A Memory of Light - Chapter 37 - Part 3

In this section, Mat commits all his resources to his plan.

Tam fires arrows at Trollocs. Throughout the battle, it has been regularly shown that Tam and the other Two Rivers archers hardly ever miss. Having enjoyed some amount of success with their bows, the archers abandon them for lack of arrows. They enter the fray in wedges, trying to split up Trolloc armies assaulting the Whitecloaks.

Making an example, Fortuona dispatches Karede, a beloved guardian, and others of her Deathwatch guards to the front lines as punishment for letting her be put in danger. Then she publicly turns her ire on Mat. While safety is presented as the foremost reason for their rift, the final nail in the coffin is, as always, one of personality. She deftly diverts the attention from the strategy and its results to the man behind them. “This entire battle has been a disaster. You lose ground each moment. You talk lightly and joke, refusing proper protocol; I do not think you approach this with the solemnity befitting your station.”  For readers and Seanchan nobles, it is clear Mat will never abide by her rule. Readers know Mat better than they know tactics. The author marries the irrefutable reason of Mat’s behaviour to a debatable reason in the form of his tactics.

The Dark One spins a new reality for Rand, one in which there is no value to human life. Children are murdered callously, might makes right, and the very concept of compassion is absent. The Dark One’s words are chilling: MEN WHO THINK THEY ARE OPPRESSED WILL SOMEDAY FIGHT. I WILL REMOVE FROM THEM NOT JUST THEIR WILL TO RESIST, BUT THE VERY SUSPICION THAT SOMETHING IS WRONG. COMPASSION IS NOT NEEDED. WHAT I SHOWED BEFORE IS WHAT MEN EXPECT. IT IS THE EVIL THEY THINK THEY FIGHT. BUT I WILL MAKE A WORLD WHERE THERE IS NOT GOOD OR EVIL. THERE IS ONLY ME. Rand responds by beginning to spin a world without the Dark One.

Mat sends Min to follow Fortuona, but keeps Karede and the other exiled Deathwatch Guards. Surprisingly, the Seanchan only comprise a quarter of his forces.

Tam fights Trollocs. He wins. Lan meets him and salutes him. Both of Rand’s father figures are solid, unchangeable, and are able to stand against anything. No reed practiced how to bend in the wind. It simply did. Tam watches children and elderly take to the field of battle, to collect arrows and identify the wounded. As in the Two Rivers back in The Shadow Rising, the battle is not just the men’s battle, it is everyone’s battle. This depth of involvement, down to the least trained and least able indicates the level of desperation. It proves to be an effective way to raise the stakes without resorting to a contrived battle scene putting heroes in danger. In fact, it works despite Tam’s victory over the Trollocs only minutes earlier.

Elayne lays Bryne to rest. Adding to the desperation, Elayne hears a summary of the bad news: “The camp at Dashar Knob has been abandoned,” Birgitte said. “I don’t know where Cauthon is. The Seanchan have forsaken us.” Elayne responds by raising her banner, to offer some point of hope to the troops. Nonetheless, she concludes that humankind did not have days remaining, but hours.  Demandred begins sending balefire into Elayne’s troops trying to kill her, so Birgitte pulls her from the field.

Galad attacks Demandred, announcing his identity. Everything feels right to him. The right thing had always seemed clear to Galad before, but never had it felt as right as this. With Mat’s medallion in hand and an introduction like that which ties his very identity to the action he is about to take, readers are easily led to believe Galad is going to pull this off.

Nynaeve sews to save Alanna’s life. The most mundane of skills and Nynaeve’s creativity and stubbornness may be all that keeps Alanna alive long enough to save Rand. Of all the scenes of courage in this book, I don’t think any stole my breath as much as this one. For all her power, Nynaeve’s ability to care and to try save lives, her desire to heal is what makes the difference. Her brief scenes packed a strong emotional punch.

Mat orders Bashere to carry his orders. “I don’t care if you’ve bloody been touched by the Shadow!” Mat said. “Every man has had the Dark One’s fingers on his heart, and that’s the bloody truth. You can fight through it.”  He then gathers his remaining forces to keep Demandred pinned on the plateau. A ta’veren twist brings Teslyn at an opportune moment.

Egwene feels the absence of Gawyn deeply. She needs something to fill the void, someone to watch her back when she goes back to the battle.  Leilwin is the only potential warder available who has loyally served and saved her. Egwene finally embraces her former enemy and completes her character arc, making peace with the decision to bond Leilwin, bringing the representative of her most hated opponents as close as her beloved Gawyn was.

Demandred wounds Galad, and is wounded in turn. Then Demandred lops off Galad’s arm, and seemingly kills Galad. Despite that Demandred was worried and is wounded, Galad did everything the heroes are supposed to do, using a ter’angreal, being one of the world’s best swordsmen, and never giving in, even going so far as to spit at Demandred in defiance as an Aiel would. If Galad can’t beat Demandred, can anyone?

Androl approaches Taim in disguise and manages to steal the seals. It would have been easy and simple to use a Gateway to sever Taim’s hand off and drop it into another Gateway to send the Seals directly elsewhere. More believable too. Echoing the reader’s thoughts often works to suspend their disbelief, but seems to fall short on this occasion. “You’re not going to believe this, but…”

Arganda’s battle with a Trolloc plays off of Demandred’s taunts, with him falling to a Trolloc. He faced just the one, and lost. Only wounded, he is later revived and concludes they are doomed. “To win… Light, to win we’d need to break these Sharans, rescue the pikemen – they will soon be surrounded by the Trollocs – and each man of ours would need to kill at least five of those beasts! That’s not even counting Demandred.”

Rand weaves a reality which is too good, and demonstrates that removing the Shadow would change those he loves as surely as the Dark One would remake them. IN KILLING ME, I WOULD WIN. NO MATTER WHAT YOU DO, I WILL WIN. YOU CANNOT SAVE THEM.

I am thrilled with the way Mat contrasts the battle to a game of cards, how I recognize that it is playing out like a game of cards, and that one of Robert Jordan’s hobbies was playing cards. It feels right. Mat and Demandred have been slowly adding chips to the pot, neither one committing all their forces. Keeping the Seanchan in reserve with their damane has kept Demandred from committing too strongly, lest Mat use them to gain some advantage. Demandred holds the advantage of both time and numbers. Mat can hold him off for only so long. With no reserves after the Seanchan departure, Mat’s armies look more vulnerable. Demandred poses a problem to Mat’s attempt to contain him until an attack from Egwene begins drawing channelers away.

Olver and Faile’s caravan infiltrates a Shadow supply line, and get brought to the fighting at Merrilor. Aravine has been a Darkfriend all along, but the traitor’s identity is not as important as her story. She had hoped to leave that life behind and return to the Light, but even a small step in the Shadow is one too many. There is no return. Despite this warning, the earlier attempts to cast Lanfear in an uncertain light are too effective, and readers may retain some hope for at least one Forsaken to be redeemed.

Events seem set in stone now. Mat is committed, Rand is losing hope, Perrin is still wounded. The few bright spots shown by Elayne and Tam have been quickly overturned. Only Egwene and Androl offer a glimmer of hope. And Olver.

With the Horn taken by Darkfriends and his friends captured, pitiful Olver has been ignored. Knowing that all is lost, he still makes a desperate attempt to kill the Dreadlord holding Faile captive. The moment when the meekest of characters tried to win in the face of impossible odds felt like a turning point, when once again, momentum can begin building for the heroes.

Writing Lessons:

Use character to motivate actions, rather than strategy or logic.

A Memory of Light - Chapters 29-32

In this section, the Great Captains are removed and Mat takes over everything.

The next chapters contain a bit of overlap, as we see closely-spaced events from several perspectives. Since they all concern the erratic behaviour of the Great Captains and the events on the field, they mesh together well, though they remain strongly plot-driven.

Lan investigates Agelmar’s tactics, and finds disturbing facts. Lan resolves the problem with dutiful competence. He doesn’t grow, he doesn’t learn, he simply applies what he already has, and solves the problem. Perhaps the fact that the solution is to admit defeat constitutes character development of a sort, but it feels much more like plot-driven necessity. The scene is perhaps most successful in how it sets up later expectations. Lan does not consider a final stand to fulfill his long-awaiting destiny to fall fighting the Shadow. He instead tries to save as many lives as he can with a hurried withdrawal, carrying on in the way he promised his Malkieri followers.

Mat scouts the battle with Tuon in tow. In true ta’veren fashion, he learns what he must do to save humanity, capturing a new damane and other followers in the process. The Seanchan captain won’t work out in the end though, if this paragraph follows the same type of symbolism used in earlier books: The Seanchan captain reminded him a little too much of Talmanes, and Mat had enough people following him about. I wonder if he plays dice, Mat thought idly, stepping into the water. His boots were good, but all boots eventually leaked, and his feet squished inside his stocking as he walked across the ford with Pips. The way the author leaps forward with the action throughout the book makes it harder to tell if this set-up was intentional, but the section is so introspective I think it must be.  

The following sentences both succeed and fail to capture Mat’s personality: Any man who wanted to wield the One Power was already crazy, so far as Mat considered it. Adding more crazy to them would be like pouring tea into an already full cup. The physical analogy of an overflowing cup is common enough that readers easily identify it with a man who yearns for the simple life. His disdain for the men who channel saidin is equally well captured, consistent with his previous thoughts on the subject. Where the analogy fails, is that Mat rarely drinks tea, and tea has no association with erratic behaviour. A better choice to bring out Mat’s personality even more could have been to make the analogy with an alcoholic beverage, such as a cup of wine or a mug of beer. He speaks about his bedtime mug of ale only two pages later!

Perrin enlists Elyas to help stop Ituralde from sabotaging his own army in the waking world.

Rand’s leg slipped backward, and brushed the darkness behind, which waited like a pool of ink. A light brush is more effective than a plunge or other motion in conveying the danger.

Elayne’s army almost wins, having overcome Bashere’s treachery too late. She fires a final ball of flame to protect the Dragons, the symbol of human innovation. Almost as if summoned by her gesture, Logain’s Asha’man rally her forces and quickly devastate the Trolloc horde in a particularly inventive fashion. Androl leads the first ever circle of male and female channelers cooperating on a large scale. Differences are set aside in desperation, here as has happened elsewhere. Once control has been established, Elayne asserts that the Trollocs will be slaughtered down to the last one standing, lest they get up to havoc while she helps elsewhere.

Egwene has the hardest time of everyone accepting that her trusted general is a traitor. She finds that she trusts Mat more than even Bryne, despite his carefree ways. This is justified by her memories of his past actions, newly minted to reinforce that she knows his true heart despite staying an arm’s length from him for years. A couple of plot-driven reasons to trust also are invoked: he broke Bryne’s orders to the Seanchan cavalry to save many men, and he is the only one who they can be sure is under no Compulsion.

Assessing the situation, Mat decides to assemble all the Light’s forces in one location, close enough to the Shadow’s two main forces to draw them irresistibly into battle, before they can ravage elsewhere, or return to Thakan’dar. Displaying weakness should work, after all it was the Shadow who launched the initial attacks against humanity, putting them on the defensive. Rand used their desperate plight as cover for his own daring raid on Shayol Ghul, yet the Shadow must not be worried, as only a handful of Dreadlords and Graendal have intervened there. Perhaps keeping the good guys penned up just trying to survive is the minimum objective, as they would be powerless to help Rand. Who would benefit most of everyone just Traveled to Shayol Ghul?

Galad’s perspective is well-suited to state the blunt awful truth about how bad things are, and how much worse they are about to get. Tam and Elayne counter grim reality with hope, spreading the message that all must focus on what has been won, not what has been lost.

Writing Lessons:

Analogies must fit the character making them as well as the situation they describe. 

A Memory of Light - Chapters 25-28

In this section, Egwene makes uneasy alliance with her personal Dark One.

Egwene has good reason to detest the Seanchan, having endured a short time in their clutches as a damane. She is tolerant of their help when she first hears of their arrival, but the matter of who leads who must be decided. So, she and Fortuona must meet face to face for the sake of expediency, despite the risk to their status being seen doing so.

She wore a glittering dress whose train extended a ridiculous distance behind her, carried by eight da’covale, those servants in their horribly immodest clothing. The use of the adjectives ‘ridiculous’ and ‘horribly’ not only describe the physical appearance of Fortuona’s garments and entourage, but also Egwene’s judgment of it. This sort of deep and personal attribution of adjectives is one way the author succeeds in crafting the third-person limited point of view.

In her confrontation with Fortuona, Egwene takes up the familiar theme of freedom to choose. Many of the evils in this world limit people’s freedom, and Egwene’s cause is one that Rand recently supported, and will again in his imminent confrontation with the Dark One.

Both Fortuona and Egwene can be excused for spontaneous bouts of uncharacteristic blurting out what they are really thinking when their minds should be keenly focused on the politics of this encounter.  Their minds may be sharp as diamond-studded bear traps, but all preparation and logic go out the window once a ta’veren is part of the conversation. If Mat weren’t present, readers might frown over the women’s lack of formality and veering off topic. I suppose Egwene’s eagerness to publicly beat Fortuona account for some of her behaviour.

Elsewhere, the generals are caught making mistakes, and Bashere is arrested as a result. Lan has verified his suspicions about Agelmar as well. Perrin would like to investigate this matter more, but he has been battling Slayer and protecting Rand.

In his battle Perrin sees an image of snakelike men battling as well. Are the forces of evil also attacking the Aelfinn? Or are the Aelfinn and Eelfinn secretly participating in the battle at Thakan’dar, staving off the threat to their own existence?

The dreamspike serves a major plot related purpose, keeping Rand safe from outside interference, though it may later slow his escape. The wolves add to Rand’s defense, summoning Perrin whenever Slayer approaches.

Perrin’s encounter with Slayer ends in victory as the other man is driven off before he can harm Rand. Perrin and Gaul also fight several red-veiled Aiel, defeating the last by changing them into idiots. I wonder whether the turning process somehow weakens their willpower, thus affecting how easily they are altered in Tel’aran’rhiod, or perhaps it is simply lack of training as Perrin surmises. Lanfear even shows up to aid Perrin yet again, and despite misgivings, it is difficult not to wonder if this most Forsaken of them all might be swayed back to the Light.

Moridin has no such second chances in his future: “Now? Now you beg me to return to the Light? I have been promised oblivion. Finally, nothing, a destruction of my entire being. An end. You will not steal that from me, Lews Therin! By my grave, you will not!” Moridin came forward swinging.

Shaidar Haran’s demise is anticlimactic, yet not without interest. The giant Myrddraal’s husk lies on the ground before an infinite Blackness, whose touch may spell the end of Rand. Moridin will try to bleed one last time to weaken him enough for the Dark One to prevail, perhaps even to defeat Rand himself. The stakes, emotion, and uneven odds all contribute to the intensity of Rand’s slow progress to the Bore. The slow pace of Rand’s battle, explained by the time differential, also keeps the tension high. The book is half over, and he’s just facing his opponent now. How much can be left? What will happen? So, so good.  

A raken hit by a fireball crashes atop a messenger in Byrne’s camp. With no one else to carry a plea for help, Min offers her aid. Necessity is a very believable reason for improbable coincidences to take place. In this case, it provides the desired motivation for Min and Bryne, and is quicker and more elegant than any other convoluted attempt to place her with the Seanchan could be. Added to Fortuona, Min and Mat now offer another convenient pair of viewpoints to show events from a more Seanchan perspective.

The use of an Ogier song of mourning makes the reader’s mood more downcast, especially in contrast to how the Ogier’s manic battle rage had provided an uplifting source of hope in an earlier chapter. Loial’s sections are short, and used to punctuate the plot with the desired emotion each time he shows up.

Writing Lessons: Use adjectives to simultaneously describe physical and symbolic elements, as well as reveal character.  

Use necessity as a means to make improbable scenarios more believable.

A Memory of Light - Chapters 21-24

In this section, Demandred finally appears in person, and the day dawns twice as Rand enters Shayol Ghul.

Siuan and associates escaped the Sharan attack by diving through a pre-existing Gateway to fall hundreds of feet to the ground, and readers are informed of this via a short flashback. The flashback allows the author to skip right to the introspection by Bryne, which is the key element of the scene. A scene with Siuan falling towards a crash landing even as she surveys the battle from above could have been awesome, but longer than the 2/3 of a page for the flashback. A narrow escape might also have raised the reader’s spirits a bit, and the intent here is to keep them very low.

Lyrelle gives a solid example of just how self-serving some people can be, even in crisis times when altruism is the desired virtue. She gets her Warders, but only because there were enough men who actually wanted to be Warders. The point once again, is that the Asha’man choose their own path, marching to the Last Battle not because they must, but because they want to. It’s a nice mirror to Rand’s own storyline.

Egwene witnesses Bao the Wyld, Demandred, as he executes prisoners and questions Leane. There are so many hints of an epic back story to his dominion over the Sharans, but thankfully it’s used to tantalize and not bog down the story with exposition.

The Sharan culture is a sharp downturn from even the Seanchan culture which readers and characters have grudgingly had to accept. In Shara, there is no hope of rising, only fear of falling to an even worse position. Even the ‘lords’ “had hollow, haunted expressions. They slumped forward, eyes down, faces wan. Their arms seemed thin, almost skeletal. So frail. What had been done to these people?”  This culture symbolizes what Demandred and the Dark One offer. Nothing.  Had they been introduced earlier, the symbolism would not have been as effective as now, when the other Nations and their various cultures stand together in opposition to a nihilistic way of life.

Perrin confronts Graendal in Tel’aran’rhiod, bending balefire as a matter of course. Lanfear, the Age of Legends’ premier researcher into space-time, then tells him how time is being affected by the Last Battle, even in the waking world. The use of time distortions, with the Bore acting as a black hole where time runs slowest is a brilliant way to make the battles in each location last an appropriate amount of time, and to pass off any disparity as a random fluctuation instead of author error. It also speaks to the finality of the Last Battle, if time itself can no longer be counted on and reality frays away.

Lanfear offers Perrin even more aid, and a chance to be her consort. She scorns his refusal, jabbing him with the revelation that his father-in-law was Graendal’s target. Now readers have the big piece of the puzzle they were missing, and know that the generals are subject to the Forsaken’s influence. Bryne’s bond with Siuan ought to protect him though…

In desperation, Gawyn uses the Seanchan Bloodknives’ rings to move Egwene from the Sharan camp. Leilwin helps her along the way. When confronted with a Sharan who has captured her, Egwene is able to let herself feel intense fear and then control it.

At Shayol Ghul, Aviendha leads the channelers against the first Forsaken and Dreadlords who appear to thwart the strike. She finds ways to defend against balefire, and devises methods to fool their opponents should they strike again.

Rand enters the cave with Moiraine and Nynaeve, Duty and Conscience, at his side. They have always played these roles, nagging at him to do what he knows he must. He has found a way to balance the two driving forces in his life. He wasn’t certain if he should be pleased that the two of them had started to get along. Nynaeve’s new short-haired maturity shows how Rand’s conscience has found a way to adapt to the other moral frameworks he has encountered, staying the same but just a little different because of that exposure. Rand wears a coat bearing the thorns representing Manetheren, a reminder of the tale Moiraine told long ago to give Rand the bedrock of confidence he needed to face his greatest opponent.

Thom guards the entrance as an eclipse occludes the sun. The sun’s return heralds Rand’s victory, a symbolism that is so obvious that the author spends only two paragraphs dwelling on it each time a character sees it in their location. Except Elayne, who makes a speech that would fit Manetheren’s last stand as easily as the defense of Cairhien she now leads.

Moiraine gasps as a voice shakes them, the voice of the Creator. It portends no victory, only the inevitable confrontation that the Pattern has pulled Rand towards with thousands of threads. As with Rand’s own drive to save mankind so they can continue trying to live their lives and solve their problems, the Voice can’t or won’t help Rand, it can only give him the opportunity to do things right this time.

Fortuona makes an observation about Mat which mirrors what has happened with Rand: He has changed, yet is the same. Mat is chaos, Fortuona order. The ability of Seanchan to accept a change in station is funnily portrayed with Mat’s response to being renamed, told from Fortuona’s perspective: “Knotai?” Knotai said. Knotai convinces Fortuona to send aid to the Aes Sedai.

Elsewhere, Agelmar, Bashere and Ituralde seem to be doing everything right. The Sea Folk make their last appearance of any import when Zaida reports the Bowl of the Winds is all that is keeping the Dark One from scouring the valley of Thakan’dar.

Writing Lessons:

Know what your characters represent so that you portray them consistently.

Towers of Midnight - Chapters 46-50

In this section, a glimpse of the future is given.

Faile participates in negotiations with Perrin and Elayne over the fate of the Two Rivers. Elayne cannot enforce her writ, so she avoids being a tyrant or a fool and creates bonds to tie the fledgling nation of the Two Rivers to Andor. Elayne soon does the same with the Cairhienin, binding their fates together with an exchange of lands and nobles.

Fortuona questions Elaida, and the Seanchan gain Traveling. Ominously, she decides to use this tool to subjugate the remaining Aes Sedai in an attempt to get Rand to serve her as prophesied.

Mat explains his quest to Perrin.

Aviendha goes through the glass columns in Rhuidean, in another fan-favourite scene. I’ll contrast this scene with the similar scene in Chapters 24-25 of The Shadow Rising, when Rand originally went through the glass columns to learn the history of the Aiel.

The glass columns scene in The Shadow Rising sets expectations for Aviendha’s visit. It isn’t possible to surprise readers with the mystery of Rhuidean, or the Tree of Life, or the visions because they are already all well known. The fog has lifted from Rhuidean, and there are no more mysteries. The author wisely decides to skip over what is known and expected, instead leaving Aviendha questioning “is that all there is?” Rhuidean is mundane now, just like the decisions which led the Aiel to pick up spears and fight.

Restoring a bit of mystery, Aviendha wonders about whether the columns have more capabilities that only what use they have been put to in Rhuidean. The mundane is made extraordinary again, and the weighty purpose of the columns is hinted at, but kept shrouded.

Aviendha’s first vision builds on prior knowledge of how she experiences the lives of the people seen in the columns.  Unlike with Rand’s earlier visit, there is no crafting of links between Malidra and Aviendha, no emphasis on how these two are really one. This first vision contains several links to the present and the familiar, referring to the Waste, Aiel, and a railroad which brings the steamwagons to mind. The mystery is about why Aiel are living like scavengers and why is Aviendha seeing life through the eyes of a random Aiel girl? The revelation is not only the details in the vision, but the fact that this vision exists at all. A need is established immediately, but it is mundane, a quest for food, instead of the character oriented need of Mandein in Rand’s visions. There is no firm historical link between Aviendha and Malidra yet, largely because Malidra has no character or identity, she is simply a scavenger looking for food.

As with Rand’s visions, each subsequent vision establishes more detail, eventually revealing that the visions are linked along Aviendha’s, and Rand’s future bloodline, containing links to each other, and to the current day. Whereas Rand’s visions began as known to be his personal and cultural history, of which he was then learning the details, Aviendha’s reverse this by showing the details and then establishing that this is her personal and cultural legacy.

Rand’s visions used parental relationships to convey the passing down of cultural responsibility from one generation to the next, giving great weight to the losses suffered by each of the lives he lived, and great importance to the sacrifices. Aviendha’s visions are bereft of such attachment to identity of the next generation, as shown with the casual indifference to the loss of children. In each of Aviendha’s visions, the women try to maintain the culture of the Aiel, at the cost of the people, overlooking that sacrifices are made for family, not only for the sake of sacrificing itself.

The lives of the women take on personal importance to Aviendha. Each of their failures is hers, and Rand’s. While so much of the history of this world has built towards the day when Rand faced the Dark One, until recently there was little attention to what happens after the Last Battle. Rand is not the end point of the cross-generational burden, he is a link in a chain which extends as far into the future as into the past.

Once again, the reverse chronological order the visions are presented in is effective in drawing the reader in, and the revelation puts the emphasis back on Rand and Aviendha to correct mistakes.

How can Aviendha find a new identity for the Aiel and overcome the Seanchan menace, or even craft an alliance with them that outlasts the Last Battle? One possibility is the Aiel clan chiefs and Wise Ones singing the lost Tinker Song, since they all learned it in the glass columns. The song is an act of creation, and can overcome the blight afflicting the crops of the world. Such a life offers an honourable and productive alternative to clan warfare. The Aiel once sealed a promise with a sapling of the Tree of Life, and they could do so again with the Seanchan, even offering them Avendesora itself. What good could come of Seanchan nobles walking through the glass columns, seeing the mistakes and errors of their ancestors? With this insight, the Seanchan and Aiel should be able to avoid some of the decisions Aviendha saw in the glass columns.

Writing Lessons:

Withholding context while establishing links to other parts of the story creates effective mystery.

The Gathering Storm - Chapters 34-36

In this section, Tuon resists and rejects Rand.

The first time I read The Gathering Storm, I found several of Mat’s humourous sections over the top and out of character. This time, they provided the heartiest laughs. Rand’s chapters are too grim to allow humour, so a brief Mat interlude allows a quick respite from the grimness, before launching back into it. All Rand all the time would be a grind to read, but Mat’s sections give the book a tempo such that it feels like two beats down, one beat up, two beats down, one beat up, until Rand hits rock bottom. Here’s a quick look at what makes the humour in each of these sentences effective.

Next he knew, the daisies on the sides of the road would be ganging up to try and eat him. Exaggeration to the point of ridiculousness.

Mat’s overly detailed aliases for the raid on the town of Trustair have several more examples of exaggeration, this time by adding detail upon detail, any one of which would be acceptable, but when combined sound preposterous.

Mat’s seat: Bloody thing must have been designed by insane, cross-eyed Trollocs and built from the bones of the damned. A combination of exaggeration and uncommon details.

You’re Aes Sedai. I figured you… you know, saidared it. Inappropriate use of a word is funny, this one manages to take Aes Sedai down a notch as well through its lack of respect, and ridicule of prominent figures is usually accepted as funny. 

Is Verin lying to Mat? She goes to some length to present a fantastic story of coincidence and fate, yet as it is begun, the following line puts it all in question:  That smile on the corner of her lips? That was the smile of a jackleg who didn’t care that you were on to her con. Now that you understood, you could both enjoy the game, and perhaps together you could dupe someone else. She then establishes the context for her incredible tale: Mat is ta’veren. Mat shrugs it off but their argument ought to make everyone else more convinced it’s true. If it isn’t a true tale, then it must have been to convince Mat that the thing that Verin has for him, a letter with instructions, is so important that he can’t afford to ignore it as he typically might. It would also require that Verin’s ability to find Mat be explained when none of the Forsaken or Darkfriends have been able to. If it isn’t a true tale, then why not have Mat admit to himself that he’s just playing along?  Or is all that captured in his concluding remark as he accepts her letter and her terms: “Why was Verin being so cryptic?”

Thanks to the Mat interlude, readers are a little less pessimistic about Rand’s mood when he meets the Seanchan. That doesn’t last long though, as he is soon trying to use the True Power to bend Tuon’s will and give him the treaty he wants. The fact that Tuon can resist shows her strength of character, but it also shows a weakness to the True Power. If the True Power could force someone to change her mind, they have to be accepting of that change, much as Shemerin was with her demotion. Tuon truly does not want to give in, and despite Rand using the True Power on her, she is able to resist. The True Power cannot make you do anything, control over that comes from within. This fits thematically with many of the other truths of this world, such as Rand’s many encounters with Moridin, the sudden twisting of his ta’veren powers to the nasty side, the way Tel’aran’rhiod works with force of will, and maybe even with the worst of the Dark One’s powers: the ability to turn people to the Shadow using Myrddraal and channelers. It is possible that resisting turning can cause the effort to fail, at which point a captive is killed.  It could be that it is fear of death that gets captives to surrender, and allow the conversion to the Dark. Tuon’s resistance is a mixed blessing, for readers want peace so Rand can focus on the Dark One, yet it is apparent that Rand’s victory in this matter by using the True Power would have a bad outcome. With all those weighty matters grabbing the reader’s attention, it is easy to overlook the seemingly insignificant detail that Rand was simply unable to bend her will using the True Power, which will be a key to victory in A Memory of Light.

The cultural chasms between the Seanchan and the rest of the world are vast, and Tuon says that these lands had forgotten their oaths. Oaths to do what? Await the Return? Obey? It feels like we are missing some element of what the purpose of the Return was, only glimpses of which are revealed by Tuon’s mention of the Essanik Cycle. This set of prophecies is widely believed to be a corrupted version twisted in meaning by Ishamael, but it is also possible that it is nothing of the sort, and that it simply tells how the Seanchan will command the Dragon to fight the Last Battle, and that the oaths are akin to those of the Borderlands or Manetheren, to pledge to fight the Shadow.

Writing Lessons:

Create funny sentences using exaggeration or a series of uncommon details.

The Gathering Storm - Chapters 17-20

In this section, new difficulties present themselves to the characters.

The way in which Brandon Sanderson jumps from character to character makes it harder to identify themes in the fifty-page portions I post about. Where in earlier books there was time to delve deep into a character’s psyche, in this format there is hardly time to start thinking in the same way the character does before the perspective changes to a new character. This format is a good fit for Sanderson’s sketchy descriptive style, where he is able to use minimal description to give the illusion of a fully-imagined location. Longer descriptions would hinder this jumping about, and would also have delayed publication in all likelihood. I can see ways in which several Cadsuane or Perrin viewpoints could have been combined into a longer single chapter or two to retain the format of earlier books. Sanderson may also have divided the chapters into these short bursts to better follow the chronological order of events, although the fact that Tuon is only now agreeing to meet Rand when her agreement was revealed to the Aiel several chapters earlier undermines that possibility.

Cadsuane breaks Semirhage by damaging her pride, and humiliating her. Semirhage will still never talk, but Cadsuane has at least proved who is the greater of the two. Recalling that in past books Cadsuane represented the Light itself, how can her interactions with Semirhage be viewed? On the surface, Semirhage represents pain, but her personality is sheer pride. She knows everything worth knowing, and whatever else Cadsuane may know is dismissed by Semirhage. She is cold and without feeling, the only emotions she expresses are calculated to raise her standing and diminish others. While Cadsuane knows that “a statue with no feelings could not face the Dark One”, she is faced with just such a personality in Semirhage. She has a staunch reliance on her intimate knowledge of the human body, seeing it only for its parts and treating the human spirit as worthless, something only to be destroyed.  Semirhage may dismiss the Light, or believe is has no bearing on her, yet Cadsuane’s simple punishment strikes at the core of her certainty very effectively.

Perrin can’t move refugees away quickly enough, and they cling to his protection, refusing to leave even if Gateways are provided. This is the second Perrin section in which he hardly spares a thought for Faile, concentrating on his unwanted leadership and his duty to Rand even though he has just complete a multi-volume single-minded quest to free Faile. While Perrin alludes to single-mindedness as his problem, and thinks he has a need to strike balance between these competing forces in his life, the switch to his current mindset is startling. The story demands that Perrin return to the Wolf Dream, and the rationale offered involves a character-driven plot that it is claimed has been set aside for some time. Perrin quite deliberately used his followers desire to follow him to serve his selfish purpose of freeing Faile, so it’s true that he doesn’t want to be their leader, and ignored that aspect of his personality in order to regain Faile. He used the wolves similarly, but now he resolves to treat both groups as they deserve, which has nothing to do with his broken relationship with Faile. The fact that he has dwelt this long on what still stands between them, when he has forgiven her any betrayal, implies that the fault still lies with him.

Since it’s unclear where Robert Jordan’s guidance ends and Brandon Sanderson’s ideas begin, I will accept general plot lines as being Jordan’s influence, but with Sanderson’s words telling them. This means that Perrin’s angst was planned by Jordan, and must have some deep-seated reason for existing. I still see this as confirmation of an event that Perrin doesn’t want to confirm, regarding his night with Berelain.

Grady explains the problem with moving so many refugees in engineering-lingo, placing a mathematical word problem in the text. It gets the point across, but does anyone in this fantasy world really calculate things with ‘per second’? A better suited measure would have been knowing how many men can march past a certain point in an hour, which has a practical application in the military forces of this world, and phrased the measurement as “Balwer and I figure we can move about seven thousand men through the gateway in an hour,” leaving Perrin to do the sums for his hundred thousand refugees.

Siuan learns Elaida can travel and figures out the implications for the army very quickly. With Sharina’s help, Siuan learns that Lelaine is trying to foment discord, and is angling to take over the rebels in Egwene’s absence. Again, this section could have been juxtaposed with Siuan’s earlier section, and presumably her later ones, to keep the format of earlier books.

Tuon hears of Trollocs in Altara, forgives Beslan for a rebellion, and prepares a raid on Tar Valon, before finally agreeing to meet Rand. After some reflection, it seems that Perrin, Mat and Tuon are in the same timeframe, while Rand’s sections may be several days ahead. It is certainly confusing and jumping from character to character with several days gap between each time we see them only adds to the confusion. The advantage of the format in earlier books is that readers had to perform these mental gymnastics once much less frequently. The disadvantage is when too many events are crammed into a single day, straining believability, yet it works quite effectively in this throne room scene, which compels characters to save their important business for this particular day.

Mat is in love, and is bound for Hinderstap. His section starts with rampant humour, which is startlingly out of place given the intensity and pacing of earlier chapters. Yet any humour has to be here, because in a few short chapters, the intensity will not allow for any humour but gallows humour.  

Writing Lessons:

Short viewpoints, writing style, description, pacing, and clarity all affect each other. Use them coherently so they support each other, and do not undermine each other.

Knife of Dreams - Summary

A friend said, after skimming this blog, that I appeared to be shredding the author’s work, and wondered if I disliked the books. I can see how anyone looking at the fan sites might take our intense discussion of the minute details as harsh criticism, but we’re only willing to dedicate that much effort in discussing them because we enjoyed the books so thoroughly, and want to extract every last nuance we can. Particularly with a work that is layered like The Wheel of Time, where every passage has meaning, and every plot is inspired by several myths and legends, these discussions can take on many facets, combing over the same ground and finding new jewels to admire.

Knife of Dreams was the last book Robert Jordan wrote in its entirety before his untimely death. His writing had a flavour and depth unlike anything else I’ve found. Which is why I’m spending so much time analyzing it.

After the slow pace of Crossroads of Twilight, Knife of Dreams promises very early on to deliver resolution and action. The author accomplished this by establishing several countdowns early on, intending to dispel any doubts that this book would repeat the letdown of the previous book, which was at least partially due to the wait for its publication.

Beginning here, several plotlines directly mention the Last Battle is imminent, creating tension as readers recognize the heroes are not ready, forcing them to make unexpected concessions. Conflicts involving tens of thousands of Trollocs are handled easily, providing a reference that can be used in future books. A hundred thousand men in a battle is no longer a big deal, not when a dozen channelers can face it down without taking a scratch. Echoes of this are seen in Perrin’s rescue, where tens of thousands are involved once again, yet the victory is so overwhelming that the specific individuals he sought to rescue are unharmed by his assault of the city. Hundreds of Elayne’s best soldiers are disintegrated by just one Aes Sedai with a rod that shoots balefire, proving that warfare has escalated to a level where only the number of channelers matter, armies are inconsequential when facing them.  The unsurprising surprise revelation that the Black Tower is recruiting men to fight for the Dark One instead of the heroes is enough to put true worry in the reader’s heart. Hundreds of evil channelers could unleash even more destruction and death than in any of the conflicts presented in this book. One thing Robert Jordan has succeeded admirably at is to slowly build up towards the final conflict, edging the scale of battles slightly upward with each battle, and each book. The slow build is a distinctive feature of his writing, the reason why some fans think it’s too descriptive, and others keep finding layers of meaning.

The theme of Knife of Dreams leads into the Last Battle very nicely. The Knife of Dreams refers to the razor-thin margin between victory and defeat. In all of the conflicts in the book, small events turned the course of battle, or could have derailed the heroes’ plans. Just as the scale of the conflicts sets the low end of the standard for upcoming conflicts, the margin of victory established will always be close, and will be narrowest in the Last Battle.

Another theme running through the book is a question about how well the characters know each other. Mat and Tuon’s courtship shows them starting off uncertain about each other but growing confident in their understanding of each other. Rand is hopeful he can reach alliance with the strangers from Seanchan, whom he hardly knows at all. Traitors are exposed in Caemlyn without much ado, just a cynical acknowledgement that people lie. And cheat. The sections dealing with Faile and her romance with Rolan clearly state that she has remained faithful to Perrin, yet the descriptive text is a metaphor for her guilt over her situation, and her attempts to conceal secrets that are to widely known. I was sufficiently shocked at this contradiction, I had to go back to Winter’s Heart to reread when Perrin wakes in Berelain’s tent, and found the text could be interpreted as Perrin asking Berelain what alibi she has crafted. Whether either Perrin or Berelain cheated is not the point so much as them questioning whether the other did. In both cases, the text reads as though Perrin and Faile are unreliable narrators, refusing to acknowledge what happened even to themselves. In a preview of what Rand will later go through, the young couple instantly forgive each other anything that happened while they were apart, accepting that despite their love for each other, neither of them is without flaws. Concealing events that are the opposite of what the characters lived through while showing their point of view is an incredible accomplishment.

If you think you know Perrin and Faile well enough to say they never cheated on each other, ask yourself if you knew Robert Jordan’s writing well enough to say he wouldn’t have written such a thing, or conceal it if they did cheat.

Writing Lessons:

Make use of unreliable narrators to defy expectations and conceal key information.

Knife of Dreams - Chapters 35-37 and Epilogue

In this section, Elayne gains a throne and Mat gains a wife

Dyelin throws her support behind Elayne, publishing her proclamation so it cannot be rescinded. Dyelin claims she never had any interest in the throne, and that it should stay in the Trakand family unless there is good reason for it not to. More importantly, she finds Elayne is an excellent ruler, has believed she would be a great ruler since before she went to the White Tower, and praises her in a manner reminiscent of Elayne’s mother Morgase. As the symbolic mother, Dyelin’s praise elevates Elayne to full womanhood, as well as to ruler of Andor.

The remaining High Seats are skeptical and question Elayne, but she explains herself and turns the question back on them. What would they have done differently? Nothing, as it turns out, and they quickly recognize her worth as ruler and throw their support behind her. Ellorien holds out, but promises to come when Andor marches to the Last Battle.

Elsewhere, Karede enters Mat’s camp in pursuit of Tuon, believing that her abductor is Thom Merrilin. Karede’s perceptions of Mat’s followers give a brief and accurate summary of where they stand in their relationships with each other and with regard to the Seanchan. Mat rides up with Tuon, settles a dispute between his Aes Sedai and the damane Mylen, and proves he can’t be touched with the One Power. Karede has a brief spell of confusion as Thom is revealed to follow Lord Mat, who rides up with Tuon and her maid. Karede may not know who Mat is, but now Tuon does, when he finally returns her to the protection of her bodyguard. Mat doesn’t know or trust Karede with her, until she reveals how she followed his career even after he was posted elsewhere. She trusts him, so Mat does as well.

Tuon tells Mat that love is possible, but she is marrying to serve the Empire. She thinks he is lying about his misadventures beyond the redstone doorways, but tells him of her damane’s prophecy, foretelling who she would marry. Mat takes some of her soldiers, while his own men give her a proper send-off. Riding into possible danger, she removes the veil, affirming her identity, and is ready to die as who she is. For his part, Mat has a new identity he has not yet accepted, a nobleman, the Prince of the Ravens.

I have a long-standing theory that Mat is Gaidal Cain, despite the obvious flaws. Tuon’s political view of her marriage added to Mat’s constantly wandering eye makes it plausible, even now, but for Mat’s admission that he may actually be in love with Tuon.

Suroth’s point of view could have been a chapter of its own, or this could have been a chapter from Tuon’s point of view. The amount of time elapsed and the brevity of the section make it appropriate for the epilogue instead. In a show of justice being served, while Tuon claims her new identity, Suroth is stripped of hers.

At the Black Tower, Pevara, and five other Red Ajah meet Mazrim Taim, his first appearance on-page since The Path of Daggers, and claim the right to bond Warders, which he grants. Having Tarna initiate the idea of bonding Asha’man provides a means to get her out of the White Tower and isolate Elaida. A middleman like the Keeper of the Chronicles would have to take Elaida’s side.

Taim’s closing words are a jab at those of us who stuck with the theory that Taim is Demandred. Using a phrase associated with Demandred, even if it was communicated to other Forsaken, will ensure that Demandred comes to mind when someone else utters it. The phrase ‘Lord of Chaos’ is also associated with trickery and deceit, so it is unclear if the author meant to invoke Demandred, or revoke the association. That tag has more than one association.

Writing lessons:

Use a tag associated with one character to bring them to mind when it is applied in another context.

Knife of Dreams - Chapters 26-27

In this section, a jumble of viewpoints leads up to Rand getting injured.

Following Egwene’s lengthy chapter, the next viewpoints are short, and are divided oddly amongst the chapters. Here are the viewpoints, the number of pages in each, and the chapter they fall in.

Chapter 25: Tarna 6, Mat 12

Chapter 26: Tuon 12, Perrin 15, Faile 3

Chapter 27 : Rand 15, Mat 9

It is an odd partition to have Tuon’s viewpoint sharing a chapter with Perrin, when the viewpoint immediately preceding it was Mat’s, who is in the same locale as Tuon. Why not have shorter chapters with no shared viewpoints? Why throw a Mat section at the end of a Rand section, when there is no logical link between Rand’s and Mat’s actions? Tarna’s viewpoint was filled with trepidation, Mat’s also, but less so. Mat is more in control of events once he meets up with his army again. Tuon’s section is back to mild confusion and study of the situation. Perrin is nothing but preparation for conflict, and worry for how it may pan out. Faile is down to a desperate gamble. The range of emotions these characters feel is similar to what Rand has gone through in preparing to meet the Seanchan. Trepidation, study, preparation, and a gamble at the end. But it’s not just Rand; each of these characters also went through something similar in their predicaments. The viewpoints are divided this way to avoid repeating each character going through similar emotions, which could make for arduous reading. The emotions and concerns expressed in each of the sections stands for the others as well. And in the end, each of the characters will make their gamble, knowing that there is a knife-thin margin between victory and defeat, which relates back to the rhyme at the opening of the book. All of these plotlines are linked thematically.  

The Tuon section reveals that surprisingly, she knows as little of Mat as he does of her. Even as a willing prisoner, Tuon plots how to undermine the enemies of her Empire, considering ways in which she can make life difficult for him or his army. Tuon’s inner thoughts have been kept from readers to maintain the mystery around her, so that they are unsure of where Mat stands with her. As their royal wedding nears, it is finally time to reveal some, but not all, of what her goals are, and how she thinks of Mat. This is an excellent opportunity to switch from his viewpoint to hers, since the author’s objective is now to keep some mystery around Mat’s brilliant plan to escape Altara.

Perrin’s plans are much less secret. Readers have been told about the Forkroot, and how Perrin will sneak some men inside the city to help Faile escape, which are the major tricky parts, the rest simply being placement of the troops. Perrin is able to put aside worries about Whitecloaks nearby, more Shaido septs reinforcing his enemies, and a ripple in the Pattern that feels as though he will be undone. That ripple represents how he may become undone by the secrets Faile may be keeping, but his singular focus lets him dismiss it, as he would dismiss anything Faile had done amongst the Shaido. He has an objective, and he will not let moral obstacles prevent him from reuniting with Faile any more than physical ones.

Perrin’s thought on Berelain are so forthright, I can’t help but feel his perspective is wrong: “Light, how could anyone believe there was anything between him and her? She was as beautiful as ever, true, yet the scent that had minded him of a hunting cat was so long gone from her smell that he barely remembered it. The bedrock of her scent was patience and resolve, now. She had come to accept that he loved Faile and only Faile, and she seemed as determined to see Faile freed as he was.” Berelain doesn’t give up, and Perrin’s smells are unerring, so Perrin has either misinterpreted what the smell means or is not being entirely truthful. It’s quite a leap to start suspecting that a bluntly honest character such as Perrin is hiding something that he can’t even address in his inner thoughts, something that contradicts the text told from his perspective. Consider this possibility: Perrin was ready to make a deal with the Dark One to get Faile back, and may have needed Berelain’s help so bad, he gives in to her as the price. Having paid her price, he tries to pretend nothing happened, to which she replied: “Very well Perrin, if that’s the way you want it.” Whether it is true or not, the author has carefully crafted the discussion between these two the morning he woke in her tent, so that a hidden meaning can be gleaned. Enough to raise suspicion, not enough to prove anything. Other clues point to a hidden meaning in the above passage as well: how exposed must she be for him to know the bedrock of her scent?  Why would she no longer smell like a hunting cat, unless she had already caught her prey? Could his forgetting that smell represent him hardly remembering what they did together? Obviously, there is never a Berelain point of view because that would reveal what is meant to never be revealed. Writing with double meaning, or to imply a double meaning, takes a particular attention and skill.

For her part, Faile is involved in rebuffing Rolan’s suggestions that they play kissing games. She plays coy with him, unwilling to lose a potential escape route. Faile hopes that the Aes Sedai Galina proves true, or she may have to take up Rolan’s offer. Readers know Galina is lying, and this represents Faile’s only truthful option being taken away. Faile recognizes that her only slim hope of not having to hide anything from Perrin lies with this woman, who is frantic and unpredictable. Giving the Oath Rod to Galina represents Faile trying to tell the truth about Rolan. The results would be unpredictable, possibly wild, with no guarantees despite Faile trying to force one out of her. The next post will further delve into the symbolism of Galina.

Rand confronts Semirhage, and loses a hand and his eyesight for it. With two other characters having somewhat successful interactions with Seanchan, there is still some expectation for Rand to come out of this well, despite Suroth’s involvement. There is some mild confusion about timing, as readers may be led to believe this scene takes place after Tuon’s return to Ebou Dar, so that Rand can meet her. The confusion is quickly resolved by the revelation that Semirhage was disguised as Tuon. Semirhage represents pain, based on her reputation, but Rand refuses to acknowledge any pain, whether from his old wounds or the loss of his hand. He is effectively cutting himself off from feeling anything, the wounds to his soul somehow eclipsing the grave physical wounds he has taken.

This uncaring sentiment is echoed when Mat refuses to give aid to the Seanchan soldiers he has cut down with his new tactics. Tuon approves: “A lion can have no mercy.”

Writing Lessons:

Unreliable narrators may require you to write true things with double meanings, not deal with certain things, or write outright lies.

Knife of Dreams - Chapters 11-12

In this section, Mat and Perrin are targeted by Darkfriends.

Tuon has the idea to visit a rough tavern of the lowest sort, a hell. Setalle may have given her this idea, so that she can see Mat in his natural habitat. Thom wagers that Tuon has let a sheltered life, winning a gold coin off Mat when she falls for their deceit that a tavern full of merchants is in fact a hell. Little examples about Mat’s petty wagers on just about anything are a good reminder of that aspect of his character. The same applies whenever he assesses the defenses of any location he enters, or the cleavage of any woman he encounters.

Mat plays a game of dice, winning as usual, and raising suspicions that he is cheating. When the stakes are raised to gold instead of silver, he knows that winning will trigger the accusation, and so would refusal to play. He rolls the dice, and luckily loses. Mat may not read, but he can count, and always knows the score: Laughing just as if it were not just their own coin won back, Camrin and Kostelle began dividing their winnings. His calmness and eye for subtle danger impresses Tuon.

Thom learns that Seanchan soldiers are looking for Tuon not to rescue her, but to kill her. She reckons it could be a plot by one of her sisters. Sending a secondary character off-page to gather information is a convenient way to introduce new elements quickly. Thom walks away, and returns with a plot twist in hand, no explanation required. Just in case the convenience of Thom learning about the plot to kill Tuon seems too far-fetched for readers or Mat, he adds he heard this from three different sources. Once again, almost no effort is expended to make the new information more credible. No convoluted explanations, just a simple one.

Moridin’s earlier orders to kill Mat and Perrin come to fruition, when a Darkfriend recognizes Mat, and leads a dozen men against him. Faced with tough odds, Mat takes action he deems will increase his odds of survival, no matter how odd they seem. Some of his memories come from nasty, efficient killers, and he never hesitates, once again displaying the rare traits that are suitable for life in the Imperial Family. His only lapse is to call Tuon by name, so that she can say she won the game after the battle is done. Mat has yet to find anything she will shirk from.

One of the Darkfriends is a local merchant, and Mat concludes he can’t explain away this man’s death in a satisfactory way, so they need to leave Valan Luca’s circus as soon as possible. In the next chapter, amid a swirl of colours, Perrin sees Mat leading a group on horseback into the forest, providing not only an idea of when Perrin’s actions take place in relation to Mat’s, but linking the chapters that makes the separate storylines seem like parts of a whole. The ta’veren viewing mechanism has not yet been explained, other than to say it is ta’veren, but it creates this link effortlessly, which is useful for the author, and will later be useful to the characters. I suspect A Memory of Light will involve concurrent events depending on each other’s success in different locales, such as Perrin waiting for Rand to do something before entering the Wolf Dream. The ability to monitor each other’s progress and actions will create links between the separate storylines, making them feel part of a whole, and allow for rapid pacing as the Last Battle reaches its climax.

Another link to Mat’s storyline and the earlier scene with the Forsaken is provided when Perrin is also set upon by Darkfriend assassins. There is also the man who turns into bugs, the fourth bubble of evil/failure of the Pattern shown in this book, providing another link between different storylines.

Perrin isn’t romancing Tylee Khirgan, but she as impressed with his toughness as Mat is with Tuon’s.

Balwer serves the same purpose as Thom in the previous chapter, wandering off to return with important information later, no further explanation required. It’s just what Balwer and Cha Faile do.

As a nannycrat working with the blind cord police, I love Tylee’s nervousness about dealing with an Imperial functionary. Almost every character in the story to date can be reasoned with by arguing about need, affiliation, honour, or some other ideal. Functionaries care about process. The fact that the manufactory has been successful at producing Forkroot is of no consequence, the functionary would have been just as dedicated to the correct process and procedures if the project was failing. Just one of the Goat’s thousand heads.

Robert Jordan sometimes uses uncommon words which make his prose richer, even though a simpler word may have worked as well.  

A farm on rolling ground hove into sight

I’m afraid there’s no jaunt into Maderin for you, Precious.

Small piles of gold and silver admixed with a few gold coins lay in front of each of the players.

In this next one, he repeats the fact to emphasize it, adding a word for even more emphasis: She hissed at him. She held the entry flap open, but she purely hissed like a cat.

Writing Lessons:

Look for ways to cut back on explanations while retaining their credibility, like having a competent character state a fact, learning things off-page, or using a simple explanation instead of a lengthy one.

Knife of Dreams - Chapters 8-10

In this section, Mat unites his followers.

In other posts I’ve pointed out how the books are most entertaining when they follow a character for a few chapters, then jump to another locale for a few more chapters, and so on, so that each locale is seen three or more times, and enough time is spent in each locale to advance the story. This section takes us to the fifth consecutive chapter from Mat’s point of view, with one more to come after. That’s a significant chunk of the book, and a sign that either some characters will be cut out, or have abridged sections. Nonetheless, Mat’s uniquely funny voice and a sense of advancement in the relationships among his followers make these chapters entertaining and flow smoothly.

A number of other ongoing plots are advanced: Mat and Aludra make a deal regarding her cannons, Bayle and Egeanin get married, the sul’dam begin to learn how to channel from the Aes Sedai, more of the Prophecies concerning the Last Battle are revealed, and continual references to the Snakes and Foxes keep cropping up.

Tuon educates Mat about the finer points of reading omens. Most omens are related to animals’ behaviour. The Pattern could have a wonderful control mechanism for the Seanchan Empire with the fervent belief in these superstitions. The Empress and High Blood take them very seriously and appear to alter plans based on seemingly random events. I wonder if Robert Jordan was detail-oriented enough to have known some of these omens when he wrote the earlier books and insert them before readers had any context to interpret them. Even he wouldn’t have. Right? Funnily, things that Mat knows to be true, she derides as superstition.

Mat finally gets Tuon to take a horseback ride with him, and while visiting some ruins he makes a startling realization: the Aelfinn and Eelfinn have established a lasting connection to him and may know exactly what he is doing.

Egeanin tells Mat more about Tuon and what she knows of life in the Imperial Family. Mat has slowly been falling for Tuon, despite starting out as him simply trying to learn more about his fated wife. Setalle Anan is also helping him as much as she can, and trying to correct his roguish ways.

All in all, Mat leaps from misadventure to another, slowly getting to know Tuon, slowly gaining the confidence of followers, and slowly letting other followers get out of hand. Amongst these, Joline loses her temper against Tuon, and then finds an a’dam clapped around her neck. Tuon provides a taste of her effective training methods. Then Mat steps into the fray, unlocking the a’dam despite Tuon controlling the Aes Sedai to weave flows of air around Mat. The Aes Sedai and Tuon had already seen the foxhead medallion in action, so this is the second time Mat is able to do what no man should be able to do, earning the respect of everyone involved. It has taken a while, but Mat’s ragtag band is forging links of trust, dependence, and mutual respect.

A bubble of evil or breakdown in the Pattern has an ancient village materialize, then vanish, taking a peddler with it. Once again, this stands out as a little contrived, seeming to serve no direct purpose other than to provide another example of the signs heralding the Last Battle. It does serve an incidental purpose as a motivating factor for Egeanin and Juilin to make peace between them, and vacate the tent, leaving Thom, Noal, Olver and Mat alone.

Thom has been reading a letter over and over, subtly making Mat curious about the letter, hoping he will ask about it, as Moiraine insisted he must before he can show it to him. Mat, oblivious as always, has taken months to finally ask Thom about it, and at last we get confirmation that Moiraine is not dead. Mat agrees to undertake a perilous journey back to the realm of the Aelfinn and Eelfinn to rescue her, with Thom and Noal in tow. This gives some satisfaction that a long-awaited plot will be resolved, but its resolution is yet several books away.

Writing Lessons:

Create suspense and tension by telling what must happen, then dragging out its resolution.

Knife of Dreams - Chapters 5-7

In this section, Faile and Mat advance their romantic relationships.

Faile is steadily recruiting help, faster than she would like. Rumour travels quickly among the gai’shain, and some of her new followers may not be very reliable. Faile marches inexorably closer to her death at Galina’s hands when some of her followers are able to steal the Oath Rod. Readers have been told Galina’s plan is to get the Oath Rod, then kill Faile. She is unknowingly charging towards her own murder. This has the effect of creating anxiety over Perrin’s recent treaty; instead of beginning the attack now before Faile gets killed, Perrin is heading the other way to gather Forkroot. What looked like progress now costs precious time that Faile may not have. Reversing expectations like this is a wonderful way to keep the reader invested in the story.

Rolan makes his romantic intentions towards Faile known. His is the third possible means of escape she has before her, the other two relying on Perrin and Galina. Accepting Rolan’s help may end up with her sleeping with him. She further realizes that all of Rolan’s spear brothers would know if she did sleep with him. Despite his claim that what happens when you wear gai’shain white is forgotten when you put it off, she still recognizes that secrets are hard to keep: “If Rolan could be believed they all knew! Hope and danger, all tied together inextricably. What a tangle.”

The very next paragraph is a metaphor for her decision regarding Rolan. This is not only a description of the search for the Oath Rod, but also a description of Faile feeling exposed and dirty, hoping to keep her secrets as best she can when so many know. Covering herself as best as she could with her hands, Faile huddled together with other women wearing Sevanna’s belt and collar – they had been made to put those on again straightaway - huddled for a scrap of decency while Shaido rummaged through the gai’shain tents, tossing everything out into the mud. All Faile could do was think about her hiding place inside the town and pray. Hope and danger, and no way to untangle them. As Rolan advised, Faile will not speak of it again, even to herself, and neither will the other women in her situation, each of them complicit in keeping each other’s secrets.

A disadvantage of participating in Theoryland is that we tend to only give credit to information that is given in the text of the story, so in the past I did not believe Faile had slept with Rolan. In this case, Faile has become an unreliable narrator, refusing to even broach the topic of her affair with Rolan within her internal point of view, and certainly never alluding to it in the text. If what happens while she is wearing white can be forgotten, she has already done so to the extent that she can, and the reader will be none the wiser unless they read between the lines. It’s a wonderful piece of writing that says so much while appearing to say so little.

Mat is having much less luck with Tuon. He buys her a gift of a zebra-like horse, a rare and valued breed. Before he can give it to her, he gives Tuon a nickname: Precious. Mat asks Noal about Jain Farstrider, since he is oddly knowledgeable about his ‘cousin’. Even after keeping his identity secret for this long, it still feels contrived that Jain Farstrider is in the story. It would have been obviously worse had readers been told who he was right away. Tuon cuts through Noal’s melancholy, and just like that, another of Mat’s followers is as much under her control as his. The back and forth tug of war between Mat and Tuon for anything and everything is entertaining, and despite Mat seeming to achieve his goals as the relationship develops, he loses as much or more to Tuon’s influence.

Some Seanchan show up outside the circus tents, and after a brief scuffle, the circus folk pack up and move on before the soldiers come back to cause more trouble. Mat is alarmed that the Aes Sedai are channeling with soldiers right outside, and a confrontation with Joline results in Mat learning part of Setalle Anan’s secret: she was stilled. Learning that she has secrets at all feels only a little contrived, because readers still don’t know whether she was an important Aes Sedai or a run of the mill one. Once again, the brilliant ta’veren mechanism can be used to explain away any number of incredible coincidences such as the high profile list of Mat’s followers.

Writing Lessons:

Create tension by having progress in one plotline result in greater danger in another plotline.

Crossroads of Twilight - Chapters 29-30

In this section, Mat and Egwene are the last characters to commit to their chosen path at a symbolic crossroads.

Mat promised never to kill a woman again. In the first chapter, and again in the last chapter, Mat reflected on having killed a woman. “He had killed one woman in his life, and left another to be butchered. He was not going to add a third to his soul.” Melindhra attacked him and was killed before he even realized he had thrown the dagger. Tylin was murdered by the gholam. Now Renna has fled the circus, and is riding hell-bent for the Seanchan army in the last town they passed. Mat means to stop her and bring her back, if he can.

This standing promise not to kill women is tested after Mat makes good on another promise to let Tuon do some shopping in the town of Jurador. Mat’s progress wooing Tuon is based on keeping promises. She believed his promise to release her unharmed enough to promise not to escape. She rode up front of the wagons in front of Seanchan soldiers that she could have called out to, but didn’t, upholding her promise.  He trusts her enough to take her into town, and when she evades him while he is distracted, he manages to find her and not be angry at her, beyond the price he pays for the silk she bought. The premise that Mat keeps his promises is well proven by these examples.

Faced with a split-second decision, Mat orders his men to shoot Renna in the back. Even with the sun blazing in their eyes, there was no question of either of them missing. Something flickered and died in Mat as he gave the order. He swears, “never again, if I have to die for it, never again.” That is a strong promise, but this was never a question of Mat’s life being on the line, but those of the circus folk, and his followers, and Tuon.

Upon his return to the circus Mat finds Tuon has written a warrant placing the circus under Tuon’s personal protection. Tuon had anticipated that Mat might fail, and seeing how Mat did his utmost to preserve their safety, Tuon took actions to ensure they would not pay for their role in Tuon’s abduction and captivity. She shared Mat’s goal, and absolves him of guilt for his actions, proclaiming them just. As a symbol of her growing respect for Mat, she is wearing the gift he gave her pinned to her shoulder. Mat is never what he seems, which is what a Seanchan noble should be.

Egwene’s decision is whether to send a novice from her home village to perform a dangerous task. Bode’s participation is necessary now that a second Aes Sedai has been murdered using saidin. The camp grows more and more afraid about the unknown assailant in their midst but the planned talks with the Black Tower still haven’t been derailed.

Egwene and Siuan run through a number of comparisons with former Amyrlins. Their names or roles aren’t as important as the fact that they are remembered for something. Egwene isn’t yet concerned about what history will say about her, but she already has rumours about her severity being told. Sheriam offers her a chance to spare her best childhood friend from a severe punishment, and she easily chooses not to save Larine from her own mistakes. She further convinces herself that even novices serve the White Tower, rationalizing Bode’s upcoming role in the siege. Then, she realizes that what applies to novices, applies to Amyrlins as well. She decides to take Bode’s place.

The direct explanation for Egwene’s decision is not well explained. The reasoning starts with “Bode must do what needed doing… Aes Sedai, and those who would become Aes Sedai, served the Tower.” And becomes “The White Tower was good at teaching both things, but the first always came first. Bode’s future would be brilliant. Her potential almost equaled Egwene’s. But Aes Sedai, Accepted or novice, the Tower required you to do what was needed for the Tower. Aes Sedai, Accepted, novice or Amyrlin.” It’s logical for Egwene to do the task given her talent for making cuendillar, and the proclamation of war provides the loophole that allows Egwene to put herself in danger, but the magnitude of the decision is lacking. It seems a rather small decision compared to some of the others she has made, but it is as fateful as the other turning points each of the main characters has come to.

Egwene’s explanation to Bode is also weak, lacking a firm foundation for the reader to grasp the idea: ““Some things I shouldn’t ask a novice to do when I can do them better.” Perhaps that was not a great deal milder, but she could not explain about Larine and Nicola, or the price the White Tower demanded of all its daughters. The Amyrlin could not explain the one to a novice, and a novice was not ready to learn about the other.” If not to Bode, it could have been explained to the reader, at least. All that is understood is that Egwene decided to do it herself because she is better at it, and the rationale she provides is gobbledygook which probably requires flipping back a few pages to see what she had said about Larine and Nicola, and getting a similarly unclear paragraph as explanation.

The book ends with a cliffhanger: Egwene has been captured by the Tower Aes Sedai. It is most surprising because every other plotline ended like a television show, with everyone finishing in almost exactly the same situation they were in at the beginning of the story. Only Egwene achieved a change in the status quo. It’s a big difference from all of the preceding books.

Writing Lessons:

When your characters do something odd, or decisive, a clear rationale helps the reader accept it.