The Wheel of Time - Act 3 - Books 10-14

Treating The Wheel of Time as one long novel, the books Crossroads of Twilight, Knife of Dreams, The Gathering Storm, Towers of Midnight, and A Memory of Light make up the third and final act. The beginning and end of the story are bookends, what shows up in one should be resolved in the other. As of this writing, I have yet to acquire A Memory of Light, but the concept of the story’s end is simple to guess at.  

Rand was told he must save the world, which he grows determined to do despite what the world may have to say on the matter. He tries repeatedly to force people to act as he thinks they should, eventually using the Dark One’s own seductive True Power to exert his will on them. The end justifies his means, a philosophy once espoused by Mordeth, who viewed any cost as worth paying to be rid of the Shadow. Rand finds that even unbelievable achievements such as cleansing saidin earn him little gratitude or respect, pushing him further down a path where he seeks to validate his accomplishments and soothe his ego.

Other characters face their own intense desires and duties, each of them successfully fending off thoughts of absolute adherence to some objective at any cost. Each of them finds a balance, weighing the need versus the cost, never entirely certain how hard each objective must be strived for, yet willing to stand for their values at great personal cost. They all learn that only they can find the balance, and when they do they become free and powerful.

Rand’s balance is much harder to achieve, coming only after he has nearly abandoned his humanity in a misguided attempt to protect his loved ones. He callously murders and rationalizes his actions, and even Nynaeve, the stand-in for his conscience, considers that he may be right. Only when faced with his father, does he relent and reflect upon his actions as he holds the power to end the Pattern.  Rand realizes that the Pattern allows people a second chance to correct their mistakes, and that strength comes from fostering relationships, not cutting them off. Rand has finally overcome the delusion that he has to face his destiny alone, a falsehood perpetrated on him by Lan, who has now come to the same realization.

From the early books the characters used their formidable force of will to overcome obstacles, and after fumbling about for a while, they finally know when and how to use it. The heroes have acquired followers in the thousands, and have learned how to lead them after stumbling a few times. They no longer require mentors, having earned equality and rank equal to those who used to guide them. The greatest foes they faced, gholam, Forsaken, otherworldly creatures, have all fallen before them. The heroes are adults, full-fledged members of their community, and have attained the pinnacle of their power and influence, and have learned how to use them well, just in time for the challenge of their young lives.

Almost every character has entered into a romantic relationship, many choosing to be bonded as well. Battles showing large circles of bonded men and women have not yet appeared, but promise to reveal the full glory and importance of male-female relationships, drawing on the power of creation to defeat the forces of the Shadow.

Every book in Act 1 ended with a battle in Tel’aran’rhiod. The last book should also end in Tel’aran’rhiod. Lanfear freed the Dark One and is especially knowledgeable about Tel’aran’rhiod. She was last seen begging to be saved from the Dark One, opening the door for her to fulfill her role and have her sins redeemed by the Dragon. The rules governing Tel’aran’rhiod have at last been explained, almost in full, allowing the final confrontation to take place there.

The last final message Rand leaves should fit the themes running throughout the story: man needs guidance but has to be trusted to stand and act on his own; choices and attitude dictate who you are, no one can impose identity on you; it is wrong to impose your will on someone else; standing for and against what you cherish most is worth dying for; no philosophy should be adhered to absolutely.

Following the earlier comparisons of the series to American History, this final act covers the modern era, when world-changing events demand absolute commitment to fighting the enemy, and a grudging realization that the cost of rigid adherence to winning battles may cost the war. The Wheel of Time’s characters find a different path, one that balances on a razor’s edge, one that questions the value of conflict and the identity of the enemy and proposes a different solution. Rand will face the very nature of evil, and learn that it is often within oneself.  

The Seanchan’s role as foreign invaders with a strange culture and vastly different treatment of some residents has its modern parallel. How can the heroes make peace with these aggressive people and get them to join the fight against the true enemy? The myth of the self-made man, the lone cowboy, is laid to rest and replaced with a multicultural community-minded set of values, wherein each person stands alone, in exactly the way they want, every difference laid bare and celebrated, and despite the differences is accepted and supported by the community.

Brandon Sanderson weaves the tale he took over with great skill, preserving the thematic elements and essence of the characters. His writing style is more direct than Robert Jordan’s, uses modern language, and short choppy chapter breaks which increase the pace of the story, and act as a structural version of the breakdown of the Pattern affecting the world. Like several of his characters, Robert Jordan had to delegate his life’s work to the next generation, living the very scenarios he wrote about, entrusting loved ones to carry on with his duty. Life didn’t imitate art so much as Jordan wrote about the essence of life and purpose of existence so well.

Writing Lessons:

Know your story’s message and themes.

Towers of Midnight - Chapters 29-32

In this section, the Heroes perfect their abilities.

In the early books of the series, the heroes discovered new and unusual abilities, which they subsequently used and improved upon over the rest of the series, and now they have reached a point where they are perfecting those abilities.

Perrin is being trained to use the Wolf Dream and resist its many pitfalls. Rand can singlehandedly destroy vast armies of Shadowspawn and the sight of him wielding the One Power caused Darkfriends to go mad, which isn’t a specific ability, but seems associated with his recent change of heart. Rand is also visible to Perrin in Tel’aran’rhiod, which should not be possible for a waking being. If this isn’t a vision of the window-type he used long ago, or a Dream prophecy of the kind that Egwene regularly has, then it implies that Rand is somehow in both worlds at once. This is plausible, given that Rand’s ability to change the health of the apple orchard seemed to alter reality in much the same way that one can alter reality in Tel’aran’rhiod. The True Power works in a similar fashion, allowing the user to reshape the Pattern in small ways.

My earlier theory titled The Bore is in Tel’aran’rhiod touched on this, one of its conclusions being that the Last Battle would focus on a battle of wills in Tel’aran’rhiod, with the outcome shaping reality. I further expect Tel’aran’rhiod and the waking world will become more entwined, and the ability to shape reality by thought will be made available to more people, fulfilling some of the metaphorical examples where characters have accepted or resisted their fates, shaping their own realities.   

Rand tired himself out destroying the Shadowspawn army, and tells his followers that future fighting is up to them, he will be facing the Dark One himself. This has a nifty effect on the reader. There is awe that Rand can singlehandedly do what he did, followed by concern that Rand’s battle will be even greater, while the generals will be facing a foe which can overpower them.  The scale and scope of the Last Battle are thus made known, to gleeful anticipation.

The order in which events are presented here is organized to maximize uncertainty, with Berelain and Faile worried about the outcome of Perrin’s trial, with Faile feeling betrayed by Morgase who she considers the highest ranking noble anywhere, with Galad being told that doing what is just and lawful isn’t always right, with weapons rising up to attack their owners, with Tam leaving Perrin’s side, which finally resolves the timeline lag in Perrin’s locale even as it continues to confuse readers, and finally with Elayne and Birgitte feeling queasy over the change which Aludra’s cannons will bring to the world.

All that leads up to Rand on Dragonmount, which Perrin sees as a cloud of evil seeping out of Rand, which he overcomes. The reader already knows what happens next in Rand’s timeline, but the next few chapters give truth to the wolves’ call that the decision has been made, and the Last Battle is coming.

Immediately upon that call to battle, Mat dispenses with the Gholam, then Rand easily slaughters the Shadowspawn hordes in Maradon.

I am missing something about the importance of the cannons. Birgitte’s reaction is overblown, even knowing about the various Dreams and Viewings about their invention. How can cannons change the world so much, when channelers should as easily be able to defend against cannon fire as a streak of lightning or rolling wave of earth and fire? It must simply be that the ability to kill as easily as a channeler will now be in every man’s hands, another metaphor for the ability to assert one’s reality, to resist the place one is given by the existing hierarchy.

Rand’s battle in Maradon is short and to the point, effectively demonstrating that mere Shadowspawn no longer threaten him in any way. The author uses strong visual imagery to portray Rand’s victory, with short summary phrases punctuating the battle, telling the reader what is happening from a more authoritative omniscient narrator’s voice, even though it is Ituralde’s viewpoint. Here’s a closer look:

Rand apologizes, salutes Ituralde’s troops, applauds their efforts, acknowledges their losses, and decides that the Dark One wants to break men’s spirits by forcing them to abandon the city. He refuses to allow that to happen, echoing Ituralde’s earlier recriminations about fleeing the city.

Outside the city, Rand raises a hand towards the Shadowspawn, And they started to die.

This sentence summarizes the entire battle. A few detailed events are described, then,

Light and Power exploded from the Dragon Reborn. He was like an entire army of channelers. Thousands of Shadowspawn died.

The first two sentences aren’t entirely within Ituralde’s ability to know. He could feasibly imagine Light and Power exploding from Rand, or what an army of channelers could do based on his experience with a few channelers. A few detailed events are described, then,

I’ve never seen so many weaves at once. I can’t track them all. He’s a storm. A storm of Light and streams of Power!

Using the Asha’man’s ability to describe what he is seeing is far more convincing than when Ituralde did the same moments earlier. His closing statement veers towards the omniscient narrator again. A few detailed events are described, then,

The man himself seemed to be glowing…Al’Thor seemed brighter than them all.

With the destruction and hyperbole running thick, the word seemed is inappropriate, yet is used twice. At this point, committing to the observation of his radiance is appropriate. This is the sort of weasel words that caused me to stumble over Sanderson’s early Wheel of Time chapters, although I later attributed them to Siuan’s point of view. Using them makes descriptions weaker although they sometimes add a sense of mystery or wonder. For example, throughout this blog, I consciously tried to avoid them, and simply call things as I see them, without hedging my bets with careful wording. A few detailed events are described, then

It was a masterwork. A terrible, destructive, wonderful, masterwork.

Ituralde is no craftsman, no collector of fine art, nothing more than a general and soldier so far as we know. What would he consider a masterwork? A complete rout of enemy forces? Is masterwork the most appropriate word he could have used? Once again, the narrator briefly slides in. A few detailed events are described, then

Al’Thor closed his hand into a fist, and it all ended.

The author likes these dramatic short sentences.

Writing Lessons:

Be conscious of slipping out of your narrative voice, even briefly, for it changes the context and feel of the story.

The Gathering Storm - Chapters 37-39

In this section, Rand mercilessly destroys his enemies and Egwene gets some help.

Without a shred of regret or doubt, Rand sacrifices a Domani nobleman to test whether Graendal is really hiding in a fortress called Natrin’s Barrow. His plan to kill Graendal amounts to fooling her into thinking she is sitting down to play a game with him, then to kill her before she realizes there is no game.

Callandor failed Rand before, but we get a glimpse of why Callandor is the object called out in the Prophecies, not the Choedan Kal. Rand calls Callandor a box, designed to trap him, but readers retain the intuition that a circle of two women and one man using Callandor can overcome its flaws. Callandor forces men and women to work together, to be in a circle where they can share sensations, and feed off each other’s will. The Warder bond sometimes causes a feedback loop where Aes Sedai and Warder’s emotions feed off each other. The a’dam allows sensation of the damane’s physical feelings. Rand’s bond with Elayne caused uncomfortable feedback and amplification of sensations. In a circle, using Callandor, it seems plausible that a feedback loop can be created that magnifies willpower, allowing Rand to feed off of the combined resistance of the women linked with him. Given the possible weakness in the True Power exposed in the previous chapters, the ability to use collaborative willpower would be of great value in the Last Battle.  

Balefire’s unique properties are once again showcased in a clever and callous strategy to verify whether Graendal is dead. Of course, dedicated balefire enthusiasts such as myself found several ways in which Graendal could have survived the blast. Min contrasts the results of the faded Compulsion with the bruises on her own neck which have not faded yet. The difference is that Rand acted as an intermediary, so his actions were not undone by balefiring Semirhage, he still believed he had a collar around his neck and was being forced to strangle Min. Given Demandred’s meeting with the Dark One and the repeated use of balefire, it is inevitable that balefire will play an important role in A Memory of Light. I expect Demandred’s forces to channel it almost exclusively in an attempt to unmake the world itself, an attack which would require the True Power, or the properties of Tel’aran’rhiod to repair.

Nynaeve is despondent over her inability to sway Rand by even a hair, so she reluctantly turns to Cadsuane, who tests her, questioning her ability to obey. Nynaeve resists, as she always does, not unlike Rand himself, while Min assigns herself the duty of keeping Rand alive and sane, with his soul in one piece.

Egwene uses need in Tel’aran’rhiod and comes across Tinker wagons. Mat once discovered Tinker Wagons burned with the message ‘tell the Dragon Reborn’ scratched with one man’s dying efforts. What do they mean together? The most common answer relates to their lost song, but given Rand’s recent moods, what he needs to be told is to adopt the Way of the Leaf. Acceptance of events and refusal to use force are two elements of this philosophy that are used frequently in other places in the story. If Rand’s soul is to be salvaged, the Way of the Leaf may offer a means to do it.

Stepping out of Tel’aran’rhiod, the transition from healthy Egwene to injured Egwene drives home the treatment she casually described to Siuan, hoping not to alarm her to the point where she would ignore Egwene’s order to pursue no rescue. With Siuan she uses words like ‘solitude, beating, spice, survive, narrow, touch, can’t stand, bend, stoop, pain, beatings, old, itches, cracks.’ Upon awakening, the author uses stronger words such as ‘blackness, exploded, pain, pounded raw, strap, cramped, forced, curled, small, smelled, unwashed, stench, groan, shield, stiff, cracked, scraping, parched, never, stooped’.

Dramatic events surrounding Elaida’s potential downfall and Silviana’s potential execution allow Egwene a few moments alone back in her cell, just in time for a visit from Verin.

Verin’s affiliation with the Black Ajah was a much bigger secret than Sheriam’s because she helped the heroes so overtly, but of course there were still those who latched on to the idea that she was Black Ajah early. Verin’s appearance brings an avalanche of revelations. Fortunately she doesn’t just walk in and hand her secrets to Egwene. There is a cost, which is her life. Self-sacrifice isn’t something the Dark One seems able to conceive of or worry about, so Verin’s self-sacrifice is a clue to the Dark One’s blind spot, one which Rand should easily take advantage of as he embodies the role of saviour.

As the series nears its end, it’s foreseeable that readers get reminders of all the major plot elements which will explain the later victory, so these tidbits about the Dark One, balefire, Callandor, the True Power and Tel’aran’rhiod are significant. In almost every case, those tidbits have been placed in gripping scenes so that readers absorb them, but don’t dwell on them, allowing a more powerful revelation later.

With most of the Black Ajah plots already foiled, it is timely to reveal their identities now. No longer are readers filled with paranoia about who may be on their side, from now on they will know exactly who is a villain and who is not. A new tension arises from Egwene’s need to keep this secret until she can make the most use of it, even when it will mean interacting with Black Ajah.  She gives orders to take Alviarin immediately if at all possible.

The book has been picking up its pace for a while now, overcoming most concerns or interest in the difference between Jordan and Sanderson. The reason is that events in each locale are directly affecting each other, creating a storyline that links the parts into a whole which the reader has interest in following. Mat’s agreement with Verin led to her arrival in the Tower. Rand’s failure with the Seanchan leads to Tuon launching a raid on Tar Valon. Tuon’s raid prevents Egwene from acting on Verin’s information immediately. Disparate storylines are being interwoven with cause and effect rather than simply thematic links.

Writing Lessons:

Readers feel story progression when the solution to one problem creates a new problem.

The Gathering Storm - Chapters 34-36

In this section, Tuon resists and rejects Rand.

The first time I read The Gathering Storm, I found several of Mat’s humourous sections over the top and out of character. This time, they provided the heartiest laughs. Rand’s chapters are too grim to allow humour, so a brief Mat interlude allows a quick respite from the grimness, before launching back into it. All Rand all the time would be a grind to read, but Mat’s sections give the book a tempo such that it feels like two beats down, one beat up, two beats down, one beat up, until Rand hits rock bottom. Here’s a quick look at what makes the humour in each of these sentences effective.

Next he knew, the daisies on the sides of the road would be ganging up to try and eat him. Exaggeration to the point of ridiculousness.

Mat’s overly detailed aliases for the raid on the town of Trustair have several more examples of exaggeration, this time by adding detail upon detail, any one of which would be acceptable, but when combined sound preposterous.

Mat’s seat: Bloody thing must have been designed by insane, cross-eyed Trollocs and built from the bones of the damned. A combination of exaggeration and uncommon details.

You’re Aes Sedai. I figured you… you know, saidared it. Inappropriate use of a word is funny, this one manages to take Aes Sedai down a notch as well through its lack of respect, and ridicule of prominent figures is usually accepted as funny. 

Is Verin lying to Mat? She goes to some length to present a fantastic story of coincidence and fate, yet as it is begun, the following line puts it all in question:  That smile on the corner of her lips? That was the smile of a jackleg who didn’t care that you were on to her con. Now that you understood, you could both enjoy the game, and perhaps together you could dupe someone else. She then establishes the context for her incredible tale: Mat is ta’veren. Mat shrugs it off but their argument ought to make everyone else more convinced it’s true. If it isn’t a true tale, then it must have been to convince Mat that the thing that Verin has for him, a letter with instructions, is so important that he can’t afford to ignore it as he typically might. It would also require that Verin’s ability to find Mat be explained when none of the Forsaken or Darkfriends have been able to. If it isn’t a true tale, then why not have Mat admit to himself that he’s just playing along?  Or is all that captured in his concluding remark as he accepts her letter and her terms: “Why was Verin being so cryptic?”

Thanks to the Mat interlude, readers are a little less pessimistic about Rand’s mood when he meets the Seanchan. That doesn’t last long though, as he is soon trying to use the True Power to bend Tuon’s will and give him the treaty he wants. The fact that Tuon can resist shows her strength of character, but it also shows a weakness to the True Power. If the True Power could force someone to change her mind, they have to be accepting of that change, much as Shemerin was with her demotion. Tuon truly does not want to give in, and despite Rand using the True Power on her, she is able to resist. The True Power cannot make you do anything, control over that comes from within. This fits thematically with many of the other truths of this world, such as Rand’s many encounters with Moridin, the sudden twisting of his ta’veren powers to the nasty side, the way Tel’aran’rhiod works with force of will, and maybe even with the worst of the Dark One’s powers: the ability to turn people to the Shadow using Myrddraal and channelers. It is possible that resisting turning can cause the effort to fail, at which point a captive is killed.  It could be that it is fear of death that gets captives to surrender, and allow the conversion to the Dark. Tuon’s resistance is a mixed blessing, for readers want peace so Rand can focus on the Dark One, yet it is apparent that Rand’s victory in this matter by using the True Power would have a bad outcome. With all those weighty matters grabbing the reader’s attention, it is easy to overlook the seemingly insignificant detail that Rand was simply unable to bend her will using the True Power, which will be a key to victory in A Memory of Light.

The cultural chasms between the Seanchan and the rest of the world are vast, and Tuon says that these lands had forgotten their oaths. Oaths to do what? Await the Return? Obey? It feels like we are missing some element of what the purpose of the Return was, only glimpses of which are revealed by Tuon’s mention of the Essanik Cycle. This set of prophecies is widely believed to be a corrupted version twisted in meaning by Ishamael, but it is also possible that it is nothing of the sort, and that it simply tells how the Seanchan will command the Dragon to fight the Last Battle, and that the oaths are akin to those of the Borderlands or Manetheren, to pledge to fight the Shadow.

Writing Lessons:

Create funny sentences using exaggeration or a series of uncommon details.

The Gathering Storm - Chapters 21-23

In this section, one of the most intense scenes in the series unfolds.

This blog had its 10,000th visitor last week while I was facing writer’s block over this extra-lengthy post. Thanks for reading! Don't be shy, contact me if you have feedback, questions, or suggestions.

First, on a much less intense note, Perrin and Faile have a minor squabble as they try to reintegrate their lives together in the aftermath of her abduction and possible dalliances on the side for both of them. What intensity exists is quickly dissipated as Faile overlooks the odd, sorrowful gaze in his eyes, tells Perrin she does not believe the rumours about him and Berelain, and bluntly admits in her own thoughts that she did not sleep with Rolan. She explains that she is jealous, in one of those moments where the author lays bare the truth about how men and women act with each other.

I am bothered by the blunt treatment of this revelation. Throughout the series, I’ve shown how Robert Jordan consistently made almost every character, background, action, and description fit a theme and represent more than just the action on the surface. Masema was unbridled adherence to a code of behaviour, and Faile killed him in secret. Does that really mean nothing more than tying up a loose end? Galina, even as a Black Ajah, was truth, and she made a jumble of dirty timbers trap Faile. Did that mean nothing more than the betrayal it was? If Faile considered sleeping with Rolan for the possibility of escape, is it not possible that Perrin could do the same to tie Berelain to him and use her to free Faile? For those events to be devoid of deeper meaning  would signify that Robert Jordan had gone against the behaviour he exhibited over ten earlier novels, suddenly deciding that it was no longer appropriate to create layers of meaning so he could rush towards the end. That possibility rings far less true than Faile’s declaration that she did not sleep with Rolan. Sanderson’s writing style does not easily allow for unreliable narrators, given that he typically reveals emotions as facts, and not through the prism of that character’s world-view.

So, I’m left with the uncomfortable possibilities that either the text means exactly what it does on the surface, or that Sanderson deliberately or erroneously overlooked the cheating that took place off the page. I fully recognize that I am in the throes of one of those theory-making episodes spurred by having emotionally committed to a position in earlier posts, in fact, blogging in this format without complete knowledge of what is coming lends itself to this type of mania. Once you are committed to a point of view, even blunt evidence refuting it tends to be dismissed for the simple reason that it inconveniently contradicts what you know in your heart to be true. This sort of thing happened regularly at Theoryland, and really opened my eyes to how people think and why they think that way. But the disparity remains, and in my mind can only be resolved in favour of Jordan’s original intent. It is unfortunate that a blunt statement is given when it seems to me Jordan went out of his way to pointedly never show Perrin or Faile directly addressing what happened, choosing instead to focus on what other characters think happened. It strongly undermines the efforts put into several books covering their trials, unless you adhere to the point of view that Faile is lying even to herself.

Faile and her followers gather to remember the kindness of Rolan and the Brotherless. Her explanations and feelings fit perfectly with the stated facts. She keeps Rolan's turquoise stone, for remembrance, not regret. The Saldaean proverb is equally fitting for what the women remember as it would be had Faile actually slept with Rolan. The past was a field of embers and ash, the remnants of the fire that was the present. Faile's story arc is complete, she has proved what she will do to save Perrin, including keeping secret the facts about Rolan's death that would undermine Perrin's faith in himself. It's worth noting that Rolan's fate is similar to Rand's, dying to save the one he loves, willingly accepting his own destruction.

Just to reiterate one more time, I find the topic of unreliable narrators never revealing whether certain events ever took place fascinating, especially given the intense quote-based scrutiny fans apply to the text.

In any case, Faile’s character arc is complete, and there is nothing left to add except the obvious moment in the Last Battle when Perrin must choose between her and his duty to Rand. Jordan frequently used the technique of setting up several examples of growing significance before getting to the final version. Perrin made tough choices to save Faile in the Two Rivers, upon returning to Cairhien, and again when freeing her from the Shaido. The same scenario will crop up again in the Last Battle, and Min’s Viewing tells us something bad will happen to Rand if Perrin isn’t there. Perrin will not be there, and the bad thing will happen to Rand, because Perrin has consistently chosen Faile over all else. Don’t be sidetracked by Sanderson’s text stating that Perrin thinks only the Last Battle matters.

Semirhage’s collaring of Rand is the most intense version yet of Rand being held prisoner by fate. Ishamael ranted about this repeatedly in the early books, and Rand denied being trapped by the Wheel. Rand was captured by Aes Sedai and beaten, yet broke free. Rand was locked away in darkness in Far Madding, and was freed. And now, Rand is finally, utterly trapped. The Black collar and bracelets are the latest, and most potent, representation of the eternal theme of will vs. fate. As one in a series of such events, the build-up to this moment is part of the fabric of the series, beyond the particular words used in this book building up to this scene.

When Rand frees himself, he does so by using the True Power, the Dark One’s own abilities, accessed through a surprising link between himself and Moridin. The True Power allows reality to be reformed according to the user’s will, typically by replicating alternate versions of weaves the user already knows. Unconstrained by any force, Rand is able to do whatever he wants, unlimited by anything so far as he can tell. This is the power of freedom, and free will.

Cadsuane represents the Light, and Semirhage represents living completely outside the Light. When the confrontation is done, Rand has decided to live outside the Light, relying solely on his newfound power. Let's take a closer look at the symbolism and how it is subtly presented.

Semirhage sat alone in the small room. They had taken away her chair and given her no lantern or candle. She is literally cut off from the Light. What light she desires is man-made: glow-bulbs.

Semirhage considers resisting Cadsuane in the same manner Egwene resists her captors. Unlike Egwene who sees each punishment as an opportunity to show resistance, Semirhage has no victory to claim from each punishment. She can embrace pain easily, it is torture of the spirit she is unprepared for since her focus is entirely on the physical, not the spiritual. 

Shaidar Haran lists her failures, not least of which is the loss of the entire Seanchan Empire as pawns.   Rand was not to be killed, but is that by the Dark One's order, or out of concern for the link with Moridin? Even Moridin wasn't fully aware of their link until Rand lost his hand, so keeping him alive must have been part of the Dark One's plan.

Semirhage's cold detachment established her usual behaviour, so when she is anxious upon hearing Shaidar Haran's voice, and she holds her breath opening the door to her cell, tension is immediately created. Returning to her prior state of mind as she learns her captors are dead, she has an ally, and the black bracelets and collar are in her hands, the tension increases even as it shifts targets, for readers must recognize the immediate danger to Rand.

A time-honoured technique in horror is to tell the reader what awful event is about to take place, and then to delay showing it for as long as possible. As soon as Rand's name begins the next section, readers expect the confrontation, but the author delays it by showing Rand engaged in mundane affairs in Saldaea. It is more effective that Rand's affairs are ordinary, simply giving orders to his generals, rather than being riveting or action-oriented. The reader could understand if Rand is surprised because he is distracted by important affairs, but the feeling of being blind-sided is more palpable when he is going through, what are for him, everyday motions.

Rand reflects that the most dangerous enemies are those who you thought you could trust, while Lews Therin rails that none of the Asha'man can be trusted, they will turn on him. This sets up his frame of mind for embracing the True Power later and also for blaming Cadsuane. Rand thought he could trust the Pattern, and the Light to guide him, and has been sorely disappointed so far.

Rand reflects on invasions, both the physical ones in Saldaea and Arad Doman, as well as the metaphysical presence of Moridin in his dreams. Semirhage waits to conduct a personal invasion into Rand's quarters, and the reader can't help feeling that Rand will now be blind-sided as he ponders the very thing he is about to face.

Rand focuses on the one person he does trust, wondering if he can trust her far enough to do as she says and not become hard. The reader can’t tell if this scene takes place before, during or after Semirhage’s escape, so far all they know Min has already become a pawn of Semirhage’s. The uncertainty created by keeping that detail from the reader heightens the tension further.

There is no coincidence in the timing or nature of the argument between Rand and Min. Rand worries that Cadsuane is trying to manipulate him through her, and mistrusts her motives. On the verge of turning on Min because of her possible association with Cadsuane, Rand is in fact contemplating turning his back on the Light itself. And then Semirhage collars him. Language relating to constraint and feeling trapped is used frequently in horror scenes, telling readers that the outcome is terrible, yet dragging them inexorably towards that outcome. This scene plays out bit by bit with visceral and literal horrific constraints placed on Rand and Min.

The collar itself forces obedience to the will of the woman wearing the bracelet, in this case Semirhage. Rand is forced to act according to her logic, a logic that places no value in the emotion of love. He is forced to destroy Min, for she serves no purpose in a world with no love. Even though Rand is able to free himself of Semirhage’s constraints, he has still embraced her way of thinking, shutting down his emotions, closing himself off from love and the Light.

When Rand uses the True Power, Lews Therin’s rantings about it replace tension with dread. How can it be worse to use the True Power than to murder his own loved ones?

Rand banishes Cadsuane, saying he never wants to see her face again, completing his metaphorical rejection of the Light. Following a logic focused on the outcome, not the means, Rand teaches balefire, insisting on its use.

Writing Lessons:

Guide the reader’s emotions as you building towards a climax by using the right language, establishing similar scenes to frame context, and pushing your characters beyond their limits.

Knife of Dreams - Chapters 17-19

In this section, Rand and Elayne lose control of something.

Birgitte confirms that Elayne didn’t get lost; it was the Palace that changed. Since she can’t do anything about the danger or problems that come with locales changing suddenly, instead, she stoically goes on with the things she can do something about. The mutable geography is not necessarily the same as bubbles of evil, which have a more sinister and violent effect, but they are just as random.

Young Perival correctly deduces that a third of the High Seats of Andor are keeping their distance because of the nearby Borderlander army. Elayne’s earlier meeting with the Borderlanders in Winter’s Heart is still bearing fruit, yet it also gives the impression that not much has changed since then. That will come to an abrupt end with Arymilla’s apparent bribery of the mercenary companies guarding Caemlyn. Arymilla expects to have the city within a week. As with the Perrin storyline, establishing a firm countdown to disaster ramps up the tension and dispels any sense of drudgery or lack of progress. One way or the other, with Arymilla’s scheme unfolding, the plotline will be resolved.

A discussion of House Mantear, the House that Rand is descended from, added to Elayne’s unswerving confidence her babies will be born safely, linked a few ideas in my mind. Elaida’s Foretelling was that the Royal Line of Andor is the key to winning the Last Battle. She thinks it means Elayne, but readers know it probably means Rand, and there is a slight possibility it means Morgase, or Luc, or some other secondary character. However, I’m surely not the first to see that Rand and Elayne’s children are descended from the two most recent Royal Families of Andor. Could all of Moridin’s schemes be aimed at Rand’s children, to prod him in ways he couldn’t be prodded before? Could Rand’s children or his attitude towards them be the key to winning the Last Battle? To fit the themes in the story so far, the Last Battle will have to be about Rand affirming his identity for once and for all. In what ways could his children factor into that? Will they represent the humanity he is trying to save, or will they represent a sacrifice on his part?

Reanne’s death and the discovery of a doll that should have been taken by a fleeing Kinswoman rule out Merilille as the Black Ajah. Sadly, it means Elayne can add a number of probable murders to the bill, since it implies that most of the vanished Kinswomen were killed, and did not run away.

Loial interviews Rand for his book, and is told almost nothing really useful, something Theorylanders are familiar with from RAFO-filled author interviews. The boys from Manetheren have rubbed off on Loial, for he is ready to address the Stump with his views that the Ogier should stand against the Dark One rather than flee to another Dimension using their Book of Translation. Loial acquiesces to his Mother’s demand for a wedding, which takes place minutes after her arrival, the only hasty thing Ogier ever do. For all of his fear that his life would be dominated by a wife, she asks him what he would do, and then supports him in that decision.

I once asked Robert Jordan why Rand had never thought again about the mysterious stranger who saved his life in Shadar Logoth. At last, Rand does so now, recognizing his face as the one that has been appearing in his head shortly after he thinks of Mat and Perrin. It’s likely this was the point of the story in which this information was bound to appear, and not the direct result of a fan’s question. Rand also concludes that the stranger used the Forsaken’s so-called True Power. He stops short of realizing that the stranger may be a reincarnated Forsaken, failing to recognize that the Lord of the Grave is more than a name, it describes one of his abilities. The ability to parse out information slowly is often difficult, as authors are eager to show off the wonderful world they have created. The trick is in supplying just enough new information to keep the reader happy without going beyond the minimum that the reader needs. The Wheel of Time’s length, multiple plotlines, numerous characters and publication schedule have demonstrated that it is possible to dole out clues very slowly, over two decades, and still maintain an air of mystery and wonder with each revelation.

Rand’s madness isn’t getting worse, but he is at the point where he and Lews Therin seem evenly balanced, as represented by Lews Therin’s several comments that he doesn’t understand why he has voice in his head. Establishing how even they are, mirror images of each other,  is key to the surprise when Lews Therin grasps the One Power from Rand during a monumental Trolloc attack. Lews Therin wails that he can’t move his hands, as though it is his body and Rand has grasped physical control of the body from him. A Trolloc attack, even in numbers of hundreds of thousands, is no longer enough to threaten the heroes. Unless a monkey wrench is thrown into the works. As has often been the case, this obstacle is not a physical one but one of identity. Who is Rand? Is he really Lews Therin? Rand’s immediate need is to strike some agreement with the madman in his head or he will die. When the metaphysical argument has physical consequences that can put Rand and his allies in harm’s way, the stakes are raised far more effectively than if the attack had simply been overwhelming numbers of Shadowspawn.

 Writing Lessons:

Time pressure not only increases tension, but can dispel any concerns that the plot isn’t moving.

A Crown of Swords - Chapters 40-41

In this section, Rand finally completes the task he set himself nearly two books ago.

A Crown of Swords ends with a victorious moment for Rand, and has no epilogue, so a lot of outstanding plotlines must be resolved before he goes into his final battle.

First, the fate of one of the most important missing Aes Sedai is revealed. Galina discovers that whatever rank she held before her capture, she is now the lowest of the low. She is named a despised one, made an example of, taken away from Therava, and most importantly she will use her channeling so that Sevanna can have the same ability as her Wise Ones. The scene has a strong emotional impact in that the reader will fully embrace the justice that has been served to Galina. Yet almost every aspect of the scene could as easily have been shown from Sevanna’s point of view. Breaking it up between the two of them gives a sensation of speed that a ten page Sevanna scene might not have offered. It is also fun to learn a little more of the Black Ajah’s secrets. Revelations offer excitement and speed the reader along.

Once again, the introductory sentence symbolizes the character’s plight: Mountains rose all around Galina Casban, little more than large hills behind but snowcapped peaks ahead and higher peaks beyond those, yet she really saw none of them.

Sammael offers Sevanna piles of ter’angreal, including an Oath Rod. These recently came into his hands, so we understand that he is referring to the ter’angreal from Ebou Dar that the Darkfriends managed to escape with. The fact that this delivery needed to happen before his confrontation with Rand, and after the climatic battle in Ebou Dar explains a lot about the placement of chapters throughout the book. Many events took place in just that order so that the author could move Sevanna westward. Once you understand this, the events leading up to this moment seem contrived despite the earnest attempts to foreshadow them with earlier scenes involving Carridin, Falion and Ispan, and the Shaido. The author was limited in the order in which he needed events to occur, but he had flexibility in setting the timing of some of them, such as when Mat finally locates the cache, or how long Rand stays unconscious after Fain’s attack.

Maeric’s short scene showcases Aiel fatalism: Ah, the world had grown very strange since Rand al’Thor came. He reveals that Sevanna took all the Wise Ones who could channel with her, which is confirmed by Graendal shortly afterwards. Sammael tells her that al’Thor isn’t going after anyone, all he has to do is wait. What he means is that he knows Rand is grievously wounded, and he has the help of an incompetent horselord, who also happens to be a Darkfriend, to tear Rand’s army apart. Sammael is quite pleased with himself for finding a way to defeat a much more powerful force, and his ego demands that he personally involve himself in the destruction of Rand’s army. Luring Sammael out of Illian was Rand’s plan all along. He will have sacrificed some of his followers to achieve victory.

A brief point of view from Shaidar Haran reveals his unique nature and powers, and a weakness of sorts: it is tied to Shadar Logoth and cannot be far away from it for too long. Importantly, it is concerned that Sammael’s actions are outside the plan, implying that the Forsaken are not simply bumbling about hoping to defeat Rand; a plan exists, and it should bring the Dark One victory.

Rand wakes to an argument between his followers. He convinces all but the Asha’man to leave, yet they all know that whatever news Adley has brought is likely to lead Rand to leap into action he may not yet be fit enough to face. Even Dashiva has been frowning at Adley, but that is standard behaviour for Dashiva when he doesn’t know what is going on. He has plenty of opportunity to feel left out as Rand Travels to gather his other armed forces for a raid into Illian.

Rand’s plan works, and he is able to disarm Sammael’s wards throughout Illian. When the plan works it reinforces his belief that Lews Therin is real. Sammael returns, realizes how stuck he is, but lures Rand to a second location he has prepared. Shadar Logoth is not a place where any of his foes would set foot so it is a good place to secretly assemble a force of Shadowspawn. The waiting must cost his numbers terribly every night. Yet he can’t have them just hide out on the other side of the Waygate either or they could be eaten by Machin Shin. No, the poor Trollocs and Myrddraal have to camp near Shadar Logoth every night, torn between fear of Mashadar and fear of Sammael finding them if they leave their post. And every day the ones who came through a few days earlier will die. Did Sammael ever figure this out? Did he only set this location up after hearing of Rand taking to his bed because he is naturally cautious?

Sammael detects Rand channeling and a bolt of lightning nearly sends Rand falling to his death, until a mysterious stranger helps him. It is not exceptionally clear that this is Moridin, but if using the True Power is so rare, then it must be him. It is now obvious that his existence had to be revealed earlier in order for his appearance here to be believable.

Moridin and Rand use balefire at the same time. Moridin only ever used it once before, but he might now be trying to show Rand what a useful tool it is so that Rand keeps using it. The balefire streams touch. What does that mean? Balefire undoes actions of certain people and objects by erasing those people and objects backwards in time, but leaves the actions and memories of those not touched by the balefire intact. Rand and Moridin balefired portions of Mashadar. Those arms of fog never existed so the two men were never in any danger, but surrounding arms of fog would not have filled the gaps left since their dim intelligence would have perceived that that space was taken by the non-existent arms of fog that those men balefired. When one stream of balefire touches the other, the other weave is undone backwards in time. The balefire stream never hit Mashadar, so it should still be there descending! Except that Mashadar remembers being hit by balefire, and has decided to retreat with haste. The balefiring of Mashadar was undone, something that can only be accomplished by balefiring the balefire.

Once the streams cross, Rand believes he has been balefiring Mashadar for the last few seconds. In actuality, he has had his weaves severed for the last several seconds, then feels the accumulated effects of the snapped weaves reeling back into him all at once. His head rings, he sees double. The same happens to Moridin, regardless of the fact that he is using the True Power. You might think a philosopher and channeler would have considered what happens when balefire streams touch, does anything really exist?, but Moridin has no idea. When Rand thinks of the balefire streams crossing, his vision doubles again, and he can see Moridin’s face clearly. This is the first indication of a link between the two of them. The best explanation I can come up with is that when the weaves snapped back into each of them, some of them snapped back into the wrong person. Since Moridin was wielding the True Power, which is a gift of the Dark One, it is this gift which creates the link between them. Of course, no such event took place with Mat or Perrin, yet Rand will soon also be able to see either of them by concentrating on them.

The author wants more balefire effects as examples, so Liah gets balefired too. She was never there and never screamed, but Sammael is certain he heard a woman scream, which distracts him just long enough to be consumed by Mashadar. Fortunately Rand’s balefire did not touch Mashadar, or he might accidentally have brought Sammael back to life! Since he wasn’t touched by balefire, the Dark One could do the resurrection instead, but it’s likely that Sammael’s go-it-alone attitude was too much for the Dark One to put up with.

Rand finally has a nation offering to be led by him, due to his compassion for them when he forced Tear to sell them grain. That is one of the only decisions he ever made as the simple man Rand al’Thor. This is evidence that there is more than one way to gain followers; persuasion is better than force.

 Writing Lessons:

Complex events require lots of explanation or they risk confusing the reader.

A Crown of Swords - Chapters 25-28

In this section, old villains return

Moghedien’s escape is shown for a third time as a flashback in her own point of view. This time, it is short and to the point, serving only as introduction for what happens to her later. Moghedien is being punished inside a vacuole, which I can only conceive as being like a drop of condensation on the surface of the Pattern. It is attached to the Pattern, but not truly part of it, and the laws of space and time inside it can vary considerably. Sometimes the vacuole can detach from the Pattern. This is the third strange world we’ve seen where time runs at a different speed, the others being Mirror Worlds and the world of the Aelfinn and Eelfinn. I wonder if vacuoles might be parts of the Pattern no longer needed, which slowly wither before falling off, or maybe new buds which form new Mirror Worlds.

Her punishment consists of reliving the same dream over and over. The dream is being dictated to her, she has no control over it, as though she had entered the Dark One’s dreams and had become a player in it, much as we’ve seen in other examples of being stuck in someone else’s dream, even to the point of not truly realizing it is a dream.

Moghedien’s journey to Shayol Ghul is altered, as her Skimming platform arrives instantly instead of taking the expected several minutes or hour. The Dark One has a little effort left over to bend reality despite fixing the seasons at the height of summer. This ability is strongly implied to come from the True Power; a Power first introduced a few chapters ago by the mysterious watcher in the woods. Moghedien thinks that reality was clay to the Great Lord at Shayol Ghul, and then describes how she can bathe in the radiant glory of the Great Lord, the True Power washing around her, so strong here that attempting to channel it would fry her to a cinder. The True Power is thus linked with the ability to reshape reality, which is as much as the author wants to say on the subject until several books later. It is noteworthy that he waited this long before explaining the major tool at the villains’ disposal, and that he waits much longer before bringing it up again. The reader needs to know it so later chapters will work, but the author doesn’t want them thinking about it too much.

A third mystery character is introduced: Moridin is a man set above the Forsaken, whom even Shaidar Haran seems to serve. This is a new and unexpected development. Shaidar Haran has two resurrected Forsaken serving him, while Moghedien and one other serve Moridin. That makes up to five Forsaken in this secret group, while five others still roam the world. There are no blatant personality traits linking Moridin to Ishamael, the reader has to get there through logic, reasoning, and counting. It is left to the reader to decipher Moridin’s plans, and there is little to go on. The intent is to destabilize the reader, much as was done with Cadsuane’s introduction, showing a powerful new character to balance Cadsuane’s arrival. How does Moridin have the will to resist the True Power now that the saa have appeared in his eyes?

The mindtrap is a device which embodies the Dark One’s morals. The evil societies and characters all crave obedience, and the master’s desires are all that matters, the servant exists only to serve. The mindtrap forces voluntary obedience using the threat of eternal obedience. The one mindtrapped can only hope to escape or live for the moments of freedom when the master’s attention is directed elsewhere.

In Amador, Morgase’s master has changed several times. Niall wanted her to come to serve him willingly which she gave, then Valda exacted her capitulation under threat of pain, which she gave, and now Suroth demands an Oath under threat of enslavement as a damane. Having started by giving a little promise, the demands have grown into a promise of complete servility to the Seanchan. She now realizes her poor choices have led her to the point where anything else she does only serves to give more to her enemies and take more away from Andor. Amathera and Pura demonstrate what the Oath may entail. Giving up leadership is her only path to being a true leader to her people, something Rand will later repeat.

Balwer, a servant with no master, comes to Morgase’s aid. His motivation was to steal Valda’s prize to repay his poor treatment, but Suroth will do just as well. The Seanchan’s return is at the end of a series of introductions and reappearances of powerful enemies. There is a feeling that the Dark One’s forces are gathering which overwhelms the small victories the heroes have made in Salidar and Ebou Dar.

The grim mood continues with Perrin leaving Cairhien after a very public argument with Rand about his behaviour concerning the Aes Sedai prisoners. A potent flashback cuts down the amount of exposition needed. The chapter opens with a paragraph on Perrin’s regrets, a second paragraph on Rand promoting fear amongst his servants, and then the introduction to the flashback. By placing the flashback early in the chapter, the order of events is maintained without having to describe what happened before and immediately after their confrontation. The decision not to play up their argument stems from wanting to continue setting the mood of insurmountable obstacles and the fact that the argument is a sham, a ploy to divert attention away from Perrin while he carries out Rand’s orders. Knowing of the plot beforehand reduces an emotional impact that can be wrung out of it, this simply isn’t a powerful enough scene to warrant much attention.

The chapter also serves to list Perrin’s followers, describe his mission, and the likely obstacle she will face. As with the tail end of Lord of Chaos when Elayne and Nynaeve begin their search in Ebou Dar, this is just the beginning of the new quest, which will carry over several books. Since his battle in the Two Rivers, Perrin has only shown up briefly in the prologue of Lord of Chaos, briefly again later in that book, and for several chapters at the beginning of this one. Having been mostly absent for a long time, Perrin is about to become a steady player, much to the chagrin of many readers.

Mat has had dice rolling in his head, then not, several times in Ebou Dar. The dice first stop when he stays in the randomly selected inn that Setalle Anan owns. This is because he has acquired the link to the people needed for the Bowl of the Winds to be found. The dice start again, then stop when he agrees to stay in the Palace, because he can now form a relationship with Tylin. The dice start a third time before Beslan’s approval of Mat’s relationship with his mother disturbs him at the right moment to follow a random Kinswoman to a house on the Rahad. The dice are still spinning…

Writing Lessons:

The location of a flashback within a chapter will affect mood and comprehension.  A flashback’s length and placement can serve you as much as it’s content.

New Theory - The Bore is in Tel'aran'rhiod

A small part of the reason my posting is sporadic of late is that I’ve been working on a theory. I’ll send it to Theoryland shortly, but as loyal readers of this blog, you get the first look. I think this is a winner!

The Bore is in Tel’aran’rhiod

The importance of Tel’aran’rhiod to the story is such that I believe it is pivotal to the Last Battle. I have concluded that the Bore which Rand must seal is in Tel’aran’rhiod.

The Bore is not in the real world

Demandred stands in the Pit of Doom and thinks: Physically, this place was no closer to the Bore than any other in the world, but here there was a thinness in the Pattern that allowed it to be sensed. 

The Bore is equally distant from every place in the world.

Where else the Bore could be

Verin explains the structure of the Pattern to Egwene: Let these [parallel lines] represent worlds that might exist if different choices had been made, if major turning points in the Pattern had gone another way: The Worlds reached by the Portal Stones. Some in the Age of Legends apparently believe that there were still other worlds – even harder to reach than the worlds of the Portal Stones, if that can be believed – lying like this [cross-hatching the first set of lines]. In all of these worlds, whatever their other variations, a few things are constant. One is that the Dark One is imprisoned in all of them.

In all of them? How can that be? Are you saying there is a Father of Lies for each world?

No, child. There is one Creator, who exists everywhere at once for all of these worlds. In the same way, there is only one Dark One, who also exists in all of these worlds at once. If he is freed from the prison the Creator made in one world, he is freed on all. So long as he is kept prisoner in one, he remains imprisoned on all.

The point is that there is a third constant besides the Creator and the Dark One. There is a world that lies within all these others, inside all of them at the same time. Or perhaps surrounding them. Writers in the Age of Legends called it Tel’aran’rhiod.

There is a simple way to remove the supposed paradox from Verin’s explanation. Place the Bore in the world that surrounds all the others; in Tel’aran’rhiod. One Dark One, in one Bore, for one Tel’aran’rhiod, in one Pattern.

This placement also explains how the Dark One can win in various Mirror worlds yet still be imprisoned. He is taking them down, one by one, until there is only Rand’s world left. No paradox!

I drew a map! (hyperlink included in case of image posting problems)

Simplified Cosmological Map of the Pattern in the Wheel of Time

How the Bore was drilled in Tel’aran’rhiod

In the Age of Legends, two researchers, Mierin Eronaile and Beidomon, found a new source of Power that was not split like the One Power, but could be used by either sex. They drilled a hole in the Pattern to be able to touch this Power, and released the Dark One. Mierin later chose the name Lanfear. She claimed dominion over Tel’aran’rhiod because she was the pre-eminent Tel’aran’rhiod researcher of her time. The fact that it was Lanfear who drilled the Bore infers its connection to Tel’aran’rhiod.

In Tel’aran’rhiod, things can be done through sheer force of will. Things such as finding an elusive power source, and boring a hole to a place outside the Pattern. The Bore was drilled using the properties of Tel’aran’rhiod itself.

How to seal the Bore

Lews Therin was able to seal the Bore by precisely placing seven seals over it. Each seal had a real-world focal point made of cuendillar. The seals were not completely effective because they were only powered by the will of men; no women helped.

Cuendillar is unbreakable. But it could be broken in Tel’aran’rhiod, with enough will. Altering the nature of cuendillar is impossible without some reality-altering power. If the true seals are placed in Tel’aran’rhiod, over the Bore, and are subject to its rules, then any degradation in them caused by the Dark One’s force of will (or humanity’s lack of it) can affect the seals in the real world, causing unbreakable cuendillar to weaken and become brittle. The very name cuendillar, or heartstone, implies that its ability to resist damage comes from the heart, or from force of will.

Herid Fel gives Rand two pieces of advice to explain how to make effective seals. First, belief and order give strength. Have to clear rubble before you can build, meaning Lews Therin’s seals must be removed. Second, the Dark One’s prison must be whole again, not simply sealed. The One Power cannot do this alone, it must be done with force of will in Tel’aran’rhiod, and made permanent. It is known that this will take place at Shayol Ghul itself.

Shayol Ghul, the epicenter of the Dark One’s presence in the waking world, is a place where unreal weather exists and caverns can change shape; where reality is malleable in the Dark One’s hands. The unnatural Blight radiates outward from it. Just as if this place had the features of Tel’aran’rhiod and was an extension of it. The closer to Shayol Ghul, the more it is like Tel’aran’rhiod, and the more the immediate environment is under the Dark One’s command. Things can be done there that cannot be done anywhere else. Things could happen there that could happen nowhere else. Shayol Ghul has these properties and has a thinness in the Pattern because it is a place where a permanent similarity between the real world and its reflection in Tel’aran’rhiod was created, making a place where it is possible to simply step from one to the other. It is a place that has the malleability of Tel’aran’rhiod, and the permanence of the waking world. Tel’aran’rhiod spills over into the real world from this spot, altering reality outwardly as the Dark One desires, increasing the size of the Blight, for example, or giving Shayol Ghul and the Pit of Doom their unique properties.

From this spot where they overlap, this threshold between worlds where they are one and the same, the reality of the waking world can be shaped, and perhaps the Bore in Tel’aran’rhiod itself can be permanently sealed. Here, it is possible to will the Bore not to exist at all, as it was before, if done with sufficient willpower.

The nature of the Dark One’s powers

With the Bore in Tel’aran’rhiod, it makes sense to consider if the Dark One’s powers can be explained by comparing them with what can be done in Tel’aran’rhiod. The Dark One alters reality, which is also a property of Tel’aran’rhiod.

Rand saw the drilling of the Bore in the glass columns of Rhuidean, and the destruction of the Sharom floating above the blue and silver domes of the Collam Daan, a prestigious research facility.

The drilling of this Bore had several symptoms. First, the ground and air rippled. A similar effect happens in Knife of Dreams from a bubble of evil, and again from the balescream in The Gathering Storm and Towers of Midnight. These are events where reality is being altered. Second, the Sharom burst apart in gouts of black fire. It broke apart like an egg and began to drift down, falling, an obsidian inferno. Third, darkness spread across the sky, swallowing the sun in unnatural light, as if the light of those flames was blackness. Unnatural events can be created in Tel’aran’rhiod or by the Dark One. The only known way to alter the reality of an environment is when it is done in Tel’aran’rhiod.

Bubbles of evil stemming from the Dark One can alter the reality of random places in the world, just as nightmares do in Tel’aran’rhiod. The effects of a bubble of evil would not be odd in Tel’aran’rhiod. All examples of bubbles of evil can be explained by the Dark One doing what is considered to be impossible; using Tel’aran’rhiod to affect the waking world.

Using the True Power granted by the Dark One allows one to create weaves with the same effects as those of the One Power, but which are undetectable. All True Power effects could be attributed to being able to use Tel’aran’rhiod properties, for example, to tear a hole in the Pattern for Traveling or creating balefire.

The Dark One’s luck, if it truly exists, can be explained by altering reality. Mat’s luck would come second in a contest where the results are not dependent on random chance but on the force of will of the participant.

Upon her release from the vacuole, Moghedien believes Moridin’s base of operations is near by Shayol Ghul, since the only other possibility she sees is that it lays in Tel’aran’rhiod. The strange ‘castle’ in which Moridin convenes the Forsaken has certain properties that are like Tel’aran’rhiod: They could as soon make shocklances or sho-wings as view-walls outside of this place, so close to Shayol Ghul. It was far from anywhere, in any way that most humans would understand.

When the Forsaken flee to escape Rand or trap him, even those with no apparent facility in Tel’aran’rhiod choose to go there. It is a place of ultimate safety for these cowards. They always take minimal risks, so when faced with destruction, they seek shelter in a place close by their lord and master, where his power and ability to aid them is strongest: Tel’aran’rhiod.

Transmigration of dead souls, who wait in Tel’aran’rhiod until their rebirth, is that much simpler to explain if the layer of the Pattern closest to the Dark One is Tel’aran’rhiod.

Entering Tel’aran’rhiod in the flesh is evil, but it is never explained why. The risk stems from the danger of being unmade or altered, such as Moghedien does to turn Birgitte into a child. The evil stems from getting used to having reality bend to your will, from beginning to believe that your desire is sufficient reason for a thing to exist in the way you imagine it.

Conclusion

Tel’aran’rhiod did not feature prominently as the setting for the final confrontation of the first 5 books, or in the most recent books, and in various other significant places throughout the series, only to be ignored in the Last Battle. All of the characteristics of Tel’aran’rhiod have been patiently held back so as not to give away the means by which Rand will defeat the Dark One. The Last Battle will not simply involve using powers and abilities, but can only be won by Rand choosing an identity and embracing it with all his will, in a place where thought becomes reality. When he stands at Shayol Ghul on the precipice between worlds, his sheer force of will, bolstered by humanity’s collective will, can repair the Dark One’s prison such that you would never know it had ever been drilled.