A Memory of Light - Epilogue

In this final section, glimmers of the future are shown and loose threads are tied up.

Rand’s quest ended on exactly the last page of the story, and the epilogue has a scant sixteen pages to wrap up many loose ends, which it does quite successfully.

Rand is blind and burdened with weight. After escaping the Pit of Doom, Rand realizes an unfamiliar woman is kneeling next to him, guiding him on what to do. The major clue to her identity comes in the following paragraph with the juxtaposition of two ideas in successive sentences: He blinked, his vision fuzzy. Was that Aiel clothing? An old woman with gray hair? Her form retreated, and Rand reached toward her, not wanting to be alone. Wanting to explain himself. Rand not wanting to be alone refers to his attaining adulthood, which firms up the link with his mother, Shaiel. She is offering him final words of encouragement as he enters the world alone, and he is expressing his final regrets about leaving the dependence of childhood behind. It is reasonable that the last to let go of a child who grows into a man is his mother, and since there has been much ado over Rand’s father figures, it is appropriate for his mother to have her brief time on the page as well.

Shaiel’s death was only ever confirmed by Tam, and that came in a fever-dream. If she somehow survived Rand’s birth, it seems implausible that a woman of her renown could have returned to Aiel society without being recognized. She might have intentionally lived alone in the wilderness for two decades, if so motivated by Gitara’s original Foretelling. More likely is that she is a Hero of the Horn, which explains her appearance in Aiel garb and her apparent knowledge about what Rand should do. It does not however explain her appearance at Aviendha’s side when she was tested at Rhuidean, if she is the same woman, as seems likely.

Rand ambiguously reveals what he asked the Aelfinn. Rand had asked the Aelfinn how to win the Last Battle and survive, and the answer had been “The north and the east must be as one. The south and west must be as one. The two must be as one. To live you must die.” Given that this is the moment where Rand is dying, his newfound understanding of how to live and die could be what he is explaining to the Aiel woman, but the link is tenuous. His second question on how to cleanse the taint from saidin has been resolved. Was Rand’s third question to ask what his fate was and receive the answer ‘to choose’?

 “I see the answer now,” he whispered. “I asked the Aelfinn the wrong question. To choose is our fate. If you have no choice, then you aren’t a man at all. You’re a puppet…” 

The concept of free will has been present since the beginning of the series, and the revelation of Rand’s third answer from the Aelfinn at this late point in the story infuses the concept with even more importance. While the Wheel forces Rand to come to a certain place at a certain time, it cannot force him to do anything; it can present him with choices, but can’t compel him to choose one path over another. Even when the choice is to die or take another action, it remains a choice.

In the same Mat paragraph, the pleasantness of the sun is contrasted with the stinking blackness of Fain’s body. Mat wins every gamble he takes, yet even he won’t touch the cursed Shadar Logoth dagger. As the most reckless character, Mat is associated with the most instinctual behaviour, and he clearly rejects the path set out by Fain. Believing that the end justifies the means is the gamble that can’t be won; there is no way to preserve yourself when you start down that line of reasoning. The final phrase’s use of mess carries psychologically symbolic meaning: Behind, the dagger, ruby and all, melted away into the mess that had been Padan Fain. Again, this idea that absolutism is bad has been incorporated into the series from a very early point, and is reinforced by its placement here at the end of the story.

Perrin surveys the losses and celebration of victory in the camp, still worrying about his duty to protect Rand. He sees Rand dying in the tent, with the two best healers unable to prevent him dying. Perrin stands equal with Nynaeve: “Dogs obey that command, Nynaeve,” Perrin said, “not wolves.” He consoles her over Egwene’s death. Moridin is also in the tent, dying. Lan also sees Perrin as an equal. No one has seen Faile.

Loial’s walk through the camp, like Perrin’s, allows a couple of small plots to be resolved, including succession to a throne, naming surviving Aes Sedai, and planting straightforward clues to something odd: None of Rand’s loves seems to care that Rand is dying. Amusingly, Loial frets over the correct way to record dates after the Last Battle, an indication that with the Last Battle done, concerns are swiftly turning back to the everyday and mundane.

Mat is renowned amongst the Sharans, but when he calls the fireworks display the best in the history of “my land or yours”, he reveals that he does not see himself as one of his wife’s people. For Mat, being off the hook seems to imply he is free to leave. Tuon’s threat makes it clear that Mat can choose to do whatever he wants, but there will be consequences if he angers his wife. It is a ridiculous and funny predicament to leave him in at the close of the story.

Perrin faces the insurmountable task of finding Faile’s body amongst the hundreds of thousands of dead. Exhausted, he falls into sleep.

Moghedien has survived the Last Battle and no one knows that she lives. She too is free to act as she chooses with the Dark One imprisoned again, and she begins by strangling a worker and assuming her appearance. She thinks she can rule the world within a few years. Her own subterfuge works against her as a sul’dam captures her and deduces from her skulking that Moghedien will not be missed after she is dragged back to serve the Seanchan. Her poor selfish choices dictated her fate.

Nynaeve announces Rand’s death. She tries to corner Aviendha and bully her into revealing why she doesn’t seem upset, but Aviendha deflects her question. Aviendha, always representing Rand’s past, has been wounded and will never fight again, another metaphor of his having grown into adulthood. The fate of the Aiel, and of a couple of kings is revealed in passing.

When Perrin was last in Tel’aran’rhiod, Dragonmount was drawing near Shayol Ghul as the world shrank and large portions of it were destroyed and pulled up into the sky. That damage has seemingly been repaired with Rand’s victory. Perrin travels easily across the countryside as a wolf, lamenting his loss, struggling to understand why he has lost Faile when he did everything his duty compelled him to do. A clue draws him to Faile, whose wounds are healed in moments with Perrin’s creative use of the Wolf Dream to bring her back to the camp quickly. Their reunion is immensely rewarding despite its brevity, and also shows that Perrin’s decision to follow duty was well made.  Perhaps brevity is what makes this scene work; after having tormented the reader with doubt that Faile survived, once she is healed what further point is there in saying anything beyond ‘they lived happily ever after’?

Birgitte asks Elayne a blunt question in the same vein as that which Nynaeve posed to Aviendha, and gets a noncommittal response. She tweaks Elayne’s nose by telling her Olver and the Horn have been sent away, which Elayne recognizes was the best outcome for all. With a mature outlook, she agrees that there is little need to keep a powerful instrument of war such as the Horn as a deterrent. Birgitte is being reborn, and it turns out her interpretation of Gaidal as a young child somewhere out there was correct. Birgitte too gets her reward of being with the one she loves.

Tam notes signs of life in Shayol Ghul, a place that was once feared above all others. He reflects on what all humanity has been given by his son, how all men stand equal: In the evening, even with his light, it was hard to tell Aiel from Aes Sedai, Two Rivers man from Tairen king. All were shapes in the night, saluting the body of the Dragon Reborn. Tam stands next to Moiraine and Thom, pride and reverence in his heart.

Min stands with her two friends watching Rand’s body burn. Her Viewing fulfilled, they discuss the future and she nods agreement to the idea that they will make sure that the world believes Rand is gone. Leading toward the final revelation, she senses her bond pulsing stronger each moment.

Rand awakens alone, rested, healthy, and whole. The mirror shows Moridin's face, with a single saa held motionless in his eye, representing that Rand will always be able to see things with a bit of the Shadow's nihilistic or selfish point of view. But that dark viewpoint is held motionless; Rand will know it, but it will not drive him or affect him, he is in control. In effect, he now has a mature outlook on life, no longer carefree or innocent, one which acknowledges a wider array of possibilities, both good and bad.

Alivia has left him clothing and money, and a horse as means of transportation. He has Laman's sword. Shayol Ghul is blooming and full of life. From a distance he watches as his old body - Moridin's body now - is cremated. He leaves as the onlookers watch his funeral pyre. All but one whom he acknowledges with a nod of his head before heeling the horse away.

From that, Cadsuane deduces that inexplicably, Rand is in Moridin's body. She thinks she may be able to use this information in some unexplained fashion, but then is ambushed by four Sitters. They have decided that Cadsuane will be the new Amyrlin. This is quite appropriate, as Cadsuane has closely represented the Light itself, and now the Light is being forced to take up the responsibility of caring for humanity, the logical outcome of Rand choosing Light over Shadow. It is also the logical outcome of filling the void left by Rand’s death, for he would have been the obvious choice to lead the world under the Light. There will be no further abdication of leadership by the Light, no further manipulation of Rand, for Cadsuane and the Light have a more direct role to play in shepherding humanity.

Rand sees the world with a hint of Shadow, but has acknowledged the Light, and no one has impeded his departure. He has everything he needs, and is now completely free, with no restrictions over him from any person or agent.

Representing this ultimate freedom, he lights his pipe by thought alone, a matter of willing it to be so, just as if he were in Tel'aran'rhiod. The choice of a pipe in this symbolic act is appropriate, since smoking is often portrayed as a deliberate act of defiance and freedom in today's world. He inspected it for a moment in the darkness, then thought of the pipe being lit. And it was. This scene potently completes Rand's evolution from an uncertain youth into a grown man who can now literally do anything he puts his mind to.

While Rand embodies this new Power, and may be unique in using it, the story in its entirety implies that with the right driving forces and moral bearings to guide someone, they too can manipulate reality and get what they want. For physical explanation, the most logical is that some characteristics of Tel’aran’rhiod now exist in the waking world, and Rand is the first, perhaps only one, to have unlocked the secret of using them. Or perhaps Rand unlocked the secret for everyone, and the ultimate choice of what each person will do with it comprises their own eventual personal Last Battle.

Rand wonders which of his three lovers will follow, and which he might pick. As his past, present, and future, he is completely unable to pick one over the others; they are all a part of him. He can't leave his past behind (Aviendha), he can't simply live for the moment (Elayne) and he can't only dream about the future (Min).

With his newfound freedom, Rand is pleased to have the leisure to explore and experience the world as he sees fit. Funnily, he sees the royal trappings of powerful rulers he has seen as just one thing out of many to experience, not as the end point that many of the Forsaken sought. The final wind that rises showcases the duality that pervades Rand’s mental state and so much of the story: The wind rose high and free, to soar in an open sky with no clouds. It passed over a broken landscape scattered with corpses not yet buried. A landscape covered, at the same time, with celebrations. It tickled the branches of trees that had finally begun to put forth buds. The wind blew southward, through knotted forests, over shimmering plains and towards lands unexplored.

Writing Lessons:

Keep the story alive in your reader’s mind by inciting them to imagine what happens next.

A Memory of Light - Chapters 44-49

In this section, Rand defeats the Dark One.

Perrin awakens after the battle is done. He argues with Chiad about why she won’t bend the rules for gai’shain, given that it is the Last Battle. “What good is honor if the Dark One wins the Last Battle?” Perrin snapped, pulling up his trousers. “It is everything,” Chiad said softly. “It is worth death, it is worth risking the world itself. If we have no honor, better that we lose.”

Perrin’s surrogate father Master Luhhan comes to check on Perrin’s health, and formally acknowledges that Perrin has grown into a man, one he is quite proud of.  Upon learning of Fain’s role in the murder of Perrin’s family, Luhhan says “What? Are you certain?” Questioning the truth of Perrin’s statement is odd on the heels of everything else Luhhan said. The author could easily have substituted other incredulous statements such as “The Peddler? How did you learn this?” or “Fain? How could he?” Either of these would have supported Luhhan’s faith in Perrin and allowed further discussion of the Whitecloaks, or even segued into Fain’s nature, which would surely have been useful since Fain’s appearance is imminent.

Masuri offers to Heal Perrin, but she must first confess and receive Perrin’s absolution for her actions with the Prophet. This again presents Perrin as a fully grown man of power and moral character, standing in judgment of high-ranking figures. His character arc is now complete.  

Thom protects the entrance to Shayol Ghul, sitting in for the author since they have the same concerns about how to describe the events unfolding around them. These pages offer a peek directly into the author’s mind as he wrote this final chapter of the Wheel of Time. ‘Epic’, ‘momentous’, ‘climactic’, ‘perilous’ and ‘terrifying’ aren’t right, but he eventually settles on ‘exquisite’. That’s a wonderful word to describe completing this epic.

Mat gets a Gateway opened to bring him near Shayol Ghul. Bringing Olver is part of the tugging he feels, but there is more, some greater role he must play.

Shaisam is a new name for Padan Fain, which means Destroyer of the Shadow. Shaisam is a creature vaster and far more powerful than before, living in every tendril of mist. And no wonder, for Rand’s intent to destroy the Shadow is greater than ever before. Shaisam kills friend and foe indiscriminately, for only one thing matters to him. As much as killing Rand and the Dark One balance each other as goals, he can accomplish both by rooting himself deep in Rand’s breast, in a host which can destroy one enemy and be destroyed in the process. Even now as the end approaches, there is a vagueness to Shaisam’s motivations, since the author has never, even now, come right out and explained them directly. This deliberate sidestepping of a key fact that provides context has been used throughout the series, and has provided the most fertile ground for fan theorizing, for both good and ill.

Gaul and the wolves defend the entrance to the Pit of Doom against Slayer in Tel’aran’rhiod. Perrin arrives, then Slayer monologues to fill in plot and character gaps. Seeing the look in his friend’s eyes,  Gaul senses it’s time to skedaddle.

Mat flies a to’raken into the valley of Thakan’dar, and senses Fain in the mist below. He crashes, and Olver blows the Horn. The clouds above form the ancient sign of the Aes Sedai, reflecting that Rand stands even with the Dark One at the moment.

Rand re-enters the Pattern, and swipes Callandor at Moridin. He tells Moridin that he doesn’t matter any more. Moridin responds by flinging a knife at Alanna.

Nynaeve’s herbs gave Alanna enough awareness to release the bond. This is a symbol of Rand being free of what Alanna represents. Since she bonded him forcefully, it simply means Rand is free of influence, and is free to choose his path. His ploy foiled, Moridin stabs his own hand causing Rand pain through the bond they share, and Rand drops Callandor, losing access to the torrents of the One Power it provides.

Perrin and Slayer battle, flipping between worlds. Perrin recently became a full-fledged adult in Luhhan’s eyes, and is therefore more confident and more sure of his identity than ever before. He has the confidence to truly unleash his fury on Slayer, and also has superior control over Tel’aran’rhiod. The killing blow sends Perrin spinning through Mirror Worlds. Unlike his past experience with the Portal Stones, when he saw variations of himself, in this instance all versions of Perrin act the same, and achieve the same victory as a result. All possibilities collapsed into one, the one where Perrin knows exactly who he is. Perrin brings survivors of the battle to the cave entrance to defend against the Darkhounds. Even as they face certain death, hope springs about them in the form of growing plants. The Horn summons wolf Heroes as well as human to fill out their ranks, and the odds are no longer so grim.

Mat approaches Perrin, who is concerned about Faile. Mat lies and offers Perrin hope, for what else could he say? As he reveals Fain’s presence, Mat is stabbed through the chest by Fain’s tendril. Mat’s death is so sudden in comparison to Egwene’s, and the manner of it so final based on all prior evidence, that readers are likely to be shocked out of the complacency that has been building since the Shadow was routed at Merrilor.

Aviendha holds off Graendal’s shield. She takes a chance, unraveling her Gateway despite that the effects are unpredictable, and may not help her at all. Graendal casts her Compulsion just as the Gateway explodes. Aviendha actually made a mistake in her haste, picking the wrong thread, which is a poor turn of phrase since she would have to botch the unweaving deliberately in order to have a chance of achieving the effect she is looking for. The threat of Compulsion is terrifying, and enthralls the reader with the horrible story possibilities that may come about if it succeeds.

Fain comes across Mat, who is not dead after all. Mat grabs Fain by the throat and stabs him with the dagger. Fain and Mordeth die, and not coincidentally, this embodiment of the all-consuming desire to achieve the end goal at any cost meets its demise just before Rand makes his decision on how to defeat the Dark One for good. Mat’s explanation that if you catch a disease you cannot catch it a second time is an awkward introduction of modern medical knowledge into the story in an attempt to have the reader accept this unforeseen immunity. Perhaps Mat is merely paraphrasing what the Amyrlin told him after he was healed of the dagger’s influence, or what Nynaeve has told him at some point, but the wording used suggests a strong level of in-world familiarity with disease that just hasn’t been featured before. Taking out the word ‘disease’ and having Mat speak in terms of his own immunity rather than a general statement about illnesses would have been more believable.

Perrin abandoned Mat on a gut feeling from the look Mat gave him. ‘Look’ may not have been the best word, given that Mat only has one eye, but the meaning is understood. Interestingly, Perrin had no angst about leaving Mat whereas he has wrung his hands over many of his friends and followers throughout the series. It is partly his newfound maturity, partly that he is more concerned with Rand here and now than he can allow himself to be for anyone else, even Faile. Perrin finds Gaul and returns him to Merrilor to rest. Then, acting against his desire to seek out Faile, he returns to guard Rand’s back yet again.

Moridin picks up Callandor and attempts to channel with it, falling into Rand’s trap. Moiraine and Nynaeve, duty and conscience, take control of Moridin, then link with Rand. Rand is shielded from any taint by combining the powers and using Moridin’s link to touch the True Power. The three powers are combined and wielded against the Dark One, turning the Dark One’s own power on himself. Rand holds him fast in a gauntlet of Power. In terms of Rand’s identity, he is turning doubt and negativity against his own doubt and negativity, looking at them with scorn and dismissal.

The following sections together show how Rand’s final victory and assertion of his identity affect the world. Rand’s past, present and future all figure, as well as his chronicler, and his successor.

Elayne surveys the carnage. The nearby plateau collapses, like the foundation of Rand’s old identity.  The bond lets her sense Rand’s strength, control and domination. She sees a beam of light far to the north, marking the end.

Thom sees the light up close. If Thom still represents the author, then he is in awe of the ending.

Min sees a brilliant lance of light, clearing the clouds. The wounded shield their eyes from the bright future Rand is making.

Aviendha sees the light and senses Rand winning, and it revives her. Graendal has been self-compelled by the unraveling gateway and begs to serve Aviendha. Since Aviendha represents the past, this is an indication that reverence for tradition and memory of this light and what it means are part of what the future holds.

Logain lost his prize in the collapse of the Heights, but saved the refugees, and they accept and welcome him, aspire to have their children join him. The Asha’man are no longer cursed for Lews Therin’s sins, but are seen as talented for Rand’s redemption of those sins. The light reminds Logain of his duty. He breaks the seals, another symbol of the old making way for the new.

Perrin sees the light in Tel’aran’rhiod, and observes the World of Dreams disintegrating and collapsing. Dragonmount is being drawn towards Shayol Ghul, all points coalescing into one, and then this realm of possibility will be gone. This was an unexpected development, which pertains to Rand’s transformation.

Perrin encounters Lanfear in the cavern. Her words still carry a sense of wonder that leads us to think she’s on the good side. “It is the end. Something amazing just happened. This might be the most important moment for humankind since we opened the Bore.” Perrin is compelled by Lanfear to help her kill Nynaeve and Moiraine, yet he resists. Lanfear has been working towards her true objective all along, at whatever cost. This is a trait shared by all of the Forsaken, the Mordeth-like motivation to do anything at all to achieve their heart’s desire.  Focusing on Faile, a far more powerful motivation than any dislike of Moiraine, Perrin’s will is stronger than Lanfear’s mere Compulsion weave. In Tel’aran’rhiod, this means he is able to reassert his identity and change himself back to the way he should be. He kills Lanfear, yet still loves her, she who represents the thirst for glory and power. Perrin may still want those things in some fashion, but not at the expense of the one he loves most.

The Dark One is freed yet cannot escape as Rand has him clutched tightly. He sees the Dark One as pitiful, tiny, insignificant, and above all, a liar. Rand pulls the Dark One into the Pattern, where he can be killed. But before he can kill him, Rand remembers that the vision he created with no Dark One was no better. Realizing his error, he thrusts the Dark One back outside of the Pattern and reforges the prison using braided saidar and saidin in a pure form and the True Power to keep the Dark One’s touch at bay by shielding the Bore.

He understood, finally, that the Dark One was not the enemy. It never had been. Rand’s own heart was the only enemy that could harm him, for as all the heroes have learned, ultimately, whatever befalls them is by their own choice.

Moiraine pulls Nynaeve out of the cavern. Looking back, she sees silhouettes of Rand and Moridin, Light and Shadow, vanish in the all consuming light. The last thing she sees, the last words which end the book, is the Bore being closed, a metaphor for Rand locking away in his heart the Dark One and the dark desires and ambitions he promotes, never to torment him again.

Writing Lessons:

End your story on a high note, right after the critical moment. 

A Memory of Light - Chapters 21-24

In this section, Demandred finally appears in person, and the day dawns twice as Rand enters Shayol Ghul.

Siuan and associates escaped the Sharan attack by diving through a pre-existing Gateway to fall hundreds of feet to the ground, and readers are informed of this via a short flashback. The flashback allows the author to skip right to the introspection by Bryne, which is the key element of the scene. A scene with Siuan falling towards a crash landing even as she surveys the battle from above could have been awesome, but longer than the 2/3 of a page for the flashback. A narrow escape might also have raised the reader’s spirits a bit, and the intent here is to keep them very low.

Lyrelle gives a solid example of just how self-serving some people can be, even in crisis times when altruism is the desired virtue. She gets her Warders, but only because there were enough men who actually wanted to be Warders. The point once again, is that the Asha’man choose their own path, marching to the Last Battle not because they must, but because they want to. It’s a nice mirror to Rand’s own storyline.

Egwene witnesses Bao the Wyld, Demandred, as he executes prisoners and questions Leane. There are so many hints of an epic back story to his dominion over the Sharans, but thankfully it’s used to tantalize and not bog down the story with exposition.

The Sharan culture is a sharp downturn from even the Seanchan culture which readers and characters have grudgingly had to accept. In Shara, there is no hope of rising, only fear of falling to an even worse position. Even the ‘lords’ “had hollow, haunted expressions. They slumped forward, eyes down, faces wan. Their arms seemed thin, almost skeletal. So frail. What had been done to these people?”  This culture symbolizes what Demandred and the Dark One offer. Nothing.  Had they been introduced earlier, the symbolism would not have been as effective as now, when the other Nations and their various cultures stand together in opposition to a nihilistic way of life.

Perrin confronts Graendal in Tel’aran’rhiod, bending balefire as a matter of course. Lanfear, the Age of Legends’ premier researcher into space-time, then tells him how time is being affected by the Last Battle, even in the waking world. The use of time distortions, with the Bore acting as a black hole where time runs slowest is a brilliant way to make the battles in each location last an appropriate amount of time, and to pass off any disparity as a random fluctuation instead of author error. It also speaks to the finality of the Last Battle, if time itself can no longer be counted on and reality frays away.

Lanfear offers Perrin even more aid, and a chance to be her consort. She scorns his refusal, jabbing him with the revelation that his father-in-law was Graendal’s target. Now readers have the big piece of the puzzle they were missing, and know that the generals are subject to the Forsaken’s influence. Bryne’s bond with Siuan ought to protect him though…

In desperation, Gawyn uses the Seanchan Bloodknives’ rings to move Egwene from the Sharan camp. Leilwin helps her along the way. When confronted with a Sharan who has captured her, Egwene is able to let herself feel intense fear and then control it.

At Shayol Ghul, Aviendha leads the channelers against the first Forsaken and Dreadlords who appear to thwart the strike. She finds ways to defend against balefire, and devises methods to fool their opponents should they strike again.

Rand enters the cave with Moiraine and Nynaeve, Duty and Conscience, at his side. They have always played these roles, nagging at him to do what he knows he must. He has found a way to balance the two driving forces in his life. He wasn’t certain if he should be pleased that the two of them had started to get along. Nynaeve’s new short-haired maturity shows how Rand’s conscience has found a way to adapt to the other moral frameworks he has encountered, staying the same but just a little different because of that exposure. Rand wears a coat bearing the thorns representing Manetheren, a reminder of the tale Moiraine told long ago to give Rand the bedrock of confidence he needed to face his greatest opponent.

Thom guards the entrance as an eclipse occludes the sun. The sun’s return heralds Rand’s victory, a symbolism that is so obvious that the author spends only two paragraphs dwelling on it each time a character sees it in their location. Except Elayne, who makes a speech that would fit Manetheren’s last stand as easily as the defense of Cairhien she now leads.

Moiraine gasps as a voice shakes them, the voice of the Creator. It portends no victory, only the inevitable confrontation that the Pattern has pulled Rand towards with thousands of threads. As with Rand’s own drive to save mankind so they can continue trying to live their lives and solve their problems, the Voice can’t or won’t help Rand, it can only give him the opportunity to do things right this time.

Fortuona makes an observation about Mat which mirrors what has happened with Rand: He has changed, yet is the same. Mat is chaos, Fortuona order. The ability of Seanchan to accept a change in station is funnily portrayed with Mat’s response to being renamed, told from Fortuona’s perspective: “Knotai?” Knotai said. Knotai convinces Fortuona to send aid to the Aes Sedai.

Elsewhere, Agelmar, Bashere and Ituralde seem to be doing everything right. The Sea Folk make their last appearance of any import when Zaida reports the Bowl of the Winds is all that is keeping the Dark One from scouring the valley of Thakan’dar.

Writing Lessons:

Know what your characters represent so that you portray them consistently.

Towers of Midnight - Chapters 29-32

In this section, the Heroes perfect their abilities.

In the early books of the series, the heroes discovered new and unusual abilities, which they subsequently used and improved upon over the rest of the series, and now they have reached a point where they are perfecting those abilities.

Perrin is being trained to use the Wolf Dream and resist its many pitfalls. Rand can singlehandedly destroy vast armies of Shadowspawn and the sight of him wielding the One Power caused Darkfriends to go mad, which isn’t a specific ability, but seems associated with his recent change of heart. Rand is also visible to Perrin in Tel’aran’rhiod, which should not be possible for a waking being. If this isn’t a vision of the window-type he used long ago, or a Dream prophecy of the kind that Egwene regularly has, then it implies that Rand is somehow in both worlds at once. This is plausible, given that Rand’s ability to change the health of the apple orchard seemed to alter reality in much the same way that one can alter reality in Tel’aran’rhiod. The True Power works in a similar fashion, allowing the user to reshape the Pattern in small ways.

My earlier theory titled The Bore is in Tel’aran’rhiod touched on this, one of its conclusions being that the Last Battle would focus on a battle of wills in Tel’aran’rhiod, with the outcome shaping reality. I further expect Tel’aran’rhiod and the waking world will become more entwined, and the ability to shape reality by thought will be made available to more people, fulfilling some of the metaphorical examples where characters have accepted or resisted their fates, shaping their own realities.   

Rand tired himself out destroying the Shadowspawn army, and tells his followers that future fighting is up to them, he will be facing the Dark One himself. This has a nifty effect on the reader. There is awe that Rand can singlehandedly do what he did, followed by concern that Rand’s battle will be even greater, while the generals will be facing a foe which can overpower them.  The scale and scope of the Last Battle are thus made known, to gleeful anticipation.

The order in which events are presented here is organized to maximize uncertainty, with Berelain and Faile worried about the outcome of Perrin’s trial, with Faile feeling betrayed by Morgase who she considers the highest ranking noble anywhere, with Galad being told that doing what is just and lawful isn’t always right, with weapons rising up to attack their owners, with Tam leaving Perrin’s side, which finally resolves the timeline lag in Perrin’s locale even as it continues to confuse readers, and finally with Elayne and Birgitte feeling queasy over the change which Aludra’s cannons will bring to the world.

All that leads up to Rand on Dragonmount, which Perrin sees as a cloud of evil seeping out of Rand, which he overcomes. The reader already knows what happens next in Rand’s timeline, but the next few chapters give truth to the wolves’ call that the decision has been made, and the Last Battle is coming.

Immediately upon that call to battle, Mat dispenses with the Gholam, then Rand easily slaughters the Shadowspawn hordes in Maradon.

I am missing something about the importance of the cannons. Birgitte’s reaction is overblown, even knowing about the various Dreams and Viewings about their invention. How can cannons change the world so much, when channelers should as easily be able to defend against cannon fire as a streak of lightning or rolling wave of earth and fire? It must simply be that the ability to kill as easily as a channeler will now be in every man’s hands, another metaphor for the ability to assert one’s reality, to resist the place one is given by the existing hierarchy.

Rand’s battle in Maradon is short and to the point, effectively demonstrating that mere Shadowspawn no longer threaten him in any way. The author uses strong visual imagery to portray Rand’s victory, with short summary phrases punctuating the battle, telling the reader what is happening from a more authoritative omniscient narrator’s voice, even though it is Ituralde’s viewpoint. Here’s a closer look:

Rand apologizes, salutes Ituralde’s troops, applauds their efforts, acknowledges their losses, and decides that the Dark One wants to break men’s spirits by forcing them to abandon the city. He refuses to allow that to happen, echoing Ituralde’s earlier recriminations about fleeing the city.

Outside the city, Rand raises a hand towards the Shadowspawn, And they started to die.

This sentence summarizes the entire battle. A few detailed events are described, then,

Light and Power exploded from the Dragon Reborn. He was like an entire army of channelers. Thousands of Shadowspawn died.

The first two sentences aren’t entirely within Ituralde’s ability to know. He could feasibly imagine Light and Power exploding from Rand, or what an army of channelers could do based on his experience with a few channelers. A few detailed events are described, then,

I’ve never seen so many weaves at once. I can’t track them all. He’s a storm. A storm of Light and streams of Power!

Using the Asha’man’s ability to describe what he is seeing is far more convincing than when Ituralde did the same moments earlier. His closing statement veers towards the omniscient narrator again. A few detailed events are described, then,

The man himself seemed to be glowing…Al’Thor seemed brighter than them all.

With the destruction and hyperbole running thick, the word seemed is inappropriate, yet is used twice. At this point, committing to the observation of his radiance is appropriate. This is the sort of weasel words that caused me to stumble over Sanderson’s early Wheel of Time chapters, although I later attributed them to Siuan’s point of view. Using them makes descriptions weaker although they sometimes add a sense of mystery or wonder. For example, throughout this blog, I consciously tried to avoid them, and simply call things as I see them, without hedging my bets with careful wording. A few detailed events are described, then

It was a masterwork. A terrible, destructive, wonderful, masterwork.

Ituralde is no craftsman, no collector of fine art, nothing more than a general and soldier so far as we know. What would he consider a masterwork? A complete rout of enemy forces? Is masterwork the most appropriate word he could have used? Once again, the narrator briefly slides in. A few detailed events are described, then

Al’Thor closed his hand into a fist, and it all ended.

The author likes these dramatic short sentences.

Writing Lessons:

Be conscious of slipping out of your narrative voice, even briefly, for it changes the context and feel of the story.

The Gathering Storm - Chapters 34-36

In this section, Tuon resists and rejects Rand.

The first time I read The Gathering Storm, I found several of Mat’s humourous sections over the top and out of character. This time, they provided the heartiest laughs. Rand’s chapters are too grim to allow humour, so a brief Mat interlude allows a quick respite from the grimness, before launching back into it. All Rand all the time would be a grind to read, but Mat’s sections give the book a tempo such that it feels like two beats down, one beat up, two beats down, one beat up, until Rand hits rock bottom. Here’s a quick look at what makes the humour in each of these sentences effective.

Next he knew, the daisies on the sides of the road would be ganging up to try and eat him. Exaggeration to the point of ridiculousness.

Mat’s overly detailed aliases for the raid on the town of Trustair have several more examples of exaggeration, this time by adding detail upon detail, any one of which would be acceptable, but when combined sound preposterous.

Mat’s seat: Bloody thing must have been designed by insane, cross-eyed Trollocs and built from the bones of the damned. A combination of exaggeration and uncommon details.

You’re Aes Sedai. I figured you… you know, saidared it. Inappropriate use of a word is funny, this one manages to take Aes Sedai down a notch as well through its lack of respect, and ridicule of prominent figures is usually accepted as funny. 

Is Verin lying to Mat? She goes to some length to present a fantastic story of coincidence and fate, yet as it is begun, the following line puts it all in question:  That smile on the corner of her lips? That was the smile of a jackleg who didn’t care that you were on to her con. Now that you understood, you could both enjoy the game, and perhaps together you could dupe someone else. She then establishes the context for her incredible tale: Mat is ta’veren. Mat shrugs it off but their argument ought to make everyone else more convinced it’s true. If it isn’t a true tale, then it must have been to convince Mat that the thing that Verin has for him, a letter with instructions, is so important that he can’t afford to ignore it as he typically might. It would also require that Verin’s ability to find Mat be explained when none of the Forsaken or Darkfriends have been able to. If it isn’t a true tale, then why not have Mat admit to himself that he’s just playing along?  Or is all that captured in his concluding remark as he accepts her letter and her terms: “Why was Verin being so cryptic?”

Thanks to the Mat interlude, readers are a little less pessimistic about Rand’s mood when he meets the Seanchan. That doesn’t last long though, as he is soon trying to use the True Power to bend Tuon’s will and give him the treaty he wants. The fact that Tuon can resist shows her strength of character, but it also shows a weakness to the True Power. If the True Power could force someone to change her mind, they have to be accepting of that change, much as Shemerin was with her demotion. Tuon truly does not want to give in, and despite Rand using the True Power on her, she is able to resist. The True Power cannot make you do anything, control over that comes from within. This fits thematically with many of the other truths of this world, such as Rand’s many encounters with Moridin, the sudden twisting of his ta’veren powers to the nasty side, the way Tel’aran’rhiod works with force of will, and maybe even with the worst of the Dark One’s powers: the ability to turn people to the Shadow using Myrddraal and channelers. It is possible that resisting turning can cause the effort to fail, at which point a captive is killed.  It could be that it is fear of death that gets captives to surrender, and allow the conversion to the Dark. Tuon’s resistance is a mixed blessing, for readers want peace so Rand can focus on the Dark One, yet it is apparent that Rand’s victory in this matter by using the True Power would have a bad outcome. With all those weighty matters grabbing the reader’s attention, it is easy to overlook the seemingly insignificant detail that Rand was simply unable to bend her will using the True Power, which will be a key to victory in A Memory of Light.

The cultural chasms between the Seanchan and the rest of the world are vast, and Tuon says that these lands had forgotten their oaths. Oaths to do what? Await the Return? Obey? It feels like we are missing some element of what the purpose of the Return was, only glimpses of which are revealed by Tuon’s mention of the Essanik Cycle. This set of prophecies is widely believed to be a corrupted version twisted in meaning by Ishamael, but it is also possible that it is nothing of the sort, and that it simply tells how the Seanchan will command the Dragon to fight the Last Battle, and that the oaths are akin to those of the Borderlands or Manetheren, to pledge to fight the Shadow.

Writing Lessons:

Create funny sentences using exaggeration or a series of uncommon details.

The Gathering Storm - Chapters 21-23

In this section, one of the most intense scenes in the series unfolds.

This blog had its 10,000th visitor last week while I was facing writer’s block over this extra-lengthy post. Thanks for reading! Don't be shy, contact me if you have feedback, questions, or suggestions.

First, on a much less intense note, Perrin and Faile have a minor squabble as they try to reintegrate their lives together in the aftermath of her abduction and possible dalliances on the side for both of them. What intensity exists is quickly dissipated as Faile overlooks the odd, sorrowful gaze in his eyes, tells Perrin she does not believe the rumours about him and Berelain, and bluntly admits in her own thoughts that she did not sleep with Rolan. She explains that she is jealous, in one of those moments where the author lays bare the truth about how men and women act with each other.

I am bothered by the blunt treatment of this revelation. Throughout the series, I’ve shown how Robert Jordan consistently made almost every character, background, action, and description fit a theme and represent more than just the action on the surface. Masema was unbridled adherence to a code of behaviour, and Faile killed him in secret. Does that really mean nothing more than tying up a loose end? Galina, even as a Black Ajah, was truth, and she made a jumble of dirty timbers trap Faile. Did that mean nothing more than the betrayal it was? If Faile considered sleeping with Rolan for the possibility of escape, is it not possible that Perrin could do the same to tie Berelain to him and use her to free Faile? For those events to be devoid of deeper meaning  would signify that Robert Jordan had gone against the behaviour he exhibited over ten earlier novels, suddenly deciding that it was no longer appropriate to create layers of meaning so he could rush towards the end. That possibility rings far less true than Faile’s declaration that she did not sleep with Rolan. Sanderson’s writing style does not easily allow for unreliable narrators, given that he typically reveals emotions as facts, and not through the prism of that character’s world-view.

So, I’m left with the uncomfortable possibilities that either the text means exactly what it does on the surface, or that Sanderson deliberately or erroneously overlooked the cheating that took place off the page. I fully recognize that I am in the throes of one of those theory-making episodes spurred by having emotionally committed to a position in earlier posts, in fact, blogging in this format without complete knowledge of what is coming lends itself to this type of mania. Once you are committed to a point of view, even blunt evidence refuting it tends to be dismissed for the simple reason that it inconveniently contradicts what you know in your heart to be true. This sort of thing happened regularly at Theoryland, and really opened my eyes to how people think and why they think that way. But the disparity remains, and in my mind can only be resolved in favour of Jordan’s original intent. It is unfortunate that a blunt statement is given when it seems to me Jordan went out of his way to pointedly never show Perrin or Faile directly addressing what happened, choosing instead to focus on what other characters think happened. It strongly undermines the efforts put into several books covering their trials, unless you adhere to the point of view that Faile is lying even to herself.

Faile and her followers gather to remember the kindness of Rolan and the Brotherless. Her explanations and feelings fit perfectly with the stated facts. She keeps Rolan's turquoise stone, for remembrance, not regret. The Saldaean proverb is equally fitting for what the women remember as it would be had Faile actually slept with Rolan. The past was a field of embers and ash, the remnants of the fire that was the present. Faile's story arc is complete, she has proved what she will do to save Perrin, including keeping secret the facts about Rolan's death that would undermine Perrin's faith in himself. It's worth noting that Rolan's fate is similar to Rand's, dying to save the one he loves, willingly accepting his own destruction.

Just to reiterate one more time, I find the topic of unreliable narrators never revealing whether certain events ever took place fascinating, especially given the intense quote-based scrutiny fans apply to the text.

In any case, Faile’s character arc is complete, and there is nothing left to add except the obvious moment in the Last Battle when Perrin must choose between her and his duty to Rand. Jordan frequently used the technique of setting up several examples of growing significance before getting to the final version. Perrin made tough choices to save Faile in the Two Rivers, upon returning to Cairhien, and again when freeing her from the Shaido. The same scenario will crop up again in the Last Battle, and Min’s Viewing tells us something bad will happen to Rand if Perrin isn’t there. Perrin will not be there, and the bad thing will happen to Rand, because Perrin has consistently chosen Faile over all else. Don’t be sidetracked by Sanderson’s text stating that Perrin thinks only the Last Battle matters.

Semirhage’s collaring of Rand is the most intense version yet of Rand being held prisoner by fate. Ishamael ranted about this repeatedly in the early books, and Rand denied being trapped by the Wheel. Rand was captured by Aes Sedai and beaten, yet broke free. Rand was locked away in darkness in Far Madding, and was freed. And now, Rand is finally, utterly trapped. The Black collar and bracelets are the latest, and most potent, representation of the eternal theme of will vs. fate. As one in a series of such events, the build-up to this moment is part of the fabric of the series, beyond the particular words used in this book building up to this scene.

When Rand frees himself, he does so by using the True Power, the Dark One’s own abilities, accessed through a surprising link between himself and Moridin. The True Power allows reality to be reformed according to the user’s will, typically by replicating alternate versions of weaves the user already knows. Unconstrained by any force, Rand is able to do whatever he wants, unlimited by anything so far as he can tell. This is the power of freedom, and free will.

Cadsuane represents the Light, and Semirhage represents living completely outside the Light. When the confrontation is done, Rand has decided to live outside the Light, relying solely on his newfound power. Let's take a closer look at the symbolism and how it is subtly presented.

Semirhage sat alone in the small room. They had taken away her chair and given her no lantern or candle. She is literally cut off from the Light. What light she desires is man-made: glow-bulbs.

Semirhage considers resisting Cadsuane in the same manner Egwene resists her captors. Unlike Egwene who sees each punishment as an opportunity to show resistance, Semirhage has no victory to claim from each punishment. She can embrace pain easily, it is torture of the spirit she is unprepared for since her focus is entirely on the physical, not the spiritual. 

Shaidar Haran lists her failures, not least of which is the loss of the entire Seanchan Empire as pawns.   Rand was not to be killed, but is that by the Dark One's order, or out of concern for the link with Moridin? Even Moridin wasn't fully aware of their link until Rand lost his hand, so keeping him alive must have been part of the Dark One's plan.

Semirhage's cold detachment established her usual behaviour, so when she is anxious upon hearing Shaidar Haran's voice, and she holds her breath opening the door to her cell, tension is immediately created. Returning to her prior state of mind as she learns her captors are dead, she has an ally, and the black bracelets and collar are in her hands, the tension increases even as it shifts targets, for readers must recognize the immediate danger to Rand.

A time-honoured technique in horror is to tell the reader what awful event is about to take place, and then to delay showing it for as long as possible. As soon as Rand's name begins the next section, readers expect the confrontation, but the author delays it by showing Rand engaged in mundane affairs in Saldaea. It is more effective that Rand's affairs are ordinary, simply giving orders to his generals, rather than being riveting or action-oriented. The reader could understand if Rand is surprised because he is distracted by important affairs, but the feeling of being blind-sided is more palpable when he is going through, what are for him, everyday motions.

Rand reflects that the most dangerous enemies are those who you thought you could trust, while Lews Therin rails that none of the Asha'man can be trusted, they will turn on him. This sets up his frame of mind for embracing the True Power later and also for blaming Cadsuane. Rand thought he could trust the Pattern, and the Light to guide him, and has been sorely disappointed so far.

Rand reflects on invasions, both the physical ones in Saldaea and Arad Doman, as well as the metaphysical presence of Moridin in his dreams. Semirhage waits to conduct a personal invasion into Rand's quarters, and the reader can't help feeling that Rand will now be blind-sided as he ponders the very thing he is about to face.

Rand focuses on the one person he does trust, wondering if he can trust her far enough to do as she says and not become hard. The reader can’t tell if this scene takes place before, during or after Semirhage’s escape, so far all they know Min has already become a pawn of Semirhage’s. The uncertainty created by keeping that detail from the reader heightens the tension further.

There is no coincidence in the timing or nature of the argument between Rand and Min. Rand worries that Cadsuane is trying to manipulate him through her, and mistrusts her motives. On the verge of turning on Min because of her possible association with Cadsuane, Rand is in fact contemplating turning his back on the Light itself. And then Semirhage collars him. Language relating to constraint and feeling trapped is used frequently in horror scenes, telling readers that the outcome is terrible, yet dragging them inexorably towards that outcome. This scene plays out bit by bit with visceral and literal horrific constraints placed on Rand and Min.

The collar itself forces obedience to the will of the woman wearing the bracelet, in this case Semirhage. Rand is forced to act according to her logic, a logic that places no value in the emotion of love. He is forced to destroy Min, for she serves no purpose in a world with no love. Even though Rand is able to free himself of Semirhage’s constraints, he has still embraced her way of thinking, shutting down his emotions, closing himself off from love and the Light.

When Rand uses the True Power, Lews Therin’s rantings about it replace tension with dread. How can it be worse to use the True Power than to murder his own loved ones?

Rand banishes Cadsuane, saying he never wants to see her face again, completing his metaphorical rejection of the Light. Following a logic focused on the outcome, not the means, Rand teaches balefire, insisting on its use.

Writing Lessons:

Guide the reader’s emotions as you building towards a climax by using the right language, establishing similar scenes to frame context, and pushing your characters beyond their limits.

A Crown of Swords - Chapters 29-32

In this section, followers become leaders, and the wishes of several characters come true

Elayne has finally had enough of being ignored by the other Aes Sedai. No one has truly accepted that she is Aes Sedai, and so she has not been taught what most women learn upon gaining the shawl, including the secret of the Kin’s existence. She challenges the Aes Sedai to either deny that she is Aes Sedai which would imply they deny Egwene and the rebels as well, or to accept her as Aes Sedai which means that her strength in the Power would place her at the top rank of the rebel Aes Sedai in the Palace, other than Nynaeve.

Alviarin brings news of Rand’s escape to Elaida. The revelation of this failure could be enough to topple Elaida, so she finds herself blackmailed to protect this secret a while longer. Further disasters loom ahead, yet she is more concerned with maintaining her position than in the fate of the Aes Sedai sent after Rand or to the Black Tower. Her Foretelling about the Royal Line of Andor has convinced her that only she can lead the Aes Sedai during this tumultuous time, and she lets that supersede other concerns. Alviarin is able to exploit this and put herself in a position of unquestioned authority over Elaida. Her first priority is undermining the Ajahs’ willingness to cooperate on any venture.

Elaida then seeks out an Aes Sedai she can trust. Her criteria to determine trustworthiness is whether that person supported her when they had incentive not to. Seaine is given the task of hunting out traitors, which she mistakenly interprets as seeking out the Black Ajah. She in turn seeks out a trustworthy helper. Her criteria to determine trustworthiness is to find the person with the most incentive to hunt down the Black Ajah. As with Siuan and Moiraine’s secret hunt, Seaine almost makes the mistake of bringing a friend into the hunt, not knowing that the friend has already joined the Black Ajah.

Moghedien proves the mindtrap’s effectiveness by recklessly following an impulse to kill Nynaeve in a narrow window of opportunity. The chance to act of her own free will is limited by the chance of discovery by Moridin. She acts in a way almost opposite of what she normally would have, lashing out with no thought of danger to herself, exposed to the world instead of her normally cautious method of slow and sure steps to success. She is in effect no longer herself, the mindtrap has fundamentally changed who she is and how she acts.

This scene provides even further explanation for the mechanics of balefire. The Fires of Heaven had the most detailed explanations to date, yet it is apparent that the author wants readers to think about it some more, implying that further balefire scenes are yet to come, and comprehension will improve understanding and acceptance of the strange outcomes of those scenes.

Mat is raped by Queen Tylin. Typical rape scenes in stories are representations of a loss of control and a violation of that person. Readers may feel sympathy for the victim, or pity. It has been argued that scenes in which a man is raped effectively neuter the character in the reader’s mind. He will be perceived as less powerful and worthy of scorn or pity. In this instance the author decided to play for a humourous angle to maintain the man’s stature. First, the rape is portrayed as a bit of role reversal; this is not a man being treated unfairly, it is portrayed as a man getting the treatment he dishes out to others. However, Mat never treats women the way he is treated, he abides by the multicultural rule in the series that the woman is always in charge of deciding whether sex takes place or not. We saw a similar situation with Lan in New Spring when he had no choice but to have sex since he would not let the woman appear to be a liar. In these cultures women have the only say, whether strongly in favour of or against having sex. Second, Mat is not entirely an unwilling victim. He doesn’t mind the sex, only the manner it which it is exacted from him. There is therefore no loss of stature and no sympathy is generated as result of the rape. Lastly, the humour comes from Mat’s own lack of comprehension as to how this could be happening to him. The situation in his obtuse view is plainly ridiculous, which carries some inference that it is therefore somewhat reasonable to the reader. Every added layer of ridiculousness, from a gaggle of serving women helping in the endeavour, to the Prince’s open encouragement, only serves to increase the humour of the situation. Switch the genders of the participants, and the scenes would be unpalatable to virtually any reader.

A similar sort of situation plays out when Lan marries Nynaeve against his wishes. She plows through any resistance he offers, but his Malkieri culture compels him to marry her. He almost got roped into a marriage in New Spring simply because Edeyn declared it should happen. Fortunately, he is not unwilling to wed this particular woman, and the reader is rooting for this wedding to take place.

The marriage to Lan is Nynaeve’s reward for finally overcoming her block. Nynaeve has been working towards surrendering to circumstance, having recently learned to apologize, for example. When she finally surrenders to saidar, it represents a change in her behaviour. As soon as she does learn to surrender, the thing she wants most lands in her lap; a physical representation of how to control saidar. Tying the resolution of this romance to one of the major personality-related obstacles makes the moment when she scores all these victories rewarding for the reader.

Writing Lessons:

Consider how the scenes you write will affect the reader’s perception of the character.  

A Crown of Swords - Chapters 25-28

In this section, old villains return

Moghedien’s escape is shown for a third time as a flashback in her own point of view. This time, it is short and to the point, serving only as introduction for what happens to her later. Moghedien is being punished inside a vacuole, which I can only conceive as being like a drop of condensation on the surface of the Pattern. It is attached to the Pattern, but not truly part of it, and the laws of space and time inside it can vary considerably. Sometimes the vacuole can detach from the Pattern. This is the third strange world we’ve seen where time runs at a different speed, the others being Mirror Worlds and the world of the Aelfinn and Eelfinn. I wonder if vacuoles might be parts of the Pattern no longer needed, which slowly wither before falling off, or maybe new buds which form new Mirror Worlds.

Her punishment consists of reliving the same dream over and over. The dream is being dictated to her, she has no control over it, as though she had entered the Dark One’s dreams and had become a player in it, much as we’ve seen in other examples of being stuck in someone else’s dream, even to the point of not truly realizing it is a dream.

Moghedien’s journey to Shayol Ghul is altered, as her Skimming platform arrives instantly instead of taking the expected several minutes or hour. The Dark One has a little effort left over to bend reality despite fixing the seasons at the height of summer. This ability is strongly implied to come from the True Power; a Power first introduced a few chapters ago by the mysterious watcher in the woods. Moghedien thinks that reality was clay to the Great Lord at Shayol Ghul, and then describes how she can bathe in the radiant glory of the Great Lord, the True Power washing around her, so strong here that attempting to channel it would fry her to a cinder. The True Power is thus linked with the ability to reshape reality, which is as much as the author wants to say on the subject until several books later. It is noteworthy that he waited this long before explaining the major tool at the villains’ disposal, and that he waits much longer before bringing it up again. The reader needs to know it so later chapters will work, but the author doesn’t want them thinking about it too much.

A third mystery character is introduced: Moridin is a man set above the Forsaken, whom even Shaidar Haran seems to serve. This is a new and unexpected development. Shaidar Haran has two resurrected Forsaken serving him, while Moghedien and one other serve Moridin. That makes up to five Forsaken in this secret group, while five others still roam the world. There are no blatant personality traits linking Moridin to Ishamael, the reader has to get there through logic, reasoning, and counting. It is left to the reader to decipher Moridin’s plans, and there is little to go on. The intent is to destabilize the reader, much as was done with Cadsuane’s introduction, showing a powerful new character to balance Cadsuane’s arrival. How does Moridin have the will to resist the True Power now that the saa have appeared in his eyes?

The mindtrap is a device which embodies the Dark One’s morals. The evil societies and characters all crave obedience, and the master’s desires are all that matters, the servant exists only to serve. The mindtrap forces voluntary obedience using the threat of eternal obedience. The one mindtrapped can only hope to escape or live for the moments of freedom when the master’s attention is directed elsewhere.

In Amador, Morgase’s master has changed several times. Niall wanted her to come to serve him willingly which she gave, then Valda exacted her capitulation under threat of pain, which she gave, and now Suroth demands an Oath under threat of enslavement as a damane. Having started by giving a little promise, the demands have grown into a promise of complete servility to the Seanchan. She now realizes her poor choices have led her to the point where anything else she does only serves to give more to her enemies and take more away from Andor. Amathera and Pura demonstrate what the Oath may entail. Giving up leadership is her only path to being a true leader to her people, something Rand will later repeat.

Balwer, a servant with no master, comes to Morgase’s aid. His motivation was to steal Valda’s prize to repay his poor treatment, but Suroth will do just as well. The Seanchan’s return is at the end of a series of introductions and reappearances of powerful enemies. There is a feeling that the Dark One’s forces are gathering which overwhelms the small victories the heroes have made in Salidar and Ebou Dar.

The grim mood continues with Perrin leaving Cairhien after a very public argument with Rand about his behaviour concerning the Aes Sedai prisoners. A potent flashback cuts down the amount of exposition needed. The chapter opens with a paragraph on Perrin’s regrets, a second paragraph on Rand promoting fear amongst his servants, and then the introduction to the flashback. By placing the flashback early in the chapter, the order of events is maintained without having to describe what happened before and immediately after their confrontation. The decision not to play up their argument stems from wanting to continue setting the mood of insurmountable obstacles and the fact that the argument is a sham, a ploy to divert attention away from Perrin while he carries out Rand’s orders. Knowing of the plot beforehand reduces an emotional impact that can be wrung out of it, this simply isn’t a powerful enough scene to warrant much attention.

The chapter also serves to list Perrin’s followers, describe his mission, and the likely obstacle she will face. As with the tail end of Lord of Chaos when Elayne and Nynaeve begin their search in Ebou Dar, this is just the beginning of the new quest, which will carry over several books. Since his battle in the Two Rivers, Perrin has only shown up briefly in the prologue of Lord of Chaos, briefly again later in that book, and for several chapters at the beginning of this one. Having been mostly absent for a long time, Perrin is about to become a steady player, much to the chagrin of many readers.

Mat has had dice rolling in his head, then not, several times in Ebou Dar. The dice first stop when he stays in the randomly selected inn that Setalle Anan owns. This is because he has acquired the link to the people needed for the Bowl of the Winds to be found. The dice start again, then stop when he agrees to stay in the Palace, because he can now form a relationship with Tylin. The dice start a third time before Beslan’s approval of Mat’s relationship with his mother disturbs him at the right moment to follow a random Kinswoman to a house on the Rahad. The dice are still spinning…

Writing Lessons:

The location of a flashback within a chapter will affect mood and comprehension.  A flashback’s length and placement can serve you as much as it’s content.

A Crown of Swords - Prologue

In this section, secondary characters with minimal involvement in the book set the tone and theme

Why have a prologue in a novel? In the early books, the prologues served to show the villain and establish the stakes, since there was no convenient place to do this from the perspective of the heroes. They also showed events that took place earlier than the story’s beginning, so that the effects of those events could initiate the story proper. In the most recent books, the prologues expanded in scope, catching the reader up on a multitude of details and establishing some of the thematic elements.

In A Crown of Swords, there are six perspectives: five villains, and one who hasn’t committed yet. Each of the sections takes place in the day since Rand escaped from his captivity at the end of Lord of Chaos. The ones in Tar Valon and Amadicia did not need to be set on that day, but Sevanna’s and Gawyn’s did. The best reason to set those events on the same day, and cram them into the same prologue, is simply to lessen the number of interludes in the main story. As in earlier books, the author uses the technique of showing several scenarios which are linked thematically.

Elaida is portrayed as a stubborn, entitled and myopic woman with no people skills, but she does have power, both from being Amyrlin and from the Talent of Foretelling.  She finds her Keeper of the Chronicles Alviarin to be difficult and insubordinate. Alviarin is biding her time, waiting for the orders that will place her second only to the Forsaken. She is competent, intelligent, and ruthless. With Alviarin and Mesaana pulling strings, and their new ability to weave Gateways, Elaida has little hope of getting her way.

Pedron Niall is portrayed as cautious, thorough and subtle, with a nearly perfect record of victory. Niall has finally discovered the Seanchan threat near his doorstep, but he is struck down before he can do anything about them. The mastermind behind the assassination is Valda, a competent, strong, and ruthless man.  

Sevanna is portrayed as overbearing, greedy, and selfish. Although she corralled her Wise Ones into battle against all custom, they and the Shaido warriors turn and flee before the Asha’man. Sevanna is angered by their weakness but is already making plans to capture Rand. She still has a cube given to her by Sammael, an apparent reversal of her and the author’s decision to throw it away at the end of Lord of Chaos.

Gawyn is an underling who has gotten underfoot enough to trouble Elaida. He has avoided attempts to put him in harm’s way and now has some decisions to make. His situation is meant to be contrasted with the other underlings in the prologue. Will he strike down those he serves as Valda did? Let himself be led around like the Shaido Wise Ones? Serve obediently as Alviarin does? His rationalization that he doesn’t have to help Rand just because he promised not to hurt him places him in balance between good and evil. He represents the everyman, having to choose a course of action that will topple whoever he stands against.

We’ll see how much insubordination and pivotal choices turn up as thematic elements in the rest of A Crown of Swords.

Writing Lessons:

Place scenes outside of the main action together in a chapter to lessen the drag on the main storyline.

Lord of Chaos - Chapters 38-43

In this section, Mat’s appearance in Salidar sets events in motion.

Now that Rand has discovered Salidar, he has sent Mat to bring Elayne back to Caemlyn. Elayne has other ideas. The dance that ensues is comedic both for Mat’s misjudging of the situation and for his inability to accomplish his mission without jumping through several hoops first.

First, Mat somewhat correctly guesses that Aviendha and Elayne will confront each other over Rand. He misjudges who will have the upper hand, since he doesn’t realize ji’e’toh will prevent Aviendha from lifting a finger against Elayne, but will instead have her offering to die at Elayne’s hand to make up for her ‘mistake’.  Mat is so concerned about Elayne that he happily leaves Aviendha in difficult situations to keep her away from Elayne. Aviendha’s discomfort is all the funnier because it was unnecessary, even as it provides Mat with gleeful satisfaction that he’s doing well.

Next, Mat correctly guesses that there is no good reason why Egwene should have been made Amyrlin. He thinks only a poor blind fool would take a position all but certain to lead to the headsman, and Egwene has more sense than that! Yet for all his admonitions about the trouble they’ll be in for impersonating the Amyrlin, he shows no qualms about sitting in her chair and tossing her cushions on the floor! Just what was he expecting to say if the Amyrlin he expected walked in?

After much argument about who is right and who is in danger, Mat is able to foil Egwene’s prodding thanks to his ter’angreal. As wrong as he is about the details, he cannot be forced, budged or reasoned with until he gets his way. Once Egwene reasons that he’s made a promise, she is able to make him dance to her tune, and gets him to commit to a trip to Ebou Dar before Elayne heads north with him. If she does.

Egwene declares that Mat’s Dragonsworn will taint the rebels by association. They need to distance themselves from them. They also need to be concerned about the next surprise Rand might drop on them with Traveling: Asha’man. The fears and concerns are convincing, but Egwene still needs to present them in a way that will be accepted by the three factions vying for control of the rebels.

The ability to Travel opened up many story and plot possibilities, and several are quickly closed with the strategic consideration that the ability must not be given to Elaida’s Aes Sedai. By taking away all the possibilities where a rebel might be captured by one of Elaida’s people, the advantage of Traveling is reduced to very limited occasions, such as the trip to Ebou Dar. In essence, the rebels have a tool that can be used once by surprise.  

Thom tells Mat the story of the woman who needed rescuing, but didn’t in the end. He advises helping them do what they want instead of what he wants. Trying to force people to behave in a particular way is a characteristic of the villainous cultures: Children of the Light, Shadar Logoth, Seanchan, Tairen High Lords, and Forsaken. Thom’s appeal should work on Mat, since he is constantly complaining about being badgered to do one thing or another by someone who thinks they know better.

Once Elayne and Aviendha decide they can share Rand, they speak of Min, which naturally leads into Min’s chapter. For all that some readers find the three women’s acceptance of the situation unreasonable, men and women can have informal arrangements of the sort, the stereotypical ones being the sailor with a woman in every port, or the traveling salesman. For whatever reason, people are frequently capable of accepting they only get to share part of a person’s life and know that others are doing exactly the same thing with the same person. This discussion about Rand’s love life comes right after Thom’s appeal to Mat. The point is the same, and one the three women have embraced: Let Rand and the other women do what they want, do not try to impose your will on the others.

Min’s approach to seducing Rand is to pretend she’s not trying to seduce him while blatantly acting in just that way. She challenges Rand to admit he finds her attractive and will not relent in her behaviour until he does. Whatever he chooses to do, Rand is stuck either canoodling with Min, or admitting he’d like to do more. In this story, women always have the power over romance and sex, and any man who takes a more direct approach is a villain. Egwene notes even Mat somehow only pursues those women who want to be pursued.

Min instantly befriends Melaine, averting much trouble. Once she is treated as a Wise One, she is allowed to come and go as she pleases, passing through ranks of bodyguards unmolested. Giving Min the ability to move about unhindered avoids having to explain how she got past the guards every time she comes for a visit. A small investment in this scene avoids plot holes later on, and also raises Min’s ranking to be on somewhat even footing with the other women.

Taim reacts badly to Rand naming him the second Asha’man. The readers made the obvious connection with the tale of Demandred, who was always second to Lews Therin. Demandred hasn’t been seen since spying on Elayne in Tel’aran’rhiod, but Lews Therin mentioned him in possible relation to Shadar Logoth. If this scene didn’t put the idea in their head yet, they will still have it by the end of the book. But we’ll save discussing the theory that Taim is Demandred for the final post on this book.

In a scene mirroring the earlier one where Elaida’s Aes Sedai secretly met with the nobility of Cairhien, the rebel delegation is doing the same with the exiled nobles of Andor. Min’s listing of the delegation is forgettable, and Seonid and Masuri are stereotypical Green and Brown Ajah. Out of the delegation, only Merana matters, along with her position in relation to Verin and Alanna, who have managed to distinguish themselves in the reader’s mind due to their past actions.

Writing Lessons:

Look for plot holes by examining whether your characters are doing things that a minor character could never get away with.