The Fires of Heaven had the most detailed explanations to date, yet it is apparent that the author wants readers to think about it some more, implying that further balefire scenes are yet to come, and comprehension will improve understanding and acceptance of the strange outcomes of those scenes.

Mat is raped by Queen Tylin. Typical rape scenes in stories are representations of a loss of control and a violation of that person. Readers may feel sympathy for the victim, or pity. It has been argued that scenes in which a man is raped effectively neuter the character in the reader’s mind. He will be perceived as less powerful and worthy of scorn or pity. In this instance the author decided to play for a humourous angle to maintain the man’s stature. First, the rape is portrayed as a bit of role reversal; this is not a man being treated unfairly, it is portrayed as a man getting the treatment he dishes out to others. However, Mat never treats women the way he is treated, he abides by the multicultural rule in the series that the woman is always in charge of deciding whether sex takes place or not. We saw a similar situation with Lan in New Spring when he had no choice but to have sex since he would not let the woman appear to be a liar. In these cultures women have the only say, whether strongly in favour of or against having sex. Second, Mat is not entirely an unwilling victim. He doesn’t mind the sex, only the manner it which it is exacted from him. There is therefore no loss of stature and no sympathy is generated as result of the rape. Lastly, the humour comes from Mat’s own lack of comprehension as to how this could be happening to him. The situation in his obtuse view is plainly ridiculous, which carries some inference that it is therefore somewhat reasonable to the reader. Every added layer of ridiculousness, from a gaggle of serving women helping in the endeavour, to the Prince’s open encouragement, only serves to increase the humour of the situation. Switch the genders of the participants, and the scenes would be unpalatable to virtually any reader.

A similar sort of situation plays out when Lan marries Nynaeve against his wishes. She plows through any resistance he offers, but his Malkieri culture compels him to marry her. He almost got roped into a marriage in New Spring simply because Edeyn declared it should happen. Fortunately, he is not unwilling to wed this particular woman, and the reader is rooting for this wedding to take place.

The marriage to Lan is Nynaeve’s reward for finally overcoming her block. Nynaeve has been working towards surrendering to circumstance, having recently learned to apologize, for example. When she finally surrenders to saidar, it represents a change in her behaviour. As soon as she does learn to surrender, the thing she wants most lands in her lap; a physical representation of how to control saidar. Tying the resolution of this romance to one of the major personality-related obstacles makes the moment when she scores all these victories rewarding for the reader.

Writing Lessons:

Consider how the scenes you write will affect the reader’s perception of the character.  

A Crown of Swords - Chapters 25-28

In this section, old villains return

Moghedien’s escape is shown for a third time as a flashback in her own point of view. This time, it is short and to the point, serving only as introduction for what happens to her later. Moghedien is being punished inside a vacuole, which I can only conceive as being like a drop of condensation on the surface of the Pattern. It is attached to the Pattern, but not truly part of it, and the laws of space and time inside it can vary considerably. Sometimes the vacuole can detach from the Pattern. This is the third strange world we’ve seen where time runs at a different speed, the others being Mirror Worlds and the world of the Aelfinn and Eelfinn. I wonder if vacuoles might be parts of the Pattern no longer needed, which slowly wither before falling off, or maybe new buds which form new Mirror Worlds.

Her punishment consists of reliving the same dream over and over. The dream is being dictated to her, she has no control over it, as though she had entered the Dark One’s dreams and had become a player in it, much as we’ve seen in other examples of being stuck in someone else’s dream, even to the point of not truly realizing it is a dream.

Moghedien’s journey to Shayol Ghul is altered, as her Skimming platform arrives instantly instead of taking the expected several minutes or hour. The Dark One has a little effort left over to bend reality despite fixing the seasons at the height of summer. This ability is strongly implied to come from the True Power; a Power first introduced a few chapters ago by the mysterious watcher in the woods. Moghedien thinks that reality was clay to the Great Lord at Shayol Ghul, and then describes how she can bathe in the radiant glory of the Great Lord, the True Power washing around her, so strong here that attempting to channel it would fry her to a cinder. The True Power is thus linked with the ability to reshape reality, which is as much as the author wants to say on the subject until several books later. It is noteworthy that he waited this long before explaining the major tool at the villains’ disposal, and that he waits much longer before bringing it up again. The reader needs to know it so later chapters will work, but the author doesn’t want them thinking about it too much.

A third mystery character is introduced: Moridin is a man set above the Forsaken, whom even Shaidar Haran seems to serve. This is a new and unexpected development. Shaidar Haran has two resurrected Forsaken serving him, while Moghedien and one other serve Moridin. That makes up to five Forsaken in this secret group, while five others still roam the world. There are no blatant personality traits linking Moridin to Ishamael, the reader has to get there through logic, reasoning, and counting. It is left to the reader to decipher Moridin’s plans, and there is little to go on. The intent is to destabilize the reader, much as was done with Cadsuane’s introduction, showing a powerful new character to balance Cadsuane’s arrival. How does Moridin have the will to resist the True Power now that the saa have appeared in his eyes?

The mindtrap is a device which embodies the Dark One’s morals. The evil societies and characters all crave obedience, and the master’s desires are all that matters, the servant exists only to serve. The mindtrap forces voluntary obedience using the threat of eternal obedience. The one mindtrapped can only hope to escape or live for the moments of freedom when the master’s attention is directed elsewhere.

In Amador, Morgase’s master has changed several times. Niall wanted her to come to serve him willingly which she gave, then Valda exacted her capitulation under threat of pain, which she gave, and now Suroth demands an Oath under threat of enslavement as a damane. Having started by giving a little promise, the demands have grown into a promise of complete servility to the Seanchan. She now realizes her poor choices have led her to the point where anything else she does only serves to give more to her enemies and take more away from Andor. Amathera and Pura demonstrate what the Oath may entail. Giving up leadership is her only path to being a true leader to her people, something Rand will later repeat.

Balwer, a servant with no master, comes to Morgase’s aid. His motivation was to steal Valda’s prize to repay his poor treatment, but Suroth will do just as well. The Seanchan’s return is at the end of a series of introductions and reappearances of powerful enemies. There is a feeling that the Dark One’s forces are gathering which overwhelms the small victories the heroes have made in Salidar and Ebou Dar.

The grim mood continues with Perrin leaving Cairhien after a very public argument with Rand about his behaviour concerning the Aes Sedai prisoners. A potent flashback cuts down the amount of exposition needed. The chapter opens with a paragraph on Perrin’s regrets, a second paragraph on Rand promoting fear amongst his servants, and then the introduction to the flashback. By placing the flashback early in the chapter, the order of events is maintained without having to describe what happened before and immediately after their confrontation. The decision not to play up their argument stems from wanting to continue setting the mood of insurmountable obstacles and the fact that the argument is a sham, a ploy to divert attention away from Perrin while he carries out Rand’s orders. Knowing of the plot beforehand reduces an emotional impact that can be wrung out of it, this simply isn’t a powerful enough scene to warrant much attention.

The chapter also serves to list Perrin’s followers, describe his mission, and the likely obstacle she will face. As with the tail end of Lord of Chaos when Elayne and Nynaeve begin their search in Ebou Dar, this is just the beginning of the new quest, which will carry over several books. Since his battle in the Two Rivers, Perrin has only shown up briefly in the prologue of Lord of Chaos, briefly again later in that book, and for several chapters at the beginning of this one. Having been mostly absent for a long time, Perrin is about to become a steady player, much to the chagrin of many readers.

Mat has had dice rolling in his head, then not, several times in Ebou Dar. The dice first stop when he stays in the randomly selected inn that Setalle Anan owns. This is because he has acquired the link to the people needed for the Bowl of the Winds to be found. The dice start again, then stop when he agrees to stay in the Palace, because he can now form a relationship with Tylin. The dice start a third time before Beslan’s approval of Mat’s relationship with his mother disturbs him at the right moment to follow a random Kinswoman to a house on the Rahad. The dice are still spinning…

Writing Lessons:

The location of a flashback within a chapter will affect mood and comprehension.  A flashback’s length and placement can serve you as much as it’s content.

A Crown of Swords - Chapters 9-11

In this section, Egwene slowly builds herself up from nothing

It is always rewarding to watch a character overcome obstacles, to go from having nothing to the top of the heap. In the previous section, Egwene was presented as not even having a reliable chair. We saw her loyal maid, who fetched her two other loyal helpers, a pair of disgraced Aes Sedai who stand very low in the hierarchy. A fourth helper, the prisoner Moghedien, had escaped. Things look grim.

Sheriam is supposed to be Egwene’s helper, but tries to keep Egwene occupied with meaningless tasks while keeping control of the rebels by hoarding information. When Egwene finally learns of a secret that Sheriam and her council kept from the Hall, Egwene begins to blackmail her. Fear of the secret being told before the Hall prompts Sheriam to reveal it to Egwene and Siuan.

Sheriam and her group sent ferrets to the White Tower to spy on Elaida. They supposedly told no one because they were not only afraid of Elaida’s own spies among the rebels, but that the Sitters may be Black Ajah. Ridiculously, they never consider whether any of the ferrets or the 6 members of their council might be either of those (true on both counts).

Rushing to investigate Moghedien’s disappearance, Egwene loses the opportunity to truly corner Sheriam, but it will work out for the best soon. Egwene even risks exposing Siuan and Leane in her haste to find who freed Moghedien. Chesa behaves loyally in fetching them, and they in turn suggest grabbing Theodrin and Faolain to do the real legwork so they can go back to the pretense of being angry at each other.

Areina and Nicola attempt to blackmail Egwene, which she takes great offense to, and pushes back at them with veiled threats that she cannot follow through on. This is meant to show the reader that Egwene’s path to power is riddled with moral peril. She berates them for doing exactly what she is doing. Egwene believes she has better cause, and acknowledges she is willing to pay the price for her actions, since it is avoiding the price that is the immoral act, not the blackmail itself. The fact that they cave in to her shows they do not have the same moral fiber or righteousness, though whether Egwene has the right of it is undetermined.

Egwene regains the moral high ground in discussion with the Wise Ones (see below) and gets the germ of an idea when they suggest getting Aes Sedai to swear fealty to Rand.

Theodrin and Faolain then do something unexpected which gives Egwene power and an idea. They swear fealty to her because they feel Egwene is the person who deserves their pledge of allegiance under the law and in principle. They received offers from Romanda and Lelaine so when they swear to Egwene it is as much by choice as by duty. Egwene confirms they made the right choice when she tells them they are Aes Sedai, but never would be if they kept repeating the denials of other sisters who hold it over them.

Romanda and Lelaine demonstrate how professional Aes Sedai of the highest standing act.

We’re given several pairs of followers to compare over these chapters (Siuan and Leane, Faolain and Theodrin, Areina and Nicola, Romanda and Lelaine), with one more pair yet to come (Myrelle and Nisao), each of whom represents a relationship between the leader and the follower. Some are willing followers, some reluctant, some need bullying, and some see themselves as the leader and Egwene as the follower. This is similar to how the author introduced many of the concepts and cultures in early books, placing them near each other in the story as logical comparisons.

Let’s take a look at a typical Robert Jordan conversation, when Egwene meets the three Wise Ones in Tel’aran’rhiod:

Bair startles Egwene by speaking. 5 lines of discussion about her reaction and how it made her feel and an exaggeration about what will come next. Egwene recovers her poise. Descriptions of the Three Wise Ones.

Melaine mentions Egwene’s reaction, comparing her to a rabbit, again framing both her mood and situation. There is an implication Egwene needs to stop being a rabbit.

Egwene explains about Moghedien. Current relationship between Egwene and Melaine is revealed.

Egwene explains further. She changes her appearance to something more self-possessed.

Bair understands. Her strong character is revealed through her voice, like iron.

They ask for details. Aiel character traits revealed.

Stop, change topic. They get down to business. Sit near Callandor. Describe Callandor’s powers. Describe how weaves are reflected in Tel’aran’rhiod (I guess that means Rand’s dreams of Be’lal holding Callandor were just dreams, not in Tel’aran’rhiod, unless he dreamed himself another copy of it).

Egwene introduces topic of why she was summoned away. She stands, even if she is seen as a supplicant or on trial.

No big deal, says Amys. How old is she anyway (relating to question of aging which will be relevant with the Kin later).

I am the Amyrlin. They seem skeptical.

A comparable situation is described. And shown. The Wise Ones see to the heart of her problem. They do not consider that Egwene’s past lies count any more, since they have been atoned for.

Egwene agrees that she is seen as a figurehead, but she means to change that.

Forget them, come back to us. The Wise Ones extend an invitation.

Egwene already made her choice. But she wants to keep close ties with the Wise Ones.

Good luck. Invitation to join them sitting implies they accept her decision.

Stop, Change topic. Will your Aes Sedai swear fealty to Rand?

They will not. She gives a comparable situation. And shows it. The Wise Ones scoff at the very idea.

They are not like us. Grrrr. Angry Wise Ones. A short history of why that might be.

Egwene will do as she must, Amys says. The other Wise Ones follow her lead. They have tea, symbolizing acceptance of the situation. Egwene compares the Wise Ones to the Aes Sedai in her head, realizing they ARE trying to do the same thing. Only Egwene herself thinks of Rand’s needs first.

Stop, Change topic. What else troubles Egwene?

Rand troubles Egwene. She tries to lighten the mood.

That’s what men do. Melaine’s joke falls flat, implying this is now serious discussion.

Merana must be failing. Egwene reveals her concerns.

A second plea to rejoin the Wise Ones. Egwene rejects it.

I can help him more from here. Egwene is trapped by her own laws and customs.

We’ll take care of any problems between Rand and the Aes Sedai. The Wise Ones are holding back. In doing so, after Egwene has been so open, Egwene’s honour will rise, while their own falls. It is a lie unspoken.

Egwene is doubtful. She detects their evasion.

Bair jokes about how well they will get along.

Merana should have said something. Egwene digs for the truth.

Amys misdirects Egwene.

Amys, promise you won’t stop them from talking. The Wise Ones are uncertain how to keep their secret.

We promise. But they don’t like what it’s doing to their honour.

Egwene thanks them for being truthful. The Wise Ones are now locked in, they have toh. Their appearance changes. Egwene pretends not to notice to save them from more shame.

The Wise ones are silent.

Egwene asks a favour. Don’t tell Rand she is Amyrlin. She doesn’t want Rand interfering or raising tension.

Agreement. They will keep the secret. Egwene is surprised at how quickly they agreed.

Stop, change topic. They talk more, but the Wise Ones are still evasive, revealing tidbits only by accident. Their advice about the Aes Sedai problem is unsound.

Be careful of Moghedien. Egwene goes back to the first topic of discussion.

We can take them down. But they will also be careful.

Friends forever?

Friends forever!

Summary of the discussion: 

Introduction to mood and bad situation.

Topic 1 - Moghedien, Egwene gains honor.

Topic 2 - Egwene is Amyrlin, reminder of mood and bad situation, Egwene gains honour.

Topic 3 – Aes Sedai will not swear fealty to Rand, Egwene gains honour.

Topic 4 – Rand and the Aes Sedai may butt heads, Egwene surpasses the honour of the Wise Ones.

Return to topic 2, then topic 1 – Wise Ones leave, downcast. Egwene is pleased.

This conversation represented a journey for Egwene, pulling herself out of a bad mood to a good one, racking up standing with the Wise Ones, solving problems, and comporting herself in a manner befitting or better than a top tier Wise One. Jordan follows a very structured layout, progressing from small things to big, following the rule of three examples yet again, then moves back down from that pinnacle to the same small things, bringing the discussion full circle. He also uses available cues to plant clues to later plot lines, reveals character, advances plot, shares information among characters, and plants gentle reminders of the broader plot.

Writing Lessons:

Use conversations to advance character development, not just plot.

A Crown of Swords - Chapters 4-8

In this section, the heroes are back in command, for now

Colavaere has her lands and titles stripped from her as punishment for usurping the throne of Cairhien. She exemplifies the follower who gets ahead of herself, betraying her Lord for power.

Perrin has his own betrayal to deal with, as he reconciles with Faile over Berelain’s unwanted attentions and his slip of the tongue in the throne room. Unlike previous books where the theme was about rifts between men and women which would have dragged out any reconciliation, or where the theme was about deceit and trickery which is when the unnecessary argument between the two began, this time the theme is about the trust in people closest to you. Perrin comments on Faile’s disregard for her own safety and intent to do things her own way, as a wife should. Faile comments on her fears that the Aes Sedai had somehow turned Perrin. Sometimes certain events seem to have been set aside waiting for the book with the correct theme to come along before dealing with it. Other times the plot just rolls along and the author presents the plot elements in a way that fit the theme of that book, without delaying or forcing the plot’s progress.

Colavaere’s removal allows the author to draw attention to Rand’s scheme to invest Elayne in the thrones of Cairhien and Andor. Handing these nations to Elayne whole is important to Rand, and is a symbol of how he hopes to preserve the world itself through the struggles of the Last Battle. To pull this off, Rand must put faith in his trusted followers, who are few enough that he can name them. Rand repeatedly distinguishes between the followers he can trust, and those he can’t.

When the Wise Ones send word ahead to Melaine in Andor about Rand’s kidnapping and rescue, she shares it with Bael, Dorindha, and Davram and Deira Bashere. Rand has to quash his anger at the freedom his followers allow themselves. This group is split in two over the Aes Sedai captives. Rand is left to puzzle over how other Aes Sedai will be treated when he encounters them.

The Aes Sedai in question are led by Egwene, who must snatch what authority she can from the three competing factions among the rebels. She can barely control her official advisor, and she completely loses control of her captive Forsaken. Symbolizing how little control she has, in the first sentence even her folding chair can’t be trusted to stay erected. The discussion veers into spies in the camp, both for Elaida, sent to Elaida, and the most feared covert spies of all: the Black Ajah.

This is one of the first instances where the author has shown the same scene twice. This version is not exactly a flashback, but more of a fleshed out version of the short page-long scene from Lord of Chaos. Why do it this way?

In Lord of Chaos, Moghedien’s escape is meant to be a punchline and a disruptive plot element. It didn’t have to be long or detailed, it just needed to shock the reader into realizing that the villains have not been set back at all and are advancing their own goals. In this wordier section, the groundwork is being laid for Egwene’s storyline. But establishing the status quo among the rebels doesn’t require showing the same scene over again, or even continuing from that moment; it could even have been a meeting with Sheriam a week or a month later. What the scene does offer is establishing when the events happen to Egwene, in relation to when Rand’s events take place. This is of some interest to the reader, but not quite necessary, and could again have been handled with a ‘one week ago Moghedien escaped’ sort of line. The scene offers an immediate reason for Egwene to reason out which Forsaken yet live, noting that Ishamael was dead , ‘or so it seemed’, and also to wonder about the Aes Sedai look of agelessness, which will become relevant in the later Ebou Dar scenes.

Writing Lessons:

Have a good reason to show a scene twice, or from two different perspectives.

Lord of Chaos - Chapters 53-55

In this section, the Heroes take desperate actions to free Rand

There are a series of reversals in the concluding chapters of this book: The Tower Aes Sedai turn the tables on Rand. The Shaido turn the tables on the Aes Sedai. And finally Rand’s allies turn the tables on them both. A constant theme has been the idea of chaotic, surprising events, often revealed in the form of humour or jokes. A second theme particular to this book is misunderstanding due to lack of context. Even when the reader knows what is going on, the characters don’t. The overarching way this is presented is through the Dark One’s orders to Demandred. Only the first part of the order is known, and the manner in which Demandred accomplishes his mission remains a mystery at the conclusion. This is a joke that only they two get, and the punchline is yet to be understood by Rand and his allies.

There were two very important cues that led to the inception of the theory that Mazrim Taim is Demandred. The first is a physical and behavioural resemblance: neither of the two ever smiles or finds anything funny. The second is related to timing: Demandred’s success immediately follows Taim’s moment of glory during Rand’s rescue. Together, these provoke a powerful reaction in the reader. However, the theme is deception and tricks. Any resemblance between the two characters may seem like the trick they are pulling is hiding Demandred in plain sight, but even that itself could be the deception intentionally played on the reader. In light of the theme, I have to recant my advocacy of the theory that Taim is Demandred. This book is filled with so many punchlines, I now feel quite certain this one is at the reader’s expense. The book was published just as internet chat groups took off, and on the heels of sudden intense fan interest in Asmodean’s murder, and I am now left with the sense that in reaction to this strange new phenomenon, the author placed a very deliberate red herring. A big fat joke to end the book, as befits the theme.

(Despite this, “RJ is wrong... Taim is Demandred!”, remains a hilarious statement befitting the madness that is Theoryland. If there’s one thing I’ve learned about emotional attachment to a position, it is that it withstands all reason and evidence, as true in life as it is on Theoryland. The author of that other reread blog on Tor.com took the statement (or one just like it) at face value, so bonus points to me for successfully yanking her chain: She fell for it!)

That still doesn’t answer what Demandred succeeded so well at that the Dark One’s laughter filled his head. Getting Rand to trust Taim? Unlikely since Rand never sets foot anywhere near him again. Getting Rand to mistrust Aes Sedai? He was already there. Getting the Aes Sedai to bend the knee? Maybe. The Lord of Chaos is akin to the King of Fools, a figurehead that everyone must obey, no matter how ridiculous the orders. Obedience is one of the characteristics of the evil societies in the series. There have been consistent thematic elements which have the Heroes representing free will, and the Dark One representing obedience. Forcing Rand to take on the role of the one who receives obedience from others is an attempt to crush him under the burdens of leadership and to give him an emotional stake in controlling the actions of others.

What was Demandred’s involvement in this success? If he wasn’t Taim, was he controlling Taim? Someone is. If Demandred used balefire up until now, readers didn’t see it. The Asha’man could unleash balefire at some later point, and have proven to be a force that Rand can’t control or even risk approaching. They have no equivalent in the world, unless it is the damane who could be equally battle-trained. Even if Taim isn’t Demandred, setting up Rand’s own force of male channelers to betray his purposes at some later point still fits best with the theme and with later events. This is likely what the Dark One was so pleased about.

Lews Therin’s progress from mad rants, to running from Rand’s calls to leave him alone, to reacting to what Rand sees and says, to finally carrying on a discussion with Rand is masterfully handled. Each step leads inexorably to the next one. The moment when they agree to work together is when Rand embraces the madness, agreeing to cooperate with a mad voice in his head, which again fits with the theme. Lews Therin agreeing in turn to work with whoever Rand is, assuming Rand is real, is a brilliant twist that makes the reader see Lews Therin as an equal of sorts, since he has all the same questions as Rand. Having the voice in his head or listening to it doesn’t make Rand that crazy. Trusting the voice can’t help but induce spine tingles. That is crazy.

The epilogue is a stream of almost one-liner surprise twists, the most effective of which are the gholam and Moghedien’s release. Out of nowhere, the Gholam kills a minor character. The only possible conclusion the reader can reach is that Herid Fel had something to say that the Forsaken didn’t want Rand to hear. The Gholam belongs to Sammael, so this murder is also an added pressure to take Rand’s attention from Illian and focus him to the north, where Sammael has also been prodding the Shaido. Moghedien’s disappearance is instantly exciting because her captivity has paralleled Rand’s experience in the chest, and we just saw Rand’s cold fury as he dealt with his captors.

For once, Perrin showed no hesitation or shame about his wolf abilities. He simply acted. In the context of this book, such concerns would have been misplaced since it would be difficult to present this in a way that shows deception, trickery, or chaos. Instead, it’s just handled straightforwardly, which also helps keep the tense pace of the final confrontation.

Writing Lessons:

A lack of context risks confusing the reader. Be certain that the payoff is worth the risk.

Lord of Chaos - Chapters 32-37

In this section, the Rebels cement their position by making Egwene their figurehead.

Egwene makes a failed attempt to board the Sea Folk ship. Her bruised ego leads her to antagonize the Sea Folk until she realizes what she has done is foolish. That event gives her an opportunity to consider how keenly she understands ji’e’toh now.  She worries, and then accepts that she will now have to pay the consequences for her past actions. She promises the Aes Sedai to come to Salidar quickly, and despite regrets about leaving the Aiel, she does not hesitate. The corporal punishment she endures is symbolic of the cost to be paid for deceit. The bigger the lie and the longer it is told, the greater the cost. There is incentive to keep your misdeeds small. Egwene had to make this mistake and pay the price so that her later feats in the White Tower as a novice will seem believable. Already small references begin to creep in about her refusal to surrender.

In a simple and partly coincidental plot twist, Rand learns the location of Salidar from that meeting. Eavesdropping is a frequent and useful mechanism to give your characters new knowledge that advances the plot. This time, eavesdropping as a plot device does not feel blatant and out of place, as it did in The Dragon Reborn when Mat overheard Gaebril in Caemlyn’s Royal Palace. Oddly, it is the fact that the location in question is difficult to access combined with Rand’s unique abilities to get there that makes it feel plausible. Two improbabilities combine to make a plausibility. It also helps that a precedent was set when Demandred observed Elayne in Tel’aran’rhiod in Chapter 7.

Mat observes a truth about dealing with the Snakes and Foxes, taken from a board game: you can’t win if you follow the rules. This will turn out to be true both in regards to the rhyme, and also with the rules governing time and space themselves.

Mat is asked to fetch Elayne back to Andor, since Rand hopes to lessen his burdens by passing a couple of nations off to her. It doesn’t work since Elayne contrives to be sent off to Ebou Dar to look for a stash of ter’angreal including one that can correct the weather.

Egwene’s method of travel, in the flesh through Tel’aran’rhiod, was used for evil, is evil, and will cause her to lose part of herself according to the Wise Ones. As inferred by the theory posted yesterday, there has to be some way that this action meets those criteria, even if it hasn’t been made obvious by Rand’s use of it or by Egwene’s use of it this time.

Egwene weaves flows of spirit to create a place where the interior of her tent is so similar to its reflection in Tel’aran’rhiod that there was no difference right there. One was the other. This should be place that is both Tel’aran’rhiod and waking world, a place both malleable and permanent.

Despite being there in the flesh, changes made to herself do not stay when she re-enters the waking world. Changing things in the waking world by altering their reflection in Tel’aran’rhiod should not be impossible when they are one and the same.

Siuan’s plan has come to fruition, she has a new Amyrlin to control, a group of rebels who believes the lies told by Logain and wants to pull Elaida down, and a spot near the center of the action as she runs the eyes and ears. Egwene quickly crushes Siuan’s ideas of manipulation, and sensing a kindred spirit, Siuan pledges to help her become Amyrlin in truth as well as name. Egwene had already started by making small decisions on her own which are questioned by her three factions of advisors. Promoting Elayne and Nynaeve to full sisters places them near the top ranks of Aes Sedai, though it is mitigated by them never having held the Oath Rod or being tested.

Egwene promises to be harsher than Moghedien’s previous captors. She very quickly establishes the rules Moghedien must follow with severe penalties for lying. Again, Egwene’s hardness would seem out of character had we not just seen her embrace the harsher side of Aiel life. Now it simply feels like she is being a Wise One to the Aes Sedai around her, and through sheer force of will and the help of her handful of allies, she is getting the results she expects.

The discovery of Traveling by Egwene opens up many story and plot advancing possibilities, but also introduces the complications of overreliance on it. Rand has only been using it himself in this book, and it is about to get him in big trouble.

Writing Lessons:

Make improbable coincidences more believable by setting up the linkages between them before revealing the coincidence.

Lord of Chaos - Chapters 11-14

In this section, the underlings strive to have more control.   

Taim seeks Rand’s permission to let him go recruiting. The familiar issue of trust comes up again, but time pressures Rand to accept Taim’s proposal. The risk of an encounter between Taim’s recruiters and an Aes Sedai leading to bad blood between them is not enough; the Aes Sedai may already be against Rand in any case.

Alanna doesn’t seek permission; she just does what she knows needs to be done, even if it goes against centuries of custom. Bonding Rand is logical if the goal is to bind the ta’veren to the Tower. While she gets that part right, she is left uncertain as to which Tower she is part of now that the Rebels have splintered away. Verin will provide the necessary guidance. It turns out she is a skilled manipulator, but hides it even from her supposed allies.

Moghedien takes a stab at pushing Nynaeve to leave the rebels before they decide to beg for Elaida’s mercy. She is surprisingly aggressive about it since Nynaeve is not wearing the a’dam to keep her cowed. The women have been speaking too freely, and Moghedien knows more about them from close observation than the Forsaken ever could have learned through spies. The fact that they had Moghedien well and truly obedient and under their thumb made them forget the threat she could become if ever freed. Still, there is no way for her to be freed that they can figure out.

Seconds after receiving advice, Nynaeve already gets it wrong: Write fast for Delana. Write slow for Janya. Yet another bad day is about to get worse! Birgitte stands up to Nynaeve. Nicola does exactly what she is told, leaving out as much as possible so as to ensure Nynaeve gets in trouble.

Nynaeve the Accepted is a fickle underling herself. Delana and Janya get Nynaeve to tell them how best to control Rand, and she complies. When Tarna asks her the same question shortly after, she tells her the exact opposite, hoping Elaida will bungle her approach to Rand.  Nynaeve eavesdrops on private conversations as well as continually failing to perform any of the exercises Theodrin assigns to help break her block. She cannot surrender control for even a moment, so it is no surprise every attempt fails.

Elayne’s classes go poorly, as no student will follow her directives. Too many independent or incompetent women. She then refuses to take Tarna’s offer to return to Tar Valon, too independent to do as she is told. Egwene is similarly unable to obey the restrictions put on her by the Wise Ones.

Once again, the power of Need is used to find something that will get the rebels to support Rand. Need is a strange power, which I think can best be likened to a guided Foretelling. A Dream, or a Viewing, or a Foretelling tells you something about the future that will, or must, or may come true. Need tells you something you need that must, or may lead to the desired outcome. Using Need to find the Bowl of the Winds is not much different from Min seeing that Bowl in a Viewing, or Egwene having a dream of them finding the Bowl in a dusty House, or Nicola spouting a quatrain about the Bowl in Ebou Dar. They all are able to use foreknowledge of the events the Pattern is weaving, and are in fact part of that weaving themselves.

Egwene introduces a new part of Tel’aran’rhiod, which in some discussions is called the Gap of Infinity. In this place, she can see the dreams of people in the real world, mirror worlds, and even stranger worlds, probably the cross-hatched hard to reach worlds from Verin’s explanation back in The Dragon Reborn. The Gap of Infinity is so named because it is ‘the infinity between Tel’aran’rhiod and the waking world, the narrow gap between dream and reality’. I am drawing a cosmological map of the Wheel of Time for a theory, and had to restart because of this area I had forgotten. It is coming soon.

A bubble of evil surfaces, and Anaiya is annoyed that it was only that and not a Forsaken. It gives the rebels a chance to try out the strategies they have been devising to combat the Forsaken. Bubbles of Evil are as random and dangerous as nightmares in Tel’aran’rhiod.

Writing Lessons:

Your minor characters, the underlings, are not obedient automatons. Give them life!

Lord of Chaos - Chapters 8-10

In this section, trickery abounds, and Rand is the victim!

Nynaeve’s weather sense is playing tricks on her. She thinks the weather should be one thing, but it just stays hot. Is she sensing the weather that the Pattern is calling for but can’t deliver due to the Dark One’s touch? There has been little detailed discussion of her weather sense in the series up until now, though in my post on The Eye of the World – chapters 35-39 I pondered whether this ability was related to Foretelling in some way. Note that what she is sensing is still not yet her ability to sense storms of a different type related to conflict.

Moghedien is giving up secrets grudgingly, and offering no more aid than she absolutely has to, correctly sensing that Nynaeve and Elayne are held hostage by the secret of her captivity as much as she is. She tricks Nynaeve into trying a weave that will give her blinding headaches, accepting the pain that the a’dam reflects back upon her as a worthwhile cost to see her captor brought down a peg. She even tells Nynaeve that the ability to not feel the heat or cold comes from years of using the Power, even as Rand learned it has nothing to do with the Power.

Sightings in Tel’aran’rhiod of Rand, or Lan begin. Slayer is back.

Myrelle is pushing hard for Nynaeve’s block to be broken. She wants Nynaeve to be ready to accept Lan’s bond, as per Moiraine’s instructions. Nynaeve has no idea that the wringer she will be put through will bring her closer to gaining Lan’s bond. A fine joke. It took a trick to break Theodrin’s block.

Logain has prepared his lies well, and Lelaine has gobbled it up as eagerly as the nobles she trots before him. If she were to suddenly have doubts as to whether Siuan was no longer held by the three Oaths, would she still be able to say that it was told to her by one who cannot lie? Would she need proof before she could utter the words, or would those doubts prevent her from ever saying them again?

The rebel Aes Sedai have not yet publicly committed to backing Rand or opposing Elaida, though Sheriam’s council is privately committed, having already made plans for… we won’t be told what just yet. The arrival of Elaida’s envoy is a catalyst, but everyone will have different ideas about what it will bring about.

Pedron Niall is a sly one, with a false spymaster working for him while the true spymaster is hidden under everyone’s nose. Are there any parallels with other hidden spies with Rand, or in Salidar? Or is this a false trail? Readers’ heads should be spinning with questions and suspicions by now.

Niall’s rumours will help maintain the rift in the Tower, just as the rumours of Logain’s Red Ajah benefactors spurred him to create them in the first place. Who is misleading who? What Niall thinks he is making up is so close to the truth, for all that it went through two cycles of the rumour mill.

Balwer himself has no apparent interest in the Children of the Light, he is simply employed by Niall because… he likes the job? He is eager to press Morgase, is that because he has an axe to grind, an old score to settle?

Following The Fires of Heaven, Rand is maintaining his decision to avoid the women he loves, and not to trust any others.

Rand finds Verin and Alanna in an inn with several Two Rivers girls on their way to become Aes Sedai. He lets his guard down, enjoys being Rand al’Thor for a few minutes, hears about his friends, and then stupidly lets Alanna bond him. This is about as big a surprise as can be, for Elayne was foreshadowed to be the one who bonds Rand, and Alanna is hardly even a second-tier character in the series so far. How was this surprise carried out?

First, both Rand’s and the readers’ guard is down. There are two pages of reminiscing, trading stories, and good times. There is no threat at all. Verin and Alanna helped Perrin after all, they are good guys. There is a strong element of humour as well, with Verin and Alanna acting as though they are in control while Rand wryly plans how to overturn their expectations. There is no doubt in the reader’s mind that Rand has the upper hand. His men can handle the warders, while he handles the Aes Sedai. When he says he wants to be alone with them, Sulin cracks a maiden joke that is surely about what men and women do when they are alone. Rand chortles as he wonders whether they notice his lack of sweat, matching theirs. Up until they discuss the rebels, Rand is presented as thoroughly in charge, unfazed, unmenaced.

Their lack of willingness to help reminds him of Moraine’s advice about trusting Aes Sedai. This is a last nagging thought before his guard is well and truly down. Alanna asks about Mat, Rand mirrors their response, refusing to tell, full of himself for having scored a point against the mighty Aes Sedai.

To pull off the surprise, it must be carried out rather quickly. Alanna immediately responds by implying they are not enemies, and makes a peace offering as she glides over to perhaps delve or heal him. Since she says straight out she will not harm him, he accepts her offer. She delves him, as expected.

Then, she bonds him. The choice of words implies the speed: flash of heat, for a heartbeat. The surprise is augmented by the next action, which is attempting to shield him. Creating suspense, Rand twice asks what they did to him before they tell him.

Writing Lessons:

Create surprise by reversing expectations in the mood you have built up.